Pt Bhimsen Joshi -Raag Jaijaiwanti(Nat) - Sadarang Music Conf , 1972
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- čas přidán 27. 08. 2024
- Pt Bhimsen Joshi Raag Jaijaiwanti (Nat) Raja Maharaja & Janana Janan Payala Baaje Sadarang, 1972- From the personal collection of FSK & RSK.
Shri.Vasantrao Achrekar-tabla
Shri Eknath Thakordas- peti
I listen to pandit ji's singing everyday ...it gives me euphoria effect.
its 11.45 at night, i listen to shaksaat prabhu singing through his son , Panditji Bhimsen joshi......am blessed.
sat sat pranam prabhu....kya kamal kiya ....Bhimsen ji ko apni awaz di.,,,man tript hogaya.....
Bhimsen Joshi gave some his most electrifying performances in the 60s through 70s.
Jaijaiwanti Nat is one of his unusual Raags and he's sung it beautifully.
Thank you for sharing this gem with all Hindustani Classical aficionados
Rafat Sahab, being the original source, it is so humble of you to thank for sharing. All of us are indebted to you and RA for all these uploads.
Thank you rafatsahab..
Bhimanna, the great... Another gem. I have 2 other Jaijaiwanti sung by him. All have their uniqueness based on the age when he has sung them. This is when he was young and one can feel the energy. The one when he turned older is like a grandfather telling story to grandchildren.. Amazing
Undoubtedly a legend! Those of us who heard in person are extremely fortunate. Such a genius comes but very, very rarely.
Mesmerising 👌🏽👌🏽👌🏽🙏🏼🙏🏼🙏🏼
An extraordinary recording which seems to take us back to a lost heroic age. Thanks for this and so many exceptional uploads.
What an excellently worded observation!!!
Higher scale he used so frequently and amazingly. A beautiful rendering
spellbound......no other words.....
It seems, after hearing this performance of Raag Jaijaiwanti, I never truly understood the Raag. Note the meends on the Rishab, and the efficient charaav from the First Octave to the Second to the Third with patience and adequate use of Bol Alaap. My ears are privileged to hear such technical excellence and deep musical understanding.
The first 17 minutes or so are restricted to rishab/gandhaar in the mandra-saptak. The first use of madhyam is at ~18 minutes. Can you imagine the genius and creativity?
I love Indian classical music from root of my heart and soul and admire people who have deep interest in it. Regards for your best analysis of bhimsenji's Jayjaywanti.
@@pramodthakur4778 : नमस्कार जी । शुद्ध शब्द के लिए अत्यंत धन्यवाद ।
Dear Rafat Said, you described it correctly. This performance is indeed electrifying.
शास्त्रीय संगीत में भीमसेन जोशी एक ही थे और एक ही रहेंगे, यह साक्षात् गन्धर्व गान है। सहस्र बार नमन। ताउम्र अफ़सोस रहेगा कि मैं इन्हें लाइव नही सुन पाया।
Bhaimsenji to hamesha ke liye live rahenge He is immortal .
I wonder, how Pt. Bhimsenji is an exceptional vocalist to sing a rare raag like Jayjaywsntinat, in his usual extraordinary style! -Prakash Mahajan(Jalgaon, M. S)
कृष्ट साधिकरा उत्कृष्ट सादरीकरण
speechless! divine !!!
"Gandharv Gaan" trully unbelievable
indebted to u sir, for life....
mahesh koli
a am bt
bah !
Tabla Vasant Achrekar
Could anyone point me to what the details of this raga are like basic Aaroh Avroh and Pakkad?
Also, what does the (Nat) in brackets signify?
बाप माणूस....
Who are the accompanying artists on Tabla and Harmonium?
Tabla accompanied by Shri.Vasantrao Achrekar and harmonium by Shri.Eknath Thakordas.
can someone please post the lyrics of the badaa khayal ?
I have only transcribed the composition based on the audio. Someone might have a better and more accurate version having learnt directly from their Guru.
Sakal Ghadi Chandra Raja Maharaja
Rajan ke Raja Maharaja
||
Dillipati Tu Karim
Abo Mori Laaj Rakho Raaja ||
Sorry I am unable to discribribe