Willhelm Furtwängler: 1886-1954; BBC Radio Documentary (1964)

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  • čas přidán 24. 08. 2024
  • "Willhelm Furtwängler: 1886-1954"
    (Broadcast by the BBC Third Programme on 30th November, 1964)
    "A commemorative programme on the tenth anniversary of his death. The programme includes recordings made during his performances and contributions from: Dietrich Fischer-Dieskau, Gregor Piatigorsky, Léon Goossens, Fritz Peppermüller, Berthold Goldschmidt, Hans Keller, Daniel Barenboim, Szymon Goldberg, Elisabeth Schwarzkopf, Gareth Morris, Eugen Jochum, Yehudi Menuhin, Vladimir Ashkenazy, Friedelind Wagner, Elisabeth Furtwängler, Frida Leider, Walter Legge, Paul Kletzki, and Rafael Kubelík."
    Compiled and introduced by Christopher Nupen. Produced by Christopher Sykes.
    ===============
    Wilhelm Furtwängler (25th January, 1886-30th November, 1954) was a German conductor and composer. He is widely regarded as one of the greatest symphonic and operatic conductors of the 20th century.

Komentáře • 27

  • @lisatothviolinist848
    @lisatothviolinist848 Před 2 lety +10

    I have played in a lot of orchestras over several decades and it is rare that I get chills when I hear different performances. I ALWAYS get chills when I listen to anything Furtwängler conducted. What a masterful conductor and interpreter.

  • @funnyapples1
    @funnyapples1 Před 5 lety +21

    I had to find out more about this man after I heard his Tristan and Isolde. What a great conductor!

  • @giorgiogalassi7396
    @giorgiogalassi7396 Před 6 lety +34

    Before I'd listen to Furtwangler I divided music in terms of composers, and chose according to names like Beethoven Mozart etc. After listening to his conduction, music has become to me Furtwangler's on the one side, and the rest's on the other.
    He achieves at once all the greatest artistic aims that any conductor might set on for himself. Not only music with him becomes a powerful narrative, mora a poetic than an arithmetic language; but he also transforms the musical language into a pure phenomenon of sound. It is true that one feels to be listening any piece he conducts fo the first time, no matter how well known. But it is even truer that one becomes so absorbed with his music that even the music itself disappears, and what is left is simply sounds containing inexpressible feelings, as of emerged form the world of dreams. Especially in his adagios, one feels like listening, or been engaged in the act of listening, as if it were a entirely new experience.
    He is the most avanguard of all musical interpreters still to this day, and it would be a crime not to teach him to the young.

    • @charlesdavis7087
      @charlesdavis7087 Před 4 lety +9

      He knew the secret of how to bring music back to life. It lived once again upon this moment. They all experienced it. The wonder he brought into sound. We are blessed. It's recorded. Who is he?

    • @johntravena119
      @johntravena119 Před 3 lety +8

      Well said. Is right! I respect that Menuhin always defended him even when it was unpopular to do so.

  • @suzyserling277
    @suzyserling277 Před 3 lety +3

    Outstanding document!- Thank you!

  • @dejanstevanic5408
    @dejanstevanic5408 Před 2 lety +1

    Thank you for this.

  • @duwir5959
    @duwir5959 Před 4 lety +13

    He was the greatest conductor ever. Regratable, even in the cultivated Great Britain ciritcs wrote, he could not held two bars in the same tempi. The truth was, he don´t want it!

    • @penmerch2804
      @penmerch2804 Před 3 lety +7

      There will never be another Furtwangler

  • @reubenrasberg9846
    @reubenrasberg9846 Před 3 lety +7

    Vladimir Ashkenazy is spot on in his remarks upon first hearing Furtwangler's recordings of Beethoven - "Oh, that's it, that's how it should be played". Btw, what is the sublime piece starting at about 29.11?

    • @DukeofDarkCorners
      @DukeofDarkCorners Před 3 lety +4

      An excerpt from the third movement ("Adagio molto e cantabile - Andante moderato") of Beethoven's Ninth Symphony.

  • @Heb.2000
    @Heb.2000 Před 4 lety +3

    "heavy but not weighty" I love that

    • @misterdonmelvin
      @misterdonmelvin Před 3 lety +4

      Yep, but the quote was “weighty but not heavy”?

  • @ilirllukaci5345
    @ilirllukaci5345 Před 2 lety +1

    The Furtwängler mozart 40 was thought spurious for decades after.

    • @maxshenkwrites
      @maxshenkwrites Před rokem +1

      Odd, because like so many of his interpretations, when I heard it I thought "This is how it should have been approached all along."

  • @ilirllukaci5345
    @ilirllukaci5345 Před 2 lety

    Is this sold from the bbc store? I really would like to know.

  • @ilirllukaci5345
    @ilirllukaci5345 Před 2 lety

    That it opens with a misstatement is beside the point. "J'ein"?

  • @MegaClassicguy
    @MegaClassicguy Před 3 lety +2

    Excellent documentary, but it is often diffcult to know who is speaking.

    • @stephanoszwi9897
      @stephanoszwi9897 Před 6 měsíci +1

      one gets a feeling with the time, knowing at least the voice of Barenboim an Menuhim.

  • @miamadojesus
    @miamadojesus Před 2 lety +1

    Como siempre, siento mucho que este vídeo, no esté subtitulado a una de las 3 ó 4 lenguas más habladas del mundo: El ESPAÑOL. 🇪🇸😢😥🇪🇸🎻🇪🇸🎺🇪🇸🎶🇪🇸🎵🇪🇸🤷🇪🇸

  • @orientaldagger6920
    @orientaldagger6920 Před 2 lety +1

    His Walkure and Tristan are first rate. Everything else I have heard of him on disc is pretty forgettable. Loud and louder with errant tempi mostly.