19. Italian Neorealism, Part I (2007)

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  • čas přidán 5. 08. 2024
  • MIT 21L.011 The Film Experience, Fall 2013
    View the complete course: ocw.mit.edu/21L-011F13
    Instructor: David Thorburn
    Origins and historical context of Italian neorealism, with brief accounts of the major figures and artistic principles of the movement. Discuss the quality of “multiplicity,” a key attribute of all good films. Examples: Bicycle Thieves; Rome, Open City.
    00:00 OCW Intro
    00:25 Multiplicity: the opening of Bicycle Thieves
    19:53 Historical context
    25:29 Origins: Italian, German, French
    29:52 Key features
    36:01 Central figures
    44:41 The neorealist counter-plot
    License: Creative Commons BY-NC-SA
    More information at ocw.mit.edu/terms
    More courses at ocw.mit.edu

Komentáře • 11

  • @lftekhar
    @lftekhar Před 3 lety +7

    satyajit ray and his apu trilogy are not about the untouchables. in fact the family we see, apu's family is an upper class brahmin family and apu's father is a preist. in fact it is the brahmins who practiced untouchability for the most part.

  • @FredByDawn
    @FredByDawn Před 3 lety +3

    Theres something so sweet about the class’s collective laugh at the old man in the bed

  • @merylcando
    @merylcando Před 4 lety +5

    Very enjoyable orator.

  • @kyrylonaumko
    @kyrylonaumko Před 5 lety +1

    love it!

  • @garethgriffiths1674
    @garethgriffiths1674 Před 2 lety

    Read recently that the Roman city authorities initially refused permission for the filming of Roman Holiday because they thought it showed Italians in a bad light.

  • @ulicadluga
    @ulicadluga Před rokem +1

    Interesting. The question needs to be asked why it's called "neo-realism". The "Neo" could originate from some silent films from the 1920's and very early 30's, for example "Menschen am Sonntag".
    I am hard pressed to see many examples of "realism" in early films - "Birth of a Nation" comes to mind as a negative example (ideologically) - perhaps even Sergey aeisensteins "Battleship Potemkin. But then I am not a film buff.
    I think Rosellini's classics "Roma, Citta Aperta" and "Germania, Anno Zero" mark a beginning of realism. They, like the "Bicycle Thieves" are a reckoning with "post-war" and fascist reality. They make unbelievable strides without the advantage (or disadvantage) of big studio lots and sets.
    Other, follow on films, like "Adua e lá Compania" and "La Strada" continue this "new tradition" with a more staged, but still believable, mystery.
    The real story comes from suffering the "human condition".

  • @Larkinchance
    @Larkinchance Před 2 lety

    A primer for living in the US in 2025...

  • @godard17
    @godard17 Před 4 lety +1

    neorealism started in 1943, with luchino visconti's *ossessione,* not at the end of WW2. go back to grad school.

    • @ddigio94
      @ddigio94 Před 4 lety +4

      infatti lo dice. Veditelo tutto il video va.

    • @olivierparent3554
      @olivierparent3554 Před 3 lety +3

      what ddigio says is that he actually talks about it in the video and you at least have to watch it full.

    • @Fernando-ox5mo
      @Fernando-ox5mo Před 2 lety

      You´re right in one sense, but wrong in another: Neorealism did start with that movie as a film style but it was officially discovered outside Italy with Rome Open City. Ossessione was only retrospectively considered part of the movement sometime later, when historians went over it.