I love the thing he says about “it isn’t really an end”. When I played it I was asked many times before the performance (in rehearsal, audition etc) : “Is that your whole piece? Or is there another part?”
Wow! What a treasure to hear a composer tell his aims &solutions. We are fortunate for this. So much contemporary music is incomprehensible unless u habesome idea what is happening??
Hi Utsyo! Great technique! So moving, active, passionated and interesting. I enjoy and love it very much. Have a wonderful weekend and take care.👏👏👏Your friend Satoru
@@fredericfrancoischopin6971 Modes 4 - 7 are all built on tritone transpositions. In this case, it's Mode 6 and as Ligeti phrases it, it's built on the tetrachord (0245) + its tritone transposition. Also modes 1 and 2 can also be described as tritone transpositions (a consequence of 6 being produced by both the 2 and 3 cycles.) So really, Mode 3 is the only unique mode in that regard being based on major 3rds.
So great to hear him discuss his music, especially the etudes! What a gift! Thank you.
Any chance to hear him speak is a treasure. What an imagination he had - one of a kind!
Amazing document. Such complex music yet explained in such a simple manner.
I love the thing he says about “it isn’t really an end”. When I played it I was asked many times before the performance (in rehearsal, audition etc) : “Is that your whole piece? Or is there another part?”
Thank You so much for the upload! I am writing a analysis of the Études now and Ligetis explanation here is so helpful!🎶
Wonderful! 🥲
Hi! Thanks for share this!
just wonderful...
My Man 🙏
Thank you! More more more!
Wow! What a treasure to hear a composer tell his aims &solutions. We are fortunate for this. So much contemporary music is incomprehensible unless u habesome idea what is happening??
Hi Utsyo! Great technique! So moving, active, passionated and interesting. I enjoy and love it very much. Have a wonderful weekend and take care.👏👏👏Your friend Satoru
so good...
Amazing genius!
2:20 this scale is actually one of Messiaen's Modes of Limited Transposition
Is scale with shifts based on tritone?
@@fredericfrancoischopin6971 It's like its built from 2 tetrachords divided by a tritone based on the first tone. So kinda yes.
@@fredericfrancoischopin6971 Modes 4 - 7 are all built on tritone transpositions. In this case, it's Mode 6 and as Ligeti phrases it, it's built on the tetrachord (0245) + its tritone transposition.
Also modes 1 and 2 can also be described as tritone transpositions (a consequence of 6 being produced by both the 2 and 3 cycles.) So really, Mode 3 is the only unique mode in that regard being based on major 3rds.
Pure delusion, no mind behind his decisions.
Please explain...
@@twentysecondsofsomething2874 he's incredibly incompetent at his "art"
@@Whatismusic123if he managed to create this set and people liked it, nothing else matters. He is composer, not just music theorist
@@na-kun2136 he doesn't present it as entertainment.
@@Whatismusic123 because it is no? Lmao. Just because you percieve it that way, doesn't mean it is like that. Bruh