Samuel Coleridge Kubla Khan/Explanation

شرح أبيات قصيدة Samuel Coleridge Kubla Khan
The poem describes Kubla Khan as a powerful ruler who has great command. His authoritativeness lies in the fact that he can order for a pleasure dome to be built on merely one order. This pleasure dome is no less than a miracle as it comprises of caves of ice.
Kublai Khan was the grandson of Genghis Khan and the founder of the Yuan Dynasty in 13th-century China. He was the first Mongol to rule over China when he conquered the Song Dynasty of southern China in 1279.
Most modern critics now view Kubla Khan as one of Coleridge's three great poems, along with The Rime of the Ancient Mariner and Christabel. The poem is considered one of the most famous examples of Romanticism in English poetry, and is one of the most frequently anthologized poems in the English language.
Second, the poem was unfinished, according to Coleridge himself, because while he was writing up the vision he'd had he was interrupted by a 'person from Porlock' who caused him to forget the rest of the poem as it had been developing in his head.
Most notably, the Mongol invasions of Japan in the 1270s and 1280s were disastrous for Kublai's men. The Japanese decisively defeated the Mongol invaders, who lost tens of thousands of men in the failed ventures, and prevented the Mongol Empire from expanding into Japan.
In this poem Kubla Khan of the poet S.T. Coleridge we understand this research that this poem is full of imaginative and it is concerned as a romantic poem because the feature that it has and the elements too. The poem is very important, very beautiful, perfect, and it has a lot of images.
The Khan's pleasure dome is but a fixed structure enclosing the pulsing fountain and the meandering river, two agents that destroy in order to construct and to unify. This unifying process is of a sublime order that provides access to the 'infinite I Am' as signified by the ancestral voices.
Style: Kubla Khan is an intricately structured poem, using a amazing variety of metric and rhythmic devices. Lines 1 to 7 and 37 to 54 are written primarily in iambic tetrameter. When the line is read aloud, the emphasis falls on every second syllable.
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