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Jazz '34 | Kansas City Band "Moten Swing"
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- čas přidán 17. 05. 2010
- Robert Altman's Jazz '34: Remembrances of Kansas City Swing
Kansas City Band "Moten Swing"
Credits:
Joshua Redman as Lester Young - tenor sax
Craig Handy as Coleman Hawkins - tenor sax
James Carter as Ben Webster - tenor sax
Dadid Murray - tenor sax
Jesse Davis - alto sax
David "Fathead" Newman Jr. - alto sax
Don Byron - clarinet/baritone sax
Olu Dara - cornet
Nicholas Payton - trumpet
James Zollar - trumpet
Curtis Fowlkes - trombone
Clark Gayton - trombone
Victor Lewis as Joe Jones - drums
Geri Allen as Mary Lou Williams - piano
Cyrus Chestnut as Count Basie - piano
Ron Carter - bass
Christian McBride - bass
Tyron Clarke - bass
Russell Malone - guitar
Mark Whitefield - guitar
Kevin Mahogany - vocal
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I was raised a few blocks from 18th Vine in Kansas City, and my father was raised on Rampart St. in New Orleans. What a gift from God!
That's a straight out cut! RIP Bennie Moten and all you other past Axemen/ musicians yall did some cutting.
Robert Altman produced a lot of great films during his illustrious career as a director, but my favorite was " Jazz '34: Remembrances of Kansas City Swing" in which he recreated the look and feel of his hometown Kansas City in its jazz hey day.
Kansas City Band "Tickle Toe"
Movie Personnel:
Joshua Redman as Lester Young - tenor sax
Craig Handy as Coleman Hawkins - tenor sax
James Carter as Ben Webster - tenor sax
David Murray - tenor sax
Jesse Davis - alto sax
David "Fathead" Newman Jr. - alto sax
Don Byron - clarinet/baritone sax
Olu Dara - cornet
Nicholas Payton - trumpet
James Zollar - trumpet
Curtis Fowlkes - trombone
Clark Gayton - trombone
Victor Lewis as Joe Jones - drums
Geri Allen as Mary Lou Williams - piano
Cyrus Chestnut as Count Basie - piano
Ron Carter - bass
Christian McBride - bass
Tyron Clarke - bass
Russell Malone - guitar
Mark Whitefield - guitar
Kevin Mahogany - vocal
this is the root song of all the swing era, thank you, everyone
We’re playing the Basie version of this in our high schools jazz ensemble
👍 👍 👍 👍 Super cool 😎 Musiker von heute treffen sie sich die gute Musik 🎶von damals sooo perfekt ♥️👌👌
Great song and love all of those saxes playing. Thanks for posting.
This is such a beautiful song and great musicians are playing it. thank you for uploading.
Thanks for posting -- GREAT song-- just my speed
great tune
OH … THIS … IS… SO … SMOOTH!
Beautifull stringbass too !!
awesome film, great swing, everything's right. THanks for posting
No, the tenor sax solo is too modern. In 1934 there was no double time like this and certainly to tritonis exchange like he does on a dom7 chord, allready during the first 8 bars. That started with Art Tatum, from Toledo, certainly not in Kansas City 1934. Tatums solo on his Body and Soul from 1937 has it. Funnily enough Roy Bargy, in his arrangement for Paul Whiteman allready hints at this possibility in 1930, but only written down for the strings, not in improvisation. For most musicians the source of inspiration started in Hawkins 1939 version of Body and Soul (which he allready practiced daily in the Netherlands 1937 - 1939) but Tatum was clearly two years ahead on record, and reached the top 20 of the hit parade with it.
I love it
Гениально.Вечно.
me encantaría haber vivido ahí ...........
Glad you are playing it properly, most people slow it down way too much and add a bop style !
eccellente
The TSax sounds too be-bop for to be in 1934.
Jesse Davie played with the Sant Andreu in Barcelona, Spain as guest star. A quite finest big band with musicians between 7 to 22 years old
Roberto Garcia. You are right but not only the tenor sax , the alto sax as well.
Tienes razón, pero no sólo el saxo tenor, también el alto.
@@joserode1222 Si, ese sonido y ese fraseo aparecen por lo menos 10 años después. De todos modos ¡suenan muy bien! Ben Webster era aún el "saxo estrella" de Fletcher Henderson y no tenía ese estilo todavía definido,,, era más... tradicional.
Mary Lou Williams empieza con el bebop a fines de los '40. De todos modos son muy bueno pese a la mezcla
@@osvaldoalderete6065 Coleman Hawkins, no Ben Webster
😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍
@NickinDK Haha, I don't think that's the worst of the anachronisms, but then, the VIBE is the important thing, and these great musicians know it... Russell Malone is a real swing cat (he knows his 30's guitar) and plays great rhythm here. That's enough for me.
Sweet
Nice tune
Yeah, that's James Carter.
Estuve mucho tiempo buscando esta cancion y otras de la misma película. GRACIAS. Pordrías subrir el DVDRIP a rapid share o similar?
Мне тут альтист понравился.
@normweav
no way! Moten died in the 30's. This is from Altman's film "Kansas City" in the late 90's.
The first teor sax solo, Is that James Carter? It looks like him, and his styles similar.
A humbucker pickup in 1934 that must be a time traveller
Hi There! I am from France, and I am looking after this beautiful documentary from Robert Altman, in DVD. I have never managed to find it. I only found some NTSC VHS quite used. Do you have any clue, you would share to find it? Thank you very much for your help. François :-)
0:14
Here's a more Basie like version: czcams.com/video/N8R6nLqujKw/video.html
yeah ！ 役者揃いだな本当
did metal mouthpieces exist in 1934?
That is Mark Whitfield on guitar.
I know this tune, but I don't remember the title...
james doesn't sound like 34's
That sounds like Clark Duncan's voice
@rubberbandsax do u know which number..?¿.. probably a 5*3..6*3..?¿?¿
Anyone know how Carter does those rips?
who is the pianist ?
Laid n da cutt...
Too bad the guitarist in this clip plays a cutaway guitar (didn't appear until 1939) with a mini-humbucker (didn't appear until the early 1960s).
NickinDK should've called me, I have an era-correct guitar. 😊
NickinDK, they are anachronisms, the US filmmakers are customary in the
U.S. due to the fact that.
Please. Stop picking nits and trying to impress. Get over yourself and just enjoy!
Please. Stop psychologizing and moralizing and recognize that anachronisms in movies suck.
James Carter sounds terrific on this track (for once), but he's fucking playing BEBOP!!! Nice try, though.
I think he was quoting "Exactly Like You", chopping it up and then laying back onto some R&B honking. Maybe it's not strictly swing but part of the DNA in the seeds of bebop did come from Kansas City. Bird came up through Buster Smith and Prez before he got to Minton's.
"For once"?? I've never heard him sound bad! He goes to extremes, because he can. He pays homage to the elders when he wants, also because he can. But if you want to hear Coleman Hawkins all the time, there are thousands of saxophonists that will accommodate you, including Mr. Hawkins himself. I hear ya, on the nerdy era-specific thing, though, but it's not a deal breaker by any means. 😀
not at all