Korg Wavestate tutorial: 05/11 Wave sequencing - how to create a wave sequenced Pad sound
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- čas přidán 26. 04. 2021
- This tutorial series has 11 tutorials, this is the fifth one and it is a second wave sequencing tutorial that is using the berlin bass pattern that we created in the previous tutorial.
This one explains the the steps needed to create a wave sequenced pad sound. We will look at the timing lane, the sample crossfading steps and sample select screen. Also we will use the pitch lane for this pad. Also here are tips and tricks of how to use the effect settings. - Hudba
Thank you for this series of videos....it actually got me moving on the Wavestate...I have been stuck for a few weeks.... Re your song...Samuel Barber would be proud.
Thank you man! Best tutorial i've found for the wavestate! Much appreciated
Merci ! 🙂 Another great video on the wavestate. I am learning a lot with you. Thanks!
This is an outstanding series. Very well thought out. Each lesson adds something new. I don't feel so overwhelmed by this complex instrument.
I can only imagine the amount of work you had to do.. Both researching, and presenting such a brilliant breakdown of this incredible deep instrument .. For us, for FREE !! Thank you and Thank you again..! You managed not just to tame this monster, but explain it in a way for even the most novice of synth users to wrap their heads around it, and start to start designing their own unique music preferences 👍🏼👍🏼 Your Irish loyal viewer 🇮🇪🎶🇱🇺
Can Just agree with the others here, you're tutorials hit the nails. Thanks alot
Thank you for actually showing how to make a wave sequence. Most of the tutorials on the web are not very detailed. This was very helpful!
Another great tutorial. Thank you.
Very clear and helpful, thank you!
Wow Qui!!!! Congratulations !!!
I just have bought my wavestate and fortunately I have found your tutorials. All they are incredible!!!
But with this tutorial in minute 22 with your "QR Winter Snow" I got gooseflesh. Wonderful.
Really I bought my wavestate for composing songs like this.
Thanks a lot for your work!!!
amazing thank you so much, you are a genius
Great videos thank you very much for helping me understand my korg Wavestate. I found them very helpful and informative! Now can work my wavestate as a result of your wonderful videos. Best wishes Paul
Well explained Thank You!!
Thank you. Excellent tutorials
It’s only because of your tutorials i can start to do justice to the Korg wavestate. ( when I get it, still waiting for a shipment to arrive. India )
Making patches gives immense pleasure over the presets.
Video 👌👌👌
Again so good! Thank you so much!
Outstanding! :)
absolutely agree with that!
Loving the series! Thank you.
I did notice that the timing lane loop end was still set to A1 with the pad you were making. I don’t think that was intentional since you were adjusting the length and xfade of step 2-4.
thanks for mentioning that, i didn't see it when i recorded the video, but you are totally right! The loop end must be set to A4 for this example.
Lol, I didn't notice that. Now it is really funny to watch how he keeps fiddling with the timing steps and says things like "Oh, that sounds better" :) The power of the placebo effect at work :)
I can only imagine the amount of work you had to do.. Both researching, and presenting such a brilliant breakdown of this incredible deep instrument .. For us, for FREE !! Thank you and Thank you again..! You managed not just to tame this monster, but explain it in a way for even the most novice of synth users to wrap their heads around it, and start to start designing their own unique music preferences 👍🏼👍🏼 Your Irish loyal viewer 🇮🇪🎶🇱🇺
very nice composition in the end. video helped me to understand many aspects of the synth. thank you! by the way that mod trick in the end was nice! how is that rigged? volume of all the other layers tied to the mod wheel?
Hey Qui. Congratulations, great video series. I am following you since I brought my Kronos 7 years ago. I am looking for youir Solar Eclipse soundset. Where can I buy it? Thank you!
Any news on this?
Very helpful tutorials, thank you!! Quick question - Is it possible to 'lock' a layer? meaning that If I have an arp on layer 1, no matter what I play on the other layers, it won't affect it.
yes, you can set the keyboard zone of the arp and activate the latch button for the arp. Then when you will play the chord, the arp will continue and the things you play will have no effect on that arp. For instance set the keyboard zone for the arp one octave lower then the rest. Then when you want to play an arp and let it continu you just press the octave lower button, activate the chord and then press the cotave up to continue your playing on top of it.
Concerning the Berlin Bass sequence I notice that the sample doesn't seem to play again from te start with each new step when the filter envelope is re-triggered. It's subtle but you can hear the difference between the attack sound from pressing a key and the following attack sound triggered by the sequence step. Choosing a simple waveform as sample should eradicate that difference.
It should play again from the start, but only if you did the step : set xfade to off in the timing lane as explained in tutorial 4. Otherwise the xfade will be included in the retrigger phase.
@@quirobinez I tried with the xfade set to off. No change. It's not about the sample steps but the sample itself. It really does not start from the beginning of the sampled sound with each step. This is not so much noticeable when using a piano or guitar sample. But with the Vox: Male Dah you can hear the difference. The first step has more 's' in the 'D'. I'm sure I'm not crazy ;)
That Hold function needs to be mapped to something!
Concerning the step duration and xfade duration in the timing lane, the numbers of seconds depicted in the display are not accurate at all. On top of that, when setting the xfade high it messes with the step duration. You can do the experiment by setting all steps on 1 second with xfade to zero. Crank up the xfade and you'll notice how the steps jump erratically. The xfade maximum setting should adapt itself to the duration of the step and not intervene with set step duration comparable to what you have in a DAW like Reaper. In Reaper the audio doesn't go forward or backward when setting (cross)fades.
The max xfade value working correctly is the times from each step added on top of eachother, you can set it higher but then the effect as described by you will happen. It’s explained in the manual how this works
@@quirobinez ok thanks. I should read the manual ;)