Augustin Hadelich - Ravel Sonata with Orion Weiss (Live November 2021)
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- čas přidán 12. 01. 2022
- Maurice Ravel: Sonata for violin and piano in G Major
Augustin Hadelich, violin
Orion Weiss, piano
Filmed live in concert on November 2, 2021 at Ordway Center for the Performing Arts, St. Paul, Minnesota
With many thanks to Schubert Club - Hudba
The way both Hadelich and Weiss focus on the entire sound and their mutual interpretation is astonishing. They are a true musical partnership. Thank you!
0:00 I. Allegretto
8:15 II. Blues. Moderato
14:01 III. Perpetuum mobile. Allegro
Hadelich, Weiss, Ravel. A veritable United Nations playing this exquisite piece that seems very different from other pieces by Ravel given its American flavour. Brilliantly played.
Ich habe wirklich sehr viel großartige Musik in meinem Leben hören dürfen, aber das übertrifft Alles. Ich wusste eben wirklich nicht genau ob ich noch auf dieser Erde bin……..🎶🎶🎶🙏
Ich kann hier nur dasselbe sagen wie auf Facebook
Ich habe in meinem Leben das Glück gehabt sehr viel großartige Musik hören zu dürfen. Das übertrifft aber Alles!!!! Ich wusste eben wirklich nicht ob ich noch auf dieser Erde bin …….. So dicht und trotzdem fliegt, tanzt ……….alles? Einfach überirdisch. Danke ☺️🌈🎶🎶🎶🍀
Ho this is good. This is a kinky and very lovely sonata particularly to play. This team are exceptional.
Kinky lmao I love it I never thought I’d see this in a violin sonata comment section but I think it’s the perfect word here 😅
I absolutely adore this sonata. Gorgeous playing!
🎶 Schön, frohes neues Jahr 🌲☃️
I wonder, who is the other violinist that can play at this performance's level. It's astonishing for me, realy. It's an absurd rich synchronized perfection. It's a God's gift! I consider myself a lay man regarding violin thecnic, but this is a wonderful piece, to enjoy. Thank you all, very much, indeed!
Midori played this yesterday in Honolulu... not sure how they play like this 😂
Bravo, bravo, and bravo again. Truly on the highest level attainable and thanks for not wearing masks.
My favorite duo 😎
the first movement was spellbinding, so refreshing and cleansing to listen to… the violin melody sounded like a song! love the humour in the second movement, and the perpetual passion in the third
Ravel es demasiado! Espectacular interpretación! Bravo!👏👏👏👏👏👏👏👏👏👏👏💜🎶💜🎻
You can not imagine how excited when i see your new videos
Une parfaite symbiose des deux musiciens, bravo
Magnifique violon !
Bravo Augustin 👍👍👍
Hadelich and Ravel= a perfect pairing.
Sublime....words fail...
Their wonderful performances soothe my soul
Thank you so much Augustin and your pianist too. That was absolutely amazing and stunning and really really unusual and unique too. I really really enjoyed it. You both played with such passion and sensitivity and incredible and amazing talent. I really really love ❤️ it. Please stay safe and well too xxx Mags
Classical Jazz.
👏🏻 👏🏻 👏🏻 👏🏻 Bravo!
Love it! ❤️🎇🎆
Wizardry Guys! I really missed meeting you in music. After Brahms sonata and other works....Hooray!
Hadelich is really Amazing!!! Thanks for uploading this.
8:15 okay I'm time stamping Ravel Blues here because it's my favorite part to listen to
Very interesting performance, bringing new details to light.
Great!!!
❤❤❤❤
So like！
Очень хороший скрипач
Obrigado por apresentação fantástica muito bem executada feliz ano novo amigão Deus abençoe sempre sua vida 🙏🙌🙌🙌
Extraordinario
Musique de Ravel
si belle. Nouvelle pour moi. Je
ne sais pas pourquoi.
Was this performed on your Philipp Augustin violin?
Hadelich has a prodigious instinct in the way he complements with whomever he's playing (be it with another soloist or an orchestra.) I felt that the pianist tried to stand out too much at points, but Hadelich adjusted so intuitively that even discordant chords sounded musical and harmonious. The dynamics are so balanced.
I appreciate Hadelich so much, but for my taste this Ravel is here too much “romantic”, too much intense, too much “vibrato”... The neoclassical aura of the Sonata is lost. Also I notice a bad EQ in this recording: piano's low frequencies are enormous! (Sound Engineer is too much “romantic" too!) [EDIT: Second mov. is FANTASTIC, and the pianist makes a miracle with the “fake” glissando at 13:37 ]
Interesting comment. The performance is more Gospel than Blues to my ear. No ironic distance. Hadelich is an astonishing violinist, but he tends to smooth out the style of every work I’ve heard him play. In fairness, he’s not alone in that.
How does he play the "fake" gliss?