Sergio Azzolini Masterclass - Bassoon - Weber: Concerto op 75 - I. Allegro ma non troppo
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- čas přidán 21. 08. 2024
- Masterclass by Professor Sergio Azzolini in which they work on the fist movement of Weber's Concerto for bassoon and orchestra op 75. This masterclass took place at the Escuela Superior de Música Reina Sofía, Madrid 2009.
Student: Amber Mallee
Accompanying pianist: Alina Artemyeva
Venue: Escuela Superior de Música Reina Sofía, Madrid (Spain) 16/04/2009
C. M. von Weber: Bassoon Concerto in F major J 127 op 75 - I. Allegro ma non troppo
Abstract:
In this fragment of the masterclass, Professor Azzolini mainly explains aspects about articulation, differences between legato and staccato (parlato, as he says). In both cases, sound should not change its quality - with tongue control and without changing the tone. Azzolini also makes some corrections on dynamics and sound balance, air and energy, among other issues related to the first movement from the Bassoon Concerto op 75 by C. M. von Weber.
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I have been attracted to his playing for years. But I could not think it was applied to my playing for a long time. However, this resonates with me very much. He is explaining that the basic bassoon technique(tonguing, legato, dynamics, etc.) is defined by music itself, (coming from energy of music?, if you like). What a simple demonstration of musicianship!
"The energy is up"
Gracias por subir esta máster. Gracias Azzolini ♡. Me ha ayudado mucho.
I do not know to much of bassoon-playing but I know something about teaching and I only can say: this is a marvelous teacher!
What a master
This proffessore of the basson do know what he talkes about. Listen to him is not stupid..
Muito bom, quantas horas de estudo seria o ideal.
The Best!!!
It suppose that the orchestra won't play loud, to match with the soloist. Why the orchestras play loud?
The Orchestra has the tema and the bassoon is acompañamiento
@@antonfernandez7330 WHAT
❤️
What you say when you play single tongue?
Kukukuku or tutuknu-tutuknu.
Tuh