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P.D.Q. Bach - Liebeslieder Polkas

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  • čas přidán 6. 08. 2024
  • P.D.Q. Bach - Liebeslieder Polkas for mixed chorus and piano five hands (S. 2/4)
    0:00 - To His Coy Mistress
    2:18 - To the Virgins, to Make Much of His Time
    4:01 - The Passionate Shepherd to His Love
    7:04 - Why So Pale and Wane, Fond Lover?
    9:00 - It Was a Lover and His Lass
    11:33 - The Constant Lover
    14:17 - Song to Celia
    17:03 - Interlude (piano)
    19:26 - Farewell, Ungrateful Traitor
    22:01 - Who Is Sylvia?
    The Swarthmore College Chorus
    Peter Gram Swing, conductor
    David Oei and Anne Epperson, piano
    Professor Peter Schickele, piano fifth hand
    The Liebeslieder Polkas is the first opus of P.D.Q. Bach's to be discovered in which he inflicted his music on the work of well-known poets, or even known poets, for that matter. The fact that all the poets represented are English leads one to surmise that P.D.Q.'s drinking companion Jonathan "Boozey" Hawkes had something to do with instigating the piece; Hawkes eventually married P.D.Q.'s cousin Betty-Sue Bach and returned to his native Liverpool, where the two of them spent their senility publishing most of the unmourned composer's vocal music.
    As far as observing the integrity of these already-famous poems is concerned, P.D.Q.'s attitude ranges from indifference to contempt. Some of the poems are set complete, others are rather haphazardly cut, some contain completely spurious interpolations, and in one case - Ben Jonson's beloved Song To Celia - the poem has been extensively rewritten to reflect the composer's besotted Weltanschauung. Minor spurosities have been omitted from the accompanying printed text, but the two verses added to the end of Shakespeare's Who Is Sylvia? were too intrusive to ignore.
    A word about the fifth hand in the piano part: When Brahms wrote his Liebeslieder Waltzes (in obvious imitation of P.D.Q. Bach, but, as usual, without giving the earlier composer any credit) he scored the accompaniment for piano four hands; by adding a third person at the piano P.D.Q. not only exapnded the range of the accom paniment, but he also made sure that there was always one hand free for turning pages, or, to look at it another way, he made life much more interesting for the page-turner.
    DISCLAIMER: I do not own the rights to this music/song. All rights belong to the owner. No Copyright Infringement Intended.

Komentáře • 8

  • @bubbeleh33
    @bubbeleh33 Před 2 lety +6

    Brilliantly silly and refreshingly lighthearted.

  • @JoshFreilich
    @JoshFreilich Před rokem +4

    Eye me only with thy drink,
    And I will pledge with this;
    Or leave some wine but in the cup,
    And I'll not look to kiss.
    The thirst that from the soul doth rise ~
    Doth ask a drink divine;
    But if Jove's nectar I can't sip,
    Some ale will do just fine.
    I sent thee late a rosy wreath,
    Not so much hon'ring thee
    As giving it a hope that there
    It could not withered be.
    But thou thereon didst only breathe,
    And sendst it back to me;
    Since when it smells, I kid thee not,
    Of pretzels and chablis.

  • @maralisil
    @maralisil Před rokem +1

    Jokes aside, I really enjoy his music!

  • @miketackabery7521
    @miketackabery7521 Před 6 měsíci

    Loving this. Hilarious!

  • @bmjessep
    @bmjessep Před 2 lety +2

    Anyone have the lyrics?

    • @pdqbachfan
      @pdqbachfan  Před 2 lety +4

      You can find them online if you just look up the poems.

    • @fly_speck_cafe
      @fly_speck_cafe Před rokem +1

      I do, with my vinyl LP.

    • @ZorenToo
      @ZorenToo Před 6 měsíci

      ​@flyspeckcafe does the original lp include "Twelve Quite Heavenly Songs"?