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J. S. Bach: The 17 Leipzig Chorales BWV 651-667 | Bálint Karosi
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- čas přidán 15. 08. 2024
- J. S. Bach: 17 Leipzig Chorales - BWV 651-667
Bálint Karosi
0:00 Intro
0:12 BWV 651 Fantasia super Komm, Heiliger Geist [Come, Holy Ghost], canto fermo in Pedale
6:02 BWV 652 Komm, Heiliger Geist [Come, Holy Ghost], alio modo a 2 Clav. e Pedale
14:40 BWV 653 An Wasserflüssen Babylon [By the waters of Babylon], a 2 Clav. e Pedale
19:42 BWV 654 Schmücke dich, o liebe Seele [Adorn yourself, dear soul], a 2 Clav. e Pedale
26:35 BWV 655 Trio super Herr Jesu Christ, dich zu uns wend [Lord Jesu Christ, turn to us], a 2 Clav. e Pedale
30:18 BWV 656 O Lamm Gottes unschuldig [Oh innocent lamb of God], 3 Versus
38:04 BWV 657 Nun danket Alle Gott, [Now thank we all our God] a 2 Clav. e Pedale, canto fermo in Soprano
42:11 BWV 658 Von Gott will ich nicht lassen [I will not forsake the Lord], Canto fermo in Pedale
45:33 BWV 659 Nun komm' der Heiden Heiland [Savior of the Nations, come], a 2 Clav. e Pedale
49:43 BWV 660 Trio super Nun komm' der Heiden Heiland [Savior of the Nations, come], a due Bassi e canto fermo
52:15 BWV 661 Nun komm' der Heiden Heiland [Savior of the Nations, come], in Organo Pleno, Canto fermo in Pedale
54:52 BWV 662 Allein Gott in der Höh' sei Ehr [Glory be to God on High], a 2. Clav. e Pedale, Canto fermo in Soprano
1:01:57 BWV 663 Allein Gott in der Höh' sei Ehr [Glory be to God on High], a 2. Clav. e Pedale, Canto fermo in Tenore
1:07:44 BWV 664 Trio super Allein Gott in der Höh' sei Ehr [Glory be to God on High], a 2. Clav. e Pedale
1:12:38 BWV 665 Jesus Christus, unser Heiland [Jesus Christ, our Saviour], sub Communione, Pedaliter
1:17:00 BWV 666 Jesus Christus, unser Heiland [Jesus Christ, our Saviour], alio modo
1:20:01 BWV 667 Komm, Gott, Schöpfer, Heiliger Geist [Come, God, Creator, Holy Ghost], in Organo pleno con Pedale obligato
on the Thuringian-style Bach Organ in Budapest
Built in 2017 by Aeris Orgona
performed by Bálint Karosi
Note: manual air supply during recording
It is mind-blowing to me that this huge, magnificent sound can be made by 2 guys and a machine which does not use any electrical anything. What have we lost in this electronic era? We gained the ability to make distorted guitar harmonics audible a mile away, and lost art. We gained base urges canonified in sound, and lost our humanity. This organ is God's nature revealed in sounds: grand, powerful and complex, yet remaining gentle, clear and beautiful.
Remember hear you when was young on New York órgel the Bach 731😊
After listening to the voice of Johann Sebastian, impossible to not believe in God.❤❤❤
JSB is my god.
Balint Karosi it's one great organist. One of the Bests organists of the World.
Woawwwwww thank you for your wonderfull playing.
Sobriety and précision.
Bravo.
May be may be sometimes a little bite to fast
It's so wonderfull that we want to hear every notes
👍👍🎵🎵❤❤
Organiste et instrument exceptionnels ! Merci amis hongrois !
En is gratulàlok! Fantasztikusan szép és jô! Merci!
,q
Sie spielen wunderbar gesammelt und konzentriert. Als fliesse die Musik aus Ihren Händen. Es ist ein meditatives Geschenk. Herzlichen Dank.
An Emperor's compositions for the King of Instruments played by a Prince indeed! The performer, what human endeavour can rival his art? Kudos.
Merçi vielmools 🙏👍👍👍
Mister Balint, thanks very much for your nice videos i have enjoyed!
Kees, (from the Netherlands)
Thank you so much!
Fascinating old Organ and good playing of course!
Excellence in phrasing! Congratulations and thank you for your Art!
A very enjoyable group of lovely compositions by the Master.
Excellent! Pedals forever, too!! Your videos are wonderful, thank you.
Great! Herrliche Orgel, wunderbar interpretiert. Danke!
Special commendation to the honorary Airbender manning the bellows! May you never see a slackened wind sock in all your days!
Kedves Bálint!
Fantasztikus, szívből gratulálok!
Superb
Balint, Bravo..brilliant playing....
great work!!
Wonderful playing :D
BWV 651 Fantasia super Komm, Heiliger Geist [Come, Holy Ghost], canto fermo in Pedale BWV 651 Fantasia super Komm, Heiliger Geist 0:12
BWV 652 Komm, Heiliger Geist [Come, Holy Ghost], alio modo a 2 Clav. e Pedale BWV 652 Komm, Heiliger Geist 6:02
BWV 653 An Wasserflüssen Babylon [By the waters of Babylon], a 2 Clav. e Pedale BWV 653 An Wasserflüssen Babylon 14:40
Piękna robota :)
I want picture-in-picture of the bellows pumper. :)
pro tip : watch movies on Flixzone. Been using it for watching all kinds of movies these days.
@Dario Kashton Yup, have been using Flixzone} for since december myself :)
@Dario Kashton Yup, have been watching on Flixzone} for months myself :D
J. S. Bach: 17 Leipzig Chorales - BWV 651-667
Bálint Karosi
@ BWV 651 Fantasia super Komm, Heiliger Geist [Come, Holy Ghost], canto fermo in Pedale BWV 651 Fantasia super Komm, Heiliger Geist 0:12
@ BWV 652 Komm, Heiliger Geist [Come, Holy Ghost], alio modo a 2 Clav. e Pedale BWV 652 Komm, Heiliger Geist 6:02
@ BWV 653 An Wasserflüssen Babylon [By the waters of Babylon], a 2 Clav. e Pedale BWV 653 An Wasserflüssen Babylon 14:40
@ BWV 654 Schmücke dich, o liebe Seele [Adorn yourself, dear soul], a 2 Clav. e Pedale BWV 654 Schmücke dich, o liebe Seele 19:42
@ BWV 655 Trio super Herr Jesu Christ, dich zu uns wend [Lord Jesu Christ, turn to us], a 2 Clav. e Pedale BWV 655 Trio super Herr Jesu Christ, dich zu uns wend 26:35
@ BWV 656 O Lamm Gottes unschuldig [Oh innocent lamb of God], 3 Versus BWV 656 O Lamm Gottes unschuldig 30:18
@ BWV 657 Nun danket Alle Gott, [Now thank we all our God] a 2 Clav. e Pedale, canto fermo in Soprano BWV 657 Nun danket Alle Gott 38:04
@ BWV 658 Von Gott will ich nicht lassen [I will not forsake the Lord], Canto fermo in Pedale BWV 658 Von Gott will ich nicht lassen 42:11
@ BWV 659 Nun komm' der Heiden Heiland [Savior of the Nations, come], a 2 Clav. e Pedale BWV 659 Nun komm' der Heiden Heiland 45:33
@ BWV 660 Trio super Nun komm' der Heiden Heiland [Savior of the Nations, come], a due Bassi e canto fermo BWV 660 Trio super Nun komm' der Heiden Heiland 49:43
@ BWV 661 Nun komm' der Heiden Heiland [Savior of the Nations, come], in Organo Pleno, Canto fermo in Pedale BWV 661 Nun komm' der Heiden Heiland 52:15
@ BWV 662 Allein Gott in der Höh' sei Ehr [Glory be to God on High], a 2. Clav. e Pedale, Canto fermo in Soprano BWV 662 Allein Gott in der Höh' sei Ehr 54:52
@ BWV 663 Allein Gott in der Höh' sei Ehr [Glory be to God on High], a 2. Clav. e Pedale, Canto fermo in Tenore BWV 663 Allein Gott in der Höh' sei Ehr 1:01:57
@ BWV 664 Trio super Allein Gott in der Höh' sei Ehr [Glory be to God on High], a 2. Clav. e Pedale BWV 664 Trio super Allein Gott in der Höh' sei Ehr 1:07:44
@ BWV 665 Jesus Christus, unser Heiland [Jesus Christ, our Saviour], sub Communione, Pedaliter BWV 665 Jesus Christus, unser Heiland 1:12:38
@ BWV 666 Jesus Christus, unser Heiland [Jesus Christ, our Saviour], alio modo BWV 666 Jesus Christus, unser Heiland 1:17:00
@ BWV 667 Komm, Gott, Schöpfer, Heiliger Geist [Come, God, Creator, Holy Ghost], in Organo pleno con Pedale obligato BWV 667 Komm, Gott, Schöpfer, Heiliger Geist 1:20:01
BWV 651 Fantasia super Komm, Heiliger Geist [canto fermo in Pedale]
Is the organ made as representing a particular period of organ building? It looks like it is post-medieval, but only just.
Is the instrument on the side balcony? Large organ was in rear balcony...Shake?
What is the dispsition, of this fine musicinstrument???
I can not hear the pedal on "An Wassflüssen Babylon," but thank you for posting.
Très belle interprétation. Pourquoi n'avez vous pas ajouter la registration choisie ?
Thanks for that great rendering !
PS: Why is this organ tuned so high
@Geoff G F that sounds like an F#, same with every note moved a half-tone / diatonic tone higher ?
Hey if you want you can not ANSWER !!!!!!!
I Make you congratulations of your playing but for you public don't care !!!!!!!!!!!
It's not very good and it's absolutly not sympathique.
You re just a good single player of a greaaaattttt composer JS BACH.
Never forget that !!!!!!
And without our likes your vidéos and playing can not exist.
That's the différents with what you playing and thousand others ones plays.
But just one composed
Mister and Master BACH
Never forget that !
Sometimes it's good to touch the ground.
Fantastic!!!The only thing i don' t like Bach, is that at his most pieces, in the whole piece is in Minor and finish in Major!
Then you should have a look at this article:
en.wikipedia.org/wiki/Picardy_third
It also has an acoustic reason:
Even if a piece ends in a minor key, the major third always predominates in the overtones.
So the old masters thought, let's make it major right away.
Very fine performance! But... what is going on with that pedalboard??? Some pedals are assigned to unexpected notes... Why so?
It's likely a short octave mechanism
I don't really see anything wrong. What I do see is that the whole organ is tuned over a semitone higher than modern pitch, and both manuals and the pedalboard are missing the lowest C#, which perhaps could cause confusion.
Brilliant. Am I the only one who thinks he looks like Dr. Who?
Non si sente l'audio
sorry but i think the first choral was too fast. i couldnt even recognise it. it sounded computer like.