Autumn leaves moves - Barry Harris style. On 3 levels.

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  • čas přidán 23. 06. 2024
  • Learn how to move minor 6 chords on 3 levels. Levels 2 and 3 use the Barry Harris method. Several tips from intermediate to advanced, including drop 2.
    ▬ Contents of this video ▬▬▬▬▬▬▬▬▬▬
    0:00 Introduction
    1:24 Why is it min6?
    2.41 Why the melodic minor?
    5.44 The pickup
    6.33 Level 1
    9.15 Level 2
    11.44 Level 3
    13.05 Drop 2
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    👉*Jazz skills membership & a full free lesson *My site for members with hundreds of categorized tutorials, webinars, learning tools and individual support. Suitable for all levels.www.JazzSkills.com

Komentáře • 55

  • @shanecombs1993
    @shanecombs1993 Před 7 dny

    I’ve been watching so many Barry harris videos lately that now I’m just constantly making up bebop lines in my head. I’ll walk to the kitchen just like “BE BA DA BO DE-DA!!”

  • @florianmcginer5748
    @florianmcginer5748 Před rokem +9

    You are a great teacher and you make Barry's spirit live on! I'm gaining so much from your lessons - Thank you

  • @TaylorJohnHardin
    @TaylorJohnHardin Před rokem +16

    Sees barry harris: Clicks

  • @johnsavold
    @johnsavold Před rokem +5

    I have never understood the G-6 vs G-7 on this song and I've been playing it for more time than I care to admit. Thank You!

    • @JazzSkills
      @JazzSkills  Před rokem +1

      That's the great thing about Jazz. We can always learn something new.

  • @doce7606
    @doce7606 Před 8 měsíci +1

    I'm a guitarist so my man is Wes Montgomery; Barry was in Wes' band and your lessons help bring his signature m6 pieces (four on six, summertime etc etc etc) to life... really hip thanks !

  • @jenniferv
    @jenniferv Před rokem +9

    I listened to Cannonball's version of Autumn Leaves the other day and realized something was off and dull in my playing. I could clearly hear that E, but I didn't understand why it worked and made the song so much more hip sounding. It's the Gm6 that I had been playing as Gm7. Super encouraged that I I'm starting to hear, and so grateful for your explanation about establishing the minor tonality with the 6 chord and the melodic minor. What a huge difference this insight will make! Thanks so much!

    • @JazzSkills
      @JazzSkills  Před rokem

      That's fantastic Jennifer! So pleased to hear that you're having breakthroughs. Keep up the good work.

  • @mahlonstrachan8075
    @mahlonstrachan8075 Před rokem +2

    Absolutely amazing. Love the way you break things down for your audience. 😊 Keep up the wonderful work you are doing...

  • @petermcmurray2807
    @petermcmurray2807 Před rokem +1

    This is a beautiful explanation of how to use Barry and Tonic dominance I shall be back.

  • @amosasante4962
    @amosasante4962 Před rokem +4

    This will definitely be a great one as always

  • @yusefandersen
    @yusefandersen Před rokem +3

    You just god-da love those cool drop 2's with the alternating Gmin6/ A diminished. And damn!
    you make sooo easy.
    Thanks Shan! 🏁

    • @JazzSkills
      @JazzSkills  Před rokem +1

      I love those sounds too 🙂. Thank you!

  • @paulstratforddearsley2516

    Very clearly explained. A treasure trove of possibilities!

  • @marioguarini
    @marioguarini Před rokem +2

    thank you man, you have the gift to say in words what i know it is right but i don't know why, great lessons, a simple topic with a real deep meaning

    • @JazzSkills
      @JazzSkills  Před rokem

      My pleasure! I wish you good jazz :)

  • @soureel
    @soureel Před rokem +2

    very helpful at this moment in my jazz learning!

  • @JoshWalshMusic
    @JoshWalshMusic Před rokem +2

    Great stuff as always, Shan!

    • @JazzSkills
      @JazzSkills  Před rokem

      Thanks so much and I wish you good jazz.

  • @morejazzplz5746
    @morejazzplz5746 Před rokem +2

    THANK YOU SHAUN

  • @mr.khomsornlomthaisong9355

    Wonderful.

  • @bsorryrthatsit7055
    @bsorryrthatsit7055 Před 3 měsíci

    Another fine lesson, it's so great to be a student now a day's.

    • @JazzSkills
      @JazzSkills  Před 3 měsíci

      Thank you and I hope your playing is going well.

  • @hello55125
    @hello55125 Před rokem

    Great video mate, thanks for posting

  • @BestFitSquareChannel
    @BestFitSquareChannel Před rokem

    I really enjoy and benefit from your content. But your style, your presentation suits me so well. Like hand in glove. Thank you. Best wishes... health, joy and wellbeing.

  • @mybiggrin
    @mybiggrin Před rokem

    I love your lessons!

  • @LouisSerieusement
    @LouisSerieusement Před rokem

    thanks !

  • @jameschesterton
    @jameschesterton Před 8 měsíci

    You explained that better than Barry himself.

  • @TheDocgt40
    @TheDocgt40 Před rokem +1

    So that's how Eddie Higgins squeezed the Volga Boatmen into his version!

  • @narombabalakalakouyate366

    Merci bon cour

  • @kingsettle9145
    @kingsettle9145 Před 7 měsíci

    Thank you for uploading.
    I have been teaching myself guitar for a year now, and often get stumped by odd Real Book changes, eg Stella…
    And until now not really understood the function of the Barry Harris method.

    • @JazzSkills
      @JazzSkills  Před 7 měsíci

      Deciphering fake book changes is so eye-opening. I wish you well on this journey.

  • @EllingtonEllis
    @EllingtonEllis Před rokem

    good

  • @kareesu1
    @kareesu1 Před rokem +1

    Thanks so much. I learned so much from this and the best part is to practical application of the theory. But how do we know g minor is melodic minor not harmonic minor with Flat 6 (e flat instead of e natural in melodic minor)? A half dim chord before d7 also has e flat. Thanks!

  • @alejandromedina2349
    @alejandromedina2349 Před rokem +2

    Hi Shawn, great explanation. I have been studying piano for nearly three years, focused in the fundamentals with the view of being solo jazz piano player both swing and straight. I can understand all what you say, but I use much simpler voices and less inversions. I wonder what is the right moment for taking the most of your course. 5 years of piano? Some rough criteria to do it? This Barry method sounds really inspiring but I no do not have enough fluency in what it seemed required.

    • @JazzSkills
      @JazzSkills  Před rokem +2

      I have everything you need at your level on jazz skills. You don't need to be more than you already are.

  • @jefferyboyle7276
    @jefferyboyle7276 Před rokem +1

    ✌ 🎹

  • @gabrielvladimirdavis
    @gabrielvladimirdavis Před rokem +1

    Love your lessons! If we use Eb 6 for 4 chord it seems like we can use Eb 6 diminished scale to harmonize melody... But real book has the 4 chord as maj 7... Am I on right track to change 4 chord to maj 6? Plus Eb is the first note of melody

  • @jayhall6889
    @jayhall6889 Před rokem

    What is happening in minute 1:06 ? How do you get to this smooth transition between Bbmaj7 and Ebmaj7 consisting of Ab D F# Bb D ? Is this a chord movement within Bbmaj7 or how do you think of it ?

  • @sandalero
    @sandalero Před rokem

    what would happen if we not only would have to alternate between Bb6 and Cdim (for the barry harris 6thdim scale) but instead every movement would have to be a 251. like Bb6//C7//F7//Bb6 with melody F,G,A,Bb ... would be GBbDF..BbC#EG...CEbF#A...DFGBb ?? (this all beeing just a melody in Bb) .. in gospel/church they call these "dimished crawls"

  • @jeremiecoquillart322
    @jeremiecoquillart322 Před rokem +1

    You didn't circle the right notes at 6.05 for the pick up

  • @gloriabrinkworth939
    @gloriabrinkworth939 Před rokem

    why do u do it in Bb when your copies r in C & real book is in G?

    • @JazzSkills
      @JazzSkills  Před rokem +1

      It's not unusual to play it in Bb/Gm either e.g. Miles famous recording. I start new students off in C/Am because everyone can play it but I also give them transposable tracks and notation with the advice of comping the chords in at least 3 keys. As this video is basically about one chord, it really shouldn't matter which key as you should be able to transfer these skills.

  • @frederic1000001
    @frederic1000001 Před rokem

    If we follow the logic of the melodic minor scale, the 1 should be a minor minor seventh chord (with a major seventh) so why do we play a min6 instead ?

    • @JazzSkills
      @JazzSkills  Před rokem +1

      Sounds good and it's also in the scale.

  • @nathaniel2603
    @nathaniel2603 Před rokem

    💖 p̲r̲o̲m̲o̲s̲m̲

  • @mymapro9045
    @mymapro9045 Před rokem +1

    Shan ,why are u no explaining the intro ,for us as amateur we need more practical than theorical

    • @JazzSkills
      @JazzSkills  Před rokem +2

      This is a lesson for intermediate to advanced players, although some newer players will find it helpful. The explanations here are important and having taught 40,000 one to one lessons, I think I know what students need. I'm not just going to get people to copy me. There are many channels for that. Besides, this lessons is full of practical tips.