Building a Jazz Rhythmic Vocabulary (with Help from Louis Armstrong)
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- čas přidán 25. 07. 2024
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Pianist, author, and shotput flinger Jeremy Siskind follows up on his popular video "Building a Rhythmic Vocabulary" by reviewing how to practice rhythmic building blocks. Then, he discusses how to use a transcription to inspire new rhythmic adventures, using Louis Armstrong's "Potato Head Blues." - Hudba
Sometimes what’s missing is some really simple, elementary stuff. And this is exactly it: gold!
I needed these rhythms... mashed with mayo
Your building motifs tutorial was some of the best stuff you put out - and of practical use.
More of that por favor
Instant thumbs up for rhythmic content!
Just the right amount of ingredients in the potato salad - good work Jeremy, thank you.
Another way of looking at it as coming up with motifs that can be developed during a solo. Here you are choosing different notes for the same rhythm. You could also use the same notes in different rhythms. This was Gary Burton's main focus when teaching improvisation, the development of motifs.
Great tutorial, Jeremy. Very enlightening. Latkes with apple sauce.😎😎😎😎
Spud Powell has entered the chat 🥔🎹
Mashed potatoes! You drove that one done the middle. Thanks, Jeremy.
Pierogies - thanks, this will be fun
This video is better than fresh hot French fries. Thanks Jeremy!
So very helpful using the perdido and others … potatoes all kinds of
It's a potato salad of rhythm. Perfect for summer.
Sick thank you !
Excellent video - thanks Jeremy! Potato!
Really baking after that Jeremy! Learning improv is very hard but tips like these are a wonderful place to begin. Looking forward to your next mash up!
Another great lesson! 🙏🙏
Thanks Jeremy ❤
Tartiflette !!!
I’m a guitarist but I bought your book the other day. Solo Jazz Piano. I saw your video on stride ragtime etc and bought it.
Very excited as it’s a quality book with amazing examples. Had a question though. In some of the examples you have chord progressions and in other examples you have chords that don’t seem to be related: G7 Em7 Bbm7.
Are these sequences random or are they substitutions that I should actually work on?
I think they're randomized meant to practice finding new chords quickly.
But if you give me a page number I'll tell you for sure!
@@JeremySiskind Section B three positions of the left hand
Examples B.2 and
B3
B3 line two is clearly labelled as ii-v-I
But line one contains
G7 Em7 Bbm7
@@demejiuk5660 You're on page XV? B3 line two is a ii-V-I. The ones not labeled as ii-V-i's aren't, they're just showing various kinds of chords.
What, no sweet potato fries? 😊
I say potatoe, you say 'articulation'
Vegan German Potato Salad...