Secrets of Signal Routing and Channel Types in Cubase/Nuendo, Part 1: Mono / Stereo
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- čas přidán 10. 09. 2024
- You can't do much of anything in Cubase / Nuendo without routing, so it may seem like too basic a topic to cover. But often for me, when my setup isn't working the way I expected, it turns out to be an issue with routing.
One point I forgot to make: if you're recording a mono source, but know that you will want stereo effects on the instrument, create a stereo channel and connect it to a mono input. This will record mono recordings on disk but still allow stereo processing.
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Once again, Leo you explain your methods, that make this ole' dog, still feel more enlighted into todays digital world!
Excellent tutorial! It is very rare that people understand these principles in Cubase. You did an excellent job of explaining all of this. Wouldn't have done it better myself.
Thanks for the vid! There is also a setting for send pan called ‘send pan follows panner’ so it follows the channel pan
This is apropos for many of my editing and mixing questions that aren’t exactly clear concerning routing mono or stereo tracks when using mono/stereo sends.
I’ll need to review this several times.
After that, I’ll have more clarity on mono/stereo concerning the sends when mixed with the original audio track. Many times I’ve questioned why I can’t get the panning results desired because I didn’t have the clarity needed when panning. An orchestra project which is very large needs this clarity when panning while using mono or stereo send affects.
I gratefully thank you. Now, I’ll watch it again for the 3rd time!
Thanks. That was great! Always good to chew on this stuff.
That was great! I’ve just come over from PT after using it for 20 years.. you’re helping with the pain of the transition. Much appreciated!
Amazing video! I have ADHA and a visual learn this helps soo much! thank you!
Thanks for that comment, Zasito. I'm glad it helped - these videos take more time to make than I thought they would.
Thank you so much Sir for taking your time to make this informative video, greatly appreciate the examples especially since you didn't start any of them halfway through which made it easier to understand, I look forward to more videos
Thank you sir!
Thank you so much for sharing this, Sir! It's a valuable tutorial for people who wants to be pro in music production, I believe not many people are covering this important knowledge that may be easily ignored. This mono stereo problem in Cubase has been confusing me for years. You've solved many problems in this video with understandable examples. I believe you are very experienced in this industry. If it is possible, I hope to see a what is the correct record preparation setup workflow in Cubase before recording a vocal or a few instruments, such as setting up the route, how to make sure (monitor) the levels of tracks before recording is correct, and how to set up common plugins (e.g. comp or reverb) in sending FX track or insert before recording.
Hi Bruce, thanks for the kind words. I'm focusing more on Atmos on this channel, but for basic Cubase tutorials, Dom Sigalas and Chris Selim have outstanding tutorials on Cubase, as does Greg Ondo of Yamaha/Steinberg. Best of luck!
Best video ever, thanx alot 🫡
great tutorial, thank you. I currently wrap my head around what’s the best way to process stereo tracks in dual mono (in cubase/nuendo of course)
Very nice and simple instructions :)
Wow, very interesting and useful video...excellent
absolutely amazing explanation! Would see more of Cubase videos from you, great job! 👍
Thanks! I'm working on Part 2 now.
Oh my... this was just what I was looking for. Thank you! You've got a new subscriber :)
Awesome. Thank you so much👏👏👏
I can’t wait to see more videos from you sir. God bless you
Thank you sir.
Thank you
This was a really helpful video! You just gained a new subscriber!
Great video!!
Thankyou very good tutorial ,,,
Super
Awesome!
Very good thank you...
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Witam , bardzo wartościowy materiał , czy mogę Pana prosić o filmik na temat miksowania , chodzi mi o ustawianie przestrzeni w miksie instrumentów w daw cubase , mam nadzieje , że uda się Panu przetłumaczyć co tu napisałem , jestem z Polski i serdecznie pozdrawiam z góry dziękuję
It seems to me like using a mono configuration is just limited overall. What is the utility of a mono channel if you can actually do the same thing in a stereo channel with more flexibility? For eg. I can set up a stereo configuration but with only 1 input. So when I record through a mic I still get a mono signal coming through both speakers. But I can add a MonoToStereo plugin to that channel if I want a stereo response. So what is the actual benefit of a mono channel?
Yes, it's good advice to record mono signals on stereo channels if your intention is to produce a stereo mix and you want the most flexibility from the start. Like a lead vocal for example. I probably should have made that clearer.
Mono channels are sometimes necessary, like when you want to downmix stereo to mono, and especially when mapping mono signals to Dolby Atmos objects.
@@balladeerstudio Thank you for clarifying. Never thought about downmixing to mono and very good to know about Dolby Atmos though I haven't used it yet.
With your videos editing, you’ve packed it full with its routing features. I don’t think anybody can stand watching a one hour and 10 minute tutorial four or five times. With what you’ve done in 11 minutes and 30 seconds, after watching it twice already. and if I watch it two more times, I will have absorbed every issue of routing that you’ve covered, in much less time than an hour and 10 minutes of a video with wasted space containing no useful feature knowledge.
Thanks Jeff. I do my best to be clear and quick.
thks your explained sir..can you post video how to routing with outboard hybrid mixing, summing or as plugins on hardware analog with mono gear and stereo gear in cubase pro....Thks alot..
Thanks Ali. I'm sorry, but I don't have a clue about that.
you set up your externals (all your ins & outs) once under „F4“ as external effects 👍🏼. After that you can use or „patch“ them whereever you want within the cubase mixer … even with latency compensation
@@ricardohohmann9614 yes thks..but why when iam have print realtime..sound is not same level that i hear before ..
@@alihanapiyahofficial24 that is difficult to tell without sitting next to you in your enviroment. There are so many options and literally thousands of ways to monitor and set levels while recording
topic a) calibrating the levels between hw devices and converters
topic b) monitoring chain
@@ricardohohmann9614 yes i see..thks.. i will try to find it..but many people say it common..because..mybe every device not same dynamic range..
No wonder Steinberg doesn't have any videos on this. It's even more confused and confusing than early versions of Mediabay.