A Vocal Masterclass with Antonio Pappano and Jonas Kaufmann (The Royal Opera)
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- čas přidán 28. 01. 2015
- Antonio Pappano explores Giordano's Andrea Chénier score, identifies where the challenges are and offers vocals tips. Find out more at www.roh.org.uk/productions/and...
The Music Director of The Royal Opera works with Jonas Kaufmann and Eva-Maria Westbroek in this clip, broadcast as part of the live cinema relay of David McVicar's production on 29 January 2015.
The premiere of Andrea Chénier at La Scala, Milan, on 28 March 1896 propelled the young Umberto Giordano to the front rank of the giovane scuola (an up-and-coming group of young Italian composers that included Puccini and Mascagni). The opera exemplifies the verismo style that dominated Italian opera of the period - nowhere more so than in Giordano's skilful interpolation of different musical styles to provide local colour, from the aristocratic Gavotte of Act I to the Marseillaise in Act IV. The libretto by Luigi Illica (Puccini’s collaborator for Manon Lescaut, La bohème, Tosca and Madama Butterfly) was inspired by the real-life Romantic poet André Chénier, who was guillotined just three days before Robespierre's execution.
Andrea Chénier has become celebrated for the lyrical music it offers the tenor who takes the leading role, with the off-the-cuff Improvviso of Act I and his final aria 'Come un bel dì di maggio' particular highlights. But there are thrilling moments for the whole cast, including Maddalena's ardent aria 'La mamma morta', Gérard’s 'Nemico della patria!’ and a host of dramatic duets and characterful ensembles. David McVicar (whose productions for The Royal Opera include Le nozze di Figaro, Faust and Die Zauberflöte) directs The Royal Opera's new production, moving from the opulence of pre-Revolutionary France to the horrors of the Reign of Terror. - Zábava
Fantastisch! Ich muss diese Szene immer wieder anklicken - sobald ich sie finde. Danke!
Most interesting. A jewel of insight. Maestro Pappano fascinates.
Fantastic Master Class
Beautiful
My two favourite people in opera!
I saw them! They were fantastic!
excellent
no
❤️
Looks like it would be interesting. Too bad it's blocked in the USA. Thanks a lot Royal Opera House.
Thank you.
I am fascinated by the critical comments in this column (too heavy, no technique etc). Perhaps it would be useful if the persons concerned declared their qualifications for presuming to judge rehearsal performances.
Well said, Jonathan. I'm astounded at the ignorance of some of the comments!
Yes, so much yes to your comment. It's awesome that people can critique, but .. really? Do you sing yourself? Do you judge against recordings? Do you teach singing? Do you think you are the best and the brightest of all the singers that have been on stage? Do...ehh.. I give up. >
The audacity!!!!! . I with you on this!!!
La chica de la Gala y Sra Kaufmann, publica esta anécdota!!! Jonasin, cariñin, cuanto, se, te notan, tus enfados conmigo, mi chica Eva Maria cuanta paciencia y afabilidad, nuestro Tony, le has sacado, canas!!! Es Verista!!! Que bien te quedan los levi 'a,!!! Las canas te favorecen, te pasa, como, a los buenos vinos, con los años, has ganado!!!
Jonas kauffman el engolado
Grazie Maestro..
di cosa ?...
lei non sapeva già tutto quello che ci racconta Pappano?...
Credo che SI-
+Joana Banyeres
capisco che Lei non è veramente impressionata dalla tecnica scarsa di Kaufmann...
da anni le donne avete poca idea della tecnica vocale maschile,da anni .
la prova?
basta rispondere à una domanda sola:
- chi sono i grandi cantanti uomini fra i tenori negli ultimi 25 anni che avete ''preparato'' Voi Donne tecnicamente?...
Alagna?Alvarez?Kaufmann?Cura?Florez?Villazon?Calleja?....
vado avanti?...
questi sono i vostri allievi cara Joana,sono les vôtres ''créature''...
no comment
segue
quello che è veramente impressionante è il fatto che Signor Pappano non dice niente sul fatto che Kaufmann canta con una vocalità poco adatta à questo repertorio...
nell'arte lirica quello che conta è la bellezza divina e la forza artistica della voce lirica vera.
Pappano non dice niente sul fatto che le voci con le quali lavora sono poco preparate nella materia ...
incredibile ma vero.
La Forza del Mercato.
I could not agree more
That was very funny. It is also true.
AfroPoli You are not lying
che cazzo sei tu ?? critica sempre !!! dai canta cosi ridero de la stupida voce cretino
;-)
Jeez, I've never heard Kaufmann's speaking voice. I never expected such a light tone from it, very uncharacteristic when listening to him sing.
does he sing?
Kaufmann who?
Because he is a light tenor who tries to sound dark using his throat
Especially for a Heldentenor
Why is Jonas holding his right hand to his face all the time?
(When is Covent Garden going to do 'Maria di Rohan'...in period Louis XIII costume?
ans: When they can find a soprano and tenor to sing it and a director who won't screw it up.. ....
...in other words, don't hold your breath.......)
Likely so he can hear his voice better.
Timothy Selman which he could do without the hand if he had proper voice projection (I. E. Squillo)
Because he wants to? And he's rehearsing so he can do whatever he wants?
He´s checking that the voice is resonating properly in what we singers refer to as "the mask", which are the chambers aroung the nose and cheek bones.
Why did they cross their arms while singing? Isn't it considered as something you shouldn't do as a singer?
Aleksandar Lukić it is a kind of extra support of the voice.
It has also to do with giving you security in a super exposed moment ;-)
cause they're not singers
Marcello Manfredi Bassi And you who are you? Enough with these blunt comments which don’t mean anything. Can you sing like this?
You’d be amazed what can provide support. Pavarotti’s handkerchief is a pure support power move. Anything which provides tension can be used - just not too much tension!
Very funny! becuase already 30ß yeras ago or so I said it is kind of tragedy in my live that I have a powerful stimmen-Volumen, but I can not sing! as I said many times with humor when a Jeannie would come and I had 3 wishes free, the first one would have been give the voice in order to be able to sing brünhilde in Bayreuth 🙂 ( no´big house, big car, or jewelry ;-)
You need an Italian soprano to speak the text properly. Tebaldi, Caniglia, Chiara to name a few could do this perfectly and sing without wobbles. It seems so hard to find a singer like those ladies. Kaufmann is better but once you hear the metal of Del Monaco's voice...
Nothing else will do.
Orfeus80 you are totally right. Plus sopranos of American School ruin everything with the stupid wobble and vibrato caprino
Denya Gantenbein Drives me crazy. How do they get through the fast bits and recitar cantando with vibrato like that?
I wish we could have had a few words from David McVicar, one of my favorite and one who can work with tradition in a modern way.
Kaufmann and Westbroek can never be together. First they were separated in Die Walkure then in the next life in Chenier...
But then together again in La Fanciulla del west
All Opera Singers Type Style :
Vocal Fry
Chest Voice
Belt Voice
M3 ( Modal Voice )
M2 ( Modal Voice )
M1 ( Modal Voice )
M0 ( Modal Voice )
Mix Voice
Falsetto
Head Voice
Cop Stemp
High Note
Low Note
Pop Star
Rock Star
Next Style :
Pop Vocal Sound
Rock Vocal Sound
Metal Vocal Sound
Punk Vocal Sound
Blues Vocal Sound
R&B Vocal Sound
Soul Vocal Sound
Latin Vocal Sound
Funk Vocal Sound
Fun Vocal Sound
Rock & Roll Vocal Sound
Ballad Vocal Sound
Country Vocal Sound
Folk Vocal Sound
Reggae Vocal Sound
Alternative Vocal Sound
Urban Vocal Sound
Indie Vocal Sound
Natural Vocal Sound
Pure Vocal Sound
Real Vocal Sound
Next :
Pop Vocal
Rock Vocal
Metal Vocal
Punk Vocal
Blues Vocal
R&B Vocal
Soul Vocal
Latin Vocal
Funk Vocal
Fun Vocal
Rock & Roll Vocal
Ballad Vocal
Country Vocal
Folk Vocal
Reggae Vocal
Alternative Vocal
Urban Vocal
Indie Vocal
Natural Vocal
Wide Vocal
Side Vocal
Lead Vocal
Pure Vocal
Real Vocal
Next :
Pop
Rock
Metal
Punk
Blues
R&B
Soul
Latin
Funk
Fun
Rock & Roll
Ballad
Country
Folk
Reggae
Alternative
Urban
Indie
Natural
Pure
Real
Next :
Vocal Production
Vocal Processing
Vocal Effect
Vocal Mix
Next :
Sound Effect
Sound Mix
Jonaskààufmann
Emre yücelenden gelenler :D
why so much heaviness in those voices? so dark and pushed it's vocal weightlifting
Too heavy. Every note weighs 350 pounds.
Is he British?
en.wikipedia.org/wiki/Antonio_Pappano
en.wikipedia.org/wiki/Jonas_Kaufmann
What the hell is this this , what did I just see
***** I heard sounds but not music O.o
The conductor seems out there too. too bad both kaufman and this lady sing with throaty voices.
I concur. Singing like this gives me hives.
I hope the itch makes you remember and realise what you failed to let into your soul. I hope you don't mind me accusing you of having one!
Ellen Chalmers It is usually a waste of sentiment to respond to these trolls who make ugly remarks but sometimes it just makes one feel better. Been there before!🤓
Dal momento che Pappano é un direttore piuttosto dotato la mia meraviglia é che appoggi un Kaufmann a fare master ... ancora non ha risolto i SUOI problemi vocali e vuole insegnare ??? Mah ...
numetutelare master è solo il titolo. In realtà si tratta di una prova.
Kaufmann needs urgently a singer teache. Sorry,, i can't stand hearing his ingolatto sound.
kaufmann needs urgently to search for an other job lol
Too artsy fartsy
Conductors of the past knew about technique and more important a criteria about THE voice, this is so bad and sad..
joan kaufmann has no technique, he's a joke
Do you even know belcanto and dramatic tenors? You are a joke pal
Who are you Joker person ?
@@alejandrosegovia7477 I know a lot about bel canto, and Kaufmann is doing everything wrong. What do you know about bel canto.
La ragazza ha una bella voce ma senza tecnica
Put on a sweater, Jonas. You look uncomfortable. Something I've wondered about that borders on cruel: At dress rehearsals, does 'the house' bring in electronic equipment that runs (simultaneously) the score while ALL performers go through a work . . . finding out WHEN 'any' performer is off? And THEN according to the frequency of correctness (time, in-tune, diction, stage instructions, etc.) . . . that percentage is the determinant of pay. (And of course, performers probably might like to know just how right they're doing.) Just wondering. (About behind the scene demands.)
Garbage.
Kaufmann yodela?
kaufmann dovrebbe andare a pulire i cessi del teatro
Pappano's knowledge of belcanto technique is poorer than that of those singers whose technique is just bad.
An English Conductor and a couple of Singers unable to sing in Italian Language, teaching how to sing an Italian Opera : RIDICOLOUS 🤮🤮🤮
WHAT a SHAME 🤬🤬🤬🤮🤮🤬🤬🤬