let me help with the terms: childe: Baritone singer Scara: Tenor singer (supposedly Yu Peng Chen) Signora: Soprano singer Arlecchino: Alto/Basso Singer (?) CMIIW*
I mean Scaramouche is younger than Childe (yes he is 500 years old~ but as a puppet he is stuck as a boy and clearly based off Pinnochio), and his song theme centres around childhood so it only makes sense. Childe although some of his themes centre around childhood, not in the AQ, and he is a young man so he will have a lower voice. Also the abyss trauma making him more mature (hence no light in his eyes, his acting out and seeking aggression/combat.) Arlecchino has an alto voice compared to Signora, so it only makes sense her singing is lower. She's more of a femme fatale in an edgy sense, Signora a princess-turned-witch. I presume Dottore will have the lowest voice in his song since he has the deepest voice alongside Pierro in the whole Fatui cast, even deeper than Capitano's (because he is the true Genshin Gigachad.)
I keep getting blown away by how good the music in this game is. The fact that all Fatui Harbingers boss themes have such a strong identity and manage to stand out in such a way is a testament of how talented the composers are.
This is the most accurate theme about a certain someone's personality and actions. It's perfect, in my own opinion, it's has both sides which are very important aspects, the House of the Hearth singing in the background is obviously giving the cordial front and is the most organized theme of announcing their "Father". Its the Facade that we all know, but then The transition begins to give the switch between the themes, and now it's become more diverse in music it's no longer organized and it announces the final act and Father's arrival(Phase II) After the transition it announces Arlecchino's arrival, and as the voice of her begins to unite with the House, it starts the final act but as it's developing and as its lead by The House of the Hearth, it gets completely casted out by Arlecchino, then she takes charge announcing her own act, she then snaps her fingers to quiet everything, thus showing her in control of the music itself, she then take matters in her own hands and does the final act, in her true unknown self, now its no longer an act nor a facade. This is my own interpretation.
Yeah I agree with that. Though tbh I wish her character wasn't so convoluted. It seems to me tbh that Crucabena was never supposed to actually exist but to make Arlecchino playable they kind of had to add her last-minute, hence us never getting any hints there were two Knaves before Fontaine. I really hate when Hoyo forces stuff like that, it's really cringe. Also her whole "father" thing is really eye-rolling when you consider she uses Arlecchino/Knave, and when you take up a Harbinger name you're surrendering your identity prior to it, so it's like she became essentially one with Crucabena by doing so. Even she uses similar tactics of manipulation as her, whether for what she deems as "good" or not tbh it doesn't matter, she still exploits kids and grxxms them to be spies, when they could have a normal childhood if she didn't take them. Or she could just renounce the Fatui like Scaramouche did. Though he is evil in his own right, at least he doesn't think he is any better than the rest like Arlecchino. He is mental about Dottore/Zandik but aside from that he doesn't say he is a good person, even if he plays victim to justify himself same way Arlecchino does. It would be nice to see them take responsibility for once, like Ei had to. For as much as people criticise her, she paid the price for what she did by fighting "herself" for 500 years. And Furina didn't even do anything wrong yet she took responsibility for the sins of Egeria and enacted Focalors' plan no matter the cost. Even Dottore doesn't blame anyone, as unfair as his exile from Sumeru was, he takes responsibility and he only uses force when it is necessary to do so. Yeah, he might come off arrogant but Sumeru AQ is the first and only AQ where the Fatui were in the main antagonist role and there were no real casualties or even disasters. Dottore also played an integral role behind the scenes in helping to cure Eleazar, and gave us the information about Descenders, Teyvat being a lie, etc. Not to mention he saved Collei's life, which even Tighnari recognises, which is why he didn't have a hostile exchange with him. He didn't allow him to take Haypasia, but he also spoke to him pretty politely and Dottore accepted his answer even though he could have easily overpowered him and done so anyway. People really do not understand the genius of his character, and unlike Arlecchino/Scaramouche, it wasn't a hasty PR/damage control job to make them palatable, Dottore is just that based.
So true LIKE UGH childes is fire with all the liyue ties in it and then signoras is like the true homage to sneznhya and ofc scaras with the Latin that seperate him from really everyone else and then if you count the whale as childe 2.0 ITS SO EPIC with the completly new sounds because it's literally out of that world and then this?! LIKE SHE CAN STEP ON ME WITH THIS THEME
ok so 2:04 fatui motif 2:20 la signora motif 2:37 scara motif (kinda hard to hear but i hear it, checked and it's in phase 1) 4:11 childe motif (thx @thofthe in the comments) also 3:47 i hear neuvilette motif (thx @glimiester)
I'll say this definitely has one of the best first phase boss theme. It's already so powerful in first phase, perfect for presenting someone powerful and menacing like her. Second phase's best thing is the harmony between the main singer and the back chorus. It's beautiful and feels lore accurate while the dubstep part is a nice little surprise, and showing a glimpse of her true terror.
@@user-mk8el5ed3b not fatui motif but house of the hearth motif which he composed back when the travail trailer dropped, and I would say he also composed this, note, composed, not arranged
@@Rarururu__i think while YPC is responsible for the individual motifs, the ones bringing it together is the current music team. For example, photon of fluctuation may be composed by YPC, but you could still say that the new Fontaine Battle Themes are of the current music team.
3:36 gives me Godskin Apostle/Godfrey vibes. And then it goes into a Nier-level OST. And THEN into EDM and that DEEP singer representing Arle. It's INCREDIBLE.
Have you guys noticed how each Harbinger boss we get is according to the order of their constellation card if we go anticlockwise. According to that pattern, the next boss will be Columbina! Which I'm really excited for
the second phase starts off so melancholic, like a howling rage of the wind and rain with how those strings are played. and then building up to the height of certainty, perhaps arle gaining power. dunno if I'm mistaking it, but around 3:49 those quick, high trumpet (?) notes that go "ta ta-ra ta ta-ta tah!" reminds me of that part in elogia cinerosa at the start of Dottore's line "conventional wisdom holds that blah blah", and is also heard in his introductory ost in sumeru i think..
The Skrillex dark Dubstep part at the end is something I didn't expected to hear + the opera. I'm speechless. 😐 MarcoMeatball will have a fun, long analysis video on this.
I really liked these themes. The only part I am not wild about is the dubsteppy/EDM part past the halfway point of phase 2. It becomes a little too discordant for me there. Not that it is necessarily bad, but I just think a different sound than the exact choices they made may have been better. Besides that, no complaints from me. The tension in phase 1 is so high and phase 2 is so energetic. Both phases sound so powerful, a good thing for boss themes to be sure. The child choir(?) parts just brings me to think of the HotH which I think is a nice touch.
i honestly really like this part. i can see why it’s a bit out there since the only other time we had dubstep like this was with the whale boss. both here and with the whale it sounds super unnatural and otherworldly, so i wonder if there’s a lore reason for the dubstep like with the whale🤔
I like the points brought up that the dubstep part could be pointing to some lore reason, or maybe it's just the laser attacks. Maybe it represents unnatural power in some way? No idea, but it is fun to think about. As a standalone piece the dubstep doesn't do much for me, but I can appreciate that it will feel different and potentially even cool during the fight itself. I do look forward to seeing how it feels to listen to during the fight.
Around 4:35 up too 5:00, it's as if Arlecchino is mourning her "children" that dies after carrying the House's various missions. As the cadence keeps on intensifying, it's clear she does NOT hesitate when she wants to be utterly cruel and evil.
Phase ke 2 emg kyknya blom jadi dah 😂😂, masa progression nya datar/turun, gk kyk ost sebelum2 nya lebih classical trus build up makin lama makin naik udh gitu malah diakhirin edm apa hubungannya coba 😂😂😂
people complaining about the dubstep, but dubstep has been shown to be in boss themes not from the world of teyvat, arlecchino's curse is most likely foreign to teyvat
I can already feel how powerful the song is without going for those hard af beats . Since, the scenario isn't traveler going toe to toe qith arle to the point of her going all out but its just traveler and co. Got caught lacking BIG TIME. And the music represent how much they fucked up just by acdepting that duel and they can't do NOTHING to stop her.
I was feeling fatui leitmotif from back always, but her theme is like fatui leitmotif itself. I already know the melody so I prefer signoras theme, But theme suits her. I wonder why we are fighting, I hope not a shitty reason.
Fighting with Arlecchino? Quoted from reliable information, Arlecchino's Training travelers to prepare for war in Natlan, because in Natlan there is Ill Capitano who plays a big role there.
That fatui leitmotif you're saying is the fontaine leitmotif from travail teaser. so the new composer team decided to make it dedicated to arlecchino and make a new theme for fontaine entirely.
It's possible that she's training us for the fight with the 2 high ranking Harbingers, Columbina and Capitano, or that she's planning to betray the Tsaritsa and side with us if we have a better chance and bringing her closer to her goals, whatever they might be. Either way, she's testing/training us in some form.
@@erucharizu never mind, I’m happy with current trailer. I’m happy that they didn’t make her good person. And leaks were wrong. They told us she trained us because we are going to natlan, what a good person lol. I’m happy they showed her crazy side
After watching her animated trailer... Isn't she repeating her "mother's" mistakes? Not in behaviour in general, but in her actions (fight against her trio, especially Liney)
@@mistressofdreams6031 For now it looks pretty much the same, except for intention (as I understood, previous Knave: to break, humiliate; Arlecchino: to punish, prove her point)
I think it's the complete opposite? The old Knave pit kids against one another to fight to the death and beat them up herself too. Was a very antagonistic horrible person under the guise of a caring mother. Even went so far as having Dottore experiment on the kids. She chose the trio to undertake a test of sorts. I cannot imagine her intent is to actually kill them and anyone who thinks so is not paying attention.
for some reason the end makes me thing of varien or razihel. Rlly good though, every song from hoyo seems to end up as a banger. cannot wait to see the marcomeatball reaction vid.
The Children Chorus to the Main Female Lead clearly Representing Arlechino and the Orphans, is so disturbing, it gives "Cult" Vibe. But I guess the Orphanage is kind of a Cult, training Children Soldiers and sending them to Dangerous Missions... 5:14 Holy Sh*t Whats That :0 I have High Expectations for her Boss Fight!
this time the fatui pattern is repetitive and less complicated. i hope they don’t run into the same issue for future harbingers after 4:33 and 5:14 is my fav part !!
Fans Translation: Aranea sancti [Spider of saint.] Loca rubra quoniam dolorem ducam [Domains (turn) red now that I shall bring sadness.] Ure adversos meos [Burn my enemies] Triumphum mihi! Triumphum mihi! Mortes vobis! [Triumph to me! Death to you all!] Mors amissa'st, fle!, lauda! [Death is cast. Lament! Praise!] Luxum somnium servabo liberorum [| shall protect the dislocated dream of (my) children.] Children's chorus : Bene viam satiati me ne divam tenendi viri etiamsi agite [Lead us well, even on the path of the goddess, and slaughter those oversated men who must be held back.] Sors mei filii et etiamsi ipsa se'st immanis inanis etiamsi [And even if the fate itself of my son is monstrous and empty to him] Inane rumen tace! La Luna! [Shut your vain throat up! O moon!] Chorus: Filium, Fili, Filium, Filii, move ad hic! [O my sons, come to me!] Odiri supero vos videre lucem novam [Being hated, I (shall) conquer you all to see a new light (again).]
Not a fan of the first phase it feels too repetitive but gyattt the second phase is soo good especially when she sings and then the male singer too which are like showing possibly her two sides and also maybe her title as father but being female and also could be referecing original arlecchino from the comedia being male. Its so dangerous and the little kids singing in the background rahhhh
![La Signora Battle Theme [All Phases] - Genshin Impact OST](http://i.ytimg.com/vi/NE8tlDeSLmk/mqdefault.jpg)
![La Signora Battle Theme [All Phases] - Genshin Impact OST](/img/tr.png)
There are slight changes to Phase 1, Phase 2, and Transformation.
Childe: low male singer
Scara: high male singer
Singora: high female singer
Arlecchino: low female singer
The first phase is orphan children singing
let me help with the terms:
childe: Baritone singer
Scara: Tenor singer (supposedly Yu Peng Chen)
Signora: Soprano singer
Arlecchino: Alto/Basso Singer (?) CMIIW*
@@Insigniaxhonkai thanks, I’m a choir kid myself but I just kinda forgot to mark them lmao
@@gamergaming6604 noticed this too
I mean Scaramouche is younger than Childe (yes he is 500 years old~ but as a puppet he is stuck as a boy and clearly based off Pinnochio), and his song theme centres around childhood so it only makes sense. Childe although some of his themes centre around childhood, not in the AQ, and he is a young man so he will have a lower voice. Also the abyss trauma making him more mature (hence no light in his eyes, his acting out and seeking aggression/combat.)
Arlecchino has an alto voice compared to Signora, so it only makes sense her singing is lower. She's more of a femme fatale in an edgy sense, Signora a princess-turned-witch.
I presume Dottore will have the lowest voice in his song since he has the deepest voice alongside Pierro in the whole Fatui cast, even deeper than Capitano's (because he is the true Genshin Gigachad.)
I keep getting blown away by how good the music in this game is. The fact that all Fatui Harbingers boss themes have such a strong identity and manage to stand out in such a way is a testament of how talented the composers are.
0:00 - 6:15 Best part of the song
Such a bold take, but I totally agree
No.
except for the electric bass
The Knave approves this statement.
Agree😂
This is the most accurate theme about a certain someone's personality and actions. It's perfect, in my own opinion, it's has both sides which are very important aspects, the House of the Hearth singing in the background is obviously giving the cordial front and is the most organized theme of announcing their "Father". Its the Facade that we all know, but then The transition begins to give the switch between the themes, and now it's become more diverse in music it's no longer organized and it announces the final act and Father's arrival(Phase II) After the transition it announces Arlecchino's arrival, and as the voice of her begins to unite with the House, it starts the final act but as it's developing and as its lead by The House of the Hearth, it gets completely casted out by Arlecchino, then she takes charge announcing her own act, she then snaps her fingers to quiet everything, thus showing her in control of the music itself, she then take matters in her own hands and does the final act, in her true unknown self, now its no longer an act nor a facade.
This is my own interpretation.
I LOVED YOUR EXPLANATION OF IT
@Y__174 Thank you. It's not the first time I've interpreted a soundtrack.
@@Y__174 This is not my first interpretation of a soundtrack. Thanks.
@@Areullekino your welcome :)
Yeah I agree with that.
Though tbh I wish her character wasn't so convoluted. It seems to me tbh that Crucabena was never supposed to actually exist but to make Arlecchino playable they kind of had to add her last-minute, hence us never getting any hints there were two Knaves before Fontaine.
I really hate when Hoyo forces stuff like that, it's really cringe. Also her whole "father" thing is really eye-rolling when you consider she uses Arlecchino/Knave, and when you take up a Harbinger name you're surrendering your identity prior to it, so it's like she became essentially one with Crucabena by doing so. Even she uses similar tactics of manipulation as her, whether for what she deems as "good" or not tbh it doesn't matter, she still exploits kids and grxxms them to be spies, when they could have a normal childhood if she didn't take them.
Or she could just renounce the Fatui like Scaramouche did. Though he is evil in his own right, at least he doesn't think he is any better than the rest like Arlecchino. He is mental about Dottore/Zandik but aside from that he doesn't say he is a good person, even if he plays victim to justify himself same way Arlecchino does.
It would be nice to see them take responsibility for once, like Ei had to. For as much as people criticise her, she paid the price for what she did by fighting "herself" for 500 years. And Furina didn't even do anything wrong yet she took responsibility for the sins of Egeria and enacted Focalors' plan no matter the cost.
Even Dottore doesn't blame anyone, as unfair as his exile from Sumeru was, he takes responsibility and he only uses force when it is necessary to do so. Yeah, he might come off arrogant but Sumeru AQ is the first and only AQ where the Fatui were in the main antagonist role and there were no real casualties or even disasters. Dottore also played an integral role behind the scenes in helping to cure Eleazar, and gave us the information about Descenders, Teyvat being a lie, etc. Not to mention he saved Collei's life, which even Tighnari recognises, which is why he didn't have a hostile exchange with him. He didn't allow him to take Haypasia, but he also spoke to him pretty politely and Dottore accepted his answer even though he could have easily overpowered him and done so anyway.
People really do not understand the genius of his character, and unlike Arlecchino/Scaramouche, it wasn't a hasty PR/damage control job to make them palatable, Dottore is just that based.
I swear everytime there is a new harbinger boss the music just gets better
So true LIKE UGH childes is fire with all the liyue ties in it and then signoras is like the true homage to sneznhya and ofc scaras with the Latin that seperate him from really everyone else and then if you count the whale as childe 2.0 ITS SO EPIC with the completly new sounds because it's literally out of that world and then this?! LIKE SHE CAN STEP ON ME WITH THIS THEME
If you think this theme is good, you need to stop taking those pills you are taking right now.
@@Scyphio_ 🤨
@@Scyphio_wait one week and 100% you will regret saying that
@@ouioui744 Maybe in your dreams.
ok so
2:04 fatui motif
2:20 la signora motif
2:37 scara motif (kinda hard to hear but i hear it, checked and it's in phase 1)
4:11 childe motif (thx @thofthe in the comments)
also
3:47 i hear neuvilette motif (thx @glimiester)
La signora motif hits VERY hard 🗣️🗣️🗣️🔥🔥🔥🔥🥶🥶🥶🥶
I'll say this definitely has one of the best first phase boss theme. It's already so powerful in first phase, perfect for presenting someone powerful and menacing like her.
Second phase's best thing is the harmony between the main singer and the back chorus. It's beautiful and feels lore accurate while the dubstep part is a nice little surprise, and showing a glimpse of her true terror.
IKR amazing phase 1
idk, first phase scara goes pretty hard
second phase goes harder imo
4:19 no one talk abt this part? 🔥🔥🔥🔥
best part imo
I don't know how many times I listened to this part
The singer popped off
That part is peak. Dark af.
that avatar profile is staring into my soul🥶
I like to staring into Arlecchino's heart, especially boss version 👀
@@erucharizu that's wild 💀
It's a boss profile image
She really needs to get some sleep. (Children are so painful to take care of)
Jokes on you if lost my soul.
2:03 goes so hard wtf
I love how they revived Dubsted and used it correctly at the end
Yu-peng Chen left,and we got skrillex instead lol
i m loving this shit
It’s actually composed by Yu-peng Chen
@@Rarururu__only the fatui motif
@@Rarururu__ no, he credited bc of fatui motif
@@user-mk8el5ed3b not fatui motif but house of the hearth motif which he composed back when the travail trailer dropped, and I would say he also composed this, note, composed, not arranged
@@Rarururu__i think while YPC is responsible for the individual motifs, the ones bringing it together is the current music team. For example, photon of fluctuation may be composed by YPC, but you could still say that the new Fontaine Battle Themes are of the current music team.
the opera singing in phase two gives me goosebumps!!!
3:36 feels like it portrays her Fontaine origins so well... Dancing in such an elegant yet determined way !
This was my absolute favorite melody of all the phases, so sad it's so short!
who knows if Fontaine is her origin at all...
Literally listening to this part on repeat 🔁
@@SamuraiSx19She mentioned she’s native to there
@@SamuraiSx19 she was raised in fontaine,at the very least.
4:32 and 5:42 are just so beautifully majestic
omg i love that exact part too
@@labradorite7051 glad not to be alone
Holy... yeah you right
5:00 i think I am the only one who likes this part ❤️🔥
NO I LIVE FOR THIS PART 🎉
You're not alone!
5:15 sounds very experiemental, but this is very very surprising seeing dubstep in genshin
You can also listen to Wanderer trailer song, and also Xianyun trailer with Dubstep, but xianyun not full
You can hear dubstep in Narwhal boss
I mean almost every boss battle have EDM/dubstep
it is experimental, they just leave it unfinished cause that's how hoyo treats genshin these days.
@@Noobs5601 then that just means the quality of that edm/dubstep has gone downhill.
To be honnest, her track sounds like shes playing with you
Sounds like vampire dubstep
BRO THIS SLAPS SO HARD THE HARBINGERS ALWAYS HAVE THE BEST MUSIC 🙏🙏
2:00 - 2:37 best part
True
Agreed, i think its even better than the phase 3.
My favorite part it goes HARD
I also like this part a lot
My fab part was 2:02 - 2:28
3:36 gives me Godskin Apostle/Godfrey vibes.
And then it goes into a Nier-level OST.
And THEN into EDM and that DEEP singer representing Arle.
It's INCREDIBLE.
this is so good wtff it sounds like she’s from Snezhnaya and really sounds like intimidating
She's Fontainian
💀💀💀
Have you guys noticed how each Harbinger boss we get is according to the order of their constellation card if we go anticlockwise.
According to that pattern, the next boss will be Columbina! Which I'm really excited for
3:47 is it me or do i hear a bit of pluie sur la ville (neuvi's theme played in his sq)
It sounds similar,might be one of the Fontaine motifs?
Don’t think neuvillette is gonna have much presence this update
I can't see none similarity
You can hear the rising notes in Scaramouche theme phase 2 as well.
@@garagemoney9237 Cuz both are Fatui (well Scara in that time was)
@@lucasmita3058they prolly know that
that avatar is like arlecchino's long lost sis
2:04 the time stamp at the video reads 4:11(4th Harbinger of the 11 Fatui Harbinger) exactly when the fatui harbinger motif plays.
Oh, that’s actually smart.
the second phase starts off so melancholic, like a howling rage of the wind and rain with how those strings are played. and then building up to the height of certainty, perhaps arle gaining power.
dunno if I'm mistaking it, but around 3:49 those quick, high trumpet (?) notes that go "ta ta-ra ta ta-ta tah!" reminds me of that part in elogia cinerosa at the start of Dottore's line "conventional wisdom holds that blah blah", and is also heard in his introductory ost in sumeru i think..
The Skrillex dark Dubstep part at the end is something I didn't expected to hear + the opera. I'm speechless. 😐
MarcoMeatball will have a fun, long analysis video on this.
*marco will be like: "NOO Let me hear the Opera, but still good tho" like was in narwall's react
5:14 untill 5:42 is the best part ngl, the villain aura is huge there!
what a wonderful day to have ears
I don't think this will be the final version, because it's somehow feels spacey or whatever
it's final, because tomorrow is a special program 4.6
@@consynawhat’s today?
Idk this seems pretty final to me
@@moafighting1597 It just sounds like there's something missing i just don't know what it was tho.
@@bryanmarcumacob9309 it may just be that the audio isnt clearest, it usually sounds better in-game and in album release
I really liked these themes. The only part I am not wild about is the dubsteppy/EDM part past the halfway point of phase 2. It becomes a little too discordant for me there. Not that it is necessarily bad, but I just think a different sound than the exact choices they made may have been better. Besides that, no complaints from me. The tension in phase 1 is so high and phase 2 is so energetic. Both phases sound so powerful, a good thing for boss themes to be sure. The child choir(?) parts just brings me to think of the HotH which I think is a nice touch.
YOURE SO RIGHT
couldn't agree more about the dubstep part.
i honestly really like this part. i can see why it’s a bit out there since the only other time we had dubstep like this was with the whale boss. both here and with the whale it sounds super unnatural and otherworldly, so i wonder if there’s a lore reason for the dubstep like with the whale🤔
I think because on her second phase the attack has some laser. Pretty sure the dubstep is to accompany the laser attack
I like the points brought up that the dubstep part could be pointing to some lore reason, or maybe it's just the laser attacks. Maybe it represents unnatural power in some way? No idea, but it is fun to think about. As a standalone piece the dubstep doesn't do much for me, but I can appreciate that it will feel different and potentially even cool during the fight itself. I do look forward to seeing how it feels to listen to during the fight.
Around 4:35 up too 5:00, it's as if Arlecchino is mourning her "children" that dies after carrying the House's various missions. As the cadence keeps on intensifying, it's clear she does NOT hesitate when she wants to be utterly cruel and evil.
I'm surprised not more ppl are talking about that part, the raised passionate voice is pretty intense
5:13 swear to god if she uses a move similar to her ult here I'm going to scream
If you get the chance to time the moment she applies Bond Of Life to you, you might have the loudest scream ever.
I love this part: 5:13
Okay, this is the only remastered boss theme that is actually better than the beta, It just sounds cleaner. Personally in my opinion, K?
Possibility the final version
I hope they still change it...
@@erucharizu post 4:19 still sounds very much experimental
phase 1 nya lebih ngeri dari phase 2 nya
Asli cuy, tapi yang ke-2 sound-nya lebih experimental😂 kayaknya nantang bgt nih
Phase 1 kita nari ama arlrchino, phase 2 kita lari dari arlechino
Phase 1 one winged fallen angel phase keduanya spiderman 💀
@@blanctreesepiroth 🗣️🔥🔥🔥🔥
Phase ke 2 emg kyknya blom jadi dah 😂😂, masa progression nya datar/turun, gk kyk ost sebelum2 nya lebih classical trus build up makin lama makin naik udh gitu malah diakhirin edm apa hubungannya coba 😂😂😂
1:07 my favorite part 😌
Her Avatar looks so scary 🥶
Yeah her boss form have wider eyes than she normally does which makes it kinda scary
Nah it's hot af
She didn’t get enough sleep thats all 😂
She’s a single father with 100s of adopted children, she needs a break
This sounds perfect omg
GUYS just one more week
3 MORE DAYYYSS
people complaining about the dubstep, but dubstep has been shown to be in boss themes not from the world of teyvat, arlecchino's curse is most likely foreign to teyvat
Father are you alright? Are you alright Father? Blink twice if you're okay
Im in love with the voices man
this song reminds me of all the harbingers singing together
I can already feel how powerful the song is without going for those hard af beats . Since, the scenario isn't traveler going toe to toe qith arle to the point of her going all out but its just traveler and co. Got caught lacking BIG TIME. And the music represent how much they fucked up just by acdepting that duel and they can't do NOTHING to stop her.
I was feeling fatui leitmotif from back always, but her theme is like fatui leitmotif itself. I already know the melody so I prefer signoras theme,
But theme suits her. I wonder why we are fighting, I hope not a shitty reason.
Fighting with Arlecchino?
Quoted from reliable information, Arlecchino's Training travelers to prepare for war in Natlan, because in Natlan there is Ill Capitano who plays a big role there.
That fatui leitmotif you're saying is the fontaine leitmotif from travail teaser. so the new composer team decided to make it dedicated to arlecchino and make a new theme for fontaine entirely.
It's possible that she's training us for the fight with the 2 high ranking Harbingers, Columbina and Capitano, or that she's planning to betray the Tsaritsa and side with us if we have a better chance and bringing her closer to her goals, whatever they might be. Either way, she's testing/training us in some form.
@@erucharizu never mind, I’m happy with current trailer. I’m happy that they didn’t make her good person. And leaks were wrong. They told us she trained us because we are going to natlan, what a good person lol. I’m happy they showed her crazy side
@@spymadmax584 oh I see, Its too familiar music though. I’m sure Childe and wanderer has similar melody
am I the only one who likes the EDM part??
wow that's a dangerous OST look like I really need zhongli sheild so that she can't Kill me one blow when I fight with her 😱😱😱
Zhongli + Kokomi, come and kill be b*tch 😂
i heard that there are no healers allowed in her domain either 😓
@@sleepyadventurer3756 .....Of course they are allowed, what are you yapping about?
It's just that they won't be as useful.....
@@McNugge. no need to be so rude.. i made a mistake in writing and that's only human of me. i meant exactly what you corrected me on.
stop the cap, we all know we'll have to hold back to avoid one shotting her lol.
It's going to be exciting and epic for 4.6 ❤❤ next week😊
Woaahh.. can't wait for it❤
You mean the week after next. We're still 12 days away from 4.6
like the music but i can feel the diff between YPC and todays music.
After watching her animated trailer... Isn't she repeating her "mother's" mistakes? Not in behaviour in general, but in her actions (fight against her trio, especially Liney)
OH absolutely.She is interesting character.And antagonist .
Its theorized that her challenge to become “King” is not going to be the same as her “Mother”’s
@@mistressofdreams6031
For now it looks pretty much the same, except for intention (as I understood, previous Knave: to break, humiliate; Arlecchino: to punish, prove her point)
I think it's the complete opposite? The old Knave pit kids against one another to fight to the death and beat them up herself too. Was a very antagonistic horrible person under the guise of a caring mother. Even went so far as having Dottore experiment on the kids. She chose the trio to undertake a test of sorts. I cannot imagine her intent is to actually kill them and anyone who thinks so is not paying attention.
3:38 I finally found where I heard this beat. This has been tickling me since the release
Sword art Online - she has to overcome her fear
It’s scary to know that I missed listening to half of this song because of my Raiden, Furina, Nahida, Neuvillette team…
The only bad of this song is that it ends
for some reason the end makes me thing of varien or razihel. Rlly good though, every song from hoyo seems to end up as a banger. cannot wait to see the marcomeatball reaction vid.
Wish for my sister and everyone's luck!
GOD this is so good I’m crying screaming throwing up having a seizure cartwheeling backflipping sobbing wailing inhaling liquid mercury oh my GOSH
This sounds more like Dark souls boss theme than Genshin
It's the choir. It is in the same range as a lot of tracks in DS3.
part 2 gimme goosebumps
la primera parte, parece que estamos en un baile de salón con una opera.
the beginning of the song song gives me massive coraline vibes
very emotional
Phase 2 sounds so hostile omg
Lyney, Lynette, Freminet, & Traveler vs Arlecchino final boss..
Wow it is battle between children and their Father/Mother..
that contralto is fucking nutty holy shit
The Children Chorus to the Main Female Lead clearly Representing Arlechino and the Orphans, is so disturbing, it gives "Cult" Vibe.
But I guess the Orphanage is kind of a Cult, training Children Soldiers and sending them to Dangerous Missions...
5:14 Holy Sh*t Whats That :0
I have High Expectations for her Boss Fight!
MANNN some of these strings in the first piece are strings i hear a lot in khaenri'ah-related music in the game.... well!
Master piece song for our Father,but even still scara's theme It's my favorite
how can music get better and better in genshin......like there's no way it can get better than this
Her face looks tired af in the video XD
1:22 The violin chords a small
this time the fatui pattern is repetitive and less complicated. i hope they don’t run into the same issue for future harbingers
after 4:33 and 5:14 is my fav part !!
I CANT BELIEVE THIS IS ACTUALLY THE SONG
なんでもうBGM全部出てんだよw
Finally a boss fight not for cool looking or animation just pure sad fight
5:14 2:00 2:37 3:37
wish for the extended drop version…
what's a normal amount of times to listen to this per day? asking for a friend lol
Did the music director change or something? The last few weekly boss musics sounds quite different from before.
Well, yes, basically.
I bet the dubstep part is composed by Lunan again.
12 hari lagi letsgooo
Ikuuzzooo!!
I hope this is not the final version bcoz I always think they can top one fatui's theme from another like childe to signora to scaramouche
since yu-peng chen left, genshin's music is kinda different, I hope his departure isn't in vain
This is finished, tomorrow is 4.6 special program
@@ArtParticlex if this is her OST then the Scaramouche battle theme is better OR the one Signora had. This one to me is forgettable. IMO of course.
I agree, even signora had a better composition imo.
They just leave this unfinished.
feels very underwhelming and dull and very forgettable.
I think my expectations were too high for her because of La Signora and Scaramouche too
4:47 This part I feel like the demon inside me 👹👹
Genshin boss theme tier list (for me)
1. Symphony of boreal wind (andrius)
2. Saltatio favillae (signora)
3. Polumnia omnia (scaramouche)
4. Rage beneath the mountains (azhdaha)
Polumnia Omnia should be first 🥂
You sir, have an exquisite taste. Andrius' theme is so damn underrated, that along with Dvalin's theme
4:46 always gets me
Bloodborne ahh ost
4:05 This Part until 4:18 goes hard.
good bruh
This soundtrack kinda reminded me of Yu-Peng Chen era, though we know that it's not.
Beginning reminds me of some of the music in Nier: automata
Anyone know the instrument at the beginning thst sounds like a music box? Or is it literally a digital music box
that'll be a glockenspiel most likely
Could somebody translate or hear lyric of latin in phase 2? In fact i love this track!!!!!
Fans Translation:
Aranea sancti [Spider of saint.]
Loca rubra quoniam dolorem ducam [Domains (turn) red now that I shall bring sadness.]
Ure adversos meos [Burn my enemies]
Triumphum mihi! Triumphum mihi! Mortes vobis! [Triumph to me! Death to you all!]
Mors amissa'st, fle!, lauda! [Death is cast. Lament! Praise!]
Luxum somnium servabo liberorum [| shall protect the dislocated dream of (my) children.]
Children's chorus : Bene viam satiati me ne divam tenendi viri etiamsi agite [Lead us well, even on the path of the goddess, and slaughter those oversated men who must be held back.]
Sors mei filii et etiamsi ipsa se'st immanis inanis etiamsi [And even if the fate itself of my son is monstrous and empty to him]
Inane rumen tace! La Luna! [Shut your vain throat up! O moon!]
Chorus: Filium, Fili, Filium, Filii, move ad hic! [O my sons, come to me!]
Odiri supero vos videre lucem novam [Being hated, I (shall) conquer you all to see a new light (again).]
Still think I'd rate the Harbingers boss themes: Signora, Scara, Arlechino and Childe
the addition of dubstep is amazing, reminds me of something of a rhythm game
I can imagine the Slider velocity in osu mania with that kind of timing.
The only one who hears part of scara and signora theme inside this...
This sounds so good! I’m hyped for Arlecchino.
Not a fan of the first phase it feels too repetitive but gyattt the second phase is soo good especially when she sings and then the male singer too which are like showing possibly her two sides and also maybe her title as father but being female and also could be referecing original arlecchino from the comedia being male. Its so dangerous and the little kids singing in the background rahhhh
its not a male singer, but a contralto
@@trouzynator 🤓 sorry that im not a music nerd
@@bagel2906 fym, just correcting what you said :')