I agree with you! She is AMAZING and has a great talent. And Domingo is, apart from being a superb singer and conductor, also an excellent teacher. He is so kind to his students and teaches them right things, such as thinking about the words and the character as well, not only the notes and music, because opera is primarily MUSIC WITH WORDS !
So we do agree. We agree that gutteral "r" is not the best way to sing generally, although it is an alternative for the rolled "r". In French opera, performers sing a sort of guttural "r", although it is very soft.
Al though SOME french singer use the gutural R (alagna for example does it wodrfully) The usual teaching is to do the italian R. Even gedda who is fluent in french sings italian Rs instead of the guttural french ones.
I never understand half a word when a woman sings opera. For me it is like a succession of random notes no matter how hard they try to clarify the text.
Same. It's very hard for women, especially sopranos to dictate words because they need more "space in the back". And this makes it very hard to pronounce anthing. This is why I only stick to baritone and tenor songs. I am learning Italien and one thing that really helps me is to listen to some great tenors with very clear vowels, such as Pavarotti.
Come nessun consiglio?? E tutte le volte che la ferma? Il discorso del "singhiozzato", del legato, della pronuncia francese, dei rallentati, ecc...?? Consigli strettamente tecnici non glie ne da perchè evidentemente non ne ha bisogno! E' bravissima! Mi sa che sei tu quello che si è impressionato!! XD ;)
Guttral "r" is bad because it is not good for your vocal chords. This guttural "r" exists in common French. The rolled "r" with the tongue is the Italian or Spanish, classical one. It is the best for classical singing including opera. The teachers who advocate the guttural "r" either are bad or see that the student cannot pronounce the rolled "r" and therefore say to stick to the guttural "r". In any case, the English "r" is the worst of all "r". When used, the voice is not bright and open.
In my experience, with french diction, singers do this for two main reasons. 1. The guttural R is not what is taught as "High French" and 2) Guttural consonants destroy the line.
Cette chanteuse a une bonne technique...il ne lui manque qu'un peu plus d'âme dans ce qu'elle chante....et ce sera très bien! Le R est une dicussion que j'entends depuis des dizaines d'années....dans le langage parlé rouler les r n'est pas bien vu (pérjugé?)....par contre le rouler dans le chant est demandé..pourquoi? c'est une "habitude" qui perdure et non une règle absolue de diction..... Le R final est plus utile ....mieux vaut l'amouR que l'amou....avec un r inaudible.
i love how placido describes the substance of the music
Jenny Lalov is an AMAZING Soprano. I love her voice and her presence on stage is really impacting. Great Job. And Placido is Bravisivo.
wonderful singer, doing an excellent job on a tough aria and a wonderful opera "Romeo and Juliet"
OMG... this man is amazing
It moves me more when Placido sings (Or whispers) than when does it the soprano
I agree with you! She is AMAZING and has a great talent. And Domingo is, apart from being a superb singer and conductor, also an excellent teacher. He is so kind to his students and teaches them right things, such as thinking about the words and the character as well, not only the notes and music, because opera is primarily MUSIC WITH WORDS !
So wonderful...Jenny was my college roommate in music school...we were all singers...but she was the best. :)
She appear, and at once Placido put in order the jacket and comb his hair!
wow, she is stunning... and what a voice.
Gracias por haber publicado este video, fantàstico.
Fantastico y Placido requeteguapo
Qué mujer más bonita y qué voz tan maravillosa. ¿Qué habrá sido de ella? ¡Que la vida le haya sido propicia!
It is "Je Veux Vivre Dans Ce Reve Que M'enivre", Juliette's walz from the first act of "Romeo et Juliette" by Gounod.
Beautiful woman and beautiful voice, very nice legato coloratura also. Only missing a solid trill.
Thank you!
oh damn!
So we do agree. We agree that gutteral "r" is not the best way to sing generally, although it is an alternative for the rolled "r". In French opera, performers sing a sort of guttural "r", although it is very soft.
Her voice is quiet amazing..... Nobody, that knows who she is...?
Jenny Lalov...?
Labai faina!
Al though SOME french singer use the gutural R (alagna for example does it wodrfully) The usual teaching is to do the italian R. Even gedda who is fluent in french sings italian Rs instead of the guttural french ones.
Koks fainas!
i think it is Come Nome, but I might be wrong
what aria is she singing?
I never understand half a word when a woman sings opera. For me it is like a succession of random notes no matter how hard they try to clarify the text.
Same. It's very hard for women, especially sopranos to dictate words because they need more "space in the back". And this makes it very hard to pronounce anthing. This is why I only stick to baritone and tenor songs. I am learning Italien and one thing that really helps me is to listen to some great tenors with very clear vowels, such as Pavarotti.
A Soprano AND a Blond!... She's like a robot..
With a beautiful Voice
Come nessun consiglio?? E tutte le volte che la ferma? Il discorso del "singhiozzato", del legato, della pronuncia francese, dei rallentati, ecc...?? Consigli strettamente tecnici non glie ne da perchè evidentemente non ne ha bisogno! E' bravissima! Mi sa che sei tu quello che si è impressionato!! XD ;)
Всегда советы нужны!🤣
Guttral "r" is bad because it is not good for your vocal chords. This guttural "r" exists in common French. The rolled "r" with the tongue is the Italian or Spanish, classical one. It is the best for classical singing including opera. The teachers who advocate the guttural "r" either are bad or see that the student cannot pronounce the rolled "r" and therefore say to stick to the guttural "r". In any case, the English "r" is the worst of all "r". When used, the voice is not bright and open.
Justin Bernard - I always wondered why the gutteral r is not sung in opera. Thank you; now I know
.
In my experience, with french diction, singers do this for two main reasons. 1. The guttural R is not what is taught as "High French" and 2) Guttural consonants destroy the line.
what's her name?
Liya Tyler m
not really, especially considering she was singing for Placido Domingo. The only way to be over dressed is to wear a wedding dress.
I hope not...
Cette chanteuse a une bonne technique...il ne lui manque qu'un peu plus d'âme dans ce qu'elle chante....et ce sera très bien!
Le R est une dicussion que j'entends depuis des dizaines d'années....dans le langage parlé rouler les r n'est pas bien vu (pérjugé?)....par contre le rouler dans le chant est demandé..pourquoi?
c'est une "habitude" qui perdure et non une règle absolue de diction.....
Le R final est plus utile ....mieux vaut l'amouR que l'amou....avec un r inaudible.