If some people think that these baroque opera performances are extravagant, I tell them that that is nothing compared to Handel's time. In Rinaldo, he used all kinds of scenic resources, special effects that simulated thunder and lightning, fireworks, statues, even water machines. This is known since the British writer, critic and politician of that time, Joseph Addison, said that Rinaldo was an extravagant opera, very new for people in London (that's why it was so successful) and described everything that I am saying.
Yes I heard they were more like a 'party night' with entertainment, food, drink and friends - more like a nightclub. We need more of that idea - less of the stuffiness. Most people sit there like a corpse - unmoved - like not a single note in the music has touched them! Many are way too serious and precious and a tad pretentious.
La regia di Pier Luigi Pizzi , assolutamente originale, con una colorazione fantastica, crea una situazione onirica che mi fa pensare a Pedro Calderòn De La Barca ( La vita è sogno). La musica di Handel ( con quella di Bach ) è la massima espressione del barocco , nel quale la voce gareggia con gli strumenti e ne ripete il suono (Narciso e Eco , di Ovidio).. Siamo ai massimi livelli dell'arte musicale e scenica e giustamente John Mainwaring (Memorie della vita del fu G.F.Haendel, EDT) , raccontando la vita di Handel ne esalta la grandezza, come espressione della Natura, della Fortuna e della Provvidenza . Spettacolo bellissimo e appassionante.
A masterpiece. Great orchestration, masterful counterpoint, vocal pyrotechnics, drama, lyricism, exquisite arias that I love, "lascia ch'io pianga", "venti turbini", "furie terribili", "or la tromba", "cara sposa", beautiful duets , brilliant orchestral scenes like the "battaglia". Rinaldo represents the entire peak of the baroque essence. Handel was the best composer of operas and oratorios of the Baroque, without a doubt.
OMG such a giant composer was Händel!!! His music is from other world!! Absolutely amazing marvelous!! From the Sinfonia, the first recitativo, the first aria... From then on all is pure perfection. Singers must be excellent to perform this super Master Piece. OUTSTANDING!!
Zauberhaft und lieblich begleitet uns diese wunderbare Inzienirung,die mit der Musik magisch verschmilzt. Für die Inzienirung gibt es einen Opern "Oscar",der noch erfunden muss.Operfreunde gibt es genug.3 mal Bramissimo.
STUNNING! What a GORGEOUS and luscious production! I absolutely love them as marble statues, Bernini or Michelangelo, I can't tell. LOL And I also love that it is the 1731 version of "Rinaldo"--with the tenor Goffredo and the role of Almirena expanded for la Strada, I believe--which is not often staged, let alone recorded. While this is a regional production in Italy, the standards are so high, and perhaps this is the more "correct" in terms of the size of the theatre.
Interesting combination of very stylized visuals - the period costumes, the "living statue" makeup, etc., the wonderfully flowing capes - and very emotionally committed and (dare I say) truthful expression. It really works!
I'll give them an A for visual stylization - set, costumes, and make-up. The production really has its own look and I am with them. Singing and vocal stylizations are excellent as well.
Wow! Riccardo Novaro!!!!!!!! Listen to that technique and voice. I would travel miles for that! Bravo to the Harpsichordist in Armida's big Aria at the end of Act 2. Some incredibly virtuosic playing.
My 2nd exposure to Handel . . . (beyond "Messiah"). Here in the Americas, if you're not looking for Handel -- you won't find Handel other than Christmas "Messiah" and Easter complete "Messiah". I really like. So much interplay from pit up to the stage. Obviously requires concentration and caring for the art form (which is pretty darn nice).
A look at Ethernity ?? Eine Augenblick auf Aetaernitaet? Pier Luigi Pizzi makes it possible. He undestands the meaning of "Deus ex-machina", and has set it into practice on this stage. BRAVO, BRAVISIMO
¡Fantástico! Sin embargo, echo de menos una voz más grave en el rol de Rinaldo. De todas maneras, el conjunto es magnífico y llevaba tiempo busando esta representación desde que vi unas fotos de Sonia Prina.
The emperor of Austria, told Mozart: "no ballet in my opera." In the case of this Handel opera the quotation should be: "no statutes or mannequin/ dolls in my opera." It's supposed to be about the crusades and the seize of Jerusalem. A few live action scenes with jousting lances and swords would be appreciated.
Shut up, man. The baroque opera is extravagant. Handel in Rinaldo used all kinds of scenic resources, special effects that simulated thunder and lightning, fireworks, statues, even water machines. This is known since the British writer and politician of that time, Joseph Addison, said that Rinaldo was an extravagant opera, very new for people in London (that's why it was so successful) and described everything that I'm telling you.
What a delight - but I struggled to watch such a visual treat in this inspiring but rather too pixilated stream. I didn't have much hope, but Naxos produced a DVD of this production in 2021, and it is available to buy on Amazon, so that's what I have gone for to get better sound and visuals. But just how clever this direction and design is - those Christian 'paragons' elevated on their mobile plinths. It's just the kind of subversive touch that the subject matter - Crusades, essentially - requires. Thanks for posting!
Handel is really great: there is not absolutely any imperfection in all the music or sung parts in his operas or oratorios or concerti... Whatever... He is second after Unser Vater JS Bach. Two giants of Baroque!!
For me, the best composer of the Baroque was Händel, not Bach. I love his operas, senenatas, dramatic oratorios and concerti grossi. Very dramatic and cosmopolitan style. Bach did not compose any opera, he was a religious fanatic of the church and he has nothing in common with Händel. In this context, Bach's name is totally irrelevant.
@@shadbolt4687 Exactly, the name of Bach here has no relevance. What does a dramatic theater composer have in common with a religious church fanatic? Nothing. Handel's operas and oratorios have been a discovery for me. They are masterpieces, the highest of the Baroque.
L'allestimento è abbastanza "barocco" e per fortuna non è quelle cose strane ambientate sulla luna o nel perido nazzista (W Pizzi). L'azione è ridotta al minimo, peccato. I cantati sono costretti a fare il minimo indispensabile quando il teatro Haendeliano richiede maggiore movimento in scena. La direzione è troppo accelerata... non è una direzione è una corsa e questo direttore deve ringraziare che ha a disposizione voci immense e che cantano il repertorio barocco da anni. La versione putroppo non è quella del 1711 ma una versione che Haendel ha scritto (la trerza se non ricordo male) anche perché alcuni ruoli come quello di Eustazio sono eliminati e altri hanno cambiato la tessitura.
Preferisco, di gran lunga, la versione del 1711. In disco, quella diretta da HOGWOOD con un cast di primordine salvo Cecilia Bartoli che non mi è mai andata a genio. Nemmeno io capisco perché Dantone corra come un pazzo......
ma che fretta che ha questo direttore... sembra che debba sempre battere i record di velocità! Esiste un limite fisiologico per le voci, che hanno un altro tipo di articolazione e respirazione rispetto agli strumenti. O forse doveva prendere l'ultimo treno e quindi ha accelerato tutto
If some people think that these baroque opera performances are extravagant, I tell them that that is nothing compared to Handel's time. In Rinaldo, he used all kinds of scenic resources, special effects that simulated thunder and lightning, fireworks, statues, even water machines. This is known since the British writer, critic and politician of that time, Joseph Addison, said that Rinaldo was an extravagant opera, very new for people in London (that's why it was so successful) and described everything that I am saying.
Yes I heard they were more like a 'party night' with entertainment, food, drink and friends - more like a nightclub. We need more of that idea - less of the stuffiness. Most people sit there like a corpse - unmoved - like not a single note in the music has touched them! Many are way too serious and precious and a tad pretentious.
La regia di Pier Luigi Pizzi , assolutamente originale, con una colorazione fantastica, crea una situazione onirica che mi fa pensare a Pedro Calderòn De La Barca ( La vita è sogno). La musica di Handel ( con quella di Bach ) è la massima espressione del barocco , nel quale la voce gareggia con gli strumenti e ne ripete il suono (Narciso e Eco , di Ovidio).. Siamo ai massimi livelli dell'arte musicale e scenica e giustamente John Mainwaring (Memorie della vita del fu G.F.Haendel, EDT) , raccontando la vita di Handel ne esalta la grandezza, come espressione della Natura, della Fortuna e della Provvidenza . Spettacolo bellissimo e appassionante.
Regia originalissima amo molto le opere originali non sopporto quelle moderne che spesso si vedono...
A masterpiece. Great orchestration, masterful counterpoint, vocal pyrotechnics, drama, lyricism, exquisite arias that I love, "lascia ch'io pianga", "venti turbini", "furie terribili", "or la tromba", "cara sposa", beautiful duets , brilliant orchestral scenes like the "battaglia". Rinaldo represents the entire peak of the baroque essence. Handel was the best composer of operas and oratorios of the Baroque, without a doubt.
Благодарю за чудесную музыку,за вашу красивую оперу-это счастье,слушать Генделя!
Unlike most of today's opera directors who benefit from additional directing of the recording, this masterpiece by Pier Luigi Pizzi is best seen live.
58:43 The best music ever written.
qué belleza de ópera. La música de Haendel es una maravilla. En vivo tiene que ser impresionante
After "Lascia ch'io pianga" divine recitativo and aria:
"Basta". Incredible the grandeur!!!
OMG such a giant composer was Händel!!!
His music is from other world!! Absolutely amazing marvelous!!
From the Sinfonia, the first recitativo, the first aria... From then on all is pure perfection. Singers must be excellent to perform this super Master Piece.
OUTSTANDING!!
Sublime regia io piango 😢😢😢❤❤❤❤❤❤❤
Zauberhaft und lieblich begleitet uns diese wunderbare Inzienirung,die mit der Musik magisch verschmilzt.
Für die Inzienirung gibt es einen Opern "Oscar",der noch erfunden muss.Operfreunde gibt es genug.3 mal Bramissimo.
io ero presente, esperienza indimenticabile!!!
💐🥰⛑🥰💐🌿🦁🌿💞🥳💞⛑🥰⛑🧖♂️🐇⛑SUBLISSIMO RINALDO !!!💞💒💞🌿🇲🇬🌿💞🇻🇦💞🇻🇦💞🇻🇦💞⛑✝️⛑🇻🇦💞🇻🇦💞💐🤠🌿💐😳🌿💞🥳💞🌿💞🫂💐💐🇻🇦💒🇻🇦
STUNNING! What a GORGEOUS and luscious production! I absolutely love them as marble statues, Bernini or Michelangelo, I can't tell. LOL And I also love that it is the 1731 version of "Rinaldo"--with the tenor Goffredo and the role of Almirena expanded for la Strada, I believe--which is not often staged, let alone recorded. While this is a regional production in Italy, the standards are so high, and perhaps this is the more "correct" in terms of the size of the theatre.
Ho avuto il piacere di vedere l'edizione del 1985 al Teatro Valli di Reggio Emilia, indimenticabile
Grazie mille, visivamente ancora piu bello che a orecchio❤️
che bello il Rinaldo di Pizzi tutto intero !
c'era qualche aria di quello di Milano e l'audio di Reggio Emilia,
quindi MILLE GRAZIE !
It just shows how that singers with Hemiparesis, Cauda equina syndrome and Paraplegia can make an excellent contribution to the arts!
Woww The cast and the orchestra Its wonderful!!!!
Interesting combination of very stylized visuals - the period costumes, the "living statue" makeup, etc., the wonderfully flowing capes - and very emotionally committed and (dare I say) truthful expression. It really works!
I'll give them an A for visual stylization - set, costumes, and make-up. The production really has its own look and I am with them. Singing and vocal stylizations are excellent as well.
Wow! Riccardo Novaro!!!!!!!! Listen to that technique and voice. I would travel miles for that! Bravo to the Harpsichordist in Armida's big Aria at the end of Act 2. Some incredibly virtuosic playing.
+Alex Thomas He's a great singer and his rendition is really superb.
I think that Ramey is better as Argante
Excellent in every way!!
Magnifica!!! espléndida gracias!, es un verdadero deleite!
A stunning production! Thank you
This is good!😊😍👍❤️⚘️
0:00, inizio
4:36, Sovra balze scoscese e pungenti
23:13, Furie terribili
17:04, Sibilar gl'angui d'aletto
29:41, Augelletti che cantate
What's the title of the aria at 58:42? Thanks
@@a-jmikogalamay5572 Lascia ch' io pianga
+1 for the man with the red cap and horse.
clavesin+lute is the best sounding combo
Excellent!
Mille grazie. Wonderful interpretation. The "mis en scene" is a masterpiece.
Thank u😍
VIVA HANDEL ! :)
Precioso !!
"lascia ch'io pianga"
---- 58:42 -----
this really needs subtitles
DEVI IMAPARE L’ITALIANO, È LA LINGUA PIÙ BELLA DEL MONDO
Matteo Maffei calmati dawg
My 2nd exposure to Handel . . . (beyond "Messiah"). Here in the Americas, if you're not looking for Handel -- you won't find Handel other than Christmas "Messiah" and Easter complete "Messiah". I really like. So much interplay from pit up to the stage. Obviously requires concentration and caring for the art form (which is pretty darn nice).
+Andre Newcomb And here's to the hunchbacks of 'noter' dames.
מופעה טובה מעוד, משהו באמת מרשים.
"Yes, I need to order all the body paint you have. No its not a rave festival, it's for an opera."
Excelente versión musical y escénica. Se lamenta la falta de subiítulos.
쌤이 보라고 한건 58:00 분인데 노래는 58:41 부터 나옴
(레시타티보 + 아리아)
-레시타티보와 아리아의 특징과 차이를 주의깊게 감상할 것
레시타티보 : 대사에 중점 (58:00~58:40)
아리아 : 대사보단 음악에 중점 (58:41~1:03:00)
Mermaids choruses "Il vostro maggio" 51:33
A look at Ethernity ?? Eine Augenblick auf Aetaernitaet? Pier Luigi Pizzi makes it possible. He undestands the meaning of "Deus ex-machina", and has set it into practice on this stage. BRAVO, BRAVISIMO
1731 cut so much...
¡Fantástico! Sin embargo, echo de menos una voz más grave en el rol de Rinaldo. De todas maneras, el conjunto es magnífico y llevaba tiempo busando esta representación desde que vi unas fotos de Sonia Prina.
Pienso lo mismo. Todo está maravilloso y perfecto en esta produccion,pero me gustaría aun más un Rinaldo con una voz más de contralto.
The emperor of Austria, told Mozart: "no ballet in my opera." In the case of this Handel opera the quotation should be: "no statutes or mannequin/ dolls in my opera." It's supposed to be about the crusades and the seize of Jerusalem. A few live action scenes with jousting lances and swords would be appreciated.
Shut up, man. The baroque opera is extravagant. Handel in Rinaldo used all kinds of scenic resources, special effects that simulated thunder and lightning, fireworks, statues, even water machines. This is known since the British writer and politician of that time, Joseph Addison, said that Rinaldo was an extravagant opera, very new for people in London (that's why it was so successful) and described everything that I'm telling you.
💖
One of Handel's best opening arias. Unfortunately can barely hear the tenor.
What a delight - but I struggled to watch such a visual treat in this inspiring but rather too pixilated stream. I didn't have much hope, but Naxos produced a DVD of this production in 2021, and it is available to buy on Amazon, so that's what I have gone for to get better sound and visuals. But just how clever this direction and design is - those Christian 'paragons' elevated on their mobile plinths. It's just the kind of subversive touch that the subject matter - Crusades, essentially - requires. Thanks for posting!
I think this is Rinaldo HWV 7b
Stupendo, ma quello originale del 1985 rimane insuperabile!
고맙습니다
레시타티보 58:00
아리아 58:41
Strange, is there an omitted scene in Act II? Where's Goffredo's "Mio cor, che mi sai dir?" at the end of Act II scene III?
¿Existe alguna grabación en DVD de esta producción?
57:30
Stupenda opera,peccato che manchino i sottotitoli
58:40 Lascia
Is it possible to buy this recording in DVD?
58:41,lascia chi'io pianga
thanks!
ça a été fait en 1985 ?
58:00
Handel is really great: there is not absolutely any imperfection in all the music or sung parts in his operas or oratorios or concerti... Whatever... He is second after Unser Vater JS Bach. Two giants of Baroque!!
Koji 9 b hi h7i76 hi
Ciao 6th of ci
Don't see the relevance of JSB to this post as he never wrote opera. He and Handel had little in common .
For me, the best composer of the Baroque was Händel, not Bach. I love his operas, senenatas, dramatic oratorios and concerti grossi. Very dramatic and cosmopolitan style. Bach did not compose any opera, he was a religious fanatic of the church and he has nothing in common with Händel. In this context, Bach's name is totally irrelevant.
@@shadbolt4687 Exactly, the name of Bach here has no relevance. What does a dramatic theater composer have in common with a religious church fanatic? Nothing. Handel's operas and oratorios have been a discovery for me. They are masterpieces, the highest of the Baroque.
L'allestimento è abbastanza "barocco" e per fortuna non è quelle cose strane ambientate sulla luna o nel perido nazzista (W Pizzi). L'azione è ridotta al minimo, peccato. I cantati sono costretti a fare il minimo indispensabile quando il teatro Haendeliano richiede maggiore movimento in scena.
La direzione è troppo accelerata... non è una direzione è una corsa e questo direttore deve ringraziare che ha a disposizione voci immense e che cantano il repertorio barocco da anni.
La versione putroppo non è quella del 1711 ma una versione che Haendel ha scritto (la trerza se non ricordo male) anche perché alcuni ruoli come quello di Eustazio sono eliminati e altri hanno cambiato la tessitura.
Preferisco, di gran lunga, la versione del 1711. In disco, quella diretta da HOGWOOD con un cast di primordine salvo Cecilia Bartoli che non mi è mai andata a genio.
Nemmeno io capisco perché Dantone corra come un pazzo......
where is '' lascia ch'io pianga''?
+Giannis Kalokairinos 1h 01m.
+Giannis Kalokairinos Please, don't focus just on this aria
+Pablo del Camino Alonso I am singing this aria . that's why I want it
It's great!
In the second act (58:42). Friend, listen carefully.
come si fa a tagliare Cara sposa??
43: 36 "a rischiarar"??? A consolar! :O
58:40 Lascia ch'io pianga
no subtittles
1:18:07 cara sposa
58:40
58:42-1:03:15
lascia ch'io pianga' 58:30 ok
ma che fretta che ha questo direttore... sembra che debba sempre battere i record di velocità! Esiste un limite fisiologico per le voci, che hanno un altro tipo di articolazione e respirazione rispetto agli strumenti. O forse doveva prendere l'ultimo treno e quindi ha accelerato tutto
Si sa che Dantone ha sempre prediletto tempi ultraveloci..dopo se i cantanti tirano indietro è sempre colpa loro..
the staging and choreography are tacky and ridiculous
And exactly how would you stage your production of Rinaldo.......please tell us all, as we are dying to know!
You don't know anything and you write based on ignorance.
58:00
33:58
58:30
57:25