SICARIO | Commercial vs Film Grading | DaVinci Resolve 16 Tutorial
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- čas přidán 21. 07. 2024
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0:00 Look Breakdown
1:04 BRAND NEW Training
1:38 Tut | Beginning
1:47 Tut | How to pick a HERO frame?
2:24 Tut | Commercial Look
10:57 Tut | Film Look
16:53 Tut | Look Recap
17:56 Final Look
18:03 Conclusion
In this video, I will show you how to get perfect skin tones out of 8-bit footage. I will be sharing industry secrets to achieving this look.
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My name is Qazi and I am a professional colorist based out of LA.
Available for Remote Grading Globally
Bookings: waqasqazi.com/book
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I upload twice a week, subscribe so you don't miss anything!
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Follow me for daily 🔥 content: / theqazman
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Equipment used:
Canon C500 mkii
Sigma 50mm 1.4
Rode NTG3
Nanlite Pavotubes
Resolve Advanced Panel
Apple XDR Display
Eizo CG279x
#davinciresolve #colorgrading #resolve17 - Jak na to + styl
WHOA! From the commercial look to film was just one node away! Bliss! Qazi, that is unreal! Thanks for another killer tutorial!
Thank you brother. Efficiency is King
I appreciate your practical approach here. You keep it simple with a LUT and a couple of nodes. This is real world grading - the type of thing an average editor like me can do.
😀🙏🏽
@@theqazman
Can you make a review video for the cinematic pictures and the colors for this movie.
" The Lady Of heaven" 2M views at trailer
You have taught me so much in just two weeks of discovering your channel! Forever grateful! 🙏
Music to my ears. 💪🏽
I was scared that this will be hard on premiere but you managed to get this all with the most basic tools. I learned so much plus gained confidence in what I was already doing to my images.
Hell yeah. 💪🏽
Man, Qazi, you kill it! You are so damn good at what you do and are an invaluable resource for learning color grading!
Thank you 😀
Your energy broooo 😭😭🔥🔥 Best CZcamsr ever. I'm a young director and you are now my sensei.
Thank you so much
Thank you so much for the wonderful color correction learning materials. I get a lot of inspiration.
That's so great, man! Thanks! Respect for the people like you sharing their knowledge and experience!
My pleasure!
Fantastic as always! Really digging your color grading. Would love to know more about your hardware setup.
A lo máximo amigo excelente todo lo que usted realiza
Thank you so much! You have no idea how this is so helpful for a beginner colorist!
You got it.
Your absolutely amazing brother! A wizard at this thing. Keep growing my friend.
Thank you
Very simple and very useful!! Thx Qazi! ;)
Sooooo good! 🔥 Please make more of these commercial vs film videos. Awesome work and thank you.
Thank you. Probably my fav series on the channel.
I think the God hand is never put down from your head💖
You are Just An Amazing Big bro Qazi 😊👌🙏
Lot's of love from INDIA 🇮🇳
'this is it right here, I'm just gonna call it....but let's do a few more things' 😅 the man is a true artist
Rock on man your videos are the best.
Thank you
Fantastic, as always. Still looking forward to that video about your new panel...
Thank you will do
Just outstanding!
Awesome tutorial as usual man, cheers!
Thank you, brother.
Amazing like always bro, thanks a lot!!
You're welcome
Thank you for making me understand how easy it is to create a kill film look Q!
Thank you
Great content! Really learned lots of new things👍🏻👍🏻👍🏻
Thank you
Thanks! Awesome content! It's nice to find videos like yours in this "sea" of misinformation.
Great info, so thanks so much.
Can you explain how to toggle between the full frame reference image and the image being corrected? I am able to do the screen wipe between the two, but I’d like to know how you toggle between the two full images.
Perfect as usual thanks dude !
You're welcome
Awesome as always, thank you! Best grading channel out there.
Just one question. I have the idea -maybe it's false- that the LUTs limit and clips your dynamic range and gamut (even the "good" LUTs like the utility conversion ones), so it's better to have them just in the very last node so you don't really lose data. What do you think? Thanks again!
Love how the film look is easier to create. Just shows there are much more important aspects of filmmaking than the colors/look. Although it can play a big factor.
💯 I'm all for keeping it simple
This is freakin helpful.. Thank you!
third video i've seen by this guy and jesus h does he rock
Thank you, brother.
that last bit was such an eye opener . 1 node and a bit of common sense about the environment can change everything ....
Thank you and truth 💪🏽
Dude you're a fucking legend. Keep up the good work! I can actually see how you have improved your skills and mindset of color grading - knowing what' truly makes something filmic and differences when it's not!
I'd love to see some more content about workflow / multiple delivery outputs .
Thank you. All that is in my Masterclass
Really great video!! I have a question: which software do you use to draw on the screen? Ty!
Pause at 0:39 to appreciate this man's bad ass setup.
Another stellar video, as always. Just to clarify, if our footage was not captured on Arri cameras, we aren’t just sticking this LUT on, right? Probably need to do a CST node to Arri log C first? Or do we just use this LUT straight up?
I have a question sir! looking at the scopes of sicario, do you think they shot it more underexposed? or maybe they did a balanced exposure and brought it down? is it best to expose correctly and then bring it down than just bring it down and maybe get noise if we need to bump it a lit bit? Incredible video
Nice tutorials bro, keep doing
Thank you
You mentioned the arri Lut but what if I'm using Sony? The imported LUTs for sony seem to have a very over contrasted look to them?
wondering if I'm also exposing my log footage wrong/is footage recoverable if its not exposed correctly?
thank you Qazi for this tutorial. I was looking for this film look as in some advertisement, I see this flat kind of look and was wondering how to achieve that.
Awesome. Glad it helped.
I applied the vignette, but it doesn't stay with the face. What do I have to do to create that tracking?
Amazing
How do you create a new version with all the same nods for a timeline grade and not just one clip?
fantastic job Asian Guru
when would you start adding a tint such as cyan or blue to the shadows? would it help with seperation?
Qazi can you make a video when explaining color spaces. I have my clients graphic profile on a PDF and I want to render out the same color for my videos. The clients logotype has a red color but it is not the same when rendering out the video compared to the color on the when using the same monitor. The pdf will go print but should be the same colors anyway right? Is there a convert tool in Davinci for this?.
is the point of this whole video is color correcting as much as possible then bring highlight to midtones and give a bit of green in the footage?
and one more question, is it possible to grading a footage without refference?
@Waqas Qazi bro I am from India I love your work
i am Little Filmmaker
your video is very helpful for me
I learned a lot from your video
❤❤❤❤❤❤
Where i can take the 2nd node? 😍 I need this preset(look).
How do you make the swipes in the beginning?
thanks much... appreciated.
This was so helpful you don’t even know
Thank you
@@theqazman help me plz I got c500 original ..the raw files are 13mb but when I process them they become 50mb per frame
great as always thnkyou
You're welcome
Man i cant miss any of your videos , i learn so many things from you , thanks alot .. but if you can help me with something.. why you always converting your image to rec709 ? Why you dont just start grading on it straight away?
Very nice, great video =)
Thank you
dude you're so good!
Thank you
Why you don‘t change the gibt in the raw Settings?
From which site should I download raw footage?
Hello sir. I like your tutorials and I follow them..
I have one request can you make use how a tutorial making an intro video where you play the video which you gonna edit, starts with raw video and end's up by showing the final edit In between you will play some seconds video like changing colours and all. can you please show that how you made that..!
Qazi 🔥
Haha, awesome, love that you're starting with the technical LUT this time. ;) Really great stuff.
💪🏽
Which film the timeline shots are from?
I know nothing about color grading, but I found this very interesting! A Zack Snyder film would be cool to see you replicate.
Africa loves you fam thank you as always...
Love you back 💪🏽
Great bro... As usual.... U r a genius..... I m freezzzzzd
Thank you
Another one bomb!
Thank you brother.
Hi Qazi, why are films less bright?
Well done :-)
Just a question. Why create a ReC 709 in second node and not in first for after start the grading with contrast and balance? For keep the dynamic?
Can you do on music video color grading please
When you matched the Sicario look, my jaw dropped. So good!
Aye! 😀💪🏽
Hey I know you, I'm aslo a subsciber of DOD media. 🤩
Great video. Amazing content. Thank you. Can you please tel me what type of camera Christoph Tilley used to film this footage?
Thanks. Alexa mini.
Please sir make a tutorial on finishing only
hey qazi make next video on colour boost vs satuation
So basically the film look is a lower dynamic range output? They're wasting half of tonal range :O I'm puzzled.
QAAAAZIIII! man o man i literally just had this issue happen to me on set the days before you dropped this. I asked for a reference days before but the DP's only reply was "make it look nice." He was off doing car shots while i was at basecamp and grade wise I did something along the lines of your commercial look, but he wanted the film look. When he got back and came over he saw the levels on my grade and he flipped out on me in front of producers and agency. In my defense it was a commercial mind you. Anyways, your video is spot on. You just saved someone a major ass reaming! wish it was me, you must have felt it in the universe. you released the day after i got my ass chewed out. now i need a new ass. lol all good love and respect. Thanks for sharing, this is good knowledge.
That is an epic story 😂 we've all been there.
PLEASE MAKE TUTORIAL KOREAN DRAMA ..
Great tutorial! What is this screen recording tool for those brush strokes that fade out?
Screenbrush
I really like to see the difference in film and commercial look here.
Awesome
Cool tips! But why are you working after the LUT? isn't it clipping the image? Shouldn't the LUT be the last operation? Thanks
Thanks. I bring back any lost details in the pre-lut nodes.
Qazi big fan, I have a question, when is it a good idea to white balance your image ? should I always white balance before grading ?! thank you
Balance before grading
Thank you so much , you're the best . \m/
You're welcome
😊🙏❤️
Are you still going to do a setup video on CZcams. Like unboxing of the advance panel.
One of these days
One, thing is not mentioned was the real reason cinema/film has such under exposed look, maybe I could be wrong, but at Cinema school they told us one the main reason a lot film has those looks was due projectors to avoid burn the films has kept as style over the years and in nowadays still important to have a good exposure for those projectors at cinema, Advertising usually is more for media related Screen, TV mobile and other platforms so the POP look is really important to catch attention on a short time on the screen where cinema is more to set a mood and tell a story and also need be project right.
Awesome!! Could you make a video how to achieve a look like Seven (1995 film) & 300 (2006 film). That would be
fascinating. Thank you!
Will do
ty
Wow 💥♥️💥
Thanks
awesome
Thanks
Can you please do a “How to get the ‘1917’ Look” tutorial?
So sick! Hope a western spaghetti colorgrade will come soon
Thank you. Maybe 😜
Please, use Fuji Log for next tutorial! 🚀
Great video! New subscriber 👋🏾. Is there a benefit to using a conversion lut vs color space transform?
This content is well covered in the FCM course. Not to make any publicity ^^. Short answer, it will depend on the shot itself and the camera it has been shot with.
What Yann said many factors go into it and I cover all of that in my Masterclass.
I don't get any of this but i like u doin it so that i subscribed too 😊🙏
😂🙏🏽🙏🏽🙏🏽
Dope tutorial as always. Qaz would you do a tutorial on new A7siii log video, bringing it in, rec 709 and grading it? Id love to see your workflow on that
sign up to his masterclass, you'll be able to grade any camera.
Josue Films I have his masterclass. This is specific to the new camera. I want to see how he works with their skin tones which have largely been resolved because of 10 but footage
For sure
🙏🏽
FCM fam 💪🏽
Shikhavadiyo means learning?
I feel like you could've added some blue temp when you did the film look (for a proper match to Sicario). I wouldn't trust my judgement though. Really love your vids.
Btw, why is the film look sitting so low in the waveform? Is it because it's graded to be watched in a dark room?
He said several times he wasn't going for an exact match
There is no bright room and dark room grades. They create masters for cinema and home
how can I contact you
Hey, great video! But will you ever do a grading tutorial for Emmanuel Lubezski's Tree of Life? Or maybe the Revenant? That would be such an amazing video to watch!
I just did The Revenant
@@theqazman yea, I just saw that video just now, sorry about that haha BUT Tree of Life or Birdman would be incredible tutorial videos, I just love how Chivo does skin tones against a window with natural light, it's so beautiful! great videos btw!
Does someone know what piece of software is used in 1:50 and further, to make annotation that fade out ?
Screenbrush
@@theqazman Thank you.
Hey man, would be awesome if you could do a Davinci best color settings in preferences when starting. I have a problem, iMac 5K here, my exports look way less contrasty than what I see in the Davinci display. I put my black points almost touching the 0 but when viewing my export it always looks like I need to crush them even more.. so frustrating!! Thanks!!
Watch the free webinar it's in there.
@@theqazman I have watched all your videos, apparently this is a problem with the newer resolve 16.2.1. I never noticed it before but recently have all kinds of problems. Not sure if it has something to do with your color space transform step or also, because I never used to do that step when color grading. What version of Davinci are you on and you have not noticed any problems?
Hey Qazi, Please make a grading tutorial on "INTERSTELLAR". I would really appreciate that.
Will do
@@theqazman Thank you. You the best man. Looking forward to it.
Sin City! PLEEEEEASE do Sin City :D