In this opera the most meaningful...??? Ufff... In bold the best of the best i love. Dueto: Cinque... dieci... venti... (Susanna, Figaro) Dueto: Se a caso madama la notte ti chiama (Susanna, Figaro) Aria: *Se vuol ballare signor Contino (Fígaro)* Aria: La vendetta, oh la vendetta! (Bartolo) Aria: Non so più cosa son, cosa faccio (Cherubino) Aria: *Non più andrai, farfallone amoroso (Figaro)* Aria: *Porgi amor (Condesa)* Aria: *Voi che sapete che cosa è amor (Cherubino)* Duetto: *Canzonetta sull'aria (Susanna, Condesa)* Coro: *Ecco la marcia, andiamo (Susanna, Condesa, Conde, Figaro)* Aria: *Deh vieni, non tardar (Susanna)* Aria/Coro: *Contessa, perdono ... Ah tutti contenti (Conde/Coro)*
At the “finche l’aria e ancor bruna” she quite loses control of her voice. I can tell and I am not even an expert. She may be talented but this was not very good, and she is definitely faking a deeper/darker voice than she actually has, even when this is an aria specifically fit for a light and airy voice. The more I find of modern opera stars the more I turn to the “old guard”. I would not say modern opera is lost and what not, but somehow it is not the better singers getting promoted. Netrebko can act and be sexy on stage, which makes her more commercial. Not what opera should (primarily) be about.
@@sashafierce1040 :) Nver claimed to be - just to have ears. And false singing is false singing. To the extent that the throaty singing approach is something that is institutionalized and taught in school, it does not surprise me. It would allow a young singer to take on meatier roles that they are not yet prepared for, and in the race to get young presentable people on stage, I can see how the madness caught on. It is not a good thing. Oh, and they patched the audio -- before the part I was mentioning surfed so high it made my ears hurt. No need to be an expert for that.
With Susanna, portrayed by Anna Netrebko, declaring her love in this aria, what are the most meaningful arias in your opinion?
Unica a favolosa
Perfect
In this opera the most meaningful...??? Ufff...
In bold the best of the best i love.
Dueto: Cinque... dieci... venti... (Susanna, Figaro)
Dueto: Se a caso madama la notte ti chiama (Susanna, Figaro)
Aria: *Se vuol ballare signor Contino (Fígaro)*
Aria: La vendetta, oh la vendetta! (Bartolo)
Aria: Non so più cosa son, cosa faccio (Cherubino)
Aria: *Non più andrai, farfallone amoroso (Figaro)*
Aria: *Porgi amor (Condesa)*
Aria: *Voi che sapete che cosa è amor (Cherubino)*
Duetto: *Canzonetta sull'aria (Susanna, Condesa)*
Coro: *Ecco la marcia, andiamo (Susanna, Condesa, Conde, Figaro)*
Aria: *Deh vieni, non tardar (Susanna)*
Aria/Coro: *Contessa, perdono ... Ah tutti contenti (Conde/Coro)*
Wunderbarer Gesang.❤Anna Netrebeco singt einfach mit Herz.
Bravo!Anna NETREBKO!!!!!!!!!👏👏👏👏👏👏👏👏👏👏👏👏👏👏
Wonderful interpretation, singing and acting. Perfect.😊
The best! Your singing and your beauty always touch my heart.
Always solace for my soul ❤️
Perfection itself ❤
Anna Netrebko is my favourite soprano!
Wonderful singing! Brava, Anna!
Прекрасная Анечка❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
Netrebko was so beautiful...
my favour sopran, despite of
❤❤❤❤❤❤
Stunned! amazing!
Unica
Perfection itself 🤍🤍🤍
Renversant...
Молодая Нетребко
Можно было не только послушать, но и посмотреть)
Андрей Артамонов да, теперь можно только смотреть - и только недолго.
@@d_bb_d7592 я имел в виду внешность молодой Нетребко.
Endebe?
Моцарт удовлетворился бы точно.
Microtonal Mozart?
There is that thing we call " mozart soprano " Some voices aren't fitted to sing Mozart...
Maybe she is not a "Mozart voice", but I bet Mozart himself, who appreciated talented and beautiful singers would have loved this rendition.
At the “finche l’aria e ancor bruna” she quite loses control of her voice. I can tell and I am not even an expert. She may be talented but this was not very good, and she is definitely faking a deeper/darker voice than she actually has, even when this is an aria specifically fit for a light and airy voice. The more I find of modern opera stars the more I turn to the “old guard”. I would not say modern opera is lost and what not, but somehow it is not the better singers getting promoted. Netrebko can act and be sexy on stage, which makes her more commercial. Not what opera should (primarily) be about.
@@sashafierce1040 :) Nver claimed to be - just to have ears. And false singing is false singing. To the extent that the throaty singing approach is something that is institutionalized and taught in school, it does not surprise me. It would allow a young singer to take on meatier roles that they are not yet prepared for, and in the race to get young presentable people on stage, I can see how the madness caught on. It is not a good thing. Oh, and they patched the audio -- before the part I was mentioning surfed so high it made my ears hurt. No need to be an expert for that.
@@iuliam5766 What you just said? False singing? 🤣 Girl, you’re delusional! Please, don’t bother yourself with answer
Ying Fang is good as a new opera singer in this aria, try her version & enjoy your day
Juliam5766 Completamente de acuerdo con Vd.
Seriously?
Horrible production, but it shows, that Your voice can sound very well. Are the notes the 2. Nancy Storace?