Drumheads you have tbe best drummer tbe best bassist the best guitarist in the world of 2022 the level of advanced sound unique style synergizing many genres back with jazz at the same time you truly are some of the if not the most skilled musicians alive right now and always getting better
My guess is their technique is so perfect they don't even struggle playing this. But no kidding, i would produce enough sweat to fill an olympic pool trying to Groove like this lol
Man, I remember 5 years ago that was the most "out there" thing I had ever heard...! Last week tho I listened to Jacob Collier in concert with Christian Euman on drums, and oh shit have they listened and pushed the boundaries that Chris, J-Dilla and few others started exploring...!! It's amazing to see the speed at which music is evolving. This era is gonna be reflected upon as one of the greatest period in the history of music as a whole, hopefully in a time where commercial value won't be of much relevance in judging greatness...!
Anyone out there.. Can u name who Chris played with years back...(jazz..)???...I BELIEVE I saw him drumming with Kenny Garrett years back...Haven't seen any vids of the two together yet tho...
when Chris starts super imposing/modulating at 5.03 ... all that must relate to the original quarter note pulse....what's the logic behind the ladder he's ascending through?
I can confirm what linkbulletbill says. I have a lot of experience making grooves out of rarely played tuplets over a regular quarter pulse, (for example, playing 7 equal notes over a bar of 4/4, instead of 8 eighth notes, and then making a groove out of it), and also playing different tempos at the same time, (playing along to a part of a track 1/5, 1/4, and 1/3 slower is actually quite easy), but I couldn't find any solid division of what Chris is doing. It's made harder, because he doesn't start on the '1'. He comes pretty close to certain divisions, but then goes out of synch again. This leads me to believe he is playing free time. This is especially obvious in the part where he just speeds up to match the tempo again. I reckon, the thought process he went through, was to set a new tempo in his head and just start playing it whenever, (hence why he doesn't start on the 1), and just keep to it for as long as needed, whilst enjoying the contrasting sounds from his band mates keeping the original tempo.
By the way, multiple times in the first groove he sets up at 5:02, he comes closest to playing half note (minim) triplets, (that's 3 equal notes over an entire bar of 4/4), but instead of placing natural emphasis on it as 1 (2) (3) 1 (2) (3), as you normally would with half note triplets so that it always restarts at the start of the 4/4 bar, he is grouping them into four, with bass drum on the first, and snare on the third, to make a groove that creates that sound of him carrying over bars: 1 (2) 3 (1) 2 (3) 1 (2) 3... But as I mentioned before, it isn't long before you can noticeably hear he suddenly goes out of synch.
Pretty sure he starts giving the swung sixteenth at the end of four the down beat after starting the half note triplets (watch his bass, it switches from 1 to just before) which gives it the shifting feel. He then starts cleaning it up with inverted swiss army triplets which then shift to the down beat (making them non-inverted) which leads to the sixteenth note breakdown. Advanced class for sure, also totally impossible without an extremely tight band like you said.
I mean, shit... I love it, but I'd have loved it even more if the drums didn't give as much of a hint as to the time!!!! I mean, did you hear the insanity going on in the original????? I'm still amazingly confused by listening to it!
you know the flute player gon be soulful AF when he got the hobo gloves on.
Herbie Hancock!!!!! Well done for carrying this without any keys guys.
Chris Dave is from Space. Saw him live with Robert Glasper and he is a pure genius, pure talent. The world needs music like this.
i mean, they all dope, but fucking hell that guitar player got some chops .
Isaiah Sharkey ???
@@COMMUNITYRAINYCITY I was thinking that, too. Seriously bad dude.
Chris Dave is an absolute MUTANT on the drums!!!
I’m sure he can communicate with the Extra Terrestrial....he sick bro! But we’re here...how can you not dig this
He's very unconventional!!!
this is one of the best guitar solos i ve ever hear
You can tell that Dave treats a drum set like a canvas...when he’s at home, I bet there’s no rules to his method, he just explores.
LivSimple yea maybe now, but he’s on record as having gone through all of the Dahlgren and Fine book when he was in middle school...
Men!! Chris is not alone in his head. Just amazing Pure Groove.
5:01 and on just confuses me, but makes me so happy. Thanks for reuploading this!!!
Man, the flute is such a beautiful instrument.
Believe me, it's far more underrated than the bass. At least in every genre except for classical music.
that's Kebbi Williams on flute!
Beautiful! ! I love to hear the instrument. Specially in jazz.
sup Cyan
If ever a stick-drop was appropriate at the end of a tune, this was it right here.
Music is amazing. I just imagine some early 1970's car chase scene through San Francisco.
Twas spot on, you should write scripts and or make movies if you aren't already :)
Drumheads you have tbe best drummer tbe best bassist the best guitarist in the world of 2022 the level of advanced sound unique style synergizing many genres back with jazz at the same time you truly are some of the if not the most skilled musicians alive right now and always getting better
chris dave literally looks and sounds like he's about to quantum leap with those symbols either side of him
Haha!
This guitarist is insane!
Who is he?!
Isiah sharkey
Out of this world session!
I can't believe it anyway...
This dude is beyond words. His groove is insane
saw chris 2011 in Moers, he still haunts me
Chris Davis is Serious creative ARTIST, the band too....
its back!! thank you so much!!
Ive been waiting for this to be reuploaded forever
Thankye Guys from Denver North Carolina
shoutout NC
You can SMELL the smoke off this set...dayum
Nasty Groove from Chris Dave!!!!!!!!!!!!!!!!!!!!!!
How can I just have discovered this genius!
I've been watchin this video nonstop since I found it and I just realized that's Isaiah Sharkey on guitar... makes the world of sense lol too good
this is something else..GOOD LORD
This is the coolest funkiest thing I’ve ever heard
when the band is comping for the drums - instead of the opposite :)
Shoulda been the theme to a gritty hardcore New York detective film. I've been saying that 50 years. One of the best Herbies.
Very talented group of musicians.
2:26 wtf Sharkey
How do these guys groove like that in long sleeves and hats??? I'd be sweaty af
Gianni Canini effortless
you aint never lied I'd pass out
It might be cold in the studio. Lol.
My guess is their technique is so perfect they don't even struggle playing this. But no kidding, i would produce enough sweat to fill an olympic pool trying to Groove like this lol
@@oyeaxD There's a lot of syncopation going on. Slow it down, then break it down. Also check out other versions of this song.
Great cover on a Herbie Hancock song ! (from album "Thrust" /1974)
Such a beast!!
Holy crap....
Go go go!!!!
Chris 8bit Dave
isaiah sharkey rulez bra
Damn right... You guys just stocked the whole shed for winter...
Awesome, can't get enough of this ....
Fucking Hell this is amazing.. No keyboard either. Mike Clarke was great.. Funky as fuck, but Chris.. He's several leagues above most!
That sonor snare dear god 😳😳😳
Graciaaas por publicarlo. Que tengas mucho amor y musica!
ultra. inspiring.
stunning. so solid
Unreal! Right on!
2:46 that guitar tonal transition was disgusting!
dude is wes montgomerying it
the blood is leaking off the guitar....
What you tryna to said?
He killing that bitch
That’s ISAIAH SHARKEY
uh-huh
@@averylee949 Word up
Other than Herbie himself I think this is the best I've heard this track played.
Big Cat 100% agree.
This too czcams.com/video/JMth7WV-GLI/video.html
sonor bubinga main snare
Chris Dave is unhinged.
The brothers doing it.
I have no idea what’s going on here musically but it sounds yummy!
my foken fav vid on you toob
This is smokin'!
Awesome ❤
Legends!
Amazing!!!!
it's not a contest,,,,,all are super wicked....glad I found this....however, guitarist kinda blew my f****** mind
Geniuses
Monsters
nice guitar solo
At the end, Chris is like "f**k that flutist!"
insane grooving
This is unbelievable
MULTIPLE EARGASMS!!!!!
Goodness...
wich pedal is isaiah using, i would like to know
Man, I remember 5 years ago that was the most "out there" thing I had ever heard...! Last week tho I listened to Jacob Collier in concert with Christian Euman on drums, and oh shit have they listened and pushed the boundaries that Chris, J-Dilla and few others started exploring...!! It's amazing to see the speed at which music is evolving. This era is gonna be reflected upon as one of the greatest period in the history of music as a whole, hopefully in a time where commercial value won't be of much relevance in judging greatness...!
Nice !!!!!!!!!!
Monster just that!
🔥🥁🥁🎸🎸🎶🎶🥁🥁🥁🔥DOPE
woooooow.......speakless.....thanks
Unique
How Chris Dave can do that ?
is that isaiah sharkey on guitar?
sure is!
Yup
yeah man
The odd timing around minute 5 is deeeeeep.
Sharkey on guitar!
Busy...but, YES.
Are those spiral cymbals?
Next level here.....you'll lose every girlfriend you ever had playin this....but it'd be worth it.
Omfg yusss
1:53
who is the guitarist ?>
Is this a jam? Or his this an actual song where they play the same parts exact each time :0
It's a jam over Actual Proof,a song by Herbie Hancock
God make you FUNKY!
Does anybody can stop my right leg which is counting?
what‘s the type of the Spiral trash crash
Is that Sharkey?
I wonder what guitar pedal is sharky using?!! 1:00
Please, anyone knows which Guitar pedal Isaiah uses in the intro? The weird one?
i'm just wondering it...
he's using a multi fx pedal, not sure which one it is but i'm sure u can find out.
I think is the Fractal AX8!
its the boss gt-100
its the accel on the gt100
Anyone out there.. Can u name who Chris played with years back...(jazz..)???...I BELIEVE I saw him drumming with Kenny Garrett years back...Haven't seen any vids of the two together yet tho...
Mint Condition , Maxwell, Kenny Garrett, Robert Glasper, Meshell N'degeocello, Erykah Badu
He played on the Kenny Garrett album Standard of Language from 2003
He also played some live gigs with D'Angelo
Kool.....yes. I remember him being Very young at the KG show ..Really impressive
Chris Dave also played on Kenny Garrett's "Simply Said" album. He's on majority of the album (Jeff Tain Watts plays on one track as well).
off to the races forward on onward into
My homies
yeah
when Chris starts super imposing/modulating at 5.03 ... all that must relate to the original quarter note pulse....what's the logic behind the ladder he's ascending through?
Robert Minton Chris Dave is free player. A lot of things are just free from the original rhythm, but we can find close estimates of what he's playing.
I can confirm what linkbulletbill says. I have a lot of experience making grooves out of rarely played tuplets over a regular quarter pulse, (for example, playing 7 equal notes over a bar of 4/4, instead of 8 eighth notes, and then making a groove out of it), and also playing different tempos at the same time, (playing along to a part of a track 1/5, 1/4, and 1/3 slower is actually quite easy), but I couldn't find any solid division of what Chris is doing. It's made harder, because he doesn't start on the '1'. He comes pretty close to certain divisions, but then goes out of synch again. This leads me to believe he is playing free time. This is especially obvious in the part where he just speeds up to match the tempo again. I reckon, the thought process he went through, was to set a new tempo in his head and just start playing it whenever, (hence why he doesn't start on the 1), and just keep to it for as long as needed, whilst enjoying the contrasting sounds from his band mates keeping the original tempo.
By the way, multiple times in the first groove he sets up at 5:02, he comes closest to playing half note (minim) triplets, (that's 3 equal notes over an entire bar of 4/4), but instead of placing natural emphasis on it as 1 (2) (3) 1 (2) (3), as you normally would with half note triplets so that it always restarts at the start of the 4/4 bar, he is grouping them into four, with bass drum on the first, and snare on the third, to make a groove that creates that sound of him carrying over bars: 1 (2) 3 (1) 2 (3) 1 (2) 3... But as I mentioned before, it isn't long before you can noticeably hear he suddenly goes out of synch.
Pretty sure he starts giving the swung sixteenth at the end of four the down beat after starting the half note triplets (watch his bass, it switches from 1 to just before) which gives it the shifting feel. He then starts cleaning it up with inverted swiss army triplets which then shift to the down beat (making them non-inverted) which leads to the sixteenth note breakdown. Advanced class for sure, also totally impossible without an extremely tight band like you said.
N000 keer1 naaaah !
This is the outest shit on CZcams
I mean, shit... I love it, but I'd have loved it even more if the drums didn't give as much of a hint as to the time!!!! I mean, did you hear the insanity going on in the original????? I'm still amazingly confused by listening to it!
That's so real. The snares on 2 and 4 just sound boring on this tune, no matter how killing CD is
Love hearing Mike Clark dissecting the grodiness of the groove: czcams.com/video/ItXjq0KJBns/video.html