Recorded June 26 - 28, 1968, never released. Lead Vocals: Mick Jagger Guitars: Keith Richards, Brian Jones (slide) Bass: Bill Wyman Drums: Charlie Watts Keyboards: Nicky Hopkins Harp: Mick Jagger or Brian Jones
Ohh man !! I could only recognise Mick's Voice as His Own Pitch & Most Spectred thru the 70s and 80 90s 2000s and NOW just at the miiddle when he refrained " SHE IS ALL RIGHT". HIs vocals turned into a new Youngsters kinda of Youths Playboy High projected kinda of a Croupier shout thru a casino game , a grown-up Newly Man not anymore that VOCAL YUPPIE KINDA OF VOCALS IN " TELL ME" CAROL " COME ON" "COME BACK" those debut TOUR TIMES with BLUES COVERS , even when They Performed their first MICK & KEITH'S OWN MUSIC in 1965 like for example: " What a Shame" (Mick Jagger, Keith Richards) - 3:03 "Grown Up Wrong" (Mick Jagger, Keith Richards) - 1:50 Anyway, MICK JAGGER owns such a PIERCING PITCHY SPECTRED VOCAL POWER LIKE AN PHONO RADIO ACTOR THAT THOUGHT MICK'S VOCAL HERE WAS SOMEONES ELSE. HIS OWN MORE PLEIN REGISTRY LIGHT COMES OVER AFTER 2ND ISTANZA OF THIS GENUINE BLUENOTE LIGHT STOMP LOVING SONG. REALLY UNIQUE GROUP PERFORMANCE 🙌🌞
Hello Kanal von TheKeefriff Thanks for posting this - very nice to hear - I have seen them many times over the years and while they always put on a great show - I would really love it if they just played stuff like this to make a change.
My formative years were spent listening to The Beatles and The Rolling Stones (with Brian Jones). While, for me, the last great Stones disc was Sticky Fingers (with Mick Taylor), there was something about the period with B. Jones that seemed to be more... intense... more dark... more charismatic... more something! Hearing this out-take proves my theory. Even if Mr. Jones was becoming increasingly wasted during his latter years, he seems to have imbued the records with a something that was never really captured with the later Mick Taylor records and especially not with the decades of Ronnie Wood in the band. Yeah, I can get into some of the stuff that has been released in the last half-century... but none of their "later" recordings even begin to stack up to those first seven or so years. It's all so strange...
If not for my exposure to the early Stones I might not have sought out the Chess originals. Some of the Stones' blues covers hold up well, like 'King Bee', 'Honest I Do', and 'Look What You Done' but this is up against the stiffest competition and has none of the urgency of the original. That has to be Mick on harp, singing into rhe harp mic to get the distortion, as BJ is on slide.
The Stones get so dirty when they cover the blues. That's crawlin' on the floor kinda dirty! Don't get any on ya,,, Cause you can't wash it off. Hot damn,, these cats are badass. Take note you youngsters, This is how a bunch of white boys pay homage to the Blues Masters!
This sounds More like Brian than Jig-saw puzzle where it is sloppy....I don't think this is Ry cooder either...not his style...any evidence from Bill out there?
That is Jagger on harp, not Brian Jones. Mick is not as precise in his timing and has less confident bending technique than Brian, and hardly any vibrato. He is also playing into the vocal mic while Jones is playing slide on this one-take recording. I learned to play in part by copying Jones, Kieth Relf, John Mayall, and then...I heard Paul Butterfield, and wow!
Recorded June 26 - 28, 1968, never released.
Lead Vocals: Mick Jagger Guitars: Keith Richards, Brian Jones (slide) Bass: Bill Wyman Drums: Charlie Watts Keyboards: Nicky Hopkins Harp: Mick Jagger or Brian Jones
The Stones at their best. Always great with the blues.
nah
Amazing sound, great cover, great song of blues
Yeah Brian!
Ohh man !! I could only recognise Mick's Voice as His Own Pitch & Most Spectred thru the 70s and 80 90s 2000s and NOW just at the miiddle when he refrained " SHE IS ALL RIGHT". HIs vocals turned into a new Youngsters kinda of Youths Playboy High projected kinda of a Croupier shout thru a casino game , a grown-up Newly Man not anymore that VOCAL YUPPIE KINDA OF VOCALS IN " TELL ME" CAROL " COME ON" "COME BACK" those debut TOUR TIMES with BLUES COVERS , even when They Performed their first MICK & KEITH'S OWN MUSIC in 1965 like for example: " What a Shame" (Mick Jagger, Keith Richards) - 3:03
"Grown Up Wrong" (Mick Jagger, Keith Richards) - 1:50
Anyway, MICK JAGGER owns such a PIERCING PITCHY SPECTRED VOCAL POWER LIKE AN PHONO RADIO ACTOR THAT THOUGHT MICK'S VOCAL HERE WAS SOMEONES ELSE. HIS OWN MORE PLEIN REGISTRY LIGHT COMES OVER AFTER 2ND ISTANZA OF THIS GENUINE BLUENOTE LIGHT STOMP LOVING SONG. REALLY UNIQUE GROUP PERFORMANCE 🙌🌞
Great outtake from the GREAT Brian Jones era...:)
Hello Kanal von TheKeefriff
Thanks for posting this - very nice to hear - I have seen them many times over the years and while they always put on a great show - I would really love it if they just played stuff like this to make a change.
This is from 1968. Brian Jones is playing the slide.
Probably from the Beggars Banquet sessions
that's definately brian jones on slide.
Dig the threads
From Feb '68
Very Heavy Blues
in what album / bootleg / LP is this song? cant find it anywhere
My formative years were spent listening to The Beatles and The Rolling Stones (with Brian Jones). While, for me, the last great Stones disc was Sticky Fingers (with Mick Taylor), there was something about the period with B. Jones that seemed to be more... intense... more dark... more charismatic... more something!
Hearing this out-take proves my theory. Even if Mr. Jones was becoming increasingly wasted during his latter years, he seems to have imbued the records with a something that was never really captured with the later Mick Taylor records and especially not with the decades of Ronnie Wood in the band.
Yeah, I can get into some of the stuff that has been released in the last half-century... but none of their "later" recordings even begin to stack up to those first seven or so years.
It's all so strange...
I was born in '72, and I totally agree with your assessment. I love the 'Chuck Berry' album.
and 'Trident Mixes"...
Я не слышал эту вещь
not a bad version, but why would anyone listen to it when the original is readily available & far superior to the copy?
Because we are Rolling Stonrs fans .
If not for my exposure to the early Stones I might not have sought out the Chess originals. Some of the Stones' blues covers hold up well, like 'King Bee', 'Honest I Do', and 'Look What You Done' but this is up against the stiffest competition and has none of the urgency of the original. That has to be Mick on harp, singing into rhe harp mic to get the distortion, as BJ is on slide.
The Stones get so dirty when they cover the blues.
That's crawlin' on the floor kinda dirty! Don't get any on ya,,, Cause you can't wash it off.
Hot damn,, these cats are badass. Take note you youngsters, This is how a bunch of white boys pay homage to the Blues Masters!
Damn straight
they were scary, wish they go back to black and white mono. sick and scary.
This sounds More like Brian than Jig-saw puzzle where it is sloppy....I don't think this is Ry cooder either...not his style...any evidence from Bill out there?
That is Jagger on harp, not Brian Jones. Mick is not as precise in his timing and has less confident bending technique than Brian, and hardly any vibrato. He is also playing into the vocal mic while Jones is playing slide on this one-take recording. I learned to play in part by copying Jones, Kieth Relf, John Mayall, and then...I heard Paul Butterfield, and wow!