I happened to stumble upon this video while looking for something else. How wonderfully Vedavalli Amma has put this. This was both enriching and humbling. Pranams to Amma 🙏🙏
After listening to Vedavalli Mami lecture, one thing struck me like a Thunder Bolt. My late father, who was a Self Taught Flautist and Singer from Palakkad, used to describe Ataana as a "Commanding, Mirattara, Adattara" Raagam. And he made this observation almost five decades ago when I was a school going boy and learning Mrudangam from Sri. S. Venkatarathanm, disciple of Thinniyam Venkatarama Iyer and nephew of Tanjore Sankara Iyer in Triplicane Madras. And I told this aspect in front of Rasikas in A Lecdem Q&A session by Dr.Sundar during 2013 December at Raaga Sudha Hall and Dr was little sceptical about my father's insight on Ataana and refused to even think on those angle and today when Mami highlighted this Intricate aspects of this Raaga Ataana, I had Goosebumps and tears in my eyes for having born to a Self Made musician who had tremendous knowledge about Carnatik Music. God bless Mami for A Healthy Happy and More Musical Journey and to share more such wonderful knowledge about Carnatik Music. Mikka Nandree..😀😇😍🥰
i never thought even in dream that carnatic music is so deep.i wonder how young children understand it &answer the questions of judges in competetions😀
ஏழு ஸ்வரங்கள் தவிர ஒன்றும் அறியாத... கர்நாடக சங்கீதத்தை ஓரளவு ரசிக்கும் ஒருவரை உங்கள் பேச்சும், விளக்கமும் ஈர்த்து... 30 நிமிடங்களுக்கு......Past...Present....And the way forward... பாராட்ட வார்த்தைகளில்லை... மிகவும் ரசிக்கும் படியாக எடுத்துச் சொன்னதற்கு மிக்க நன்றி. Wonderful. I'm at 55. Your talk not only arrested ne, but also enticing me to learn. Hope to learn atleast the first one...The Sarali Varisai. Anbudan Arasu
Although I did not understand her explanations which is in Tamil (my mother tongue is Telugu) I have listened spell bound and very much liked the spectacular Athana ragam. The very slokam of Guru smarana is rendered in Athana. I congratulate and compliment madam Vedavalli garu. Thyagaja's krithi Bala kanaka maya is wonderfully rendered.
chembai bhagavathar's rendition was excellent , - its avlble in utube, in another channel..even aftr 100 times of listening , it still worth and again prompting me to listen !!
Loving it, learnt so much. The G reduced to the R in bala kanakamaya by modern praxis. Interesting. The great Dr.Vedavalli is a treasure trove of knowledge, We should have more lec dems.
அடியேன் என்ன சொல்வது ? கண்களில் கண்ணீர் பெருகியது. இவ்வளவு விஷயங்கள் இருக்கா ? இவ்வளவு ஆராய்ச்சியா ? ஆச்சர்யமா இருக்கு. வேதவல்லி மாமிக்கு அனேக தண்டன் சமர்ப்பித்து வணங்குகிறேன். இதுதான் பாவ சங்கீதமோ ? இவ்வளவு ஞானம் இருப்பினும் என்ன அடக்கம் ? மாமி, ரொம்ப ரொம்ப நன்றி.
மியூசிக் பற்றி அடியேனுக்கு ஒன்றும் தெரியாது. இருந்தாலும் கேட்கும் ஞானம் உள்ளது. மாமி வாய்ஸ் விளக்கம் அற்புதம் . என்ன அடக்கம் ஞானம். லக்ஷ்மி ஹயக்ரீவர் கடாக்ஷம்🙏🙏🙏🙏4
It was heartening to hear your views and description of swara prayogas in atana and was reminiscent of your music lessons at the Music academy. If it is true that ragas and kirtans preceded the time when the melakarta scheme and janya ragas were identified, is it then possible that instruments like the flute (which was played by Lord Krishna) gave rise to these raga swaroopams?
Nicely presented demo about Atana. But sad part is there is no mention of Karnataka Sangitha Pitamaha's master piece song "Sakala griha bala neene Sarasijaksha ".
Should understand that the kritis of Shri Purandara Dasa are not set to tune by him but others. Vidyabhushana has sung it in an entirely different set of ragamalika ragas. Also, there are many who sing them in the Hindustani style. And the lec-dem is on post 17 th century, post melakarta scheme Ataana.
I happened to stumble upon this video while looking for something else. How wonderfully Vedavalli Amma has put this. This was both enriching and humbling. Pranams to Amma 🙏🙏
After listening to Vedavalli Mami lecture, one thing struck me like a Thunder Bolt. My late father, who was a Self Taught Flautist and Singer from Palakkad, used to describe Ataana as a "Commanding, Mirattara, Adattara" Raagam. And he made this observation almost five decades ago when I was a school going boy and learning Mrudangam from Sri. S. Venkatarathanm, disciple of Thinniyam Venkatarama Iyer and nephew of Tanjore Sankara Iyer in Triplicane Madras.
And I told this aspect in front of Rasikas in A Lecdem Q&A session by Dr.Sundar during 2013 December at Raaga Sudha Hall and Dr was little sceptical about my father's insight on Ataana and refused to even think on those angle and today when Mami highlighted this Intricate aspects of this Raaga Ataana, I had Goosebumps and tears in my eyes for having born to a Self Made musician who had tremendous knowledge about Carnatik Music. God bless Mami for A Healthy Happy and More Musical Journey and to share more such wonderful knowledge about Carnatik Music. Mikka Nandree..😀😇😍🥰
i never thought even in dream that carnatic music is so deep.i wonder how young children understand it &answer the questions of judges in competetions😀
ஏழு ஸ்வரங்கள் தவிர ஒன்றும் அறியாத...
கர்நாடக சங்கீதத்தை ஓரளவு ரசிக்கும் ஒருவரை
உங்கள் பேச்சும், விளக்கமும் ஈர்த்து... 30 நிமிடங்களுக்கு......Past...Present....And the way forward...
பாராட்ட வார்த்தைகளில்லை...
மிகவும் ரசிக்கும் படியாக எடுத்துச் சொன்னதற்கு மிக்க நன்றி.
Wonderful.
I'm at 55. Your talk not only arrested ne, but also enticing me to learn.
Hope to learn atleast the first one...The Sarali Varisai.
Anbudan
Arasu
The doubts I had wt Atana is totally explained. What a beautiful explanation.
Excellent demonstration. Such a great artist 🎉
The grand great lady Vedavalli amma. A music tradition herself 🙏
Although I did not understand her explanations which is in Tamil (my mother tongue is Telugu) I have listened spell bound and very much liked the spectacular Athana ragam. The very slokam of Guru smarana is rendered in Athana. I congratulate and compliment madam Vedavalli garu. Thyagaja's krithi Bala kanaka maya is wonderfully rendered.
chembai bhagavathar's rendition was excellent , - its avlble in utube, in another channel..even aftr 100 times of listening , it still worth and again prompting me to listen !!
Shrimathi Vethavalli Amma is blessed by Almighty Shiva.
Loving it, learnt so much. The G reduced to the R in bala kanakamaya by modern praxis. Interesting. The great Dr.Vedavalli is a treasure trove of knowledge, We should have more lec dems.
No words maa. So Frank and so perfect in describing what's correct and what can be correct. So humble and so knowledgeable. Namaskaaram maa.
அம்மா நமஸ்காரம் நா சின்ன வயதில் கேட்டது நீங்க பாடின தமிழ் கனகதாரா ஸ்தோத்திரம் மற்றும் ஸ்ரீ ஸ்துதி மிக அருமை
Arumai en thaye🙏
ஸாக்ஷாத் ஸரஸ்வதி தேவியே தரிசனம் தந்தது போல உள்ளது. அனந்த கோடி நமஸ்காரம்.
How humble she is!!
வேதவல்லி அம்மா பேச்சையும் பாட்டையும் கேட்க கேட்க இனிப்பும் உவகையும் மிகும். பல்லாண்டு வாழ்க அம்மா. சாஷ்டாங்க நமஸ்காரங்கள்.
15:46 for atana sketch
அடியேன் என்ன சொல்வது ? கண்களில் கண்ணீர் பெருகியது. இவ்வளவு விஷயங்கள் இருக்கா ? இவ்வளவு ஆராய்ச்சியா ?
ஆச்சர்யமா இருக்கு. வேதவல்லி மாமிக்கு அனேக தண்டன் சமர்ப்பித்து வணங்குகிறேன்.
இதுதான் பாவ சங்கீதமோ ?
இவ்வளவு ஞானம் இருப்பினும் என்ன அடக்கம் ? மாமி, ரொம்ப ரொம்ப நன்றி.
Moved to tears by your greatness and gnanam. Living legend. கோடி கோடி பணிவான வணக்கங்களும், மறியாதைகளும். 🙏🙏 ஸ்ரீ குருப்யோ நம:
மியூசிக் பற்றி அடியேனுக்கு ஒன்றும் தெரியாது. இருந்தாலும் கேட்கும் ஞானம் உள்ளது. மாமி வாய்ஸ் விளக்கம் அற்புதம் . என்ன அடக்கம் ஞானம். லக்ஷ்மி ஹயக்ரீவர் கடாக்ஷம்🙏🙏🙏🙏4
It was heartening to hear your views and description of swara prayogas in atana and was reminiscent of your music lessons at the Music academy. If it is true that ragas and kirtans preceded the time when the melakarta scheme and janya ragas were identified, is it then possible that instruments like the flute (which was played by Lord Krishna) gave rise to these raga swaroopams?
could not stop my tears. - namaskarams to u all
These are all legends and music is their soul.Now the younger generation should follow their footsteps.🙏🙏🙏
Ezhlu swarangalukkul ettanai paadal
Thanks, wonderful from an expert. Unfortunate there are 11 people disliking this?? Why??
Thaks for uploding this lec dem
Super madam.Thanks a lot.I learned a lot.🌹👍👍🙏🙏
Super Demonstration !
Informative and useful demonstration for me. Namaskaram madam.
Namaskaram Madam .I feel like being before u right now.
Excellent 👍
Thank you so much🙏
Can anybody demonstrate Anandabhairavi as handled by Madurai Srirangam Ayyangar ?
Excellent voice with by God grace. R' means Rallapalli Or else is it she belongs to Sri Rallapalli Anantha Krishna Sarma's family? Pl clarify
Thank u fr post
Enlightening speech
Beautiful
🙏🙏🙏
Nicely presented demo about Atana. But sad part is there is no mention of Karnataka Sangitha Pitamaha's master piece song "Sakala griha bala neene Sarasijaksha ".
Should understand that the kritis of Shri Purandara Dasa are not set to tune by him but others. Vidyabhushana has sung it in an entirely different set of ragamalika ragas. Also, there are many who sing them in the Hindustani style. And the lec-dem is on post 17 th century, post melakarta scheme Ataana.
Please provide English subtitles, otherwise it is injustice to the talk.
Hi Amma....kodi namaskaram.....
Best musician is R. Vedavalli mami.
❤❤❤
Super mam
Treasure house of knowledge
@20:20 oh fantastic
One of the challenging ragas for rtp is Atana ragam
🙏
Please enable English captions.
If English caption also made available it would be better to understand clearly.
Pranams
Super
Thanks
🙏🙏🙏🙏🙏🙏🙏
Aruna sairam voice kuda unga voice madiri erukku
English captions may be ensbled.
Please provide Smt Vedavalli's Shri Karumariamman Suprapsthamor pl provide her contact no Mrs Padma Sundararajan. Tks
What a nice lecture cum demonstration by Smt Vedavalli amma !!
I am unable to recognise who is sitting by her side as a vocal support.
Mrs Sumitra Vasudev
Pallandu solli namaskarikkiren
Appudiyanna neengal DD Bharati yil T N Krishnan Sir program why didn’t enjoyed? You only the person didn’t clap, didn’t express any kind of happiness.
The
🙏🙏🙏
Super
Amazing Amma so much helpful for Learn harmonium