LOS MÁS NOTABLES CONJUNTOS DE JAZZ TRADICIONAL, UN PLACER VORVER A ESCUCHARLOS, LUEGO DE MI ACTUACIÓN ADMINISTRATIVA DENTRO DEL CÍRCULO JAZZISTICO DEL URUGUAY, BAJO LA EMINENTE DIRECCIÓN DEL PRESIDENTE MIGUEL RESTUCCIA.-
To continue with Duke Ellington: "It doesn't mean a thing if you ain't got that SWING". A famous US Dixieland bandleader told me on a Jazzseacruise: "Of a band, 66% is the rhythm section. 33% is the wind, trumpet, clarinet and trombone, at 11% each. A good rhythm section makes the band sound good, hot, swingy, even if the wind players are poor. However, if the rhythm section is lousy, even the world's best wind players cannot make the band sound good." He is a trumpet player - by the way.
Banjoplayer: Do the 2-4 only. Lose the upstroke - completely. Even when you do 4-4, they all should be downstrokes. Upstrokes are for various rhythm patterns, triplets and tremolos and the rare 1-3s. Remember, your 2-4 downstroke should be a fraction delayed. You want to swing, and that will do it. Bass: do more 1-3 loss some of the 4/4, it's too much. You want to swing. The nature of "hot, swinging" rhythm is not easily captured in words. Jazz writers are still struggling with the concept.
I love this music, where were they when I grew up there...?
Bravissimi! Gruß von einem alten Jazzer (bj) aus Erlangen.
Tolle Formation . .
Ce sont les meilleurs !!!! et l'humour en plus!! excellant et bonne qualité musical !!!
LOS MÁS NOTABLES CONJUNTOS DE JAZZ TRADICIONAL, UN PLACER VORVER A ESCUCHARLOS, LUEGO DE MI ACTUACIÓN ADMINISTRATIVA DENTRO DEL CÍRCULO JAZZISTICO DEL URUGUAY, BAJO LA EMINENTE DIRECCIÓN DEL PRESIDENTE MIGUEL RESTUCCIA.-
dixieland for joy
...nice !!!
outstanding
bravo les filles, c'est super !
brawa to uczta jazzband.
swetna muzyka kocham jazz new orleans.
To continue with Duke Ellington: "It doesn't mean a thing if you ain't got that SWING".
A famous US Dixieland bandleader told me on a Jazzseacruise: "Of a band, 66% is the rhythm section. 33% is the wind, trumpet, clarinet and trombone, at 11% each. A good rhythm section makes the band sound good, hot, swingy, even if the wind players are poor. However, if the rhythm section is lousy, even the world's best wind players cannot make the band sound good." He is a trumpet player - by the way.
EEEEXELENTE FIRME EL CHACAL DE LA TROMPETA PERO QUE ORQUESTON Hermano
to jest zajebiste
yes really good
and god matching They play so "tight" - "together
so why did hey split up?
cant find info!
How about a past midlife dixieland jazzband?
Fine Dixieland version. More New Orleans - like with Gregg Stafford, Steamboat Stompers, Ascona
ECCEZIONALI
How about a midlife crisis dixieland jazzband?
Hello dolle
On
Banjoplayer: Do the 2-4 only. Lose the upstroke - completely. Even when you do 4-4, they all should be downstrokes. Upstrokes are for various rhythm patterns, triplets and tremolos and the rare 1-3s. Remember, your 2-4 downstroke should be a fraction delayed. You want to swing, and that will do it. Bass: do more 1-3 loss some of the 4/4, it's too much. You want to swing.
The nature of "hot, swinging" rhythm is not easily captured in words. Jazz writers are still struggling with the concept.
just enjoy the music man !
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