Carnatic Music Lessons on Manodharma Sangeetham Kalpana Swaram by TR Subramanyam
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- čas přidán 7. 10. 2013
- DVDs and CDs of Shri T R Subramanyam can be found at
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The most distinguished feature of Carnatic classical music is Manodharma Sangeetham, which is improvised music. The true challenge of a musician lies in his ability to create and extemporize on the spot. Manodharma Sangeetham comprises of Raga Alapana, Tanam, Niraval & Kalpana Swaram. In Kalpana swaram the musician weaves rich and colorful aspects of the raga bhava through the medium of swara passages. It is one of the most interesting parts of a concert and can elevate the concert to great heights. Though it may be termed as creative music, there are some basic underlying principles that have to be adhered to while rendering Kalpana Swaram, which have been expounded in this product by one of the most popular and admired musicians of the Carnatic music field.
Prof. T.R.Subramanyam, a musician and musicologist par excellence is scholarly and original in his approach to all aspects of music. He is known for his mastery over Laya and his skill in rendering Ragam Tanam Pallavi is unrivalled. T.R.S as he is popularly known retired from the University of Delhi where he was Professor/Head in the Department of Music. As a teacher he is unmatched for his enormous patience and extensive knowledge and is highly respected by musician's world wide. T.R.S. is particularly regarded a master in both sarva lagu and mathematical aspects of Kalpana Swara singing. His ingenious and innovative techniques are thought provoking and kindle the imagination of students of music. This product has the maestro explicitly demonstrating various techniques and approaches to Kalpana swaras, making it seem so simple and easy to learn. - Hudba
Fantastic class by guru Subramaniam Sir. Salute to the teaching methodology👌👌👋👋🙏🙏🙏🙏
Sir,super 🎉 expecting much more other mela karta challenging ragas also
Wonderful teeaching
Wov ..this is the difference of learning from a real master...
Explanation and it's reasoning is very good sir ..will help learners...
Pls bring us more 🙏
Thanks for uploading this video. A realistic teaching.. easy to follow...please upload more like this
Thank you for sharing the concepts behind kalpana swarams and providing useful tips. The entire presentation along with the thalam is apt and awesome :)
Amazing Sir, thanks for explaining technically.
Thanks for uploading sanskriti Manodharma
Beautiful explanation in steps to grasp easily. Thank you for posting
Amazing sir. We need similarly more clippings to follow. Can you share some more please.
Very nice. Need more like this so students and rasikas can understand the grammar behind kalpanaswaras. At
Incredible explanation sir. Thank you so much. :)
Very Very useful for us. thanks sir to post such a programmes.
WOW THANKS I LEARNT A LOT
Very useful to all the students
Fantastic lessons!
Very good lessons sir
big thanks to you sir
thanks for sharing with all
thank you so much Sir
Well demonstrated music
Thank you sir 🙏🏽
Very nice
excellent Guruvu gaaru phoone number please
Love it
Sir Namasthe, i want to do Swarakalpana in Manodharma process for the raagaas Suddha Dhanyasi, Mohana, Madhyamavathi, Shanmukhapriya, how can i know the popular phrase [as you started Pagarisari for Hamsadwani], for the above ragas? can you please help me.
Are there more videos?
Sir same thing happens in Hindustani music too, incorrect to say this is only a part of Carnatic music
Thank u for uploading.......