How to adapt to cultural change | Fredric Jameson

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  • čas přidán 8. 09. 2024
  • The career of American philosopher Fredric Jameson is characterized by his permanent intellectual evolution; a career that commenced with his doctoral dissertation about Jean-Paul Sartre in the 1950s and continued with dialectical criticism and semiotics until he became one of the most outstanding theoretical exponents of postmodernism from a multifaceted intellectual perspective with an emphasis on audio-visual media. Ramón del Castillo addresses this autobiographical reflection with him, paying special attention to his style, his way of seeing and doing things, and understanding culture. Jameson claims that the sharpness of the thinker of our time is not a matter of producing solutions but producing problems.
    Intellectual Autobiography: Fredric Jameson
    www.march.es/co...
    September 12, 2014
    Fundación Juan March, Madrid
    Disponible el audio con la traducción simultánea al español: www.march.es/co...
    www.march.es/vi...

Komentáře • 36

  • @walkergoff3127
    @walkergoff3127 Před 2 lety +14

    Only an OG like Jameson could state that the magisterial "The Prison House of Language" was about French Structuralism without also stating that it arrives at its subject by way of Russian Formalism. This guy is truly an encyclopedia of literary, historical, and philosophical knowledge. He's awesome.

    • @grandjeanpierre68
      @grandjeanpierre68 Před 8 měsíci

      right. and of course he quotes russian and spanish texts in that work, languages that he doesn't speak "with any kind of fluency"

  • @xilin4592
    @xilin4592 Před 4 lety +10

    Charming mind

  • @shakespearaamina9117
    @shakespearaamina9117 Před 8 lety +30

    I love Frederic Jameson!!!!!!

  • @inigorodriguez9222
    @inigorodriguez9222 Před rokem +1

    Al hilo de la última analogía entre los clásicos y los modernos, siguiendo su aproximación dialéctica nos encontramos ante el postmodernismo con los nuevos bárbaros. Muy buena conversación. Agradecimientos a la Fundación.

  • @moore7778
    @moore7778 Před 8 lety +9

    Thank you so much for posting this interview. I particularly valued Prof Jameson's account of 'affect' and what he means by it, which will be of considerable use to students in the Humanities. I'm reading 'The Antinomies of Realism' & this discussion clarified my thinking about the term.

  • @noluntas
    @noluntas Před 2 lety +3

    This man is a BEAST💯🔥

  • @miguelangelcontrerasnatera7934

    Excelente entrevista tanto por la profundidad de las respuestas de Fredric Jameson como por las acertadas preguntas de Ramón

  • @iglesiasrafaeu
    @iglesiasrafaeu Před 3 lety +1

    Brilliant.

  • @MichaelF144
    @MichaelF144 Před 8 lety +2

    This man is Awesome!!

  • @claudiadebianchetti2023
    @claudiadebianchetti2023 Před 2 lety +1

    bravísimo!!!!!!!!!!!!!!!!

  • @vonwillful
    @vonwillful Před 5 lety +1

    Kant is the most lovely for Adorno. elegant and transparent, except for elements of Hegel , they hold the dialectic of secular culture open.

  • @thomaswaller446
    @thomaswaller446 Před 4 lety +3

    Can anyone tell me where in Jameson's work I can find the form/content diagram that's referred to around 38 minutes in? Thanks!

    • @lamarch
      @lamarch  Před 4 lety +11

      Hi Thomas, it appears in the introduction (page xiv) of Jameson's book "The Modernist Papers" (London, Verso, 2007). Have a good day.

    • @thomaswaller446
      @thomaswaller446 Před 4 lety +3

      @@lamarch Brilliant, thank you!

  • @johnstewart7025
    @johnstewart7025 Před 3 lety +1

    From Wiki: In his view, postmodernity's merging of all discourse into an undifferentiated whole was the result of the colonization of the cultural sphere, which had retained at least partial autonomy during the prior modernist era, by a newly organized corporate capitalism.

    • @johnstewart7025
      @johnstewart7025 Před 3 lety

      It occurs to me that to the extent that the "bourgeois" are no longer the owners of the means of production; to the extent that an elite 1% has taken over; then we are in a new economic phase. Undoubtedly, the creators in the cultural sphere will bypass the bourgeois in favor of the elite, as they did in the pre-modern and pre-capitalist period.

    • @grandjeanpierre68
      @grandjeanpierre68 Před 8 měsíci

      @@johnstewart7025 is it really a 1% elite? from my pov the elite is pretty massive

  • @grandjeanpierre68
    @grandjeanpierre68 Před 8 měsíci

    "this unhappy statement..."

  • @Vegan_Reader
    @Vegan_Reader Před 7 lety +2

    The father of modern linguistics (whatever that means)

  • @xilin4592
    @xilin4592 Před 4 lety +2

    Chinese are able to understand the beauty or variety of ways to that kind judgment for they have that taste in culture being in their real life.

    • @frncscbtncrt
      @frncscbtncrt Před 3 lety +2

      ? Have you seen most large cities in China? They all look the same, grey buildings, neon light, smog, obedient people, where is the beauty?

    • @martinjanecek4950
      @martinjanecek4950 Před rokem +1

      @@frncscbtncrt and the large cities in US are what?

    • @grandjeanpierre68
      @grandjeanpierre68 Před 8 měsíci

      @@frncscbtncrt ?

    • @grandjeanpierre68
      @grandjeanpierre68 Před 8 měsíci

      tell me more

  • @EsatBargan
    @EsatBargan Před 13 dny

    Hall Matthew Jackson Karen Rodriguez Melissa