Sounds better with the 9932. In France, I begun with a Selmer alto SA2 in 1995 and a few months after go straight for an awesome sounding MarkVI tenor for jazz playing. In 2002, I sold it for a T9930 and an A9930 (solid silver neck and tube, brass bow and bell models) more suited for classical music accuracy in a music school to improve my sax technique 'cause I was frustrated of my poor progress in playing jazz sax (nearly alone). My strategy was to get the benefits of the classical music school's method for a return a few years after in jazz playing. When i came back to jazz, I regretted the sound of my Mark6. The 9930 had everything better than the Mark6 but not the sound which is the most important part to me in jazz music. Looking for a change, I've tried a lot of saxes of different brands (Yani 992, Ref.54, Ref.32, YTS875, Cannonball, Keilwerth tenor saxes etc...) but none has a overall superiority to my T9930... until I gave a try of the T9937 (all body in solid silver) and it blows me away. T9937 was superior in every part even for the sound in comparison of all others, even the two Mark6 I've tried also in a sax shop in Paris in 2012! So, i sold my A9930 and T9930 to get this rare new T9937. More warmth, power and color's spectrum and an astonishing vibrations beneath the fingers when playing. These words of a friend after a try: "my Mark6 seems like a beautiful Bugatti car of the 80's in comparison of your T9937 who is the latest version of the Bugatti car". I had the same feeling :)
I own the TWO10 and absolutely love it. Intonation is superb... I also love the ergonomics and feel of the key action. It can take as much as I give it + more. Altissimo is a breeze...
Hi Nigel, having just listened to this comparison study with my 75 yr old ears, the 9932 perhaps just had the edge in certain parts, but the bronze, I have heard, is not everyone’s cup of tea, the eye watering price of the 9932 is difficult to justify and silver does need constant cleaning and extra weight I believe. I have a TWO1 which certainly suites my needs. Great video!
Nigel, as you played the two horns, I was trying to think of the right word to describe the difference. I think your word “warmth” is the right one. I have a collection of 11 saxophones and 5 of them are Yanagisawa horns. I primarily play alto and that’s what most of my horns are. I got hooked on Yanagisawa in the 80’s when a friend convinced me to buy an A880, which is still a terrific horn, and still looks like new. I have added to that an A992 and my favorite, an A9937 which is the most beautiful horn I have ever seen. That is my go-to alto. I also have a T991, the predecessor to the TWO10. That is also a great horn which I prefer to my MK VI. I also have an SML Gold Medal tenor which I fit between the two. Finally I have a Yanagisawa SC991 curved soprano. I’m new to soprano and find it much harder to play than an alto or Tenor.thats just me, not the horn. Finally the comment that someone made about having to constantly clean the silver horn is not true. My A9937 has a clear lacquer over the silver and therefore it requires no more attention than any lacquered brass horn.
The video and your talis inspiring. Watching shows me that your played to the beauty of the 9932. Your body language adjusted to the style of the elements of the saxophone. You played and looked in harmony with the 9932. Stay healthy and positive. Cheers Rodney
I loved the sound of the 9932 it sounded like silk brushing across polished porcelain. Just a smooth beautiful rich tone. One day if I win the lottery maybe? 😏
Buying a new sax is a very personal thing. The one you like, enjoy playing is the one to buy. Back in the late 70s, I was looking at 2 king super 20s. One sounded to me muffled and the other very open and easy to play. The one I chose was the older brand new model. It fit me perfectly with my playing style. I still have it to this day and play it. It has served me well thru the years and I still enjoy playing this tenor sax.
Hi Nigel, i play the T W10 sinds 2 years now, and i am verry happy with it, the handeling is great also the sound. for that price, i paid 3500 euro is it a great horn. Money is always depending what you will or can buy, Love your videos.
I have the Yani AWO20. It's wonderful. Two things I wish I could change-the middle D is significantly sharp and while Nigel says the left hand palm keys are 'quite low', I have small hands and find the palm keys could sit lower, mostly when I am using the Bbis, I tend to slightly open the high D and then no sound comes out. It's a beautiful instrument, the mechanisms and ergonomics are flawless. The finish is stunning and after two years of careful handling there are NO tarnish marks on any portion. I clean the instrument well after I play each day. Yeah, it was expensive, but I see no need to ever buy another model. Thanks for this great review Nigel! You are a gift to us in the web world
Remember they did more than change some of the mechanism, they also changed the bore I believe. So it may not be the material that makes them sound a bit different. It might be the new design of the bore. I have five Yanagisawa saxophones, two tenors, two altos and their curved soprano, all the latest models and I love them, obviously. Best saxophones I've ever played but that's me, everyone's different. I liked the way you did the comparison, pretty clever, and really allows you to hear that slight difference.
Cheers Robert, interesting to hear about all the other changes with the new series from Yanagisawa. The new WO’s definitely have a more advanced feel to them.
@@McGillMusicSaxSchool I had the 991 series before, but they were destroyed, long boring story, and that's why I ended up with W010 series. I wouldn't have switched otherwise as the 991s kept me quite happy. Yes, the W0s feel more advanced, but they're all great horns. I have thought of getting the model that has the sterling bell and neck, but the cost! I love looking at them though, beautiful.
Hi Nigel! This is a fantastic comparison. I recently went through this process replacing my YAS-62S with an AWO20 and purchased the optional engraved solid silver neck. The bronze coupled with the silver neck was a huge difference. I played a WO33, 35, and 37 and found the neck made the most difference, although that 37 is really good looking. I just wasn't looking for another silver-bodied horn to maintain. 😊. Good luck on your search!
Hi Nigel I like the sounds of both saxophones and I enjoy your videos. I personally own Yanagisawa saxophones. I have the S901 for Soprano and the T901 for Tenor. I really enjoy these saxophones because of the quality of sound that they produce. I also am using Theo Wanne mouthpieces namely the Gaia soprano and the Slant Sig for Tenor. Keep up the good work.
Wow, Nigel! You never sounded so good! On both of those specimen. I would say, the 10k model has a more solid sound, but definitely they are both fantastic. And one surely can hear and see how you enjoy playing them. If you're really looking for a new one, you should think about a Yanagisawa. Last year I wanted to try one, too. But before having it in my hands, I fell in love with a P. Mauriat (optically and soundwise). Great comparison, great video. Thanks Nigel. Always a pleasure watching you and listening to you.
Man, both excellent sound, the silver and bronze got the old cool antique richness , and the TW10 is more on smooth beautiful brightness tone. And I like the mouthpiece you got there. Great sound...
Great player you are! After playing vintage Selmer Tenors beginning in the 1960's, I switched to Yanagisawa in the early 2000's starting with an 880 tenor. Next I purchased a black/gold 990 tenor, and 2 weeks ago I was able to find a 9935 tenor in brand new condition, with virtually no playtime! Yani horns are simply the best sounding/playing horns for my playing style. Another great video, thanks!
great, and very interesting, thank You! I agree with Your final comment that the best would be TWO10 mechanics with Silver and Bronze. For me the sound of the Silver/ Bronze was the winner, only the bee sounded better on the TWO10. If I would need to buy I´d probably go for a TWO10 and get a solid silver neck for it, costs less and will most likely do a big difference. By the way, as You asked, I play a Yana curved soprano, older generation, but I bought a solid silver neck. My tenor and alto are King Super 20s, with a silver neck. For my taste it makes a difference, but it depends what kind of sound and response You want.
I play a yanigasawa 991 tenor. Had it about 20 years. I love it and have a roc mouthpiece. I'm not to your standard by any means!!! Flight of the bumble - Omg. That blew my mind!! Lizzi max xx
You sound amazing on both of them! I have a TWO10S and I just love it. The mechanism, as you mentioned is fantastic and I find it much easier to keep in tune then my YAS 62.... I definitely don't do it justice, but the TWO10s I have Is the best horn I have ever played. So easy, and it is a lot of fun to play - especially with the silver Yani metal mouthpieces! Highly recommend!!
I liked the sound from both these. I found i could not tell which one you were playing. I play a tw010 and really like it. It is a precision instrument.
For me 9932 was the better sound but, not by much, I'm with Bradley it does have a fuller sound. Me, I play a Yanagisawa 992 Bronze Tenor, I bought second hand from a music store in London some 7yrs ago. As I'm an amateur/student my then tutor suggested an upgrade from my semi-pro tenor and suggested I try out this tenor, he being my tutor I suggested he play it so I could get a feel of the tone, sound, it was just what I wanted to hear a rich whole'some sound, when trying out for myself I found the set up of the key positions correct for me and the quality of the craftmanship is brilliant, but as ever it is not about the kit, it is what you get out of what you have isn't it? If I were younger, and a professional would I go with 9932? YES!!!
I seem to get to all of these reviews a bit late Nigel! I have literally just sold a Yanagisawa T992 bronze tenor. Absolute killer horn. Only sold it as I cant see any gigs for the forseeable future and couldnt justify having two tenors. I already have sellers remorse though. My purple logo 62 just edged it, for me, in terms of that sense of 'thrust' you get when you push into a good mk1 62 and a sense of it being completely alive in my hands but, truth be told, I could have happily played that Yani until my dying day. I don't want to try the new WO horns in case something expensive happens!
Try Yanis TWO 20. It’s all in bronze and has a more affordable price. I’ve compared them in a short test in a music store and definitely liked it better than the TWO 10. Same adjectives as you use: warmer, rounder sound. Agree on you’re comments on Yanis ergonomics/keyword. It’s the best!!
For the Bueno Sera piece, the TWO10 was very characteristic; in fact if you did the traditional rock and roll of the 1950's that might be the better choice. On everything else, silver and bronze was better sounding. You didn't have a chance, but I've noticed how well the silver horns blend in a section over solid brass, both in soft and very loud soli passages. Nice video.
I have to admit, the Yamaha 82Z custom tenor you played in the other video blew these out of the water! As far as these two, I have to say the 9932 is very pretty but the W sounds a bit better over all the genres.
Great video Nigel. I am luck enough to own a TWo10 and agree with you at first the mechanism feels strange but they play wonderfully. I think they have great intonation and have a wonderful sound. Stay safe if I may, are you leaning toward this one now?
Hi Nigel, great video and I agree that the solver/bronze is the one. I think the modern version is the TWO37. I play a TWO20 bronze. It's slightly heavier I feel but coupled with a Theo Wanne Ambika it's one hell of a sax. Next up for me is a soprano. I'm tempted by a P Mauriat but I know I'll probably go with the bronze Yani!
They both as one would think sound and played beautifully. I guess it really comes down to how they feel on multiple levels to you while you're playing?
Nigel, You play them both beautifully. To my ear, the silver and bronze horn has a rich, silky edge to the tone. I have a W0 10 which I absolutely love. You are spot on with your comments. The action is superb, and the intonation is so consistent. It's the horn I play the most. My other horns include a 60's Mk6, action like a piccolo, but intonation a bit dodgy, a Buffet Series 400, a gusty horn, quite heavy action, and an old 10M, loud and good for a laugh. Thanks for your videos, mate.
Nigel - another superb review. As you know I'm a huge Yanagisawa fan and you make these sing! The T9932 is my preference, by quite a margin actually (when I hear someone else playing them I can pick out the differences more)Yanagisawa
You sounded great on both. I like the warm centered sound of the TWO10. The 9932 wasn't as cantered to me, but I like the richness of the bronze and solid silver with the brightness of the silver. Seems to me from what you said, you'd like the TWO32 the latest version of the 9932.
Hi Nigel, About 3 months ago I took the plunge and bought a TWO10. I have played quite a few different tenors and still own a 86 year old Conn 30M which is a keeper. I totally agree with your comments about the mechanism; it's a joy to play. I did have an issue with the table key mechanism which was corrected rapidly by the shop I bought it from. Compared to a vintage sax, this one is much easier to play and opens up the door to some serious progress. Speed is a major bonus as my Sax School colleagues will find out when I post a jazz piece tomorrow that rattles on a bit. I would struggle with this one on the Conn! I have also started venturing into the altissimo successfully. Intonation is great and consistent. The bronze models certainly have a warmer tone, but I don't have an issue with the brass bodied models. I can turn to the Conn for a tone that modern horns struggle to replicate, but I like the brighter colours as an alternative. After having it for a while I started pushing it in some funk pieces and the edgy bright sound I wanted just popped out. I love it! I also have to say that using the entire range of the horn seems more consistent and I am using more of the range routinely now. Having said all that, you pays your money and takes your choice and we are all different (thank goodness) Enjoy the journey!
Those Conns have a big sound. Very popular horns, too. They were going for a song a few years ago. I know a girl who sold her Ref 54 (at a big loss) and bought one. Said the 54 was too perfect. Loves it.
@@derekakien7379 I had a Selmer SA series 2 and felt exactly the same way; "too perfect" It was ok for classical, but that's not my thing. I then went to a 10M for a year or so then traded up to the 30M. Although I have the Yany as well now, the Conn is a keeper.
Hi Nigel - I've been looking at the TWO37 since the start of 2020. Had my black Selmer Series II black for 25 years so time for a change. Found brand new TWO37 for a VERY good price. Just about to order it and lockdown happened, money concerns re the future so I put it on hold. Sooooo wish I'd gone ahead with it now after seeing your video!
I have a T-992 that I bought new in 1999 and a TW02O that I bought new in 2018. I can hear a the difference in tone of a bronze Yani. When I first played the T-992 and compared it to the 991, Keilworth, Yamaha and Selmer S2 and S3 (even vintage Mk 6's) I preferred the richness of the tone - more spectrum - a more interesting sound to me. I am a big fan of the Yani bronze. Haven't tried silver. The key work on the newer horn is a bit better. I had the money and it was worth it to me. Buying the Silver horn, maybe not; but I haven't tried it. I'd love to hear a comparison of the TW020 with that T-9932
What about the TW037? or a TW020 with an optional silver neck? But I Agree with you, the older Yany sounds better in your hands, even on my low end computer speakers. As a professional (you, not me) the difference in price between these two would be insignificant. You want the best tools you can afford for your job. Good tools pay for themselves. For me, the extra cost would be a waste, because I couldn't get out of the more expensive sax what you obviously can. I have played "Flight of the Bumble Bee" many times over the years. After hearing your rendition, my bee somehow sounds drunk and clumsy, like he's flying into walls or something. One last thing: I just purchased an AWO2 about a week ago, to replace my King Super20. The build quality of the Yany is amazing. The ease of playing is like you said. But I can't say the AWO2 sounds better than my old Super20. Perhaps that's me not fully adjusted to my new sax yet.
Honestly the Yana TWO10 has a smooth vintage sound which is a very good thing and I love the sound of it. Now The Yana TWO32 in certain times has a cleaner and more brighter tone. Love it as well. But because one it Elite does not better. Cause actually the Elite is not much different other jan a few minor adjustments. Like the detailed engraving and silver attached to it with the engraved goose neck. But in fact I love them both.
9932 is a different beast and pretty easy to pick out on your demo even with the compressed CZcams sound. I've had an Alto 9932J for years (same spec - Peter King model but without the gold inner bell) and bought a WO32 tenor when they first came out. I agree the ergonomics are better on the WO series. Not only do they sound good, they are robust and need very little maintenance. As you say, they also are stunning to look at! I'm sure you've played lots of Ref54 lacquer models, but that would be an interesting comparison to throw in the mix. Thanks for a great video.
Cheers Paul, yes the Ref 54 would be an interesting comparison for sure. Good to hear you agree with the WO series mechanism. Both are great but the WO series definitely has the edge.
Great sound on both. Absolutely amazing. I think it's in the mindset of the musician. For instance if a vocalist has an expensive microphone do they sing better? 🤔 Does an Olympic runner run better in the most expensive trainers? If you've got it like you have you've got it, try it blindfolded. 😉
After listening more closely, I can start to pick out the very minute differences in both the horns. The silver one really does sound bigger in tone and body. But the jump in price is a jaw dropper.. I think a gd compromise can be found by using the W010 with an aftermarket neck like one of those KB necks or something since the neck is primarily responsible for lots of things including the tone, responses tc of the sax :) and that still wouldn’t cost a leg and a hand hahah~
Hi Nigel, Great playing!! The solid silver sounds just a little better for me, but I feel they have the same sound character. Your playing seems more accurate (or more confident) with the Yanagisawas than with the other saxophones you have tested. I bought a Yanagisawa TW10 two years ago; as you say, the mechanism is very good, and the intonation is close to perfection, but, surprisingly (and sadly), I prefer my Yamaha YTS 275 silver plated student saxophone.
@@McGillMusicSaxSchool The Yamaha is darker (in my opinion better for jazz and blues), much more expressive (easier to do pitch bends, vibrato, growl, and radical changes in dynamics) and easier to play. The biggest drawback of my particular Yamaha is that the high Bb, B and C are very flat; that was the reason why I looked for a change. I feel that I don't have control over my Yanagisawa; maybe two years is not enough time, I have been playing my Yamaha for 18 years now.
WO 10. Best tenor I've ever owned, like you when I first blew it I thought, oh sounds a bit clinical. Within a couple of hours, wow, I could do everything I'm capable of with this sax. The action is beyond reproach, so slick and fast. Frankly, compared with the other leading makes all of which I've owned, it's in a different ballpark. It was a very easy decision to make a purchase!
I currently play a 60 year old Selmer Mark VI alto sax that I have had since 4th grade. I am looking to get a more modern alto in the near future. That silver and bronze tenor sounded incredible. Could you test some modern alto saxophones similarly as the tenors? Thank you for your skill sharing with the saxophone world.
Yanagisawa. Well put together (some say the best built possible...true? shrug.) but they to my ears lack any "bark". Which I think makes a "good sax" sound "3D". Needs that "texture". That essential ingredient that can make or break a sax...for ME. So for ME I'd rather go with a Yamaha 82Z or 875EX as the "best value/performance" choices. Cost no object? Selmer-Paris Ref 36 with maybe a Jody Jazz DV (...maybe Morgan Fry Vintage Slant, Theo Wanne NYBROS, Ambika, Gaiia ...etc...depends on mood heh and music played of course). Keilwerth MKX being an "in-between" choice for me. But honestly...even as an upgrade "cost no object" buy...not sure I could justify the Ref 36 as much as I like the sound/build....Over a 82Z/875EX or MKX...Does a sax costing a few thousand $ more give us that much "better possible" sound? NOPE (IMHO). Just a different sound. They have pretty much the same build quality and response you'd want. I feel the Ref 36 "gets out of the way...more (than a 82z/875EX or any Keilwrth MKX/SX90)...So to pay $2-30000 (CAD$) more for "different sound " "possibility" (keeping in mind the sax itself matters the least vs mouthpiece/reed and skill/talent of the player)...Perhaps there might come a time when one doesn't want as much ?bark" so a Ref 36 might be THE ONE (if he or she has the funds).
they both sound good but if had the money I would buy the solid silver bronze but at moment I have alto Yanagisawa 991 with straight soprano 991 lovely instrument top sound very good thank you Yanagisawa the best for me
@@McGillMusicSaxSchool it is. Honestly it doesn’t replace my mark 6 but it does fill in gaps that it the mark 6 is weak at. It will be my main horn now but the mark 6 just does rock and screaming stuff like no other. it’s a very bright horn so I like having the contrast.
I play Guardala Tenors, but also own a 9937 Yani(entirely silver body bell neck. No question the mechanism is better on the Yani. It would have been interesting to hear the sound difference with the Guardala. I don't believe there are significant differences in the TWO over the previous series like I have.
The silver / bronze is worth the money in my ear. I would have to come up with the money for that! I play the bronze unlacquered TW020 tenor and the sound difference from the TW010 is also quite noticeable. But I would really like to try the Silver/ Bronze in a TW020. I play all Yanagisawa saxes. They become very flexible after one plays on them- they have it all- and I play in different genres. Great demonstration Nigel and good luck finding THE HORN! I think you are right in getting the silver / bronze in the TW020.
Bari: 9930 Tenor: 9930 Alto: 8830 Sop: 992 Love them all-agree with you on intonation, mechanism, etc. couple of odd notes on my tenor (middle C is a bit flat, Middle D is stuffy and sharp like most tenors I have played-but all controllable and can be overcome. Are they the best? Don’t know. Will I change? Played a great reference 54 at sax.co.uk in London-very tempting but will stick with the Yani’s.
9932 sounds like 10k. Back in the 90s I demoed the Dave G tenor dark lacker but it had a very dark sound. Pretty but not my cup of tea. Both Yannis sound great but I’d want something a little more affordable if needing to replace it for whatever reason not out of 10k.
As you are aware I have a 9937 and I also have a mark vi that I have had for 35 years, and I am in the middle of a recording session and I went back to my mark vi, not because it's better but it feels better because I am used to it. I must say I really like the 9932 that you played, it sounds right on!
Hello Nigel, The 2 horns are top quality (so is the price) . My choice is the TW10. The sound is rich, a bit like Lester young. I had a bad experience with silver, difficult to polish, but both saxes are top of the line. Watch out for copies. However, not too many students can afford those 2 jewels, hope you get closer to students with a middle of the road sax that they rely on. I may be wrong, this is how how feel.
Great comparison, I'm lucky to own a T9937 full solid silver, I would not trade it fir anything else. However, forget about using a neck strap, it weights too much as compared to my mates ref 54.
The silver br, is fuller.. The w010 is thinner sound, but both are realy great. BUT, not better than a good Selmer SAII. I never change my black SA80ii for this nor fir nothing in the world. Anyway, the combination is realy a great idea. Good video.
It's a cigarette paper between them! Both have a solid bottom end. I think the 9932 has a bigger, round sound. My '56 Mk VI has that same sound but I use a '63 ss Berg 110/2 M to brighten it up. I guess the mechanics make the Yanis much easier to play. As I say it's a cigarette paper between them. Great demo Nigel.
Hi Nigel I think the 9923 has your name written all over it. I think it is an all round. The 010 are bright more for Rock/funk/pop The 0020 bronze would be the closer to the 9923. Try one first? Glen
The difference to my ears is so small and on some songs I would choose one, and on others the other. I can hear a difference, but it is a 98 vs a 96 on a scale of 100. I would go with the less expensive one. However, it sounds like your ideal would be the TWO33.
The Bronze and Silver wins hands-down with the wonderful warm tones. The TWO1 is a great saxophone with a brighter tone.It's not really fair to listen to them together because once you hear the warm tones you are hooked. I owned a Mark 6 Selmer tenor back in the 70's. I would love to hear that compared with the expensive Yani tested here.That would be very interesting 🤔 Great review and great playing 👏
Yes, listening to both i feel the 9932 is the best. But as you say price makes a difference, i play the Yani 992, which is equal to the Two 20 . But still a great Tenor. And i totally agree on Intonation, plays straight out of the box.🙂🙂
Hi Nigel; you played these 2 fantastic horns so well. Out of this world.... Myself (a intermediate player of 76 years of age from Holland, started one year ago) enjoy playing the Yanagisawa T992 which a a bronze sax. It is a great saxophone and produces such good sounds in all ranges of my plays. Using a Vandoren 8 hard rubber mouth piece.and a 2.5 signature reed. (Would like to get a Theo Wanne Shiva 3 at some point, to wet my sax appetite......) For me, personally, although the sound of the Ferrari Silver Shadow is marginally warmer, it will be a matter of what one is prepared to spend for that difference. In your case your sax is your income generator AND hobby through SaxSchool, could probably afford that Ferrari Silver Shadow,, but am concerned you would make your students to envy you, with such a Beast of Tenor. Wonder if a different mouth piece on either model, would give same warmth on both flutes. BTW i am a very happy and satisfied member of your school, since early this year. You helped me through your lessons enormously to progress in my hobby of playing Sax solos, popular tunes and so on. Practicing and put each song I like to play under my skin, so that it can be played from my head and heart, without having to see each note from the sheet music again and again. It will take me another 100 years to become as good as you are on the flute....
I bought a new 991 tenor 15 years ago and it's a fantastic horn. Great sound, plays very easy, very reliable. I would buy a TW010 if I had to buy a new one today. But my 991 is still fantastic, so why would I ?
I am currently looking at the AWO33 (silver neck and bell with brass body) to add to my collection. I have a brass YAS-62 that I’ve had since 1998 and love it! I have a Yanagisawa curved soprano that I’ve had since the 1990s and it is amazing. I am also wondering if the added cost of the AWO33 over the AWO10 is worth it...like you said, getting a hold of saxes to test during this time has been difficult. From hearing you play the two saxes, the best way I can describe it, listening through my iPad Pro, is the WO10 sound has a little more spread to it, where was the 9932 has more of a tighter core sound, if that makes sense. Both sound brilliant...If I had the dough, I’d get the 9932, but it really is personal preference.
Both saxes sounded really good (and so well played!) but the 9932 sounded more mellow and the real cream on the cake for me and looks magnificent. However, unless you have pots of money, the sound difference was not enough for ME to spend so much more - but I'm no pro! I think that Snake Davis has had his own personal version made of the 9932 (or the modern equivalent) which he brought down the Wimborne a couple of years ago - his was solid silver but was finished all over in gold plate and had the most amazing personal engravings on it. I had a very close look at it - WOW! I have the Yanagisawa 901 Alto which I love, but when buying a tenor I chose the Yamaha YTS-62 over the Yanagisawa TW01 purely because it felt better in my hands - they both sounded great!
Hi Nigel I have been watching your videos and they are very resourceful and enlightening. I really enjoyed this video because I also play a Yanagisawa Tenor Saxophone. I play the T901 and it is a great horn. I like it because of the intonation and consistency. I just purchased the Theo Wanne Slant Sig 2 for Tenor Sax with a Vandoren Java(green box) and it is a great combination for this instrument. Keep the videos coming!
I play a Yani swo1 sop ( I prefer a one piece neck), awo10 Alto and two10 tenor. I love them all. I gradually got these three to replace two Yamahas and a Selmer. They are fast, in tune and easy get a wide palette of sounds.
I think the 9932 sounded best on the first two songs. The Flight of the Bumblebee needed the Tw010. The 9932 notes were not distinct enough. Sounded muddy to me.
The bronze body gives a warmer and darker sound with more punch when you go for it. I was thinking the WO 37 silver for my new Yanagazawa soprano sax and Mikki was prepared to buy it for me but I'm just not that good where I could wring out the full potential of the sax. I decided on the WO 20 bronze which was $3920 US. If it were not for the intonation throughout the range I would have not considered a soprano but the reputation of the WO 20 for playing in tune gave me a nudge to give it a go. I watched a lot of videos in deciding. I am hoping the modern intonation and keywork can help me overcome some of my physical disabilities. My wire transfer has been debited from my checking account so they should be shipping the one sax.co.uk had reserved for me. I like a sax that has some body/resistance to it. I cannot play an altissimo note if my life depended on it but I do expect a sax to produce a beautiful subtone all the way down to low Bb. My SBA series 2 Jubilee edition tenor does that but My MK 6 alto was not getting there lately . My tech recently replaced a couple of pads and did some adjusting and now all is well. You really need to try the updated silver edition. I think the world deserves to relish the music you would produce with it. You have always had an incredible warm and mellow free flowing sound on you current horn but it has never had the drive and punch I heard tonight.
I play a Yanagisawa TW01 and it is fantastic low registry is super easy upper register is just as easy. Yanagisawa saxophones are in my opinion the best made in the world.
Hi Nigel, great comparison. I own a T Wo10 and have also a Yany silver neck. My impression is that the solid silver makes the sound thicker and it holds the "core sound" under high volume more. Im looking foreward to the review of the Yamahas.... i also have a purple 62 as backup horn.
Hi Nigel, I used to play the Yani 9932 J a beautiful sax great tone but eventually gave it up due to the weight it was just too heavy for me , loving your sax search journey , good hunting !
In Dutch, some hobbies have a WAF - the Wife Acceptance Factor. These speakers (200K, 2m tall) "have a bad WAF". The acronym is funny in Dutch, as "waf" is the Dutch way to mimic a dog's bark. Bitches rule the pack.
Hello Nigel, thank you for another fun video. I noticed that your title on CZcams mentions the "TW10" rather than the "TW010" which is the saxophone I think you are testing.
whish one did you get? Ibe seen a few reviews but have not seen which one you got yet. Great playing kinda makes me not want to worry about playing again.
It seemed to me that you were having a bit easier time getting the tone of the TW0 10 in the sweet spot and the response time is super fast. Both horns sound awesome in the hands of Nigel McGill but no one would have an easy time convincing me that the 9932 is a better instrument at all and certainly not worth the extra coin. It's prettier no question, and if that's what you want to pay for, that is of course up to you. Thanks for doing these comp sessions I am thinking of replacing my Alto and getting a Tenor, these sessions really help!
I have never played a Yanagisawa sax, as I prefer Selmer saxes. You made both of those tenors sound really great. I could not hear any appreciable difference. To me, the 9932 is not worth twice the price of the fairly affordable (for a new sax) TWO10. My advice to an experienced sax player looking to upgrade to a professional level horn is to purchase a second-hand sax, preferably from a music shop or repair technician, after thoroughly play testing the horn. Much easier on the budget.
I think that whilst both are superb that the double price has a definite edge in tone and projection. However wether it's worth double the money depends,in my opinion,if you are a pro and can afford the best. I am expecting my TWO1 next week, which should be just fine for me at not far off 79.
I had to sell my yanigasawa T902 to help finance my super 20,I’ve had a T802 as well and i liked them both,if you have a favourite, and it is your living and you need something that you’re comfortable with I’d buy it,you’re regret it if you don’t,all the best 👍
Very enjoyable video. I love the sound of the 9932. Nigel could make playing a drainpipe sound good.
Sounds better with the 9932.
In France, I begun with a Selmer alto SA2 in 1995 and a few months after go straight for an awesome sounding MarkVI tenor for jazz playing.
In 2002, I sold it for a T9930 and an A9930 (solid silver neck and tube, brass bow and bell models) more suited for classical music accuracy in a music school to improve my sax technique 'cause I was frustrated of my poor progress in playing jazz sax (nearly alone).
My strategy was to get the benefits of the classical music school's method for a return a few years after in jazz playing.
When i came back to jazz, I regretted the sound of my Mark6. The 9930 had everything better than the Mark6 but not the sound which is the most important part to me in jazz music.
Looking for a change, I've tried a lot of saxes of different brands (Yani 992, Ref.54, Ref.32, YTS875, Cannonball, Keilwerth tenor saxes etc...) but none has a overall superiority to my T9930... until I gave a try of the T9937 (all body in solid silver) and it blows me away.
T9937 was superior in every part even for the sound in comparison of all others, even the two Mark6 I've tried also in a sax shop in Paris in 2012!
So, i sold my A9930 and T9930 to get this rare new T9937.
More warmth, power and color's spectrum and an astonishing vibrations beneath the fingers when playing.
These words of a friend after a try: "my Mark6 seems like a beautiful Bugatti car of the 80's in comparison of your T9937 who is the latest version of the Bugatti car".
I had the same feeling :)
The TWO10 is nice but I’m telling you, you’ve gotta try the TWO20. One word.....amazing. Can’t wait to get one. Still saving.
They play the same to me honestly. I had found an two10 that was setup by a really good tech and it played just as good as an elite.
I own the TWO10 and absolutely love it. Intonation is superb... I also love the ergonomics and feel of the key action. It can take as much as I give it + more. Altissimo is a breeze...
Hi Nigel, having just listened to this comparison study with my 75 yr old ears, the 9932 perhaps just had the edge in certain parts, but the bronze, I have heard, is not everyone’s cup of tea, the eye watering price of the 9932 is difficult to justify and silver does need constant cleaning and extra weight I believe. I have a TWO1 which certainly suites my needs. Great video!
Thanks Alan - yes the 9932 is an expensive beast. Sounds great though!
Yep silver is so smooth, not that either bad. Brilliantly played.
Nigel, as you played the two horns, I was trying to think of the right word to describe the difference. I think your word “warmth” is the right one. I have a collection of 11 saxophones and 5 of them are Yanagisawa horns. I primarily play alto and that’s what most of my horns are. I got hooked on Yanagisawa in the 80’s when a friend convinced me to buy an A880, which is still a terrific horn, and still looks like new. I have added to that an A992 and my favorite, an A9937 which is the most beautiful horn I have ever seen. That is my go-to alto. I also have a T991, the predecessor to the TWO10. That is also a great horn which I prefer to my MK VI. I also have an SML Gold Medal tenor which I fit between the two. Finally I have a Yanagisawa SC991 curved soprano. I’m new to soprano and find it much harder to play than an alto or Tenor.thats just me, not the horn. Finally the comment that someone made about having to constantly clean the silver horn is not true. My A9937 has a clear lacquer over the silver and therefore it requires no more attention than any lacquered brass horn.
The video and your talis inspiring. Watching shows me that your played to the beauty of the 9932. Your body language adjusted to the style of the elements of the saxophone. You played and looked in harmony with the 9932. Stay healthy and positive.
Cheers Rodney
I loved the sound of the 9932 it sounded like silk brushing across polished porcelain. Just a smooth beautiful rich tone. One day if I win the lottery maybe? 😏
Buying a new sax is a very personal thing. The one you like, enjoy playing is the one to buy. Back in the late 70s, I was looking at 2 king super 20s. One sounded to me muffled and the other very open and easy to play. The one I chose was the older brand new model. It fit me perfectly with my playing style. I still have it to this day and play it. It has served me well thru the years and I still enjoy playing this tenor sax.
Hi Nigel, i play the T W10 sinds 2 years now, and i am verry happy with it, the handeling is great also the sound. for that price, i paid 3500 euro is it a great horn. Money is always depending what you will or can buy, Love your videos.
I have the Yani AWO20. It's wonderful. Two things I wish I could change-the middle D is significantly sharp and while Nigel says the left hand palm keys are 'quite low', I have small hands and find the palm keys could sit lower, mostly when I am using the Bbis, I tend to slightly open the high D and then no sound comes out. It's a beautiful instrument, the mechanisms and ergonomics are flawless. The finish is stunning and after two years of careful handling there are NO tarnish marks on any portion. I clean the instrument well after I play each day.
Yeah, it was expensive, but I see no need to ever buy another model.
Thanks for this great review Nigel! You are a gift to us in the web world
Thanks for sharing. You have a lovely sax there!
Remember they did more than change some of the mechanism, they also changed the bore I believe. So it may not be the material that makes them sound a bit different. It might be the new design of the bore. I have five Yanagisawa saxophones, two tenors, two altos and their curved soprano, all the latest models and I love them, obviously. Best saxophones I've ever played but that's me, everyone's different. I liked the way you did the comparison, pretty clever, and really allows you to hear that slight difference.
Cheers Robert, interesting to hear about all the other changes with the new series from Yanagisawa. The new WO’s definitely have a more advanced feel to them.
@@McGillMusicSaxSchool I had the 991 series before, but they were destroyed, long boring story, and that's why I ended up with W010 series. I wouldn't have switched otherwise as the 991s kept me quite happy. Yes, the W0s feel more advanced, but they're all great horns. I have thought of getting the model that has the sterling bell and neck, but the cost! I love looking at them though, beautiful.
Hi Nigel! This is a fantastic comparison. I recently went through this process replacing my YAS-62S with an AWO20 and purchased the optional engraved solid silver neck. The bronze coupled with the silver neck was a huge difference. I played a WO33, 35, and 37 and found the neck made the most difference, although that 37 is really good looking. I just wasn't looking for another silver-bodied horn to maintain. 😊. Good luck on your search!
Hi Nigel
I like the sounds of both saxophones and I enjoy your videos. I personally own Yanagisawa saxophones. I have the S901 for Soprano and the T901 for Tenor. I really enjoy these saxophones because of the quality of sound that they produce. I also am using Theo Wanne mouthpieces namely the Gaia soprano and the Slant Sig for Tenor. Keep up the good work.
Wow, Nigel! You never sounded so good! On both of those specimen.
I would say, the 10k model has a more solid sound, but definitely they are both fantastic. And one surely can hear and see how you enjoy playing them.
If you're really looking for a new one, you should think about a Yanagisawa.
Last year I wanted to try one, too. But before having it in my hands, I fell in love with a P. Mauriat (optically and soundwise).
Great comparison, great video. Thanks Nigel. Always a pleasure watching you and listening to you.
Man, both excellent sound, the silver and bronze got the old cool antique richness , and the TW10 is more on smooth beautiful brightness tone. And I like the mouthpiece you got there. Great sound...
Thanks!
Great player you are! After playing vintage Selmer Tenors beginning in the 1960's, I switched to Yanagisawa in the early 2000's starting with an 880 tenor. Next I purchased a black/gold 990 tenor, and 2 weeks ago I was able to find a 9935 tenor in brand new condition, with virtually no playtime! Yani horns are simply the best sounding/playing horns for my playing style. Another great video, thanks!
great, and very interesting, thank You!
I agree with Your final comment that the best would be TWO10 mechanics with Silver and Bronze. For me the sound of the Silver/ Bronze was the winner, only the bee sounded better on the TWO10.
If I would need to buy I´d probably go for a TWO10 and get a solid silver neck for it, costs less and will most likely do a big difference.
By the way, as You asked, I play a Yana curved soprano, older generation, but I bought a solid silver neck. My tenor and alto are King Super 20s, with a silver neck. For my taste it makes a difference, but it depends what kind of sound and response You want.
I play a yanigasawa 991 tenor. Had it about 20 years. I love it and have a roc mouthpiece. I'm not to your standard by any means!!! Flight of the bumble - Omg. That blew my mind!! Lizzi max xx
Cheers Lizzi!
They are both excellent horns! I once tried out a Yanagisawa tenor and it played beautifully, even at my skill set!
Frank N.
You sound awesome on both! But the 9932 has an extra zing that makes it more special to my ears.
They both sound terrific to me, but I guess its in your playing Nigel...hero!
You sound amazing on both of them! I have a TWO10S and I just love it. The mechanism, as you mentioned is fantastic and I find it much easier to keep in tune then my YAS 62.... I definitely don't do it justice, but the TWO10s I have Is the best horn I have ever played. So easy, and it is a lot of fun to play - especially with the silver Yani metal mouthpieces! Highly recommend!!
I liked the sound from both these. I found i could not tell which one you were playing. I play a tw010 and really like it. It is a precision instrument.
It is a great sax - you have a good instrument there.
For me 9932 was the better sound but, not by much, I'm with Bradley it does have a fuller sound. Me, I play a Yanagisawa 992 Bronze Tenor, I bought second hand from a music store in London some 7yrs ago. As I'm an amateur/student my then tutor suggested an upgrade from my semi-pro tenor and suggested I try out this tenor, he being my tutor I suggested he play it so I could get a feel of the tone, sound, it was just what I wanted to hear a rich whole'some sound, when trying out for myself I found the set up of the key positions correct for me and the quality of the craftmanship is brilliant, but as ever it is not about the kit, it is what you get out of what you have isn't it? If I were younger, and a professional would I go with 9932? YES!!!
I seem to get to all of these reviews a bit late Nigel! I have literally just sold a Yanagisawa T992 bronze tenor. Absolute killer horn. Only sold it as I cant see any gigs for the forseeable future and couldnt justify having two tenors. I already have sellers remorse though. My purple logo 62 just edged it, for me, in terms of that sense of 'thrust' you get when you push into a good mk1 62 and a sense of it being completely alive in my hands but, truth be told, I could have happily played that Yani until my dying day. I don't want to try the new WO horns in case something expensive happens!
Try Yanis TWO 20. It’s all in bronze and has a more affordable price. I’ve compared them in a short test in a music store and definitely liked it better than the TWO 10. Same adjectives as you use: warmer, rounder sound. Agree on you’re comments on Yanis ergonomics/keyword. It’s the best!!
Yes I agree with you Mats
Your evaluation at the end is spot on. The silver/bronze sax has a much better, fuller sound.
Cheers Bradley. Glad you agree!
For the Bueno Sera piece, the TWO10 was very characteristic; in fact if you did the traditional rock and roll of the 1950's that might be the better choice. On everything else, silver and bronze was better sounding. You didn't have a chance, but I've noticed how well the silver horns blend in a section over solid brass, both in soft and very loud soli passages.
Nice video.
The silver bronze 9932 has a more open sound. The horn sounds more free blowing and focused. Very nice core sound . It's a keeper! Patrick
Cheers Patrick
I have to admit, the Yamaha 82Z custom tenor you played in the other video blew these out of the water! As far as these two, I have to say the 9932 is very pretty but the W sounds a bit better over all the genres.
Great video Nigel.
I am luck enough to own a TWo10 and agree with you at first the mechanism feels strange but they play wonderfully. I think they have great intonation and have a wonderful sound.
Stay safe if I may, are you leaning toward this one now?
Hi Nigel, great video and I agree that the solver/bronze is the one. I think the modern version is the TWO37. I play a TWO20 bronze. It's slightly heavier I feel but coupled with a Theo Wanne Ambika it's one hell of a sax. Next up for me is a soprano. I'm tempted by a P Mauriat but I know I'll probably go with the bronze Yani!
They both as one would think sound and played beautifully. I guess it really comes down to how they feel on multiple levels to you while you're playing?
Definitely Craig. It’s down to personal choice really - both are great saxes.
Nigel,
You play them both beautifully. To my ear, the silver and bronze horn has a rich, silky edge to the tone. I have a W0 10 which I absolutely love. You are spot on with your comments. The action is superb, and the intonation is so consistent. It's the horn I play the most. My other horns include a 60's Mk6, action like a piccolo, but intonation a bit dodgy, a Buffet Series 400, a gusty horn, quite heavy action, and an old 10M, loud and good for a laugh. Thanks for your videos, mate.
Nigel - another superb review. As you know I'm a huge Yanagisawa fan and you make these sing! The T9932 is my preference, by quite a margin actually (when I hear someone else playing them I can pick out the differences more)Yanagisawa
Cheers Martin, and thanks so much for giving me the opportunity to try these out. I really like the 9932 too!
You sounded great on both. I like the warm centered sound of the TWO10. The 9932 wasn't as cantered to me, but I like the richness of the bronze and solid silver with the brightness of the silver. Seems to me from what you said, you'd like the TWO32 the latest version of the 9932.
I am glad that I bought my Mark 6 for 1200.00 back in the days. And still has an awesome sound.
Hi Nigel,
About 3 months ago I took the plunge and bought a TWO10. I have played quite a few different tenors and still own a 86 year old Conn 30M which is a keeper.
I totally agree with your comments about the mechanism; it's a joy to play. I did have an issue with the table key mechanism which was corrected rapidly by the shop I bought it from. Compared to a vintage sax, this one is much easier to play and opens up the door to some serious progress. Speed is a major bonus as my Sax School colleagues will find out when I post a jazz piece tomorrow that rattles on a bit. I would struggle with this one on the Conn! I have also started venturing into the altissimo successfully. Intonation is great and consistent.
The bronze models certainly have a warmer tone, but I don't have an issue with the brass bodied models. I can turn to the Conn for a tone that modern horns struggle to replicate, but I like the brighter colours as an alternative.
After having it for a while I started pushing it in some funk pieces and the edgy bright sound I wanted just popped out. I love it!
I also have to say that using the entire range of the horn seems more consistent and I am using more of the range routinely now.
Having said all that, you pays your money and takes your choice and we are all different (thank goodness)
Enjoy the journey!
Those Conns have a big sound. Very popular horns, too. They were going for a song a few years ago. I know a girl who sold her Ref 54 (at a big loss) and bought one. Said the 54 was too perfect. Loves it.
@@derekakien7379 I had a Selmer SA series 2 and felt exactly the same way; "too perfect" It was ok for classical, but that's not my thing. I then went to a 10M for a year or so then traded up to the 30M. Although I have the Yany as well now, the Conn is a keeper.
Liked both but I think TW010 sounds slightly more buzzy and more vintage.
For the money it's got to be the TW010
Hi Nigel - I've been looking at the TWO37 since the start of 2020. Had my black Selmer Series II black for 25 years so time for a change. Found brand new TWO37 for a VERY good price. Just about to order it and lockdown happened, money concerns re the future so I put it on hold. Sooooo wish I'd gone ahead with it now after seeing your video!
I have a T-992 that I bought new in 1999 and a TW02O that I bought new in 2018. I can hear a the difference in tone of a bronze Yani. When I first played the T-992 and compared it to the 991, Keilworth, Yamaha and Selmer S2 and S3 (even vintage Mk 6's) I preferred the richness of the tone - more spectrum - a more interesting sound to me. I am a big fan of the Yani bronze. Haven't tried silver. The key work on the newer horn is a bit better. I had the money and it was worth it to me. Buying the Silver horn, maybe not; but I haven't tried it. I'd love to hear a comparison of the TW020 with that T-9932
Hi.i see. I heard.i learned.i following .i taking notes.froms , drums, flutes, alto saxo.to lead guitars.bass guitars.classical .to news ages.very great.....very enjoyed .well done .well spent , imstruments ....low cost .easy listen .learning with joys......
They sound almost the same honestly. W010 a great horn. I wouldn’t think having the w010 would prevent you from getting a gig.
Nice video thank you for sharing . I played two20 , which I think it has very warm sound.
What about the TW037? or a TW020 with an optional silver neck? But I Agree with you, the older Yany sounds better in your hands, even on my low end computer speakers. As a professional (you, not me) the difference in price between these two would be insignificant. You want the best tools you can afford for your job. Good tools pay for themselves. For me, the extra cost would be a waste, because I couldn't get out of the more expensive sax what you obviously can. I have played "Flight of the Bumble Bee" many times over the years. After hearing your rendition, my bee somehow sounds drunk and clumsy, like he's flying into walls or something. One last thing: I just purchased an AWO2 about a week ago, to replace my King Super20. The build quality of the Yany is amazing. The ease of playing is like you said. But I can't say the AWO2 sounds better than my old Super20. Perhaps that's me not fully adjusted to my new sax yet.
Thanks Lowell. I would like to try the WO37 - it’s just that price that puts me off! Thanks for watching.
@@McGillMusicSaxSchool and what about the TWO20 ?
Honestly the Yana TWO10 has a smooth vintage sound which is a very good thing and I love the sound of it.
Now The Yana TWO32 in certain times has a cleaner and more brighter tone. Love it as well.
But because one it Elite does not better. Cause actually the Elite is not much different other jan a few minor adjustments.
Like the detailed engraving and silver attached to it with the engraved goose neck. But in fact I love them both.
9932 is a different beast and pretty easy to pick out on your demo even with the compressed CZcams sound. I've had an Alto 9932J for years (same spec - Peter King model but without the gold inner bell) and bought a WO32 tenor when they first came out. I agree the ergonomics are better on the WO series. Not only do they sound good, they are robust and need very little maintenance. As you say, they also are stunning to look at! I'm sure you've played lots of Ref54 lacquer models, but that would be an interesting comparison to throw in the mix. Thanks for a great video.
Cheers Paul, yes the Ref 54 would be an interesting comparison for sure. Good to hear you agree with the WO series mechanism. Both are great but the WO series definitely has the edge.
Great! More tenor vids/reviews, please!!
Cheers Kieren!
They both sound nice! The 9932 sounds a little fuller and more versatile to me. I've never played a Yanagisawa (or driven a Ferrari).
I haven’t driven a Ferrari either! But I imagine that 9932 is what it feels like!
Great sound on both. Absolutely amazing. I think it's in the mindset of the musician. For instance if a vocalist has an expensive microphone do they sing better? 🤔 Does an Olympic runner run better in the most expensive trainers?
If you've got it like you have you've got it, try it blindfolded. 😉
Good point and I kind of agree except some saxes make me enjoy playing more.
After listening more closely, I can start to pick out the very minute differences in both the horns. The silver one really does sound bigger in tone and body. But the jump in price is a jaw dropper.. I think a gd compromise can be found by using the W010 with an aftermarket neck like one of those KB necks or something since the neck is primarily responsible for lots of things including the tone, responses tc of the sax :) and that still wouldn’t cost a leg and a hand hahah~
Hi Nigel,
Great playing!! The solid silver sounds just a little better for me, but I feel they have the same sound character. Your playing seems more accurate (or more confident) with the Yanagisawas than with the other saxophones you have tested. I bought a Yanagisawa TW10 two years ago; as you say, the mechanism is very good, and the intonation is close to perfection, but, surprisingly (and sadly), I prefer my Yamaha YTS 275 silver plated student saxophone.
Really interesting to hear that Dario. What brings you back to the Yamaha?
@@McGillMusicSaxSchool
The Yamaha is darker (in my opinion better for jazz and blues), much more expressive (easier to do pitch bends, vibrato, growl, and radical changes in dynamics) and easier to play. The biggest drawback of my particular Yamaha is that the high Bb, B and C are very flat; that was the reason why I looked for a change. I feel that I don't have control over my Yanagisawa; maybe two years is not enough time, I have been playing my Yamaha for 18 years now.
WO 10. Best tenor I've ever owned, like you when I first blew it I thought, oh sounds a bit clinical. Within a couple of hours, wow, I could do everything I'm capable of with this sax. The action is beyond reproach, so slick and fast. Frankly, compared with the other leading makes all of which I've owned, it's in a different ballpark.
It was a very easy decision to make a purchase!
Interesting to hear that Brian. I felt the same actually.
I currently play a 60 year old Selmer Mark VI alto sax that I have had since 4th grade. I am looking to get a more modern
alto in the near future. That silver and bronze tenor sounded incredible. Could you test some modern alto saxophones
similarly as the tenors? Thank you for your skill sharing with the saxophone world.
Yanagisawa. Well put together (some say the best built possible...true? shrug.) but they to my ears lack any "bark". Which I think makes a "good sax" sound "3D". Needs that "texture". That essential ingredient that can make or break a sax...for ME.
So for ME I'd rather go with a Yamaha 82Z or 875EX as the "best value/performance" choices. Cost no object? Selmer-Paris Ref 36 with maybe a Jody Jazz DV (...maybe Morgan Fry Vintage Slant, Theo Wanne NYBROS, Ambika, Gaiia ...etc...depends on mood heh and music played of course). Keilwerth MKX being an "in-between" choice for me.
But honestly...even as an upgrade "cost no object" buy...not sure I could justify the Ref 36 as much as I like the sound/build....Over a 82Z/875EX or MKX...Does a sax costing a few thousand $ more give us that much "better possible" sound? NOPE (IMHO). Just a different sound. They have pretty much the same build quality and response you'd want.
I feel the Ref 36 "gets out of the way...more (than a 82z/875EX or any Keilwrth MKX/SX90)...So to pay $2-30000 (CAD$) more for "different sound " "possibility" (keeping in mind the sax itself matters the least vs mouthpiece/reed and skill/talent of the player)...Perhaps there might come a time when one doesn't want as much ?bark" so a Ref 36 might be THE ONE (if he or she has the funds).
they both sound good but if had the money I would buy the solid silver bronze but at moment I have alto Yanagisawa 991
with straight soprano 991 lovely instrument top sound very good thank you Yanagisawa the best for me
Cheers, the 991’s are great instruments too - I had a 991 soprano too years ago.
I just bought one. Easiest playing horn I’ve ever played
Nice! I hope you enjoy it. WO10 is a brilliant instrument.
@@McGillMusicSaxSchool it is. Honestly it doesn’t replace my mark 6 but it does fill in gaps that it the mark 6 is weak at. It will be my main horn now but the mark 6 just does rock and screaming stuff like no other. it’s a very bright horn so I like having the contrast.
I play Guardala Tenors, but also own a 9937 Yani(entirely silver body bell neck. No question the mechanism is better on the Yani. It would have been interesting to hear the sound difference with the Guardala. I don't believe there are significant differences in the TWO over the previous series like I have.
The silver / bronze is worth the money in my ear. I would have to come up with the money for
that! I play the bronze unlacquered TW020 tenor and the sound difference from the TW010
is also quite noticeable. But I would really like to try the Silver/ Bronze in a TW020. I play all
Yanagisawa saxes. They become very flexible after one plays on them- they have it all- and I play in different genres. Great demonstration Nigel and good luck finding THE HORN! I think you are right in getting the silver / bronze in the TW020.
Bari: 9930
Tenor: 9930
Alto: 8830
Sop: 992
Love them all-agree with you on intonation, mechanism, etc. couple of odd notes on my tenor (middle C is a bit flat, Middle D is stuffy and sharp like most tenors I have played-but all controllable and can be overcome. Are they the best? Don’t know. Will I change? Played a great reference 54 at sax.co.uk in London-very tempting but will stick with the Yani’s.
Nice collection there Roger!
9932 sounds like 10k. Back in the 90s I demoed the Dave G tenor dark lacker but it had a very dark sound. Pretty but not my cup of tea. Both Yannis sound great but I’d want something a little more affordable if needing to replace it for whatever reason not out of 10k.
It’s definitely an expensive sax John. Makes me think twice too.
As you are aware I have a 9937 and I also have a mark vi that I have had for 35 years, and I am in the middle of a recording session and I went back to my mark vi, not because it's better
but it feels better because I am used to it. I must say I really like the 9932 that you played, it sounds right on!
Hello Nigel, The 2 horns are top quality (so is the price) . My choice is the TW10. The sound is rich, a bit like Lester young. I had a bad experience with silver, difficult to polish, but both saxes are top of the line. Watch out for copies. However, not too many students can afford those 2 jewels, hope you get closer to students with a middle of the road sax that they rely on. I may be wrong, this is how how feel.
Great point, the 9932 is definitely too expensive, but interesting to try it and see how it compares with other saxes I might consider.
Great comparison, I'm lucky to own a T9937 full solid silver, I would not trade it fir anything else. However, forget about using a neck strap, it weights too much as compared to my mates ref 54.
The silver br, is fuller..
The w010 is thinner sound, but both are realy great.
BUT, not better than a good Selmer SAII.
I never change my black SA80ii for this nor fir nothing in the world.
Anyway, the combination is realy a great idea. Good video.
It's a cigarette paper between them! Both have a solid bottom end. I think the 9932 has a bigger, round sound. My '56 Mk VI has that same sound but I use a '63 ss Berg 110/2 M to brighten it up. I guess the mechanics make the Yanis much easier to play. As I say it's a cigarette paper between them. Great demo Nigel.
Hi Nigel I think the 9923 has your name written all over it. I think it is an all round. The 010 are bright more for Rock/funk/pop The 0020 bronze would be the closer to the 9923. Try one first? Glen
I am tempted with that 9932!
Why not tempted for the TWO20?
The difference to my ears is so small and on some songs I would choose one, and on others the other. I can hear a difference, but it is a 98 vs a 96 on a scale of 100. I would go with the less expensive one. However, it sounds like your ideal would be the TWO33.
I really love the sound of the 9932, have a 9937, probably an older version, love it, but very heavy. both sound very good!
Cheers, how do you think the 9932 compares to your 9937 Calvin?
@@McGillMusicSaxSchool , the 9937 is solid silver neck, bow and bell, all sax is made from solid silver...
And 11.455 Libras
The 9932 sounds just a touch brighter.
The Bronze and Silver wins hands-down with the wonderful warm tones. The TWO1 is a great saxophone with a brighter tone.It's not really fair to listen to them together because once you hear the warm tones you are hooked.
I owned a Mark 6 Selmer tenor back in the 70's. I would love to hear that compared with the expensive Yani tested here.That would be very interesting 🤔
Great review and great playing 👏
Yes, listening to both i feel the 9932 is the best. But as you say price makes a difference, i play the Yani 992, which is equal to the Two 20 . But still a great
Tenor. And i totally agree on Intonation, plays straight out of the box.🙂🙂
For me it's the TWO10, I have Alto, Tenor and Bari 991's. Eddie Bray said to say hello from Australia.
Hi Nigel; you played these 2 fantastic horns so well. Out of this world....
Myself (a intermediate player of 76 years of age from Holland, started one year ago) enjoy playing the Yanagisawa T992 which a a bronze sax. It is a great saxophone and produces such good sounds in all ranges of my plays. Using a Vandoren 8 hard rubber mouth piece.and a 2.5 signature reed. (Would like to get a Theo Wanne Shiva 3 at some point, to wet my sax appetite......)
For me, personally, although the sound of the Ferrari Silver Shadow is marginally warmer, it will be a matter of what one is prepared to spend for that difference. In your case your sax is your income generator AND hobby through SaxSchool, could probably afford that Ferrari Silver Shadow,, but am concerned you would make your students to envy you, with such a Beast of Tenor.
Wonder if a different mouth piece on either model, would give same warmth on both flutes.
BTW i am a very happy and satisfied member of your school, since early this year. You helped me through your lessons enormously to progress in my hobby of playing Sax solos, popular tunes and so on. Practicing and put each song I like to play under my skin, so that it can be played from my head and heart, without having to see each note from the sheet music again and again.
It will take me another 100 years to become as good as you are on the flute....
Thanks so much for your comments Ko and great to hear you are enjoying using Sax School too!!
I bought a new 991 tenor 15 years ago and it's a fantastic horn. Great sound, plays very easy, very reliable. I would buy a TW010 if I had to buy a new one today. But my 991 is still fantastic, so why would I ?
Glad you like your 991. It’s a great instrument.
I am currently looking at the AWO33 (silver neck and bell with brass body) to add to my collection. I have a brass YAS-62 that I’ve had since 1998 and love it! I have a Yanagisawa curved soprano that I’ve had since the 1990s and it is amazing. I am also wondering if the added cost of the AWO33 over the AWO10 is worth it...like you said, getting a hold of saxes to test during this time has been difficult. From hearing you play the two saxes, the best way I can describe it, listening through my iPad Pro, is the WO10 sound has a little more spread to it, where was the 9932 has more of a tighter core sound, if that makes sense. Both sound brilliant...If I had the dough, I’d get the 9932, but it really is personal preference.
Both saxes sounded really good (and so well played!) but the 9932 sounded more mellow and the real cream on the cake for me and looks magnificent. However, unless you have pots of money, the sound difference was not enough for ME to spend so much more - but I'm no pro! I think that Snake Davis has had his own personal version made of the 9932 (or the modern equivalent) which he brought down the Wimborne a couple of years ago - his was solid silver but was finished all over in gold plate and had the most amazing personal engravings on it. I had a very close look at it - WOW! I have the Yanagisawa 901 Alto which I love, but when buying a tenor I chose the Yamaha YTS-62 over the Yanagisawa TW01 purely because it felt better in my hands - they both sounded great!
Hi Nigel
I have been watching your videos and they are very resourceful and enlightening. I really enjoyed this video because I also play a Yanagisawa Tenor Saxophone. I play the T901 and it is a great horn. I like it because of the intonation and consistency. I just purchased the Theo Wanne Slant Sig 2 for Tenor Sax with a Vandoren Java(green box) and it is a great combination for this instrument. Keep the videos coming!
Cheers Salvadore! Sounds like you have a good setup there!
with the Bona Sera tune, i heard that the silver bronze was a little fatter, more open sound, compared to the two10, which sounded a bit muffled
You hit the nail on the head.
I play a Yani swo1 sop ( I prefer a one piece neck), awo10 Alto and two10 tenor. I love them all. I gradually got these three to replace two Yamahas and a Selmer. They are fast, in tune and easy get a wide palette of sounds.
Nice collection of saxes there Wayne!
ha, so great. Somehow the normal ordinary T-wo10 sounds more like a vintage sax for me.
It’s nice isn’t it
I think the 9932 sounded best on the first two songs. The Flight of the Bumblebee needed the Tw010. The 9932 notes were not distinct enough. Sounded muddy to me.
9932 sounds amazing. Response must be so good
I have a TWO20U and ATO020U and I adore them both.
Wow! Nice collection!
The TWO32 might be the new version of the 9932. The last two tunes before the classic style speaks volumes between these two. WOW, what a difference.
The bronze body gives a warmer and darker sound with more punch when you go for it. I was thinking the WO 37 silver for my new Yanagazawa soprano sax and Mikki was prepared to buy it for me but I'm just not that good where I could wring out the full potential of the sax. I decided on the WO 20 bronze which was $3920 US. If it were not for the intonation throughout the range I would have not considered a soprano but the reputation of the WO 20 for playing in tune gave me a nudge to give it a go. I watched a lot of videos in deciding. I am hoping the modern intonation and keywork can help me overcome some of my physical disabilities. My wire transfer has been debited from my checking account so they should be shipping the one sax.co.uk had reserved for me. I like a sax that has some body/resistance to it. I cannot play an altissimo note if my life depended on it but I do expect a sax to produce a beautiful subtone all the way down to low Bb. My SBA series 2 Jubilee edition tenor does that but My MK 6 alto was not getting there lately . My tech recently replaced a couple of pads and did some adjusting and now all is well. You really need to try the updated silver edition. I think the world deserves to relish the music you would produce with it. You have always had an incredible warm and mellow free flowing sound on you current horn but it has never had the drive and punch I heard tonight.
Hi, to my ears it is pretty obvious that the 9932 has more body and smoothness to the sound. I would rate sound over tecnic.
I play a Yanagisawa TW01 and it is fantastic low registry is super easy upper register is just as easy. Yanagisawa saxophones are in my opinion the best made in the world.
Hi Nigel,
great comparison. I own a T Wo10 and have also a Yany silver neck.
My impression is that the solid silver makes the sound thicker and it holds the "core sound" under high volume more.
Im looking foreward to the review of the Yamahas.... i also have a purple 62 as backup horn.
Cool! I haven’t tried the silver neck for a Yamaha but great to hear you like it.
Hi Nigel, I used to play the Yani 9932 J a beautiful sax great tone but eventually gave it up due to the weight it was just too heavy for me , loving your sax search journey , good hunting !
Hm... 10,000 USD for a saxophone. I'd have to save for a divorce lawyer as well...
In Dutch, some hobbies have a WAF - the Wife Acceptance Factor.
These speakers (200K, 2m tall) "have a bad WAF".
The acronym is funny in Dutch, as "waf" is the Dutch way to mimic a dog's bark.
Bitches rule the pack.
Hello Nigel, thank you for another fun video. I noticed that your title on CZcams mentions the "TW10" rather than the "TW010" which is the saxophone I think you are testing.
Ok thanks Roy.
whish one did you get? Ibe seen a few reviews but have not seen which one you got yet. Great playing kinda makes me not want to worry about playing again.
It seemed to me that you were having a bit easier time getting the tone of the TW0 10 in the sweet spot and the response time is super fast. Both horns sound awesome in the hands of Nigel McGill but no one would have an easy time convincing me that the 9932 is a better instrument at all and certainly not worth the extra coin. It's prettier no question, and if that's what you want to pay for, that is of course up to you. Thanks for doing these comp sessions I am thinking of replacing my Alto and getting a Tenor, these sessions really help!
Cheers Will, I’m glad you enjoyed it.
I have never played a Yanagisawa sax, as I prefer Selmer saxes. You made both of those tenors sound really great. I could not hear any appreciable difference. To me, the 9932 is not worth twice the price of the fairly affordable (for a new sax) TWO10. My advice to an experienced sax player looking to upgrade to a professional level horn is to purchase a second-hand sax, preferably from a music shop or repair technician, after thoroughly play testing the horn. Much easier on the budget.
I think that whilst both are superb that the double price has a definite edge in tone and projection. However wether it's worth double the money depends,in my opinion,if you are a pro and can afford the best. I am expecting my TWO1 next week, which should be just fine for me at not far off 79.
Enjoy it Martin - you’ve got a great sax there.
I had to sell my yanigasawa T902 to help finance my super 20,I’ve had a T802 as well and i liked them both,if you have a favourite, and it is your living and you need something that you’re comfortable with I’d buy it,you’re regret it if you don’t,all the best 👍
I like your advice!
I like the tone of the 9932 but not the price , ha ha ha . I guess I will keep my Saxgourmet Voodoo Master tenor. Ha ha ha