Yamaha SK20 - Sigur Rós Organ, String Machine & Synthesizer

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  • čas přidán 4. 07. 2024
  • No talking demo of the Yamaha SK20 Symphonic Ensemble from 1980; famously used by Sigur Rós on their “Ágætis byrjun” album.
    00:00 - Intro: cover of Sigur Rós - Svefn-g-englar
    02:30 - SK20 String Machine into Phaser
    03:03 - cover of Jean-Michel Jarre - Oxygène (Part IV)
    05:46 - cover of Joy Division - Love Will Tear Us Apart.
    06:56 - SK20 Organ Section
    07:28 - cover of Air - Kelly Watch The Stars
    08:47 - SK20 Synth Section Demo
    11:33 - SK20 Synth/Organ Split Mode Demo
    11:56 - SK20 String Section Demo
    13:10 - Various SK20 Sounds
    14:50 - cover of Metronomy - The Look
    16:34 - Outro: SK20 Organ Demo
    In the early 1970s, Yamaha developed transistor-based analog organs with advanced synthesis features (compared to previous organ-only instruments like Vox Continental and Farfisa): Electone EX-42, GX-707, GX-1, GX-2, EX-1, EX-2. 1976, the famous CS series poly synths followed: CS80, CS60, CS40. Already starting from 1970, string machines had become popular: The most famous one, the Eminent/Arp Solina (1974), also derived from an analog home organ, the Eminent 310. Yamaha followed this trend a bit late with the SK series: The SK10 (1979) had string and brass sections as well as an organ, the SK20 (1980) replaced the brass section with a more flexible synth section.
    A typical feature of string machines is their paraphony: A Solina has full polyphony on oscillator level (meaning, you can press as many keys as you want and they will still make a sound), implemented with octave divider technology. But while polyphonic synths like the CS80 or the Prophet V have a volume envelope and at least one filter with a filter envelope per voice, most string machines only have one global envelope and one global filter. The SK series sits in the middle: The SK20 has no full polyphony on oscillator level, but rather 7 voices; in split modes 7 for the organ section and 7 for the strings/poly synth section = 14 in total. While there are dedicated volume envelopes per voice, there is only one global filter and filter envelope.
    In this demo, I’m playing the SK20 through a Meris LVX doing different kinds of delay, reverb, chorus and phaser effects; on the solo demo parts directly into an IGS Volfram Limiter (Urei 1178 compressor clone), on the full songs into the Ext In of the Elektron Analog RYTM Mk. II, which then goes to the IGS Volfram. From there, the signal goes into a RME Fireface UC, and is recorded on a Cubase stereo track. The Novation Peak which is used on some tracks, MIDI-sequenced by the RYTM, goes directly to another pair of Fireface UC audio inputs. Guitar (Reverend Club King 290) played with an e-bow through a Line6 M5 on chamber reverb into a Kingsley tube overdrive into a Strymon Timeline on tape delay, in stereo into a Fender Princeton style amp by VSA, and into a Vox AC-15 style amp by Realtone; mic’d with Sennheiser e606 / e909 mics, into the Fireface. Bass (De Delevee) played through a Line6 HX Stomp modelling an Ampeg SVT into the IGS Volfram.
    Only few effects were added on DAW level: Some Valhalla Vintage Verb on the guitar, a bit of reverb, EQ and compression on some parts.
    “Svefn-g-englar” written by Jón Þór “Jónsi” Birgisson, Ágúst Ævar Gunnarsson, Georg Hólm and Kjartan Sveinsson
    “Oxygène (Part IV)” written by Jean-Michel Jarre
    “Love Will Tear Us Apart” written by Ian Curtis, Peter Hook, Stephen Morris and Bernard Sumner
    “Kelly Watch The Stars” written by Jean-Benoît Dunckel and Nicolas Godin
    “The Look” written by Joseph Mount
    All cover songs © by their respective writers and publishers.
    All the rest © 2023 TheGuacamoleXplosion.
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Komentáře • 66

  • @chrystianpaquet1843
    @chrystianpaquet1843 Před dnem +1

    WOW. Absolutely prestine rendition and great performance. Congrats

  • @robertpugh8422
    @robertpugh8422 Před 18 dny +1

    Excellent demo! Thank you for helping to ensure these wonderful old machines won't get forgotten (hopefully). Now, I must get my SK20 down from the attic...

  • @reedsutter8485
    @reedsutter8485 Před měsícem +2

    One of the better synth spotlights I’ve seen! This is a great demo. Fun to watch and highlights the best parts of this keyboard in a great way.
    FWIW, I’m the proud owner of an Sk50d. Wonderful old boards!

  • @DestroyER82
    @DestroyER82 Před 5 měsíci +4

    Lovely demonstration of lovely instrument. Couple points from more deep dive perspective. Its actually not a transistor organ or synth, its much more interesting from 70s standpoint. Probably most accurate description would be calling it a DCO synth. There is a master high frequency oscilator (classic VCO, vibrato is modulating its frequency) for each section (so there is one oscilator for all voices per section, SK-30 / 50D doubles that up), that is fed into pretty amazing Yamaha 70's IC (originating from their highend organs), that digitally divides the frequency (similairy like Juno or Korg Poly 800 etc..) into correct notes and sends them out. This IC is also responsible for the decay/sustain/attack parameters and also - it is limited to 7 notes of polyphony. Thats why you have full control of sustain / attack without "voice stealing" (unlike most of other stringers/organs) for both organ and synth and only the limitations are single VCAs for percussive organ tones and single VCF (btw its the same one as in CS synths) for synth. I also like the brillance faders - simple active bandpass filters to shape the sound exactly to needs.
    All the best!

  • @NicolasMelis
    @NicolasMelis Před 12 dny +1

    sounds great!

  • @ummagumma7826
    @ummagumma7826 Před 4 měsíci +2

    Sigur Ros is watching this before gigs to remember how to play

    • @TheGuacamoleXplosion
      @TheGuacamoleXplosion  Před 4 měsíci

      🤣🤣 ... but they better shouldn’t, I’m hitting the echolot sound (noise into filter with extremely high resonance) at really wrong timing at least twice in the vid ☺

    • @ummagumma7826
      @ummagumma7826 Před 4 měsíci +1

      @@TheGuacamoleXplosion yeah I wasn’t going to say anything. Jk sounded mint. Really natural sounding

  • @klinkske
    @klinkske Před 6 dny +1

    Amazing video. I m going to watch it again for the first cover. That guitar sound is amazing. Wish i could do that

  • @arowuo
    @arowuo Před 6 měsíci +5

    Impressive recreation of Svefn-G-Englar! Well done! (Jarre too!)

    • @TheGuacamoleXplosion
      @TheGuacamoleXplosion  Před 6 měsíci

      thanks! I was surprised myself how close I could get to Jónsi’s cello-bow-on-electric-guitar style with the e-bow. Would love to learn using an actual bow at some time ...

  • @nordic2112
    @nordic2112 Před 19 dny +1

    You put a remarkable amount of work into this vid. Thank you 🙂

  • @stumeek6825
    @stumeek6825 Před 6 dny +1

    Love the sk20 beautiful sounding machine, i have 2 one dead and one restored, will never part with them !! Great demos many thanks ⚡️⚡️

  • @BobHoskins-nv8bt
    @BobHoskins-nv8bt Před 2 měsíci +1

    Honestly you're amazing! 👏👏👏

  • @staticvloid
    @staticvloid Před 4 měsíci +1

    Thanks for making and sharing this! Excellent taste all around, high quality production and very nice musical choices! Especially Air, holy shat!!

    • @TheGuacamoleXplosion
      @TheGuacamoleXplosion  Před 4 měsíci +1

      thanks! Yep, the Air intro is the part in here that I’m most proud of

  • @phero2
    @phero2 Před 6 měsíci +2

    This is so good, thank you

  • @JamesGiannoni
    @JamesGiannoni Před 6 měsíci +1

    Excellent playing and musicality across the board! Also thumbs up on the editing; really well put together.

  • @sergiodiaz808
    @sergiodiaz808 Před 6 měsíci +1

    I knew it was going to be AIR! Nice video!!

  • @The.Foolosopher
    @The.Foolosopher Před 5 měsíci +1

    This is amazing.

  • @SieurRapAS
    @SieurRapAS Před 6 měsíci +1

    Mr Aldebert brought me here. I don't regret the voyage

  • @universalvibe72
    @universalvibe72 Před 6 měsíci +2

    Absolutely amazing ❤

  • @infpaaron
    @infpaaron Před 6 měsíci +1

    Amazing video!! :)

  • @brunoromiti7708
    @brunoromiti7708 Před 6 měsíci +1

    awesome!

  • @jaderington
    @jaderington Před 6 měsíci +1

    I thoroughly enjoyed that thanks

  • @synthebo
    @synthebo Před 6 měsíci +1

    😮😮😮😮😮😮wow!! Awesome!! 🤩🤩🤩👏👏👏👏👏👏👏

  • @bobo62
    @bobo62 Před 4 měsíci +1

    I found your channel by searching for Analog Rytm videos that weren't awful techno or bleep blop music. Loved it for that, now you are doing synth covers of Sigur Ros....you're taste in gear and music is wonderful. Do you have a band or make your own music?

    • @TheGuacamoleXplosion
      @TheGuacamoleXplosion  Před 4 měsíci

      thanks ☺ I’ve been playing in various bands from 1985 to 2017; recently, it has been only reunions of two of my bands from the 1990/2000s; but I also play duo live gigs with Canadian singer-songwriter Karyn Ellis (I also play electric guitar on a few songs on her upcoming album, like czcams.com/video/FYQOxSeWzrE/video.html), and in the Covid-years, I produced an EP with my daughter Rahel, czcams.com/video/cZsSn-k3Fhs/video.html

  • @4estral
    @4estral Před 5 měsíci +1

    This is one of the best videos I've seen on a stringer. You did a great job of showcasing the potential of these underrated machines that have been in the background of so many hits for decades. BTW, did any of the SKs accept CV input?

    • @TheGuacamoleXplosion
      @TheGuacamoleXplosion  Před 5 měsíci +1

      Thanks! My SK20 only has expression pedal inputs for volume of the synth and organ sections; SK30 and SK50D however apparently had CV ins. You can see it in this pic of a SK30 backside: www.amazona.de/wp-content/uploads/2012/02/yamaha-sk30-b.jpg ... the corresponding article (www.amazona.de/blue-box-yamaha-sk30-sk20-sk15-ensemble-synthesizer/ - German) says: “But remember, such inputs are not a MIDI replacement! If the trigger input is used, e.g. by a sequencer, the internal ADSR generator is bypassed, i.e. it no longer has any influence on the filter.”

  • @54LZ
    @54LZ Před 6 měsíci +1

    Lovely playing. This inspired me for making music myself again. Thank you

  • @terrypmusic
    @terrypmusic Před 5 měsíci +1

    Nice..

  • @Robert_Babicz
    @Robert_Babicz Před 6 měsíci

    really good, a joy to watch and listen

  • @fvxgtr
    @fvxgtr Před 4 měsíci +1

    Really cool 🔥🪭

  • @JohnLunney
    @JohnLunney Před 6 měsíci +2

    Great covers, especially the last one :)

  • @izzzzzz6
    @izzzzzz6 Před 5 měsíci +1

    This is a great video. It's make me think more about the SK30 i'm looking at. The only thing is that it is a bit big!

    • @TheGuacamoleXplosion
      @TheGuacamoleXplosion  Před 5 měsíci

      thanks! And: True, it's really big. I sometimes wish I had an SK15 instead; one octave less than the SK20, and almost the same functionality (except no splitting/layering, and a bit less flexibility in the organ section) ... and the SK30 is even larger than the SK 20 😀

  • @Michael-xr5yx
    @Michael-xr5yx Před 6 měsíci +1

    Svefn sounded great!

    • @TheGuacamoleXplosion
      @TheGuacamoleXplosion  Před 6 měsíci

      thx ... I saw Sigur Rós live on stage at least four times from 2003 to 2023, that inspired me a lot

  • @spagspider
    @spagspider Před 6 měsíci +1

    Fantastic video and great playing. Wonderful demos of the sounds. As a tech nerd, I must chime in that the organ is actually FM synthesized like the DX7, not transistorized, and the string section architecture is pretty far from a solina. The old string machines were closely related to combo organs, the SK20 is honestly much more of a synth internally than anything else. At the end of the day the only thing that matters is the sound and what one does with it, and you have amply proved that the SK20 is a force to be reckoned with. Well done!

    • @TheGuacamoleXplosion
      @TheGuacamoleXplosion  Před 6 měsíci +2

      Thanks! I have heard the theory about the SK organ sections being FM, too, but have also read statements that this is a false rumour, from a person claiming they sent direct requests about this to Yamaha and got the answer: No, the organ section is analogue.There is a detailed technical article from 1981: www.muzines.co.uk/articles/yamaha-symphonic-ensemble-sk20/2575 - sounds like there is quite some digital control elements, but the sound generation is done by Yamaha's Pulse Analogue Synthesis System (Pass).
      And yep, I would agree that the SK20 is much closer to a synth than a Solina, having limited voices with dedicated oscillator circuitry and individual amp EGs/VCAs - rather than full polyphony/paraphony based on octave dividers, but all runing through a single EG/VCA.

  • @SweasyP
    @SweasyP Před 6 měsíci +1

    Love this vid! I also have the sk20 (based in Aachen - hey neighbor:D) but what I really love is your enlargement of the sound. Does your Volfram do the magic? It sounds so rich! I have myself the ucx II - do I really need a preamp/comp to get somewhere near your sound?

    • @TheGuacamoleXplosion
      @TheGuacamoleXplosion  Před 6 měsíci +2

      thx ☺The Volfram does add some nice analog grit. Also, in most parts of the vid, the SK20 runs through the Meris LVX, adding some digital FX (with analog dry path), like phaser + reverb on Oxygène, chorus + reverb on some of the solo demo parts etc ... you could probably also get there using plugins, the Volfram is based on the Urei 1176 / 1178, lots of emulations are available, quality varies

    • @SweasyP
      @SweasyP Před 5 měsíci +1

      Thanks a lot for your response! I will dig into it ;)

  • @jasonward2681
    @jasonward2681 Před 6 měsíci +1

    What kind of bass is that in the Joy Division cover? So cool!

    • @TheGuacamoleXplosion
      @TheGuacamoleXplosion  Před 6 měsíci

      thx! The bass was build by friends of mine in Greece, their company is called DeDelevee: dedelevee.weebly.com/

  • @installgentoo8561
    @installgentoo8561 Před 6 dny +1

    What is that guitar pick thing in the beginning with the light on

    • @TheGuacamoleXplosion
      @TheGuacamoleXplosion  Před 6 dny +1

      it’s an eBow; a device that will make a guitar string vibrate by creating an electromagnetic field. Jónsi of Sigur Rós uses an actual Cello bow to play this guitar part (as he does on most Sigur Rós tracks). I neither have an actual bow, nor any skills to operate it, so the eBow had to do the job 😀

  • @The.Foolosopher
    @The.Foolosopher Před 5 měsíci +1

    What all do I need to get a set up like yours?

    • @TheGuacamoleXplosion
      @TheGuacamoleXplosion  Před 5 měsíci

      There are quite some SK-20s on the 2nd hand market ... they seem cheaper in Europe than in the US. I paid like 700 € for mine, plus 185 € for service; and there are more in this price range available. The SK-15 is a bit smaller, 1 octave less on the keyboard, and can do almost the same as the SK-20, except layering/splitting. Keep in mind that none of those have MIDI, you can only play them manually. You will probably want to add delay, reverb, chorus and/or phaser to the sound; you don’t need the expensive Meris LVX that I used here, something like a Zoom CDR70 and an EHX small stone phaser would do, too. Or you could use FX in a DAW.
      The Elektron Analog RYTM is great as a drum machine, sequencer, synth and overall groovebox. Rather expensive, though. The Digitakt could do most of what I did in this video, too; except the analog synth parts (like bass and main melody on Oxygene). There’s a lot of other interesting devices that are cheaper than the RYTM, like the various Novation Circuit devices, Roland MC101, MC 707, TR8s, MPC One, Yamaha SeqTrak ...
      Novation Peak is a very flexible poly synth, with digital oscillators and analog filters/VCAs. The Arturia Minifreak can cover quite a lot of what the Peak does (and some that the Peak cannot), costs less than half, and comes with a keyboard.
      I use the Samson S-Patch plus patchbay to manage my cabling, but you can get the same results without a patchbay, just with a bit more cable mess 🙂
      Then, there’s the IGS Volfram Limiter ... the RYTM has a built-in compressor, but I always loved the sound of the Urei 1176, so I wanted a more 1176-style stereo compressor, and the IGS delivers. But a good digital 1176 emulation like the Softube VST will come very close and cost way less.
      For audio interfaces, I’m a big RME fan. I’ve used several of their interfaces over the past two decades, they are fast (low latency), have stable drivers, sound good, have a good software integration/mixer. The Fireface UC has 4 line inputs, 2 line/instrument inputs and 2 line/mic inputs; which is enough for my needs (except when I record an acoustic drumset with additional musicians playing along).

  • @paluka82
    @paluka82 Před 6 měsíci +1

    Boop!

  • @tonimeloni2110
    @tonimeloni2110 Před 4 měsíci

    Hello!how much will u pay for this Yamaha?thanks❤

    • @TheGuacamoleXplosion
      @TheGuacamoleXplosion  Před 4 měsíci

      I don’t fully understand your question ... do you mean how much I did pay? About 700 Euros, plus 185 Euros for repair/maintenance. If you actually mean “will” - well, I already have one SK-20, no need to buy a second one 🙃

    • @tonimeloni2110
      @tonimeloni2110 Před 4 měsíci +1

      @@TheGuacamoleXplosion yeah, there is one for sale un 750 euros so was interested in knowing the price...Thanks for your answer and the nice video 🔥