I took the left channel of the stereo mix, converted it to mono, and did my best to remove the vocals. There's some bleed but I think it came out well.
@@johnstrausbaugh6718 all the classic were with MT. Let it bleed. Get yer ya yas out. Sticky fingers. Exile on main st. The entire 1972 NA tour. Goats head soup. It’s only rock n roll. Even tattoo you has so amazing guitar work from him. They didn’t know what they had until he was gone.
Once again he just comes up with a wonderfully haunting tone that is what sets it apart from all of the other pop music that was going on. Everything he did was so original
HAHA! The very first guitar lick I ever played! I had to be about 10 and my big brother told me to "Just play this!" so he can play rhythm! Thanks brother! One of my great memory's as a kid!
This what I have been saying all along. We are about the same age and I was learning the Jones guitar parts as they came out. I could always quickly learn what Jones played , but as a fledgeling guitarist what Keith was doing often escaped me for many years.
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@@mickjagger1332 Hey Mick, you probably don't remember me, but I was the guy in the 5th row, center left at the Toronto show on October 5, 1972, was wearing a faded red t shirt and I'm pretty sure I still had the moustache. Oh, well either way it's cool, you've probably done a few dozen concerts since then. Just wanted to say hi and reconnect.
It definitely got looser and more of a wall of sound and/or chaos over a groove. Their earlier original stuff was a lot tighter and orchestrated. For what that is worth.
Nah. They would've changed regardless. Times and styles were changing all the time. There's some nostalgia and myth to wanting to overstate Brian's impact but from a purely musical perspective he was pretty limited and losing him was addition by subtraction in terms of their growth as a band. That's not to diminish his contributions there for a few years.
Although The Stones would have inevitably evolved their sound (w/ or without Brian), to reflect the changing mood (& tastes) of the times, ...its always difficult to discern (posthumously) the value or gravity of an individuals contributions, in a creative amalgam. Their are so many ways that an individuals actions can effect the outcome of a song or recorded performance. Anything from a new riff, to a rusty set of guitar strings. Even the unexpected presence of an attractive new hanger-on, or a head ache from a hang-over (resulting in a pissed off expression) can effect the decision making, or excitement that is felt in a recording. What we can say is that without Brian, the remaining members of the band would have had to find their way together, as they figured out what "working" without him was going to be. How can anyone, put into words, all the little ways that an individual can effect our decision making.... gosh, what a rabbit hole I went down, make a loved one laugh today. :)
Not really, Bernard. The story goes that the band was booked for one of their first paying gigs and the promoter asked what the name of the band was to put on the sign outside the club. Jones looked around and saw a Muddy Waters album on the floor and saw the song title Rollin' Stone and he blurted that out on the phone. So really... all of them became Rollin' Stones from that moment on, simultaneously. Nobody was "the first Rollin' Stone.
I was a 10 year old in Dec 1965 and saw The Stones in Sacramento, Ca …..I remember Jones playing “Lady Jane” …most of what I heard was a lot screaming girls……..you are really drawn into the excitement of being at a rock concert & seeing the actual band play over the hearing on a radio or record …….
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Most idiotic comments I just laff. When someone’s bashing the dead I lock n load my typewriter. Not knowing the difference between shit and shineola your shoes probably stink. In summary why don’t you stick to fastfood restaurant reviews which you would consider 4 star dining; with that I’m sure.
@@williardbillmore5713 sure you must be better....I do remenber à comment from Alexis Korner :"Brian was the musician , in thé early days hé used to grab keith's guitar .....to tune it !!!!..an Brian always been able thé 6 strings of his axe .....
@@alaincelos476 That is absolute nonsense. When they met Keith had been playing all styles of guitar from Flamingo to Chuck Berry for at least ten years. Brian got his very first guitar for hist 17th birthday and had been playing for less than three years. Keith was teaching Brian what to play and how to play it.
I notice a few people saying B Jones was over-rated. Certainly his early death has led to some pointless deification and his poor musical contributions in later life have been overlooked. However, he began as a key member of the band adding really unusual ideas and even instrumentation to the songs. I recall a film (I think from Ready, Steady, Go) of him playing on three consecutive songs: appalachian dulcimer (I'm waiting), vibes (Under my thumb) and Sitar (Paint it black), and playing them pretty well. This at a time when these instruments were never heard in pop music. Leaving that aside, he founded the band and was a highly knowledgeable student of blues music. Leaving THAT aside, it is often said he was unpleasant to those around him, and probably this, and the manner of his demise is how history will judge him. May his soul rest in peace.
Cool! These are very interesting points you give. I'll look more into it. But you would also agree that there is nothing amazing or incredibly special in this particular clip, right? Just checking :)
In 1966 I believe George Harrison was the first guitarist to introduce the Sitar into a pop rock song. The song was Norwegian Wood. Mr Harrison would then later play a pretty sizzling Sitar on his song, "Within You, Without You." This song was featured on Sergeant Pepper's Lonely Hearts Club Band, the album. Brian Jones and George Harrison were a lot alike, very creative and coming up with new forms of music. When Brian Jones died the Rolling Stones lost a great contributor. Although it was reported that Mick Jagger fired him before his death. Brian Jones was not showing up for recording sessions. Eventually this forced Mick to fire Brian.
I saw Brian live in February 1964 in Bournemouth, England when the Stones came to my home town. I was still at school and I am still a fan of the band.
Thank you. People tend to lose objectivity with their musical idols. There's a crappy recording going around CZcams of the Beatles in studio jamming a I-IV-V blues thing (which was not in their wheelhouse) and it is pure rubbish. Nobody in the band intended for anyone to hear it. you should see the comments. "Genius" "Brilliant"
The writing of the material is the magical touch. The guitar part is simple but giving songs that perfect minimalist touch is what Brian was best at. That does take brilliance. Paint it Black…the sitar? Brilliant. At least to me. Too many musicians in modern rock just want to show off.
I also prefer the Rolling Stones from the “Brian years...”. Brian Jones details/contributions were le creme de la creme. I would say Brian and Bill gave a touch of class and distinction to the group's sound from 1963 to 1968 (Bill continued...). Of course, everyone had their role and from 1969 onwards the band evolved into another concept that also defined it. However, I am more and more convinced that in the early years it was Brian Jones who colored the picture.
He did until Andrew Loog Oldham started managing the band. Then he was put on the outside. He could play all sorts of instruments but writing songs was not his gig. So, they couldn't continue playing blues covers and Richards/Jagger became the songwriters for the band. My favorite years also are the Brian Jones years.
What songs are you referring to in particular? The great musical compositions of jagger/ Richards? What great song did not have Brian Jones? He wasn't just versatile he was a consumate musician Timing. Timing. Timing.
I was about eight years old when I really started digging into this here shit, this type of music from the stones, and the doors too! I remember it well! My oldest brother and my older sister they both were in to listen to it! It was that era of time, 1968! it's just right before my dad got home from a double Tour of Duty in Vietnam back-to-back!" He told me they even listen to this music over there, several different times in the seventies and eighties while I was listen to it, I had bought the eight tracks and then eventually the CDs to the Rolling Stones and the doors and I was really into Led Zeppelin around that following time frame anyhow he had told me he remembered it and how it brought back the memories of when they would listen to it, him and his buddies back in "nam"! We just buried my dad a couple years ago upon Mount Scott they gave him a military burial I gave the eulogy, eventually they assigned him the plot number for his grave at the mausoleum, it's number was 777 how fitting! you know he served five tours of Duty altogether in Vietnam and he started out in Korea at 17! He lied about his age and he Got in a lot of trouble over that! Oh dear old dad was a man's man!
Was 12 years old when this song hit the radio. Jones guitar lick hooked me on rock & roll forever. Actually, The Last Time hooked me first; Get Off of My Cloud only solidified my R&R addiction, specifically Jones guitar and Watts drumming.
Hi there🌹🌹🌹🌹🌹🌹 Thanks for your love and support that has brought me this far, it has been a hard time for me going through this but your love and support keeps me going and standing strong in this difficult times. I do read your heartwarming comments and I truly appreciate all you’ve done for me throughout the years. It’s a season of love😍❤️❤️ for me and so I decided to put a smile on the faces of my fans by going through my CZcams channel and checking out on my fans, so I can get to communicate with my fans better through discussion of depth and humor listening to o and criticism of my career.💞💞🙏💖💕💕
I always loved this part he plays, but obviously it is not very prominent in the mix. Nice job isolating it so we can all better appreciate Brian's brilliance. It's a simple thing he does, but it fits so perfectly with all the other elements of the song.
You know I must have heard that song at least 25-50x and played it in a good band at least 20x on stage, maybe 8-10, I’m old I always have to downgrade my memory. I didn’t notice that riff until 1990 that’s correct. I played so didn’t care what guitarists played only the drums. Call dumb or deaf still that is such a good riff. Sometimes it sounds like a sitar. Thanks
Another song that Brian contributed nicely on. His 12 string Rickenbacker lead guitar compliments Keith’s high powered rhythm guitar well here. Back when his guitar was just as important as Keith’s. Nice isolation. The best I’ve heard so far of Brian’s part that Oldham buried in the final mix.
He clearly understood the hypnotic power of repetition. One of the first riff meisters - maybe an innovation he never got as much credit for as he should have. Like the marimba on “Under My Thumb.” Fantastic part - that with the bass and drums makes the song.
@@marvymarier8988 Yeah actually it is. Brian plays it live on Ready Steady Go the day it was released. There is no video but there are pictures of him using it. Brian plays a double bound Rick 360/12 until it got stolen. Then he switched to a single bound 360/12.
@@marvymarier8988 I wish I could put the picture here. Trust me he’s playing a double bound Rick 12 on this song. What do you think he’s playing? I own a Rickenbacker 360. I found the pic. It’s a 1999 with an f-hole. The British version of the 360/12.
In those days, tunes were *engineered* to sound good on the old AM car radio; that was one of the 'tricks' in those days --- how to make it sound good on AM and also on the new-fangled 'Hi Fi' equipment, too.
Brian war mein idol...Ich war 12 jahre alt als ich sein Tod ins TV hoerte...Ich wollte nicht leben..Aber bin immer noch hier!!!!. BRIAN JONES niemals vergessen werden 👏👏❤️
Shows how creative Brian was, that Melody that peels of from the hook, is brilliant. Brian was a great musician. I would have loved to hear Keith's fuzz tone Guitar weaving its way around Brian's playing, because that's what the stones we're all about, they lost that when Mick Taylor joined. But went back to it when Ron wood replaced Mick. There's a beautiful example of the ancient art of weaving in a song Ron and Keith did with Rod Stewart and I think Mick Fleetwood was on drums, Back before Hollywood got hold of rod Stewart, when he could still sing rock n roll.
musical magician. brian jones' rolling stones was the best stones, just as syd barretts pink floyd was the best pink floyd. the early days always seem to have the most exquisite pure creativity with the right amount of madness from one song to the next, just before they find their sound that sticks.
Brian was the secret ingredient to the receipt. He put the tone in that would raise the hair on the back of your neck. Like Garfunkel, his contribution would push any composition deep into another place…..
Hi there🌹🌹🌹🌹🌹🌹 Thanks for your love and support that has brought me this far, it has been a hard time for me going through this but your love and support keeps me going and standing strong in this difficult times. I do read your heartwarming comments and I truly appreciate all you’ve done for me throughout the years. It’s a season of love😍❤️❤️ for me and so I decided to put a smile on the faces of my fans by going through my CZcams channel and checking out on my fans, so I can get to communicate with my fans better through discussion of depth and humor listening to o and criticism of my career.💞💞🙏💖💕💕
Receipt and recipe both derived from latin recipare, to take or give. A receipe was instructions for a formula, or formulary since Chaucer was first written record. 17th century was first receipt for goods received. Brian Jones was the receipt baby
@@davidpanzer1166 Yeah, I really can't help but be amazed at the outstanding artistry, the depth of technical skill, and the utter mastery of the instrument.
I hear your oh so clever sarcasm. It’s just pop music so technical skill and utter mastery is not required. Coming up with a catchy part that enhances the song is what is required. Not so easy. It was a huge hit and they kept coming up with them. Frank Zappa used to make fun of Louie Louie but never in a million years have come up with a catchy song that sold millions of records. Musical snobs - so boring,
Keith’s riff on Satisfaction wasn’t outstanding but then again it was. That simple three note fuzz guitar part is classic. So is Brian’s three note part here. Sometimes simplicity is what makes the song great. Chuck Berry was simple too but his songs were great. Not every song needs a Mick Taylor destroying the fret board.
I knew it ...Brian doing those fantastic riffs .....I remember as a kid trying to work out what he was doing .. especially on the chorus..it's simple but genius..only Brian could come up with that ..
Hi there🌹🌹🌹🌹🌹🌹 Thanks for your love and support that has brought me this far, it has been a hard time for me going through this but your love and support keeps me going and standing strong in this difficult times. I do read your heartwarming comments and I truly appreciate all you’ve done for me throughout the years. It’s a season of love😍❤️❤️ for me and so I decided to put a smile on the faces of my fans by going through my CZcams channel and checking out on my fans, so I can get to communicate with my fans better through discussion of depth and humor listening to o and criticism of my career.💞💞🙏💖💕💕
B S Any first year guitarist could come up with that. It is a three not lick repeated over and over dozens of times exactly the same and the chorus is four arpeggiated chords played exactly the same way every time.
Sounds slightly out of tune ("don't hang around 'cause two's a crowd..."), but it doesn't make a bit of difference to me - this stuff is priceless....plus, I doubt very seriously Brian ever thought his track would be heard isolated 57 years later. A super talented multi-instrumentalist who in my book was the most extraordinary of The Stones. Rest in Peace Brian along with Charlie !
Brian was the musical driving force for the stones, bringing new instruments and concepts to his band, he's a great loss but the boys held it together without him also.
Held together... talk about huge understatement. Keith has been performing for 60 years, I have seen him 115 times. I saw Taylor, unfortunately never saw Brian live. 👍
Back in the day they called them garage bands. I was in a garage band that played at a lot of our High school dances. We played "get off my cloud " and I played the Brian Jones part. When I went to my 50th High School reunion, people came up to me and said, "I remember your band, you played that red guitar ." (Gibson es335) After decades of not playing, what I'd give to play as good as I did when I was 17!
That makes two of us! West San Fernando Valley 1966-70, don't know if it was magic or just being that young. My fingers are old and fat now, but I can still play his part on my Rick 12!
Yeah they sort of screwed him like John and Paul did George. I think the difference was I heard BJ was a prick and hard to deal with, not to mention he was too drugged up to go on tour.
Tony Hicks is perhaps the most underrated guitar player of all time! The Hollies were certainly one of the greatest groups to ever come out of England!
Oooh! So true! Few people mention Tony. Beautiful live TV clips of Hollies with Nash and Hicks playing Les Pauls! Like Brian,Tony played these ginchy repetitive riffs that anchored the songs!
@@williardbillmore5713 And yet Brian was there for their most inventive and creative period. After the failure of "T.S.M.R." they just became what they started out as, a pretty damn good blooze band but had taken that about as far as it would go by the mid-70's. Hell, I'd rather listen to the Inmates or the fantastic Dr. Feelgood from that period and after "Exile..." they never made an album again that could compare to the first two Graham Parker and the Rumour platters. Brian was their secret weapon and I'll take him over Mick Taylor or Ron Wood any day of the week!
@@ailurophile17 Jones couldn't carry water for Taylor or Wood...Their abilities and verisimilitude on the guitar are many classes above Jones at his sober best. The 60s was a musically inventive period , exciting and ground breaking for every band on the charts. Only a handful of bands successful in that decade lasted into the 70s,( including the Fab Four), and almost none of them lasted into the 2000s and beyond ... Jagger and Richards were, and remain a force of nature among contemporary songwriters in six decades and would have been hugely successful without Jones and all his negative baggage weighing them down.
His "mates" needed HIS (OR SOMEONE'S) SUPPORT TOO! They were involved in a competition with the greatest hitmakers of all time and the last thing they should've been expected to be was babysitters!
@The Vinyl Music Life That is easy to say in retrospect. But there wasn't a drug rehab on every street corner in the 60s like there was in the 90s . Walsh was, and is, a nice likable guy and an amazing guitar genius in his own right. Brian was impossible to get along with , an asshole, an egomaniac and no guitar giant. He showed no desire or intention to change his lifestyle and Keith and Mick had no higher ground from which to lecture him about drug use. As Keith has said," I'm not one to talk about anyone's destructive behaviors, but hey I'm still here..." He must have had some line he wouldn't cross to have survived. Brian apparently had no such internal filter. I think the Stones made the right decision in firing Jones. The quality of the music they produced in the following years proved that out, and Brian's ultimate self destructive behavior did as well.
@@JohnJames-kw5de The Stones got much bigger, more popular and produced more and better music AFTER Brian left the band ... ...That tells a lot. Jones was almost the Pete Best of the Stones. Ha ha ha ha ha ha ha ha
I would add 'disciplined'. Where a boob like myself would 'strum and flail' he hits the chords in an intentional way that supports the song and sits beautifully in the mix without getting in the way of anything else.
I think that might be why I consider them the best guitar duo ever. At times they sounded like 2 speeding locomotives. Other times like one or 6 guitarists. I guess it’s that ancient guitar weaving description keef referred to. Thanks
Thank you for the re-mix. I thought to make a collective reply to some related points made in the comments. In response to Ovalvox and many others. Yes i first heard this clearly off of a live 1960's bootleg, Honolulu I think. It is first clearly heard in much later Stones performances, played by Ron Wood especially 2010 onwards. Ron in an interview said he wanted to do the old songs closer to what they played but with his own twist. Its very clear when you here him bringing out a similar subliminal guitar part in Jumping Jack Flash live. It sounds easy to play, say compared to seventies heavy rock solos, but its not. Indeed, someone who does Rolling Stones guitar lessons on you tube, Jimmy James or Private Tracker probably, said as much. I have never tried to play it on a 12 string! Andrew Oldham did bury Brian's parts but his pieces are right front and centre instruments in Oldham's classical arrangements of Stones songs by his Orchestra. If i was to go philosophically deeper perhaps into the political cultural context of the 60's, i might say Oldham shows a "bringing to the front" that which is subliminal and at the margin. It is then a musical metaphor for far left politics particularly in 1960s France but now in US and UK, the "outsider" to the centre as the existentialists used to say, becomes for the left, the subliminal margins the minorities to the centre. Indeed, Jean Luke Godard is doing the same sort of thing in the movie One+One but here it is a contrast between the functional synthesis "representation" of the studio mixing desk "mediation", and the "live sound" of Godard's film mics in the "actual" performance in its "immediacy". I think The Stones, last year released a version of Sympathy for the Devil with the piano very low and Brian's acoustic guitar very high in the mix. Also some you tube people have used some technology to bring up Brian's part in the mix. Anyway, to coda, The Stones clearly knew the 60s politics is gong to be a long process and the Stones are in it for the long hall, and forward planning 60s songs to be even more relevant 50 years later when the potential meanings of the process are manifest. The French Philosophers were working on sublimate subliminal, sublate Aufheben from Hegel but claiming to be working on “Difference” from Hegel. They were Derrida Deleuze and Foucault unknown then, and 50 years later at the centre of the political stage. Have i gone radically off topic here, or used the object (your video or Brian or the Stones or Brian's guitar part)for my own political purposes. maybe of course but i see this as Critique that brings out features of context in interpretation of the "object". This post then is an example of the thing it is talking about. The Comment is the same thing in "use" as what is "mentioned" a Anglo American distinction (use and mention) all this is in the Stones music and performance. Many thanks again for posting the mix.
Mick and Keith must hate the internet. For 30 years, they were able to ignore, discount and peddle crap about Brian. But with the net, the masses started to share his invaluable contribution, vision, swagger and style that he brought to the stones. They did it all to build up their own legacy, but they’ve also elevated Brian as well. Jones Stones forever
@@J..398 ok but his inability to right songs is what made him jealous you can’t not get financially rewarded for playing instruments legally but only song writers can get paid more unless the whole band agrees in a contract that they all contributed 👍
@@joejoe7212 that is correct. And unfortunately he became a bit envious. Had he lived past 27 and done work after the stones I would imagine he would write some of his own material.
@@joesephsizian9113 not saying Kieth isn’t awesome but there were songs that were either going to be trashed like under my thumb or songs like Ruby Tuesday that were hits because of Brian’s musical abilities to play any instrument and add color to any song to embellish it to make it awesome, Rolling Stones wouldn’t even be around without the guy who formed The Rolling Stones Brian Jones don’t forget he hired Kieth who hadn’t even played a gig in his life before who Brian was already a seasoned artist ! So much for your argument sorry to have to break it to you lol !
There is nothing at all exceptional or genius about this guitar part Jones is playing it consists of three notes in a nine note pattern repeated over and over and over again, ihree simple chords arpeggiated in the coda and two more for the turn around. I had learned and played this super simple part along with the Stones' recording on the radio when I was 13 years old the same year I got my very first electric guitar. It's not at all difficult to play To read how the Saint Brian worshipers describe it, one might think he was playing Beethoven's 9th symphony beginning to end single handed.
We all know how he died, you're not even capable of understanding the riggers of drug addiction. Brian formed the Rolling Stones, it was his band. Brian's addiction excellerated enormously after he was banished, drugs eased his pain.You'd be heart broken too if your "friends" stab you in the back.
No ovidiu. The genius of the rolling Stones was in the song writing partnership of Jagger and Richards and their uncanny ability to write hit songs on a consistent basis. A few twangy sitar lines don't sell millions of albums. Good solid contemporary rock songs do.
Your video makes me realize I need to know more about Brian. I've always felt a little skeptical about the musicality of the Stones, whom I became aware of late in their history. Thanks for presenting interesting information by pointing to Brian Jones work in the early Stones history.
@@joesephsizian9113 Skeptical? Yes. I am. To me, the Rolling Stones are theatrical. In concert, Mick runs around for two hours. Keith and Ronnie play a few notes over and over. The stage sets get bigger with every tour. The songs are crude. Yet it all works as as a giant theatrical spectacle. Just don't hum the tunes. The tunes are familiar, bawdy, and sardonic, but musically boring.
As he so often did, Jones played Bill's bass line in a higher octave on the verse, then he arpeggiated Keith's chords in the refrain. Brian was a copyist he never had an original musical idea in his entire career. It can more easily be heard in this live version where both Bill's bass and Brian's guitar are equal in volume; czcams.com/video/qUDMzhlefMs/video.html
Nice classic pop riff. Brian added a sweetness to the Stones raw blues sound. He is responsible for that great early Stones sound. I think George Harrison borrowed the second half of this lick for his beautiful song "If Not For You".
@@J..398The three note riff in Satisfaction *IS* the musical hook that mostly only accompanies the lyrical hook. The line was originally envisioned as a horn section playing the three note line. Keith laid it down using a fuzz pedal because when they first came out fuzz pedals were thought to make a guitar sound like a saxophone. And they do somewhat. Once Keith recorded the track with a guitar and fuzz pedal everyone was wild about the unique sound and the horn accompaniment Keith envisioned was never arranged or recorded. The three note part in Get off of My Cloud is very different. It functions more as a drone. An uncomplicated repeating single note major chord triad that sets the harmonic content behind the wordy verses, functioning almost as a bass part would, only in a higher octave. Never underestimate anything Keith does, or directs others to do, in a Stones song. Everything is well thought out and with specific purpose. Even the three note licks.
@@williardbillmore5713 riffmaster Keith! The 3 note comment was not meant to put him down, Keith is undeniably great. It was just to show another example of a short but effective lead riff. The Stones are masters at that.
Super interesting! Hard to tell but do you think it's separate takes of the slide/verse parts vs the chord/chorus parts, or do you think that was all one take? The slide/verse parts kinda sound like its on one string of a 12 string - sorta sounds like 2 strings in unison, but hard to say definitively. Amazing how clean and low volume those parts are. Love picking apart this stuff, nice work.
Sounds like they dropped in the chorus sections as the background/spill noise disappears and there seem to be two guitars with a different tone to the single guitar on the verses.
150K views! Wow! Thank you to everyone who’s watched 😁
😁
257000 in 45 days with 2.7 k subscribers. damn
One more who's watched 💙. There was something very special about Brian Jones. 💙
We appreciate you!
Subd😊
Should be a MILLION at least.
Brian made the stones ROLLING. His time was there best years
Mick Taylor.
@@someguy42093 Mick's stuff was good as well. I like some of the stuff they put out with him on guitar
@@johnstrausbaugh6718 all the classic were with MT. Let it bleed. Get yer ya yas out. Sticky fingers. Exile on main st. The entire 1972 NA tour. Goats head soup. It’s only rock n roll. Even tattoo you has so amazing guitar work from him. They didn’t know what they had until he was gone.
@@someguy42093 I wish they chose Perkins or Mandel to replace him instead of Wood
@@kevinmalone8903 I wish they had picked Rory Gallagher. He was first choice after mick Taylor left.
Once again he just comes up with a wonderfully haunting tone that is what sets it apart from all of the other pop music that was going on. Everything he did was so original
The bleed was perfect, you want to hear a little of the song. Brian's guitar was easy to hear, he did a very fine job. Big fan.
Brian stole Bill's bass line note for note. Jones contributed NOTHING to the song.
I Love the Brian Jones Rolling Stones Best by Far!!!
Brian was wonderful. He was a great artist. (And a very handsome guy) 💥
And an asshole by all accounts.
Keith might be the riff master but Brian was the lick master 💯👍🙏
HAHA! The very first guitar lick I ever played! I had to be about 10 and my big brother told me to "Just play this!" so he can play rhythm!
Thanks brother! One of my great memory's as a kid!
This what I have been saying all along. We are about the same age and I was learning the Jones guitar parts as they came out. I could always quickly learn what Jones played , but as a fledgeling guitarist what Keith was doing often escaped me for many years.
As a guitarist I can tell you that to keep that simple riff in perfect time throughout the entire song is no easy feat. Sweet melody too.
Hi there🌹🌹🌹🌹🌹🌹
Thanks for your love and support that has brought me this far, it has been a hard time for me going through this but your love and support keeps me going and standing strong in this difficult times. I do read your heartwarming comments and I truly appreciate all you’ve done for me throughout the years.
It’s a season of love😍❤️❤️ for me and so I decided to put a smile on the faces of my fans by going through my CZcams channel and checking out on my fans, so I can get to communicate with my fans better through discussion of depth and humor listening to o and criticism of my career.💞💞🙏💖💕💕
Adechio Unfortunately lay people don't get that.
Read Bill Wymans book that he put out 20 or so years ago. Read about how Mick and Keith treated Brian like shit and kinda forced him out of the band.
@@mickjagger1332 Hey Mick, you probably don't remember me, but I was the guy in the 5th row, center left at the Toronto show on October 5, 1972, was wearing a faded red t shirt and I'm pretty sure I still had the moustache. Oh, well either way it's cool, you've probably done a few dozen concerts since then. Just wanted to say hi and reconnect.
My Friend used play it often, He said the same thing.
Thank you for sharing this brilliant work of Brian Jones. Gone But Not Forgotton
Long live Brian Jones!!!❤️⚔️
After Brian left, The Stones style changed radically. So I have to think he contributed more than he is credited with.
It definitely got looser and more of a wall of sound and/or chaos over a groove. Their earlier original stuff was a lot tighter and orchestrated. For what that is worth.
????? What about Keeeefs many masterpiece albums after Brian died?????
Nah. They would've changed regardless. Times and styles were changing all the time. There's some nostalgia and myth to wanting to overstate Brian's impact but from a purely musical perspective he was pretty limited and losing him was addition by subtraction in terms of their growth as a band. That's not to diminish his contributions there for a few years.
@@wartimemodels Thank you, very well said. 👍
Although The Stones would have inevitably evolved their sound (w/ or without Brian), to reflect the changing mood (& tastes) of the times, ...its always difficult to discern (posthumously) the value or gravity of an individuals contributions, in a creative amalgam. Their are so many ways that an individuals actions can effect the outcome of a song or recorded performance. Anything from a new riff, to a rusty set of guitar strings. Even the unexpected presence of an attractive new hanger-on, or a head ache from a hang-over (resulting in a pissed off expression) can effect the decision making, or excitement that is felt in a recording. What we can say is that without Brian, the remaining members of the band would have had to find their way together, as they figured out what "working" without him was going to be. How can anyone, put into words, all the little ways that an individual can effect our decision making.... gosh, what a rabbit hole I went down, make a loved one laugh today. :)
I always love a good photo of Brian Jones with the Firebird or Vox !! Thank you for posting this!!!
It doesn’t take much to make a classic. Rhythm guitar is a definite skill.
Very very good work Famulus !!! I'm so happy to hear Brian, alone as in his life, but he was... the first Rolling Stone ! Thank you so much !!!
Not really, Bernard. The story goes that the band was booked for one of their first paying gigs and the promoter asked what the name of the band was to put on the sign outside the club. Jones looked around and saw a Muddy Waters album on the floor and saw the song title Rollin' Stone and he blurted that out on the phone.
So really... all of them became Rollin' Stones from that moment on, simultaneously. Nobody was "the first Rollin' Stone.
@@williardbillmore5713 Thanks for your answer Williard !!!
I was a 10 year old in Dec 1965 and saw The Stones in Sacramento, Ca …..I remember Jones playing “Lady Jane” …most of what I heard was a lot screaming girls……..you are really drawn into the excitement of being at a rock concert & seeing the actual band play over the hearing on a radio or record …….
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Thanks for your love and support that has brought me this far, it has been a hard time for me going through this but your love and support keeps me going and standing strong in this difficult times. I do read your heartwarming comments and I truly appreciate all you’ve done for me throughout the years.
It’s a season of love😍❤️❤️ for me and so I decided to put a smile on the faces of my fans by going through my CZcams channel and checking out on my fans, so I can get to communicate with my fans better through discussion of depth and humor listening to o and criticism of my career.💞💞🙏💖💕💕
I was there too.
@@ldlef fun times, great memories!
Brian jones exceptionnel guitariste… musicien hors norme. ❤️🇲🇨
As a guitarist Jones was remarkably mediocre. As a writer he was 100% useless.
Most idiotic comments I just laff. When someone’s bashing the dead I lock n load my typewriter. Not knowing the difference between shit and shineola your shoes probably stink. In summary why don’t you stick to fastfood restaurant reviews which you would consider 4 star dining; with that I’m sure.
Satisfaction alone should not be overlooked.
@@williardbillmore5713 sure you must be better....I do remenber à comment from Alexis Korner :"Brian was the musician , in thé early days hé used to grab keith's guitar .....to tune it !!!!..an Brian always been able thé 6 strings of his axe .....
@@alaincelos476 That is absolute nonsense.
When they met Keith had been playing all styles of guitar from Flamingo to Chuck Berry for at least ten years. Brian got his very first guitar for hist 17th birthday and had been playing for less than three years. Keith was teaching Brian what to play and how to play it.
I notice a few people saying B Jones was over-rated. Certainly his early death has led to some pointless deification and his poor musical contributions in later life have been overlooked. However, he began as a key member of the band adding really unusual ideas and even instrumentation to the songs. I recall a film (I think from Ready, Steady, Go) of him playing on three consecutive songs: appalachian dulcimer (I'm waiting), vibes (Under my thumb) and Sitar (Paint it black), and playing them pretty well. This at a time when these instruments were never heard in pop music. Leaving that aside, he founded the band and was a highly knowledgeable student of blues music. Leaving THAT aside, it is often said he was unpleasant to those around him, and probably this, and the manner of his demise is how history will judge him. May his soul rest in peace.
Cool! These are very interesting points you give. I'll look more into it. But you would also agree that there is nothing amazing or incredibly special in this particular clip, right? Just checking :)
He was a brilliant multi instrumentalist...piano ..sitar.. dulcimer..wind instruments.. percussion..
@@hedgefundshyster..3241 I get that, but again I refer to this specific isolated guitar recording, that's quite standard, right?
In 1966 I believe George Harrison was the first guitarist to introduce the Sitar into a pop rock song. The song was Norwegian Wood. Mr Harrison would then later play a pretty sizzling Sitar on his song, "Within You, Without You." This song was featured on Sergeant Pepper's Lonely Hearts Club Band, the album. Brian Jones and George Harrison were a lot alike, very creative and coming up with new forms of music. When Brian Jones died the Rolling Stones lost a great contributor. Although it was reported that Mick Jagger fired him before his death. Brian Jones was not showing up for recording sessions. Eventually this forced Mick to fire Brian.
Wise words. So much ridiculous mythology about him.
I saw Brian live in February 1964 in Bournemouth, England when the Stones came to my home town. I was still at school and I am still a fan of the band.
That must have been something seeing live back then.
You are the LUCKY one , wish it was me . :)
I wouldn't call it brilliance but simplicity is usually what is need most in a great song.
Thank you. People tend to lose objectivity with their musical idols. There's a crappy recording going around CZcams of the Beatles in studio jamming a I-IV-V blues thing (which was not in their wheelhouse) and it is pure rubbish. Nobody in the band intended for anyone to hear it. you should see the comments. "Genius" "Brilliant"
The writing of the material is the magical touch. The guitar part is simple but giving songs that perfect minimalist touch is what Brian was best at. That does take brilliance. Paint it Black…the sitar? Brilliant. At least to me. Too many musicians in modern rock just want to show off.
It fits in well but as you say ,its not brilliance ,simple repetitive pattern ..
@@philipbrougham6360 Most music arguably consists of simple and/or repetitive patterns though.
@@philipbrougham6360 satisfaction is repetitive and it’s legendary. Same could be said about a lot of Stones songs
I also prefer the Rolling Stones from the “Brian years...”. Brian Jones details/contributions were le creme de la creme. I would say Brian and Bill gave a touch of class and distinction to the group's sound from 1963 to 1968 (Bill continued...). Of course, everyone had their role and from 1969 onwards the band evolved into another concept that also defined it. However, I am more and more convinced that in the early years it was Brian Jones who colored the picture.
He did until Andrew Loog Oldham started managing the band. Then he was put on the outside. He could play all sorts of instruments but writing songs was not his gig. So, they couldn't continue playing blues covers and Richards/Jagger became the songwriters for the band.
My favorite years also are the Brian Jones years.
In Keith and even Charlie words, Brian was a very problematic person, and somwhere on the line, things went very wrong. Sadley.
I prefer the Rocking Ronnie years. Brian and Taylor overrated
What songs are you referring to in particular? The great musical compositions of jagger/ Richards?
What great song did not have Brian Jones? He wasn't just versatile he was a consumate musician
Timing. Timing. Timing.
@@trabongo Keith and Charlie's words....but we didn't hear Brian's words...This is unfair i thing!!!
I was about eight years old when I really started digging into this here shit, this type of music from the stones, and the doors too! I remember it well! My oldest brother and my older sister they both were in to listen to it! It was that era of time, 1968! it's just right before my dad got home from a double Tour of Duty in Vietnam back-to-back!" He told me they even listen to this music over there, several different times in the seventies and eighties while I was listen to it, I had bought the eight tracks and then eventually the CDs to the Rolling Stones and the doors and I was really into Led Zeppelin around that following time frame anyhow he had told me he remembered it and how it brought back the memories of when they would listen to it, him and his buddies back in "nam"! We just buried my dad a couple years ago upon Mount Scott they gave him a military burial I gave the eulogy, eventually they assigned him the plot number for his grave at the mausoleum, it's number was 777 how fitting! you know he served five tours of Duty altogether in Vietnam and he started out in Korea at 17! He lied about his age and he Got in a lot of trouble over that! Oh dear old dad was a man's man!
Your father was lucky to survive. JFK wanted to pull US troops out of Vietnam and stop the war. LBJ had other motives sadly.
Was 12 years old when this song hit the radio. Jones guitar lick hooked me on rock & roll forever. Actually, The Last Time hooked me first; Get Off of My Cloud only solidified my R&R addiction, specifically Jones guitar and Watts drumming.
Jones is such an underrated guitarist
To play the same thing over and over again like that without blowing your stack is nothing short of genius.
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It’s so cool when it’s all played at the same time though. Though I’m sure he couldn’t wait to get to the chorus. lol
@Mick And I’m Keith Richards…💀
Nothing to do with genius....it is called being a pro and playing a song. Bar band players have no clue what that means though.
You want to hear REAL genius...listen to Harrison's isolated guitar work!!!!!!
He was the coolest- definitely the best dresser and he could play anything
Great PoP discipline .and Brian's fabulous feel and breaking of the chords in the chorus you can hear the progression better and how it was played
You get it. He very much followed the old delta blues repetition formula. Thank thank you.
Great comment.
I always loved this part he plays, but obviously it is not very prominent in the mix. Nice job isolating it so we can all better appreciate Brian's brilliance. It's a simple thing he does, but it fits so perfectly with all the other elements of the song.
Very well said.
no need to apologise! it actually works better with the faint bits in the background b/c you can better hear how it fits in so seamlessly.
It’s always been the driving force in this song. Simple yet to the point.
You know I must have heard that song at least 25-50x and played it in a good band at least 20x on stage, maybe 8-10, I’m old I always have to downgrade my memory. I didn’t notice that riff until 1990 that’s correct. I played so didn’t care what guitarists played only the drums. Call dumb or deaf still that is such a good riff. Sometimes it sounds like a sitar. Thanks
Fuggin iphone... I played bass..blahblahblah
I like so so much Brian Jones!! For me is a one of the best musician and guitarrist of all time. Is total top
When everything else is stripped away, you can hear how much that had a Buddy Holly. Sounds like the chord pattern in "Everyday".
Another song that Brian contributed nicely on. His 12 string Rickenbacker lead guitar compliments Keith’s high powered rhythm guitar well here. Back when his guitar was just as important as Keith’s. Nice isolation. The best I’ve heard so far of Brian’s part that Oldham buried in the final mix.
He clearly understood the hypnotic power of repetition. One of the first riff meisters - maybe an innovation he never got as much credit for as he should have. Like the marimba on “Under My Thumb.” Fantastic part - that with the bass and drums makes the song.
Sorry , that's not a Rickenbacker 12 string .
@@marvymarier8988 Yeah actually it is. Brian plays it live on Ready Steady Go the day it was released. There is no video but there are pictures of him using it. Brian plays a double bound Rick 360/12 until it got stolen. Then he switched to a single bound 360/12.
@@ovalvox7888 I should have said that the photo of Brian playing a 12 string that was not a Rickenbacker .
PS I own one myself .
@@marvymarier8988 I wish I could put the picture here. Trust me he’s playing a double bound Rick 12 on this song. What do you think he’s playing? I own a Rickenbacker 360. I found the pic. It’s a 1999 with an f-hole. The British version of the 360/12.
It was great to hear this spotlight
The early Stones vinyl sound amazing..even on the old a.m. car radio
In those days, tunes were *engineered* to sound good on the old AM car radio; that was one of the 'tricks' in those days --- how to make it sound good on AM and also on the new-fangled 'Hi Fi' equipment, too.
I saw Brain play this live in Dallas 1964.It was their ovation song
Lucky you !
Think your memory might be out a little as the song was only written in late 65
Brain Jones die Nummer 1 der Rolling Stones und der Schönste. Unvergessen für mich.
Brian war mein idol...Ich war 12 jahre alt als ich sein Tod ins TV hoerte...Ich wollte nicht leben..Aber bin immer noch hier!!!!. BRIAN JONES niemals vergessen werden 👏👏❤️
BRIAN Jones best Man ROLLING STONES... R.I.P. 👉🙏🎸🙏🎸🙏
@@evipladra5340 ... BRIAN was the real Rolling Stone...After him.. they could've change the name...perhaps...no Jones no Stones???...
Hermoso. Un gran talento Brian Jones 👏
Shows how creative Brian was, that Melody that peels of from the hook, is brilliant. Brian was a great musician. I would have loved to hear Keith's fuzz tone Guitar weaving its way around Brian's playing, because that's what the stones we're all about, they lost that when Mick Taylor joined. But went back to it when Ron wood replaced Mick. There's a beautiful example of the ancient art of weaving in a song Ron and Keith did with Rod Stewart and I think Mick Fleetwood was on drums, Back before Hollywood got hold of rod Stewart, when he could still sing rock n roll.
musical magician. brian jones' rolling stones was the best stones, just as syd barretts pink floyd was the best pink floyd. the early days always seem to have the most exquisite pure creativity with the right amount of madness from one song to the next, just before they find their sound that sticks.
Truly remarkable.
Brian was the secret ingredient to the receipt. He put the tone in that would raise the hair on the back of your neck. Like Garfunkel, his contribution would push any composition deep into another place…..
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Thanks for your love and support that has brought me this far, it has been a hard time for me going through this but your love and support keeps me going and standing strong in this difficult times. I do read your heartwarming comments and I truly appreciate all you’ve done for me throughout the years.
It’s a season of love😍❤️❤️ for me and so I decided to put a smile on the faces of my fans by going through my CZcams channel and checking out on my fans, so I can get to communicate with my fans better through discussion of depth and humor listening to o and criticism of my career.💞💞🙏💖💕💕
Well said.
In the "receipt" or the "recipe?"
Receipt and recipe both derived from latin recipare, to take or give. A receipe was instructions for a formula, or formulary since Chaucer was first written record. 17th century was first receipt for goods received. Brian Jones was the receipt baby
One may say receipt instead of recipe, denoting social class, upper, and likely age. Or dyslexia, brianjonesforever
youre getting good at this !!! keep at it, lots of early Stones !!!!
Such an extraordinary musician, bursting with talent.
RIP B.J. old Stones the best.🎸☮️
Outstanding especially during the chorus funny how I never notice how his riff during the verses held it together
Thanks for this! I never heard it isolated before.
so simple but so effective
I’m a 53 year old metal head and I’m only just getting into the Stones now.
one of their best i think - a real rocker
Hardly outstanding.
Right, it was the main hook of the song!
@@davidpanzer1166 Yeah, I really can't help but be amazed at the outstanding artistry, the depth of technical skill, and the utter mastery of the instrument.
I hear your oh so clever sarcasm. It’s just pop music so technical skill and utter mastery is not required. Coming up with a catchy part that enhances the song is what is required. Not so easy. It was a huge hit and they kept coming up with them. Frank Zappa used to make fun of Louie Louie but never in a million years have come up with a catchy song that sold millions of records.
Musical snobs - so boring,
@@davidpanzer1166 Calm down. It’s just pop music - hardly a concerto.
Keith’s riff on Satisfaction wasn’t outstanding but then again it was. That simple three note fuzz guitar part is classic. So is Brian’s three note part here. Sometimes simplicity is what makes the song great. Chuck Berry was simple too but his songs were great. Not every song needs a Mick Taylor destroying the fret board.
I love the chorus, very revealing, thanks!
Playing something over and over again is not boring when you're playing over a groove like that : )
Awesome! Thanks for posting. 👍
Absolutely superb
Just found this and I ate it all up !! Can't get enough. Thank you . :)
And I can’t get enough of your positive comments Sandy!
@@Famulus9
Ahhhh, your so kind . Thank you . :)
I knew it ...Brian doing those fantastic riffs .....I remember as a kid trying to work out what he was doing .. especially on the chorus..it's simple but genius..only Brian could come up with that ..
Hi there🌹🌹🌹🌹🌹🌹
Thanks for your love and support that has brought me this far, it has been a hard time for me going through this but your love and support keeps me going and standing strong in this difficult times. I do read your heartwarming comments and I truly appreciate all you’ve done for me throughout the years.
It’s a season of love😍❤️❤️ for me and so I decided to put a smile on the faces of my fans by going through my CZcams channel and checking out on my fans, so I can get to communicate with my fans better through discussion of depth and humor listening to o and criticism of my career.💞💞🙏💖💕💕
B S Any first year guitarist could come up with that. It is a three not lick repeated over and over dozens of times exactly the same and the chorus is four arpeggiated chords played exactly the same way every time.
...no Jones no Stones...Brian was one of the greatest...💯✨
Well said ! :)
The Stones best music was made after Brian was replaced.
I appreciate your work!
Super work.
Sounds slightly out of tune ("don't hang around 'cause two's a crowd..."), but it doesn't make a bit of difference to me - this stuff is priceless....plus, I doubt very seriously Brian ever thought his track would be heard isolated 57 years later. A super talented multi-instrumentalist who in my book was the most extraordinary of The Stones. Rest in Peace Brian along with Charlie !
It is, but that makes it sound real especially in the mix with the band. Good Ole rock n roll.
Most music before the 90s was slightly out of tune, that's why it sounds better.
@@teleclasster I agree !
The lick is played on a Rickenbacker 12-string. The Es or Bs sound a bit out of tune.
Brian was the musical driving force for the stones, bringing new instruments and concepts to his band, he's a great loss but the boys held it together without him also.
and let us not forget he taught Keith the guitar prior to which Keith played 3 strings......
The slide guitar on Little Red Rooster was terriic.
He was never the musical driving force of the Stones, wow
@@joesephsizian9113 You just don't know their story and history, read up a bit.
Held together... talk about huge understatement. Keith has been performing for 60 years, I have seen him 115 times. I saw Taylor, unfortunately never saw Brian live. 👍
He makes that little riff come alive during live performances in those days. See “Got Live If You Want It.”
Brian Jones Great Man very good 👉 in my Hertz 👉🙏🙏R.I.P. 🙏🎸🙏💔💔💔💔💔💔💔🙏🙏🙏🙏
Love the isolated music vids! More please
BRIAN WAS THE STONES DURING HIS TIME WITH THEM. THE MOST TALENTED MEMBER OF THE GROUP,,,,,,,,, NUF-CED !!.
A super great guitarist
Cool...great timeless riff
Can you imagine playing this again and again, night after night on a tour? I'd rather drown, too.
I always thought this guitar sounded very kool. Very simple but catchy.
Ironic that for such a disastrous human he was so disciplined and crisp as a musician.
He was a horrible person
No he wasn''t . He was loved by many. He was envied by many
Given the utter simplicity, it is surprisingly musical.
That was awesome. Thank you!
Back in the day they called them garage bands. I was in a garage band that played at a lot of our High school dances. We played "get off my cloud " and I played the Brian Jones part. When I went to my 50th High School reunion, people came up to me and said, "I remember your band, you played that red guitar ." (Gibson es335) After decades of not playing, what I'd give to play as good as I did when I was 17!
That makes two of us! West San Fernando Valley 1966-70, don't know if it was magic or just being that young. My fingers are old and fat now, but I can still play his part on my Rick 12!
Brian the one who started the stones and brought the guys in. Sad how they pulled it away from him.
Manipulated by Andrew Oldham to make sure that Mick fronted the band.
@@bobinscotland the lead singer usually is out front.
@@larryn2682 Mmmm... I'd never noticed that. Maybe watched too much Dave Clark Five or The Eagles...lol
Pulled it away from him??? He was a huge druggie and a miserable soul who wasted away to nothing.
Yeah they sort of screwed him like John and Paul did George. I think the difference was I heard BJ was a prick and hard to deal with, not to mention he was too drugged up to go on tour.
Brian had great pop melodies, similar to Tony Hicks, just a great feel for what works.
Tony Hicks is perhaps the most underrated guitar player of all time! The Hollies were certainly one of the greatest groups to ever come out of England!
Oooh! So true! Few people mention Tony. Beautiful live TV clips of Hollies with Nash and Hicks playing Les Pauls! Like Brian,Tony played these ginchy repetitive riffs that anchored the songs!
Jones could not create a pop hook if his life depended on it. The only guitar Brian knew before he met Keith's genius was old blues licks.
@@williardbillmore5713 And yet Brian was there for their most inventive and creative period. After the failure of "T.S.M.R." they just became what they started out as, a pretty damn good blooze band but had taken that about as far as it would go by the mid-70's. Hell, I'd rather listen to the Inmates or the fantastic Dr. Feelgood from that period and after "Exile..." they never made an album again that could compare to the first two Graham Parker and the Rumour platters. Brian was their secret weapon and I'll take him over Mick Taylor or Ron Wood any day of the week!
@@ailurophile17 Jones couldn't carry water for Taylor or Wood...Their abilities and verisimilitude on the guitar are many classes above Jones at his sober best.
The 60s was a musically inventive period , exciting and ground breaking for every band on the charts. Only a handful of bands successful in that decade lasted into the 70s,( including the Fab Four), and almost none of them lasted into the 2000s and beyond ... Jagger and Richards were, and remain a force of nature among contemporary songwriters in six decades and would have been hugely successful without Jones and all his negative baggage weighing them down.
UNO DE LOS GRANDES GENIOS. GRACIAS POR COMPARTIR
Brian
Jones made the Rolling Stones what they are today absolutely incredible band 😊
Brian suffered from bipolar disorder. Drugs ruined his fragile nerves. Deserved more support from his mates.
His "mates" needed HIS (OR SOMEONE'S) SUPPORT TOO! They were involved in a competition with the greatest hitmakers of all time and the last thing they should've been expected to be was babysitters!
@The Vinyl Music Life That is easy to say in retrospect. But there wasn't a drug rehab on every street corner in the 60s like there was in the 90s .
Walsh was, and is, a nice likable guy and an amazing guitar genius in his own right. Brian was impossible to get along with , an asshole, an egomaniac and no guitar giant.
He showed no desire or intention to change his lifestyle and Keith and Mick had no higher ground from which to lecture him about drug use.
As Keith has said," I'm not one to talk about anyone's destructive behaviors, but hey I'm still here..." He must have had some line he wouldn't cross to have survived.
Brian apparently had no such internal filter.
I think the Stones made the right decision in firing Jones. The quality of the music they produced in the following years proved that out, and Brian's ultimate self destructive behavior did as well.
Keith couldn't even help himself!
@@williardbillmore5713 yes I think this is very true about Brian from what I’ve read.
@@JohnJames-kw5de The Stones got much bigger, more popular and produced more and better music AFTER Brian left the band ...
...That tells a lot.
Jones was almost the Pete Best of the Stones.
Ha ha ha ha ha ha ha ha
Brian offered his own brand of genius. Such a loss.
Really impressive! 🇬🇧🎸
His was an indefinable uniqueness.
When he was gone from the band,
So too, was a part that made that
band what it was.
Never to return.
Pure Brian. delicate and hypnotic. his playing style was totally opposite to Keith's In many ways.
That's why he died...
I would add 'disciplined'. Where a boob like myself would 'strum and flail' he hits the chords in an intentional way that supports the song and sits beautifully in the mix without getting in the way of anything else.
I think that might be why I consider them the best guitar duo ever. At times they sounded like 2 speeding locomotives. Other times like one or 6 guitarists. I guess it’s that ancient guitar weaving description keef referred to. Thanks
@@douglascarroll6178 This was the worst of the pairings. The weaving happened after Brian Jones.
@@chrisbissett4434 well keith refers to him and Brian's guitar weaving more than the other two
Thank you for the re-mix. I thought to make a collective reply to some related points made in the comments. In response to Ovalvox and many others. Yes i first heard this clearly off of a live 1960's bootleg, Honolulu I think. It is first clearly heard in much later Stones performances, played by Ron Wood especially 2010 onwards. Ron in an interview said he wanted to do the old songs closer to what they played but with his own twist. Its very clear when you here him bringing out a similar subliminal guitar part in Jumping Jack Flash live. It sounds easy to play, say compared to seventies heavy rock solos, but its not. Indeed, someone who does Rolling Stones guitar lessons on you tube, Jimmy James or Private Tracker probably, said as much. I have never tried to play it on a 12 string! Andrew Oldham did bury Brian's parts but his pieces are right front and centre instruments in Oldham's classical arrangements of Stones songs by his Orchestra. If i was to go philosophically deeper perhaps into the political cultural context of the 60's, i might say Oldham shows a "bringing to the front" that which is subliminal and at the margin. It is then a musical metaphor for far left politics particularly in 1960s France but now in US and UK, the "outsider" to the centre as the existentialists used to say, becomes for the left, the subliminal margins the minorities to the centre. Indeed, Jean Luke Godard is doing the same sort of thing in the movie One+One but here it is a contrast between the functional synthesis "representation" of the studio mixing desk "mediation", and the "live sound" of Godard's film mics in the "actual" performance in its "immediacy". I think The Stones, last year released a version of Sympathy for the Devil with the piano very low and Brian's acoustic guitar very high in the mix. Also some you tube people have used some technology to bring up Brian's part in the mix. Anyway, to coda, The Stones clearly knew the 60s politics is gong to be a long process and the Stones are in it for the long hall, and forward planning 60s songs to be even more relevant 50 years later when the potential meanings of the process are manifest. The French Philosophers were working on sublimate subliminal, sublate Aufheben from Hegel but claiming to be working on “Difference” from Hegel. They were Derrida Deleuze and Foucault unknown then, and 50 years later at the centre of the political stage. Have i gone radically off topic here, or used the object (your video or Brian or the Stones or Brian's guitar part)for my own political purposes. maybe of course but i see this as Critique that brings out features of context in interpretation of the "object". This post then is an example of the thing it is talking about. The Comment is the same thing in "use" as what is "mentioned" a Anglo American distinction (use and mention) all this is in the Stones music and performance. Many thanks again for posting the mix.
Upvoted for being the most academically #Byzantine comment on #Music ever heard!
@@walkinthrutheparkbymr.melo3905 Byzantine? Try Bizarre...
excellent critique although I don’t think the stones were deliberately trying to play it forward 50 years
Got "Hot Rocks" from a second hand store when I was very young - have always loved this melodic riff and wanted to hear it more clearly!!
Mick and Keith must hate the internet. For 30 years, they were able to ignore, discount and peddle crap about Brian. But with the net, the masses started to share his invaluable contribution, vision, swagger and style that he brought to the stones. They did it all to build up their own legacy, but they’ve also elevated Brian as well. Jones Stones forever
Dee=Brian was a wasted drug addicted who could not accept that he could not write songs 😊
@@joejoe7212well he was never credited when he did help. He was an amazing musician
@@J..398 ok but his inability to right songs is what made him jealous you can’t not get financially rewarded for playing instruments legally but only song writers can get paid more unless the whole band agrees in a contract that they all contributed 👍
@@joejoe7212 that is correct. And unfortunately he became a bit envious. Had he lived past 27 and done work after the stones I would imagine he would write some of his own material.
Brian Jones era by far the best era of The Rolling Stones my opinion anyway
Wrong, Keeeeef is a modern day maestro
@@joesephsizian9113 not saying Kieth isn’t awesome but there were songs that were either going to be trashed like under my thumb or songs like Ruby Tuesday that were hits because of Brian’s musical abilities to play any instrument and add color to any song to embellish it to make it awesome, Rolling Stones wouldn’t even be around without the guy who formed The Rolling Stones Brian Jones don’t forget he hired Kieth who hadn’t even played a gig in his life before who Brian was already a seasoned artist ! So much for your argument sorry to have to break it to you lol !
My opinion, any era with Keith and Charlie is the best, the rest of the band are there helping aids sort of speak.
@@michaeldaugette802 I’m well aware of this, I’m 62 been a die hard fan since 7 years old. Long live The modern day maestro
@@joesephsizian9113 oh he’s doing that alright
There is nothing at all exceptional or genius about this guitar part Jones is playing it consists of three notes in a nine note pattern repeated over and over and over again, ihree simple chords arpeggiated in the coda and two more for the turn around. I had learned and played this super simple part along with the Stones' recording on the radio when I was 13 years old the same year I got my very first electric guitar.
It's not at all difficult to play
To read how the Saint Brian worshipers describe it, one might think he was playing Beethoven's 9th symphony beginning to end single handed.
Excellent!!!!!!!!
Brian was extremely talented, he's the original rolling stone, banished for his addiction, died from a broken heart.
He died from lungs filling up with pool water!
We all know how he died, you're not even capable of understanding the riggers of drug addiction. Brian formed the Rolling Stones, it was his band. Brian's addiction excellerated enormously after he was banished, drugs eased his pain.You'd be heart broken too if your "friends" stab you in the back.
A real genius of this band!
No ovidiu. The genius of the rolling Stones was in the song writing partnership of Jagger and Richards and their uncanny ability to write hit songs on a consistent basis.
A few twangy sitar lines don't sell millions of albums. Good solid contemporary rock songs do.
Your video makes me realize I need to know more about Brian. I've always felt a little skeptical about the musicality of the Stones, whom I became aware of late in their history. Thanks for presenting interesting information by pointing to Brian Jones work in the early Stones history.
Skeptical about the Stones ??????
@@joesephsizian9113
Skeptical? Yes. I am.
To me, the Rolling Stones are theatrical. In concert, Mick runs around for two hours. Keith and Ronnie play a few notes over and over. The stage sets get bigger with every tour. The songs are crude. Yet it all works as as a giant theatrical spectacle.
Just don't hum the tunes. The tunes are familiar, bawdy, and sardonic, but musically boring.
Awesome
Rolling stones no 2 LP the best LP in my opinion 🍀🇬🇧🇮🇪
As he so often did, Jones played Bill's bass line in a higher octave on the verse, then he arpeggiated Keith's chords in the refrain.
Brian was a copyist he never had an original musical idea in his entire career.
It can more easily be heard in this live version where both Bill's bass and Brian's guitar are equal in volume;
czcams.com/video/qUDMzhlefMs/video.html
The fugue counterpoint with guitars in their music is brilliant. Guitars sound great tuned in G.
I have come to the conclusion that Brian had so much talent that it overwhelmed him and not properly channeled by his colleagues , terrible loss!
It actually has a Middle Eastern sound to my ears. It stands on it's own.
Good Pickup, apparently Brian was right into Morrocan influences.
Nice classic pop riff. Brian added a sweetness to the Stones raw blues sound. He is responsible for that great early Stones sound. I think George Harrison borrowed the second half of this lick for his beautiful song "If Not For You".
You're right. You're a good dude. Peace
It's a three note lick. No one "borrowed' anything from anyone.
THREE NOTES!
@@williardbillmore5713satisfaction is 3 notes
@@J..398The three note riff in Satisfaction *IS* the musical hook that mostly only accompanies the lyrical hook.
The line was originally envisioned as a horn section playing the three note line. Keith laid it down using a fuzz pedal because when they first came out fuzz pedals were thought to make a guitar sound like a saxophone. And they do somewhat.
Once Keith recorded the track with a guitar and fuzz pedal everyone was wild about the unique sound and the horn accompaniment Keith envisioned was never arranged or recorded.
The three note part in Get off of My Cloud is very different. It functions more as a drone. An uncomplicated repeating single note major chord triad that sets the harmonic content behind the wordy verses, functioning almost as a bass part would, only in a higher octave.
Never underestimate anything Keith does, or directs others to do, in a Stones song. Everything is well thought out and with specific purpose.
Even the three note licks.
@@williardbillmore5713 riffmaster Keith! The 3 note comment was not meant to put him down, Keith is undeniably great. It was just to show another example of a short but effective lead riff. The Stones are masters at that.
Super interesting! Hard to tell but do you think it's separate takes of the slide/verse parts vs the chord/chorus parts, or do you think that was all one take? The slide/verse parts kinda sound like its on one string of a 12 string - sorta sounds like 2 strings in unison, but hard to say definitively. Amazing how clean and low volume those parts are. Love picking apart this stuff, nice work.
There's no slide playing here
Well if it's a twelve string then it would be two strings in unison because the 1st and 2nd are tuned like that.
Not slide.
Sounds like they dropped in the chorus sections as the background/spill noise disappears and there seem to be two guitars with a different tone to the single guitar on the verses.
Delicate and hypnotic well said. I think he was involved with here comes the sun. Anyone?
Love the Jones boy 😎
Did he fall asleep playing this ?