NYO Jazz Performs Charles Mingus’ “Fables of Faubus” (arr. Sy Johnson)

Sdílet
Vložit
  • čas přidán 14. 11. 2022
  • NYO Jazz performs Charles Mingus’s “Fables of Faubus” (arr. Sy Johnson) with bandleader Sean Jones. This performance was filmed at the Fisher Music Center in Detroit on August 5, 2022.
    To learn more about Carnegie Hall’s national youth ensembles (NYO-USA, NYO2, and NYO Jazz), including how to apply, visit carnegiehall.org/NYO.
    Each year, Carnegie Hall’s Weill Music Institute brings together the brightest young players from across the country to form the National Youth Orchestra of the United States (NYO-USA), NYO2, and NYO Jazz. This all-expenses-paid program offers unparalleled training and performance opportunities for all participants.
  • Hudba

Komentáře • 18

  • @NoahSkinner4
    @NoahSkinner4 Před rokem +32

    im in AWE at how incredibly the bari player adapted the feel in their solo to the metric modulation goin gon the background at 3:32!! the trombone player does an equally excellent job at the same thing later on. cant go without appreeciating the excellent trumpet solos. not to mention two absolutely KILLER alto solos. dreaming of the day can pull that type of solo off. yall killed it!!

    • @tylerperez5562
      @tylerperez5562 Před rokem +2

      Alto was the best soloist otherwise solos were alright. Bari was weakest soloist in contrary to your idea

    • @tylerperez5562
      @tylerperez5562 Před rokem

      And unnecessary

    • @raisinmilk3423
      @raisinmilk3423 Před rokem +8

      @@tylerperez5562 I suggest otherwise, it's very different and out there, just like this piece. It fits the context of the chart.

    • @Alexander-wk2pi
      @Alexander-wk2pi Před 18 dny

      It's a feel change not a meter change so even though the time feels faster the chords still change at the same rate

  • @roosterslime9430
    @roosterslime9430 Před rokem +17

    *Director: Sean Jones*
    *Solos:*
    Bari Sax: Noa Zebley (2:26, 3:31) (Horizons Center for Independent Study, CA)**
    Alto Sax: Ebban Dorsey (3:00, 3:57) (Baltimore School of the Arts, MD)***
    Trombone: Andrew Zhang (4:28, 5:30) (Lakeside School, WA)
    Trumpet: Jonah Hieb (4:59, 5:55, 7:02) (Garfield High School, WA)**
    Lead Trumpet: Nathaniel Williford (8:13) (Osceola County School for the Arts, FL)
    ** = 2-Year Member of NYO Jazz
    ***= 3-Year Member of NYO Jazz

  • @theartistcreates
    @theartistcreates Před rokem +9

    y’all sound great

  • @keylaespinal
    @keylaespinal Před 11 měsíci +1

    Wow! First seconds and already got me! 🙌🏾🙌🏾

  • @dipster381
    @dipster381 Před 6 měsíci +2

    why do they paint their nails?

    • @AquaticMammalOnBicycle
      @AquaticMammalOnBicycle Před 5 měsíci +1

      THAT is what you have to comment about? What

    • @cyzmix7341
      @cyzmix7341 Před 5 měsíci +2

      @@AquaticMammalOnBicycle Chill they were just asking a question

    • @IsaiahSMC
      @IsaiahSMC Před 4 měsíci

      I am quite curious too, music is awesome, close to original. Might be just to Match pants

  • @teachersamtravels4028
    @teachersamtravels4028 Před 9 měsíci +9

    Sorry, for me I just didn't dig it, being a die hard mingus fan for decades. Lack of unpredictability and time signature change, lack of dissonance, drummer keeps this steady tempo, too glitzy, smiling pianist playing pleasant chords. No thanks. Jaki byard never touched the piano like that, mingus would never perform anything like this. You don't even change the tempo at all...!!! It's like a showpiece... Nothing what mingus what about. You guys have clearly completely misunderstand mingus. Listen to some of his work. It sounds nothing like this. You did this piece a big disservice.

    • @gallofilm
      @gallofilm Před 6 měsíci +2

      totally agree

    • @AquaticMammalOnBicycle
      @AquaticMammalOnBicycle Před 5 měsíci +3

      Your points are correct but these are young learners, they’re kids. I do blame the teacher though depending on what they were focussing on.
      Anyway the only truly bad part is that Sy Johnson’s arrangement uses that live version sound (one of the “a friends” concert or whatever) for that one part that harmonizes completely different than the original. By original I mean the definitive 70’s track, not the original original

    • @AquaticMammalOnBicycle
      @AquaticMammalOnBicycle Před 5 měsíci

      “Smiling pleasant chords” I agreed at first that would never exist, but Lionel Hampton was doing exactly that on final Mingus album and Mr Mingus let him lol

    • @pacrimco
      @pacrimco Před 4 měsíci

      Sorry for you.

    • @cyzmix7341
      @cyzmix7341 Před 4 měsíci

      @@pacrimco ong