ОДНАКО ,КАК УПАЛ УРОВЕНЬ ПЕВЦОВ СО ВРЕМЕН ВОЛЬПИ ,КАРУЗО И ДР.ВЕЛИКИХ ТЕНОРОВ...!! КАКАЯ "ПЕСТРОТА " ,КАКОЙ "ТОН" У СЕГОДНЯШНИХ ЗВЁЗД ...! КУДА ДЕВАЛСЯ ЭТОТ ЭТАЛОН ПЕРВОКЛАССНОГО ТЕНОРА ...! БОЛЬШИХ ЯРКИХ ГОЛОСОВ ВОВСЕ НЕ СТАЛО ! БЕДА ! ПОЧЕМУ В ЭТОЙ ПОДБОРКЕ НЕТ, НАПРИМЕР, АТЛАНТОВА ?! ВОТ ЭТО БЫЛА СИЛА ,МОЩЬ ...БЛЕСК !
No comparo, solo disfruto. Claro que con el avance de la tecnología se escucha mejor a los más recientes. Para mí es inolvidable el Vesti la Giubba de Mario Del Monaco en esa memorable interpretación en Tokyo. No es solo la voz sino tambien la calidad histriónica. Viendolo a él y oyendo a Corelli con su Nessum Dorma, me enamore de la ópera. Bravo Maestros. Gracias Imanuel.
Maravillosa compilación que fascina los sentidos. Muchas gracias por tan bello trabajo🙏. Me ha sorprendido la novedad, recién, año 2022, descubro la suavidad y potencia de Richard Tucker, así como tbn., la pureza en la agudeza de los tonos perfectos de Laurence Brownlee: mágicos🪄🪄 y exquisitos descubrimientos para mí. Muchos de ellos ya han partido a la eternidad y de seguro, recibieron, con un "Corelli" (😂) angelical😇al gran Maestro Luciano Pavarotti.✨️🔥❤️🔥✨️ Bendiciones🙏 y de nuevo gracias !!
For me the one that will always be the most impressive, touching, powerful, distinctive is Mario Lanza.... He is the only one that has always touched the inner depths of my heart and soul since I was a tiny child, have loved him all my life and am so grateful to my Daddy for teaching me to appreciate the great voice of Mario Lanza and beautiful music.
I have had since I was a teenager a special admiration for Tito Schipa and his beautiful lyrical tenor voice. I love many of the other, specially Wunderlich, Windgassen, Del Monaco, Corelli, Domingo and Tucker.
HERMOSAS VOCES . Gracias a todos los que están y los que no están . Dejan un regalo inmenso , Gracias otra vez Y QUE SIRVA DE EJEMPLO . Las voces no deben olvidarse .
Muy buena selección, excelente trabajo. Cabe destacar que en el siglo XX son muchos los tenores famosos, por la cual sería justo nombrar a: el rumano Joseph Schmidt, el norteamericano Jan Peerce, los uruguayos José Oxilia (comtemporaneo de Tamagno) y José Soler, los italianos Ferruccio Tagliavini, Flaviano Labó y Marcello Giordani, el español Pedro Lavirgen, los alemanes Josef Traxel y Peter Schreier, el austriaco Richard Tauber, y otros más...
Excelente video.,gracias por el regalo especialmente por incluir a Luigi Alva y el hijo mas querido de mi pais Juan Diego Florez .La musica y su talento los hace inmortales.
@@wicarve , pero gracias al trabajo de Juan Diego habran mas ...no hay que vivir del pasado no podemos negar a la musica los mejores tenores ligeros de esta parte del mundo.
اصوات رائعة مدهلة اصوات من السماء تبعت الراحة والسكون والسعادة في النفوس ارتاح لكل هده القمم لا فرق بين الورد والقرنفل اتمنى السعادة للاحياء منهم واارحمة لمن غادرونا (مصطفى اجكني اسفى المغرب)
Que placer escuchar esas notas tan altas, profundas, amplias y sostenidas. Solo pienso en esos pulmones y en las vibraciones de la cuerdas en las gargantas y el la proyección del sonido que te hace sentirte en el medio.
Gracias Inmanuel.Todos ellos y los que no están en este recopilatorio han dado lo mejor de ellos para nuestra cultura.Mil gracias Y Luigi Alva es Luis Alberto Alva Telledo Tenor peruano
Como me gusta que alguien haya subido este video.? Mi hijo cuando tenía 8 años me hacía buscar esta música, en todos los rincones, hasta en discos de pizarra. PRECIOSO... Gracias. 👏
Esto ne demuestra que las bellas e incomparables voces existen en todo el mundo y no hay lugar donde no hayamos sido bendecidos al escuchar a tan maravillosos y auténticos cantantes, maestros del arte. Un aplauso para quien subió este hermoso video y un cariñoso recuerdo para los que ya no están, y para los que aún siguen deleitandonos con su bello arte. Incluidas las sinfónicas sin par. Felicidades!!! Y GRACIAS!!!
Este f. greu de ales dintre aceste voci minunate pe cea mai....minunata;eu am totusi un preferat pe CARUSO .Este minunata si muzica care le pune in valoare vocea.👏👏👏👏👏👏
Fritz Wunderlich! A singer of an enormous musical intelligence and wonderful voice. Unfortunately he died at 35, so it its difficult to say what might have become of him afterwards.
Да мы народ Советского Союза ,мы любили и любим музыку и легендарных певцов всего мира мы всегда восхищаемся и с любовью слущали и слущаем с глубоким уважением к ним
Я плакала когда услышала что Лучано Павароти скончался и в данное время когда я иной раз вспоминаю о умерщих заграничных певцов душа болит за нихЦАРСТВИЕ ИМ НЕБЕСНОЕ,слушаю и сердце страдает за них жалею их ,что их нету в живых,а живу я уже 11лет в загранице и никогда не слышала ниоткого ни по телевид.что в Сов.Союзе тоже жили выдающиеся легенды исскуств как у них,это значит дискриминация ,только себя любят и уважают,а мы ,народ Сов.Союза действительно интернациональный дружественный народ,который рос под лозунгами ,,мир во всем мире,, ,,пролетарии во всех странах соединяйтесь,, ,,пусть всегда во всей земле будет мир ,любовь и дружба,, , хотя мы не улыбались ко всем незнакомым,но наши сердца были и есть душевнее и искреннее,дружелюбнее,жаль что не понимают нас,а мы их принимаем от души,но без фальшивой улыбки
You did a great job compiling this video. I have a collection of old records 78 and 33 speed which used to belong to my dad. Some of the 33's is part of a collection I started when I began earning my own salary. It is nice to see the likes of Gigli, Caruso, etc perform live in one video. Thank you.
Gloria a Dios por dotar de tan bellos tonos al instrumento sonoro del hombre. Siempre maravilloso y asombrandonos. Para no dejarnos tan atrás del bello canto de las aves.
Thank you. Some very remarkable voices and of course it's very subjective of who was/is best but of course we all have our favourites. I tend to lean towards Jussi Björling and Nicolai Gedda but can never forget Mario Lanza and his influence on me as a singer.
En la biografía maravillosa de Saiz Valdivielso sobre el tenor Fleta, narra que un aficionado de la época, avía oído cantar, a Gayarre, a Caruso, y a Fleta, y que los tres eran únicos, pero que Fleta, era irrepetible. Cuántas buenas voces se an ido al traste por intentar imitarle, entre ellas la mía.
Сердечно благодарю за счастье, доставленное мне от просмотра этого ролика.Я не могу выразить своего восхищения этими великими Артистами и их чудными голосами.И, хоть мое сердце давно отдано Хосе Каррерасу и Марио Ланца, я в восторге от всех теноров, а великому и мужественному Бочелли низко кланяюсь отдельно！
No sé cómo darte las gracias, Inmanuel, por este magnífico vídeo que me dio a conocer a muchos tenores que yo desconocía, muchos pioneros y que tuvieron prolongación, afortunadamente, en este s. XXI. Lo vi 3 veces seguidas, y estoy llorando de emoción. Literalmente. Para mí, la Música es la más noble de las Artes y la Ópera es como el Podium de los Dioses y Diosas dentro de esta noble Arte. Gracias mil veces por la generosidad de compartir a estos dioses con todos nosotros
Coincido en pleno contigo: me ha sucedido igual; descubrir por primera vez la existencia de estos inmensos astros de la ópera con sus maravillosas voces y excepcionales interpretaciones. Es una gran bendición🙏 que podamos verlos y escucharlos gracias a la tecnología actual y al hermoso trabajo realizado por este señor. Saludos cordiales✌️
Grosse Stimmen: Lanza, Bergonzi, auch Tucker und Jussi Börling, aber vor allem Corelli und der fantastische Giacomini (leider weniger bekannt), und selbstverständlich del Monaco, Pavarotti , Domingo und Flores, auch Villazon in seinen guten Zeiten.❤
No one is greater than JUSSI BJORLING. By far the absolute greatest of them all!! His voice were like floating gold! Maybe Placido Domingo could give something close to Bjorling, but only close to....not really there though!
You absolutely lost me when, of all the tenors up there, Corelli, Aragall, Bonisolli, Di Stefano etc, you mention Domingo in the same breath as Bjorling. Domingo always sounds as though he's singing through a pillow in my opinion.
Love Domingo's singing, but seriously comparing him with Jussi Bjorling is crazy! There is not, I doubt there will ever be another one of him! The man died way too young!
I LOVE, LOVE, VERY LOVE GREAT VOICES !!! ENDLESS THANK You FOR The DIVINE VIDEOS !!! ALWAYS WITH A LOT OF LOVE AND LIGHT Your ETERNAL FAN Nadya Mirkova and all My big family, and all My friends from Sofia - Bulgaria - Europe - Russia - America and all World !!!
Glad you added Mario del Monaco in this list. My favorites used to be Corelli and Domingo, but I've added del Monaco to that list as a result of the performances on CZcams.
İsimlerini saydığınız üç tenor benim de favorılerimdir,genç tenorlardan Florez’ide beğeniyorum. Aslında hepsi de bizlere mutluluk veriyorlar, hayatta olanları diliyorum uzun ve sağlıklı ömürleri olsun
57 years after his death, the magic of Mario Lanza still operates. This is to say the extraordinary impact that this exceptional artist, died only at 38 years, left in the memories. Albanese, Callas, Domingo, Carreras, Pavarotti, Leech, Nucci, Ricciarelli, Calleja, Alagna, Ben Heppner, Kiri Te Kanawa ... To name just a few. In exclaiming stupefied: "The voice that came out of this throat was prodigious, unforgettable, it seemed to come from another world! Boris Goldovski, choir conductor of the Metropolitan Opera, who conducted the Tanglewood Festival Orchestra on the evening of August 7, 1942, probably did not imagine the fabulous destiny of this 20-year-old singer, Extraordinary voice was already sensation on the public. Mario Lanza, with his films and especially with "The Great Caruso" (MGM-1951), was not only enthusiastic about the crowds (as predicted by Louis B. Mayer, owner of the all-powerful MGM), but also inspired the career of Several generations of singers who have not stopped for 57 years (an eternity) to pay him repeated homage. In 2016, three talented Irish singers include Sean Costello (Tenor), Frank Naughton (baritone), Sandra Oman (soprano) and the Slovak Festival Orchestra, led by Vladimir Jablokov, with their show The Loveliest Night of the Year. A series of 10 sold-out shows that will end on October 20, 2016 at the Cork Opera), pay tribute to the Grand Mario Lanza.
antidote to cultism BROKEN PROMISES (Derek Mannering's reissued biography of Mario Lanza further mythologizes the tragic tenor and his legacy) Mario Lanza:Singing To the Gods by Derek Mannering HE CAME, HE BINGED, HE DIED That in brief is the sorrowful life of Mario Lanza, the gifted Philadelphia-born tenor whose definitive film role, as the title character in the Great Caruso, inspired a generation of opera singers, but whose indulgent lifestyle-short bursts of musical glory followed by gluttonous, alcohol fueled benders-destroyed his career and ended his life in 1959 at age thirty-eight. Though Lanza made (and lost) his fortune in movie musicals and studio recordings, Mannering mythologizes those choices as circumstantial diversions from a stellar career in opera, the totality of which comprised two student performances of Fenton in The Merry Wives of Windsor at Tanglewood, and two professional performances as Pinkerton in Madama Butterfly with New Orleans Opera. Of a purported invitation, when he was 36, from Rome Opera to sing Cavaradossi, Mannering offers a naive assessment: "If he had managed to get his weight and his drinking under control, he could have undoubtedly made it the operatic portrayal of his career"- as if native talent and abstemiousness were sufficient for success as an opera singer. As Mannerling himself reveals, Lanza was completely lacking in the other 99 percent of the job requirements-preparation, discipline and showing up. That Rudolph Bing would have nothing of him at the Met is presented as a slight, rather than good judgement. This new edition of Singing to the Gods, with additional interviews, photos and updated documentation of his films, recordings, live performances and television appearances, deserves a place on every Lanza-phile's shelf. For the lay reader, the MYTH of the would-be opera legend is trumped by the real story of a failed movie star who destroyed his family as well as himself. Despite the author's wish, a Hollywood ending to Lanza's history is unlikely. "It surely is only a matter of time," Mannerling writes, "before his event-filled life is told on the movie screen." An odd statement from a fan who bemoans the stage career his subject should have had. With an outsized vocal talent and a death so tragically young, might not Lanza finally be ready for the opera stage?
Labienus -- You puke you, about M.L. , while you yourself, fully eaten, fat as a pig, senile, drunk, full of drugs, in your filthy home, sits on your rotten butt, and wait for the money from the social office. My answer, quotes just from expert mouth. A short video, recognition, the way Mario Lanza, see you, at Vincent di Placido. Titel: Pappano on Lanza. Pappano explores every aspect of the art of great singing. Sir Antonio Pappano (music director of the Royal Opera House since 2002) explores the great roles and the greatest singers of the last hundred years through the prism of the main classical voice types - soprano, tenor, mezzo-soprano, baritone and bass. Through discussion, demonstrations and workshops, Pappano explores every aspect of the art of great singing.
BROKEN PROMISES (Derek Mannering's reissued biography of Mario Lanza further mythologizes the tragic tenor and his legacy) Mario Lanza:Singing To the Gods by Derek Mannering HE CAME, HE BINGED, HE DIED That in brief is the sorrowful life of Mario Lanza, the gifted Philadelphia-born tenor whose definitive film role, as the title character in the Great Caruso, inspired a generation of opera singers, but whose indulgent lifestyle-short bursts of musical glory followed by gluttonous, alcohol fueled benders-destroyed his career and ended his life in 1959 at age thirty-eight. Though Lanza made (and lost) his fortune in movie musicals and studio recordings, Mannering mythologizes those choices as circumstantial diversions from a stellar career in opera, the totality of which comprised two student performances of Fenton in The Merry Wives of Windsor at Tanglewood, and two professional performances as Pinkerton in Madama Butterfly with New Orleans Opera. Of a purported invitation, when he was 36, from Rome Opera to sing Cavaradossi, Mannering offers a naive assessment: "If he had managed to get his weight and his drinking under control, he could have undoubtedly made it the operatic portrayal of his career"- as if native talent and abstemiousness were sufficient for success as an opera singer. As Mannerling himself reveals, Lanza was completely lacking in the other 99 percent of the job requirements-preparation, discipline and showing up. That Rudolph Bing would have nothing of him at the Met is presented as a slight, rather than good judgement. This new edition of Singing to the Gods, with additional interviews, photos and updated documentation of his films, recordings, live performances and television appearances, deserves a place on every Lanza-phile's shelf. For the lay reader, the MYTH of the would-be opera legend is trumped by the real story of a failed movie star who destroyed his family as well as himself. Despite the author's wish, a Hollywood ending to Lanza's history is unlikely. "It surely is only a matter of time," Mannerling writes, "before his event-filled life is told on the movie screen." An odd statement from a fan who bemoans the stage career his subject should have had. With an outsized vocal talent and a death so tragically young, might not Lanza finally be ready for the opera stage?
Si en esa lista no pones a ENRICO CARUSO es como sentarse en una silla de solo tres patas .El es el dios del "bel canto " , los demas , no desmerecen .La CALLAS y la CABALLE , son las diosas por excelencia .
My favorite is MARIO LANZA! His phrasing is exquisite. His performance is seamless. The listener cannot detect a single breath during his performances.
I am most grateful to Imanuel Bocelli for this vid of the Great Tenors of 20 Century. Thank you so much for educating me !!!!!!!!Sincerely, Robert S.J. Hu March 23, 2020
thank you for this unique compilation of greatest singers of all times (so far!) . There is NO best, each and every singer gave his best ❤️ I listened to famous tenors for about 70 years....including older 78 recordings that cannot be compared to nowadays technical standards. 🙏🏼
@@judithbrandl Most of us have a favorite. That's human, but there are several singers on this list who do not rank with those at the top. There is, for example, a big, big difference between the quality of Di Stefano's singing and the singing of Juan Diego Florez. Di Stefano would beat him every time. Did Di Stefano need a body mic to be heard in an opera house? Of course not. One wasn't available to him when he was singing, so if he needed one to be heard in an opera house, he never would have had a career. I just picked Di Stefano. I could have picked one of several others. My point is this: prior to recent times, opera singers performing on stage sang without the aid of modern electronics, in this context, body microphones. Consequently, they had to train their voices in such a way that they could project their singing from the orchestra level clear to the very top of the opera house, to the last tier of seating. They also had to be able to do this type of singing over the sound of an orchestra. With maybe a very few exceptions--depending on when mics first became available to opera--All the late 20th century and very early 21st century opera singers sang without body mics when they were singing opera in an opera house. Now, things have changed. Because a singer--no matter how weak or thin his/her voice is--can be easily heard with the use of a body mic, then that singer does not need to develop the special skills of earlier performers. And so, for the most part, they don't. It does involve a tremendous amount of very hard work. Consequently, what we are hearing is an amplified voice, one amplified by the use of a body mic. I know I am picking on Florez a bit here, but his name is on the list as one of the great singers, so he--like anyone else on the list--is a candidate for criticism. Now, lots of people are oohing and aahing over Florez's high C's, someone even saying he makes them effortlessly. I have watched the video, the A Mes Ami. Yes, he does make the 9 high C's. Effortlessly? Go listen to the aria again. Fast forward toward the end so you don't have to hear the entire aria if you don't want to. Now, go find the Pavarotti video of the same aria. Remember: no body mic. Listen from beginning to end. Listen to what I call that beautiful, clear, rounded, gorgeous, golden, Italian bel canto sound! Listen very carefully to Pavarotti when he begins the string of high C's. I read--I think it was in one of the tributes published after his death--that the loud, clear, ringing sound of those high Cs shocked the audience right out of their chairs. No one ever expected to hear anything quite like that, something so brilliantly executed it made your hair stand on end. The singing of this aria marked the true beginning of Pavarotti's long and stellar career as an opera tenor. Now go back and listen to Florez sing the same aria. If you aren't laughing, something is wrong. What is my point in writing so much. I really am unhappy when people say something to the effect that all of these tenors are great, and each is great in his own way. I would argue with anyone who says they are all great if what they want to say is they can't or won't decide who is better than someone else. We have to discriminate the good, from the not so good, the poor, and then the very poor. Otherwise, we are saying we have no taste, and anything is fine with us. It doesn't matter. Here, we talk about opera. Unless you are content listening to slim--or maybe just a bit overweight--physically attractive singers who do not sing in the tradition of opera but instead sing with the AID of a body mic, then you and I need to stop paying the exorbitant prices we pay to hear these singers in an opera house. Even the person I would put on my list as "very poor", Bocelli, commands, I believe, $1,300 a ticket. I think that was the charge to see him recently in Charleston, SC. Why my ranking of Bocelli? Briefly, a very, very thin voice made somewhat pleasant by the aid of microphones and modern electronics. Listen to all that reverb! Lots, and lots of people love him, I know, but go read some Bocelli criticism written by classical music critics! Enough of me for now.
Dalszych sukcesów dla Piotra Beczały. To wybitny polski tenor, niestety w Polsce mało propagowany, podobnie jak wielu innych polskich, wybitnych artystów.
Kraus, Plácido, Carreras. Para mi el mejor Pavarotti. El video es espectacular. Gracias al creador. Todos son geniales. ESCUCHÁNDOLES, parece que fuese fácil cantar así. ESPECTACULAR
Javier Camarena y Juan Diego Florez por ser latinos transmiten alegría y calidez a sus interpretaciones, Bocelli es armonioso y de voz dulce, se entiende la letra de la cancion, no grita la canción
Credo che Bjorling dovrebbe essere rivalutato e piazzato nell'olimpo dei più grandi anche lui, molto in alto, era impressionante! Non essendo italiano ragazzi!
Que voces más portentosas, un gran banquete musical. Gracias por compartir.
👍😂🤣😂🤣👍👍 YO diría más bien un Cóctel (muy breve: " Con gusto a poco)😂🤣😂.
Salu✌️ cordiales🙏
ОДНАКО ,КАК УПАЛ УРОВЕНЬ ПЕВЦОВ СО ВРЕМЕН ВОЛЬПИ ,КАРУЗО И ДР.ВЕЛИКИХ ТЕНОРОВ...!!
КАКАЯ "ПЕСТРОТА " ,КАКОЙ "ТОН" У СЕГОДНЯШНИХ ЗВЁЗД ...! КУДА ДЕВАЛСЯ ЭТОТ ЭТАЛОН ПЕРВОКЛАССНОГО ТЕНОРА ...! БОЛЬШИХ ЯРКИХ ГОЛОСОВ ВОВСЕ НЕ СТАЛО ! БЕДА !
ПОЧЕМУ В ЭТОЙ ПОДБОРКЕ НЕТ, НАПРИМЕР, АТЛАНТОВА ?! ВОТ ЭТО БЫЛА СИЛА ,МОЩЬ ...БЛЕСК !
Как я с вами согласна.
Начало - праздник для слуха,
конец - бедные мои ухи!
No comparo, solo disfruto. Claro que con el avance de la tecnología se escucha mejor a los más recientes.
Para mí es inolvidable el Vesti la Giubba de Mario Del Monaco en esa memorable interpretación en Tokyo. No es solo la voz sino tambien la calidad histriónica. Viendolo a él y oyendo a Corelli con su Nessum Dorma, me enamore de la ópera. Bravo Maestros. Gracias Imanuel.
Maravillosa compilación que fascina los sentidos. Muchas gracias por tan bello trabajo🙏.
Me ha sorprendido la novedad, recién, año 2022, descubro la suavidad y potencia de Richard Tucker, así como tbn., la pureza en la agudeza de los tonos perfectos de Laurence Brownlee: mágicos🪄🪄 y exquisitos descubrimientos para mí. Muchos de ellos ya han partido a la eternidad y de seguro, recibieron, con un "Corelli" (😂) angelical😇al gran Maestro Luciano Pavarotti.✨️🔥❤️🔥✨️
Bendiciones🙏 y de nuevo gracias !!
Mamma mia che belle voci 👏👏👏👏👏👏👏👏👏 le canzoni Napoletane antiche cantate dai tenori sono bellissime ‼️😍👍🌹quanti grandi tenori che splendore ! WOW
La Voix est le plus bel instrument de musique...
Merci pour cette belle panoplie de merveilleux ténors....
Falto José Mojica, allá por los 40's.....un gran tenor mexicano..
Gracias por compartir
For me the one that will always be the most impressive, touching, powerful, distinctive is Mario Lanza.... He is the only one that has always touched the inner depths of my
heart and soul since I was a tiny child, have loved him all my life and am so grateful to my Daddy for teaching me to appreciate the great voice of Mario Lanza and beautiful music.
Все голоса потрясающей красоты!Трудно выбрать самый лучший!Обладатели этого Дара Бога-сильные личности!
Полный восторг!!! Благодарность создателям видео! Культура объединяет, народ един, мы все от Бога!
Un servizio perfetto: grazie a chi lo ha ideato e realizzato. Meraviglioso
Dos tenores peruanos que orgullo para Perú y Latinoamérica
Quien es el otro aparte de Juan Diego .. porfavor quiero saber mas
@@rock_obeach4848 Luis Alva, conocido en Italia como Luigi Alva sale en 08:28.
Bravissimmo gracias por incluir a los mexicanos Francisco Araiza, Ramón Vargas, Rolando Villazón, David Lomelí , Chacón, Javier Camarena y Fabián Lara
Los méxicanos siempre han Sido importantes en el mundo de la ópera , internacionalmente reconocidos por la belleza de su timbre de voz
Son mis paisanos, como no incluirlos ;) saludos
Rolando Villazón canta en catalán, mi idioma, una canción con mi nombre "pel teu amor" Rosor.
TODOS LOS MAESTROS SON UNA MARAVILLA VOCAL ...QUE SUERTR TENER EL GUSTO DE ESCUCHARLOS 👏👏👏👏👏👏👏👏👏👏👏👏👏 gracias por este video
Todos son inmortales, son incomparables. Sus voces hacen parte de la gran partitura del universo que ejecutan los billones de galaxias.
Every single Tenor in this collection is the best in their own way, with their own technique, personality and poetic renditions.
John I have to agree with you. If one like or dislike one of the selections I think it's just a matter of personal taste.
John Thade I totally agree thank you
The most complete, dominator of all fields of voice, is Dimash Kuidaibergen who is not ready for not knowing the date of the video.
Every 100 meter sprinter is the best in his own way as U Bolt - and so on
John Thade In his own way. T is a tenor after all. No p.c. involved. All men. No sexism possible.
Nuestro Ramón Vínay chileno tuve el honor de conocerlo fuera del escenario bella persona 🎼🎶🌹🌹🌹
Extraordinario Ramón Vinay..junto a todos los inmortales.un Abrazo a la Eternidad.
I have had since I was a teenager a special admiration for Tito Schipa and his beautiful lyrical tenor voice. I love many of the other, specially Wunderlich, Windgassen, Del Monaco, Corelli, Domingo and Tucker.
HERMOSAS VOCES . Gracias a todos los que están y los que no están . Dejan un regalo inmenso , Gracias otra vez Y QUE SIRVA DE EJEMPLO . Las voces no deben olvidarse .
Pp
Hoy Juan Diego Florez se esta postulando como un gran Divo que pasara a la historia.
CARUSO , LANZA AND PAVAROTTI
THEE THREE GREATEST , FULL STOP .
BRAVO BRAVO BRAVO 👏👏👏
Alle Fantastische Tenòre die Italiener bringen es am besten eine Nation voller himmlischer Stimmen ❤❤👍👍
All are great in their own way and time. Mario Lanza and Luciano Pavarotti have my heart. 👍👏❤️
Gracias por hacer este recuento. Hay un montón de tenores que no conocía. Es sorprendente la cantidad de buenos intérpretes.
Nuevamente lo agradezco.
A me pare che FRANCO CORELLI sia il piu' PRINCIPESCO fra tutti i TENORI... ... ... , GRANDE VOCE e GRANDE PRESENZA SCENICA >!!!.
Giusto Anna
A su mecha. Cómo le harán pa' sacar esas VOCERRONES. ESTÁ MUY.. MUCHÍSIMO MUY BIEN.. BIEN INGONES.
Muy buena selección, excelente trabajo. Cabe destacar que en el siglo XX son muchos los tenores famosos, por la cual sería justo nombrar a: el rumano Joseph Schmidt, el norteamericano Jan Peerce, los uruguayos José Oxilia (comtemporaneo de Tamagno) y José Soler, los italianos Ferruccio Tagliavini, Flaviano Labó y Marcello Giordani, el español Pedro Lavirgen, los alemanes Josef Traxel y Peter Schreier, el austriaco Richard Tauber, y otros más...
Excelente video.,gracias por el regalo especialmente por incluir a Luigi Alva y el hijo mas querido de mi pais Juan Diego Florez .La musica y su talento los hace inmortales.
Dos voces peruanas para el mundo...
@@wicarve , pero gracias al trabajo de Juan Diego habran mas ...no hay que vivir del pasado no podemos negar a la musica los mejores tenores ligeros de esta parte del mundo.
Juan Martinez ah mes amis de Juan Diego Flores 👑🎶
Faltan Alejandro Granda y Ernesto Palacio
Perú 🇵🇪
Спасибо за подборку..Несколько незнакомых было для меня имен...
Mario Lanza one of the greatest, Good list. wonderful to hear.Thanks
اصوات رائعة مدهلة اصوات من السماء تبعت الراحة والسكون والسعادة في النفوس ارتاح لكل هده القمم لا فرق بين الورد والقرنفل اتمنى السعادة للاحياء منهم واارحمة لمن غادرونا (مصطفى اجكني اسفى المغرب)
Hermosísismo el registro vocal y el ritmo pausado que deleita de Jerry Hadley. Recién lo descubro. Muchas Gracias!!
un regalo de dios para mis oidos no moriran jamas esas voces gracias
Muy buena selección. Notablemente hecha por un real conocedor y aproximadamente en orden cronológico (aunque sobre las finales ya era siglo XXI)
Que grandes voces.Inolvidables todos. En el recuerdo mas perdurable
Everyone has/had such great voices but Björling’s voice was sent from the heavens
One of my favorites, too. I have several.
👍👍❤❤❤
@Marie Whitbread Then you probably haven’t listened to him enough :)
Que placer escuchar esas notas tan altas, profundas, amplias y sostenidas. Solo pienso en esos pulmones y en las vibraciones de la cuerdas en las gargantas y el la proyección del sonido que te hace sentirte en el medio.
Gracias Inmanuel.Todos ellos y los que no están en este recopilatorio han dado lo mejor de ellos para nuestra cultura.Mil gracias
Y Luigi Alva es Luis Alberto Alva Telledo Tenor peruano
Como me gusta que alguien haya subido este video.? Mi hijo cuando tenía 8 años me hacía buscar esta música, en todos los rincones, hasta en discos de pizarra. PRECIOSO... Gracias. 👏
Outstanding collection of tenor voices.! Congratulations.
Corelli e Kraus ovviamente nel dopo guerra. Quelli antichi sono un altro discorso, diverso lo stile, il suono
Gran trabajo!!!! gracias por la generosidad de compartir estas grandes voces.
Wonderful compilation, my favourites Lanza, Pavarotti e Gigli.
Esto ne demuestra que las bellas e incomparables voces existen en todo el mundo y no hay lugar donde no hayamos sido bendecidos al escuchar a tan maravillosos y auténticos cantantes, maestros del arte. Un aplauso para quien subió este hermoso video y un cariñoso recuerdo para los que ya no están, y para los que aún siguen deleitandonos con su bello arte. Incluidas las sinfónicas sin par. Felicidades!!! Y GRACIAS!!!
El mediocre y limitado Carreras sobra en el grupo de los mejores.
Фантастически прекрасные голоса!
Este f. greu de ales dintre aceste voci minunate pe cea mai....minunata;eu am totusi un preferat pe CARUSO .Este minunata si muzica care le pune in valoare vocea.👏👏👏👏👏👏
Fritz Wunderlich! A singer of an enormous musical intelligence and wonderful voice. Unfortunately he died at 35, so it its difficult to say what might have become of him afterwards.
Да мы народ Советского Союза ,мы любили и любим музыку и легендарных певцов всего мира мы всегда восхищаемся и с любовью слущали и слущаем с глубоким уважением к ним
Я плакала когда услышала что Лучано Павароти скончался и в данное время когда я иной раз вспоминаю о умерщих заграничных певцов душа болит за нихЦАРСТВИЕ ИМ НЕБЕСНОЕ,слушаю и сердце страдает за них жалею их ,что их нету в живых,а живу я уже 11лет в загранице и никогда не слышала ниоткого ни по телевид.что в Сов.Союзе тоже жили выдающиеся легенды исскуств как у них,это значит дискриминация ,только себя любят и уважают,а мы ,народ Сов.Союза действительно интернациональный дружественный народ,который рос под лозунгами ,,мир во всем мире,, ,,пролетарии во всех странах соединяйтесь,, ,,пусть всегда во всей земле будет мир ,любовь и дружба,, , хотя мы не улыбались ко всем незнакомым,но наши сердца были и есть душевнее и искреннее,дружелюбнее,жаль что не понимают нас,а мы их принимаем от души,но без фальшивой улыбки
Да ,такие певцы как Лемешев и Атлантов могли бы быть в этом списке.
These tenors are fabulous. Thanks so much. I missed hearing Sergei Lemeshev sing, though!!
Excelente video, todos grandes voces, ni a cual irle, todos, fueron y son magníficos.
You did a great job compiling this video. I have a collection of old records 78 and 33 speed which used to belong to my dad. Some of the 33's is part of a collection I started when I began earning my own salary. It is nice to see the likes of Gigli, Caruso, etc perform live in one video. Thank you.
Gloria a Dios por dotar de tan bellos tonos al instrumento sonoro del hombre.
Siempre maravilloso y asombrandonos.
Para no dejarnos tan atrás del bello canto de las aves.
Thank you. Some very remarkable voices and of course it's very subjective of who was/is best but of course we all have our favourites. I tend to lean towards Jussi Björling and Nicolai Gedda but can never forget Mario Lanza and his influence on me as a singer.
Y
💝💝💝💝
Excelente recopilación de los tenores más celebres del siglo XX, maravillosas voces que perduraran en el tiempo.
Sublime el momento de escuchar tan bellas voces.PatricioMesa, de Chile
Maravilloso vidio me ha entusiasmado gracias mi graçias
De entre todos los tenores que e escuchado, el mejor sin duda, el aragonés Miguel Fleta ( que voz más maravillosa )
Totalmente de acuerdo, su media es celestial, su forma de frasear, su legato es único
En la biografía maravillosa de Saiz Valdivielso sobre el tenor Fleta, narra que un aficionado de la época, avía oído cantar, a Gayarre, a Caruso, y a Fleta, y que los tres eran únicos, pero que Fleta, era irrepetible. Cuántas buenas voces se an ido al traste por intentar imitarle, entre ellas la mía.
I grew up listening to theses great voices, I was a tenor singer, a music lover.
Сердечно благодарю за счастье, доставленное мне от просмотра этого ролика.Я не могу выразить своего восхищения этими великими Артистами и их чудными голосами.И, хоть мое сердце давно отдано Хосе Каррерасу и Марио Ланца, я в восторге от всех теноров, а великому и мужественному Бочелли низко кланяюсь отдельно！
Спасибо за счастье которое предоставляете вы для нас огромное спасибо и всем благодарность кто предоставляет нам
Предоставляет нам эти эти
Спасибо за то за то что нам предоставляет эти записи для
No sé cómo darte las gracias, Inmanuel, por este magnífico vídeo que me dio a conocer a muchos tenores que yo desconocía, muchos pioneros y que tuvieron prolongación, afortunadamente, en este s. XXI. Lo vi 3 veces seguidas, y estoy llorando de emoción. Literalmente. Para mí, la Música es la más noble de las Artes y la Ópera es como el Podium de los Dioses y Diosas dentro de esta noble Arte. Gracias mil veces por la generosidad de compartir a estos dioses con todos nosotros
Mi preferido es Luciano Pavaroti ahora. Pero omitieron a un grande de la opera: Benniamino Gigli.
D
Coincido en pleno contigo: me ha sucedido igual; descubrir por primera vez la existencia de estos inmensos astros de la ópera con sus maravillosas voces y excepcionales interpretaciones. Es una gran bendición🙏 que podamos verlos y escucharlos gracias a la tecnología actual y al hermoso trabajo realizado por este señor.
Saludos cordiales✌️
I have always been in love with the Tenor voice and this is a wonderful compilation!
nessun dorma
Grosse Stimmen: Lanza, Bergonzi, auch Tucker und Jussi Börling, aber vor allem Corelli und der fantastische Giacomini (leider weniger bekannt), und selbstverständlich del Monaco, Pavarotti , Domingo und Flores, auch Villazon in seinen guten Zeiten.❤
me encantó la versión de todos los temores del siglo xx.
Hermosa colección, todas las voces son hermosas
Jussi Bjorling by far the most beautiful voice! Does anybody know the name of this song he sang in this recording?
BRILLIANT ARTISTS ALL OF THEM
Those boys can really sing. Sadly, they're lousy at lipsynching. -:)
@@hrh2842 I think there was a delay in the recording.
Carrellata artistica internazionale favolosa,ma gli aggettivi cascano a valanga. Grazie di tanto piacere elargito .
excelente melodías... voces insuperables cada una con su estilo especial...!
I grew up listening to Corelli, del Monaco and Bergonzi. I still love them although this fabulous edit has just introduced me to more awesome voices.
Gracias por esta compilación. Muchas gracias.
Ci sono due o tre che mancano uno che finché canta canzoni tanto e tanto ma nell' opera...😭😭😭😭😭😭😭😭
No one is greater than JUSSI BJORLING. By far the absolute greatest of them all!! His voice were like floating gold! Maybe Placido Domingo could give something close to Bjorling, but only close to....not really there though!
exacto!!
czcams.com/video/mi4FQ47rhww/video.html
You absolutely lost me when, of all the tenors up there, Corelli, Aragall, Bonisolli, Di Stefano etc, you mention Domingo in the same breath as Bjorling. Domingo always sounds as though he's singing through a pillow in my opinion.
Love Domingo's singing, but seriously comparing him with Jussi Bjorling is crazy! There is not, I doubt there will ever be another one of him! The man died way too young!
Floating gold is a brilliant description of his beautiful voice!
IT is wonderful !
All voices are biggest in the
world ...
Thank you, dear friends... 👏
Todos los tenores de la primera mitad del siglo XX son extraordinarios. Para mi los mejores Caruso y Gigli.
I LOVE, LOVE, VERY LOVE GREAT VOICES !!! ENDLESS THANK You FOR The DIVINE VIDEOS !!! ALWAYS WITH A LOT OF LOVE AND LIGHT Your ETERNAL FAN Nadya Mirkova and all My big family, and all My friends from Sofia - Bulgaria - Europe - Russia - America and all World !!!
Glad you added Mario del Monaco in this list. My favorites used to be Corelli and Domingo, but I've added del Monaco to that list as a result of the performances on CZcams.
Giacomini un GRANDE tra grandi!!!
İsimlerini saydığınız üç tenor benim de favorılerimdir,genç tenorlardan Florez’ide beğeniyorum. Aslında hepsi de bizlere mutluluk veriyorlar, hayatta olanları diliyorum uzun ve sağlıklı ömürleri olsun
GRANDES Tenores cada um a seu tempo fizeram história com suas vozes magníficas
Todos são perfeitos!!!!!!
Que gusto escuchar esta recopilación, no tiene comparación. Que lindo. Felicidades.
Здесь нет ещё всех равных.
Such a joy to see Luigi Alva here!!
Fantastic!!!! Amazing!!! Many thanks for the selection and the presentation!!!!
57 years after his death, the magic of Mario Lanza still operates.
This is to say the extraordinary impact that this exceptional artist, died only at 38 years, left in the memories.
Albanese, Callas, Domingo, Carreras, Pavarotti, Leech, Nucci, Ricciarelli, Calleja, Alagna, Ben Heppner, Kiri Te Kanawa ... To name just a few.
In exclaiming stupefied: "The voice that came out of this throat was prodigious, unforgettable, it seemed to come from another world! Boris Goldovski, choir conductor of the Metropolitan Opera, who conducted the Tanglewood Festival Orchestra on the evening of August 7, 1942, probably did not imagine the fabulous destiny of this 20-year-old singer, Extraordinary voice was already sensation on the public.
Mario Lanza, with his films and especially with "The Great Caruso" (MGM-1951), was not only enthusiastic about the crowds (as predicted by Louis B. Mayer, owner of the all-powerful MGM), but also inspired the career of Several generations of singers who have not stopped for 57 years (an eternity) to pay him repeated homage.
In 2016, three talented Irish singers include Sean Costello (Tenor), Frank Naughton (baritone), Sandra Oman (soprano) and the Slovak Festival Orchestra, led by Vladimir Jablokov, with their show The Loveliest Night of the Year. A series of 10 sold-out shows that will end on October 20, 2016 at the Cork Opera), pay tribute to the Grand Mario Lanza.
antidote to cultism
BROKEN PROMISES
(Derek Mannering's reissued biography of Mario Lanza further mythologizes the tragic tenor and his legacy)
Mario Lanza:Singing To the Gods by Derek Mannering HE CAME, HE BINGED, HE DIED
That in brief is the sorrowful life of Mario Lanza, the gifted Philadelphia-born tenor whose definitive film role, as the title character in the Great Caruso, inspired a generation of opera singers, but whose indulgent lifestyle-short bursts of musical glory followed by gluttonous, alcohol fueled benders-destroyed his career and ended his life in 1959 at age thirty-eight.
Though Lanza made (and lost) his fortune in movie musicals and studio recordings, Mannering mythologizes those choices as circumstantial diversions from a stellar career in opera, the totality of which comprised two student performances of Fenton in The Merry Wives of Windsor at Tanglewood, and two professional performances as Pinkerton in Madama Butterfly with New Orleans Opera. Of a purported invitation, when he was 36, from Rome Opera to sing Cavaradossi, Mannering offers a naive assessment: "If he had managed to get his weight and his drinking under control, he could have undoubtedly made it the operatic portrayal of his career"- as if native talent and abstemiousness were sufficient for success as an opera singer. As Mannerling himself reveals, Lanza was completely lacking in the other 99 percent of the job requirements-preparation, discipline and showing up. That Rudolph Bing would have nothing of him at the Met is presented as a slight, rather than good judgement.
This new edition of Singing to the Gods, with additional interviews, photos and updated documentation of his films, recordings, live performances and television appearances, deserves a place on every Lanza-phile's shelf. For the lay reader, the MYTH of the would-be opera legend is trumped by the real story of a failed movie star who destroyed his family as well as himself. Despite the author's wish, a Hollywood ending to Lanza's history is unlikely. "It surely is only a matter of time," Mannerling writes, "before his event-filled life is told on the movie screen." An odd statement from a fan who bemoans the stage career his subject should have had. With an outsized vocal talent and a death so tragically young, might not Lanza finally be ready for the opera stage?
Labienus -- You puke you, about M.L. , while you yourself, fully eaten,
fat as a pig, senile, drunk, full of drugs, in your filthy home, sits on your rotten butt, and wait for the money from the social office.
My answer, quotes just from expert mouth.
A short video, recognition, the way Mario Lanza, see you, at Vincent di Placido.
Titel: Pappano on Lanza. Pappano explores every aspect of the art of great singing.
Sir Antonio Pappano (music director of the Royal Opera House since 2002) explores the great roles and the greatest singers of the last hundred years through the prism of the main classical voice types - soprano, tenor, mezzo-soprano, baritone and bass. Through discussion, demonstrations and workshops, Pappano explores every aspect of the art of great singing.
BROKEN PROMISES
(Derek Mannering's reissued biography of Mario Lanza further mythologizes the tragic tenor and his legacy)
Mario Lanza:Singing To the Gods by Derek Mannering HE CAME, HE BINGED, HE DIED
That in brief is the sorrowful life of Mario Lanza, the gifted Philadelphia-born tenor whose definitive film role, as the title character in the Great Caruso, inspired a generation of opera singers, but whose indulgent lifestyle-short bursts of musical glory followed by gluttonous, alcohol fueled benders-destroyed his career and ended his life in 1959 at age thirty-eight.
Though Lanza made (and lost) his fortune in movie musicals and studio recordings, Mannering mythologizes those choices as circumstantial diversions from a stellar career in opera, the totality of which comprised two student performances of Fenton in The Merry Wives of Windsor at Tanglewood, and two professional performances as Pinkerton in Madama Butterfly with New Orleans Opera. Of a purported invitation, when he was 36, from Rome Opera to sing Cavaradossi, Mannering offers a naive assessment: "If he had managed to get his weight and his drinking under control, he could have undoubtedly made it the operatic portrayal of his career"- as if native talent and abstemiousness were sufficient for success as an opera singer. As Mannerling himself reveals, Lanza was completely lacking in the other 99 percent of the job requirements-preparation, discipline and showing up. That Rudolph Bing would have nothing of him at the Met is presented as a slight, rather than good judgement.
This new edition of Singing to the Gods, with additional interviews, photos and updated documentation of his films, recordings, live performances and television appearances, deserves a place on every Lanza-phile's shelf. For the lay reader, the MYTH of the would-be opera legend is trumped by the real story of a failed movie star who destroyed his family as well as himself. Despite the author's wish, a Hollywood ending to Lanza's history is unlikely. "It surely is only a matter of time," Mannerling writes, "before his event-filled life is told on the movie screen." An odd statement from a fan who bemoans the stage career his subject should have had. With an outsized vocal talent and a death so tragically young, might not Lanza finally be ready for the opera stage?
Un tenor de películas... nunca sabremos como era su desempeño en un teatro, en un rol de verdad...
Si en esa lista no pones a ENRICO CARUSO es como sentarse en una silla de solo tres patas .El es el dios del "bel canto " , los demas , no desmerecen .La CALLAS y la CABALLE , son las diosas por excelencia .
My favorite is MARIO LANZA! His phrasing is exquisite. His performance is seamless. The listener cannot detect a single breath during his performances.
Possibly because they were doctored recordings and not live.
Vous avez fait un travail merveilleux ! Bravo et merci pour le partage !
I am most grateful to Imanuel Bocelli for this vid of the Great Tenors of 20 Century. Thank you so much for educating me !!!!!!!!Sincerely, Robert S.J. Hu March 23, 2020
Corelli per sempre!
Unos más que otros definitivamente... pero todos son grandes!!!... gracias por los fragmentos y refrescar la memoria...
thank you for this unique compilation of greatest singers of all times (so far!) . There is NO best, each and every singer gave his best ❤️ I listened to famous tenors for about 70 years....including older 78 recordings that cannot be compared to nowadays technical standards. 🙏🏼
you right there is no best every one of each is one of a kind
@@judithbrandl Most of us have a favorite. That's human, but there are several singers on this list who do not rank with those at the top. There is, for example, a big, big difference between the quality of Di Stefano's singing and the singing of Juan Diego Florez. Di Stefano would beat him every time. Did Di Stefano need a body mic to be heard in an opera house? Of course not. One wasn't available to him when he was singing, so if he needed one to be heard in an opera house, he never would have had a career. I just picked Di Stefano. I could have picked one of several others. My point is this: prior to recent times, opera singers performing on stage sang without the aid of modern electronics, in this context, body microphones. Consequently, they had to train their voices in such a way that they could project their singing from the orchestra level clear to the very top of the opera house, to the last tier of seating. They also had to be able to do this type of singing over the sound of an orchestra. With maybe a very few exceptions--depending on when mics first became available to opera--All the late 20th century and very early 21st century opera singers sang without body mics when they were singing opera in an opera house. Now, things have changed. Because a singer--no matter how weak or thin his/her voice is--can be easily heard with the use of a body mic, then that singer does not need to develop the special skills of earlier performers. And so, for the most part, they don't. It does involve a tremendous amount of very hard work. Consequently, what we are hearing is an amplified voice, one amplified by the use of a body mic. I know I am picking on Florez a bit here, but his name is on the list as one of the great singers, so he--like anyone else on the list--is a candidate for criticism. Now, lots of people are oohing and aahing over Florez's high C's, someone even saying he makes them effortlessly. I have watched the video, the A Mes Ami. Yes, he does make the 9 high C's. Effortlessly? Go listen to the aria again. Fast forward toward the end so you don't have to hear the entire aria if you don't want to. Now, go find the Pavarotti video of the same aria. Remember: no body mic. Listen from beginning to end. Listen to what I call that beautiful, clear, rounded, gorgeous, golden, Italian bel canto sound! Listen very carefully to Pavarotti when he begins the string of high C's. I read--I think it was in one of the tributes published after his death--that the loud, clear, ringing sound of those high Cs shocked the audience right out of their chairs. No one ever expected to hear anything quite like that, something so brilliantly executed it made your hair stand on end. The singing of this aria marked the true beginning of Pavarotti's long and stellar career as an opera tenor. Now go back and listen to Florez sing the same aria. If you aren't laughing, something is wrong. What is my point in writing so much. I really am unhappy when people say something to the effect that all of these tenors are great, and each is great in his own way. I would argue with anyone who says they are all great if what they want to say is they can't or won't decide who is better than someone else. We have to discriminate the good, from the not so good, the poor, and then the very poor. Otherwise, we are saying we have no taste, and anything is fine with us. It doesn't matter. Here, we talk about opera. Unless you are content listening to slim--or maybe just a bit overweight--physically attractive singers who do not sing in the tradition of opera but instead sing with the AID of a body mic, then you and I need to stop paying the exorbitant
prices we pay to hear these singers in an opera house. Even the person I would put on my list as "very poor", Bocelli, commands, I believe, $1,300 a ticket. I think that was the charge to see him recently in Charleston, SC. Why my ranking of Bocelli? Briefly, a very, very thin voice made somewhat pleasant by the aid of microphones and modern electronics. Listen to all that reverb! Lots, and lots of people love him, I know, but go read some Bocelli criticism written by classical music critics! Enough of me for now.
@@valasina2015 Bocelli's voice lacked any kind of body. I didn't know they used body mics, though, on stage.
Jack Raves Some of them sound damned awful.
@@mckavitt13 You have my vote on that!
Ez egy csodálatos összeállítás volt . Bravó és köszönöm . ♡
Отличная подборка, большое спасибо! Странно что нет ни одного певца из Гвинеи Биссау и России.
Muy sensata esta grabación. ¡Buen gusto!
Many thanks for an outstanding presentation.
Dalszych sukcesów dla Piotra Beczały. To wybitny polski tenor, niestety w Polsce mało propagowany, podobnie jak wielu innych polskich, wybitnych artystów.
I67
Kraus, Plácido, Carreras. Para mi el mejor Pavarotti. El video es espectacular. Gracias al creador. Todos son geniales. ESCUCHÁNDOLES, parece que fuese fácil cantar así. ESPECTACULAR
Para mi el mejor de ahora es Andrea Bocelli.
STUPENDO!!! Son queste cose che ci fan felice. Grazie, veramente splendide!!!
Por tu fotografía veo que eres un joven. ¡Qué bueno que te guste la música clásica o erudita! Gracias por esta seleción hermosa.
Thank you for a wonderful collection that makes me wish I could sing.
Javier Camarena y Juan Diego Florez por ser latinos transmiten alegría y calidez a sus interpretaciones, Bocelli es armonioso y de voz dulce, se entiende la letra de la cancion, no grita la canción
Q0l
Los latinos eran los habitantes del Latium. No sé por qué os creéis que por ser hispanoamericano ya se es la "alegría de la huerta".
Fleta qué maravilla bravoooooo
Before the cancer carreras was fantastic. What a pity that he never recovered.
Los mejores de México Arturo Chacón y Fernando de la Mora 👍👍
Corelli y del Mónaco dos portentos vocales
Caruso as well
Credo che Bjorling dovrebbe essere rivalutato e piazzato nell'olimpo dei più grandi anche lui, molto in alto, era impressionante! Non essendo italiano ragazzi!
Es gibt und gab zum Glück so viele fantastische Sänger, man kann sie unmöglich alle aufzählen. 😍
Très émouvant de les entendre et de les voir
;!%ē
@@thereseherbron6082 1
what is the name of the first aria? which the Francesco Tamagno - sings
@@robloxstars111 Un di d’all azzuro spazio