Wrap me up in always And drag me in with maybes, yeah Your innocence is treasure, your innocence is death Your innocence is all I have Breathing underwater And living under glass And if you spin your love around The secrets of your dreams You may find your love is gone And is not quite what it seemed To appear to disappear Beneath all your darkest fears I believe in never I believe in all the way But belief is not to notice, belief is just some faith And faith can't help you to escape And with this ring I wed thee true And with this ring I wed thee now And with this ring I play so dead But no one's asking for the truth, so let me tell you If you spin your love around The secrets of your dreams You may find your love is gone And is not quite what it seemed To appear to disappear Beneath all your darkest fears To the revelations of fresh faced youth No one will come to save you So speak your peace in the murmurs drawn But youth is wasted on the young Your strength is my weakness, your weakness my hate My love for you just can't explain Why we're forever frozen, forever beautiful Forever lost inside ourselves The night has come to hold us young The night has come to hold us young The night has come to hold us young The night has come to hold us young The night has come to hold us young The night has come to hold us young
@@Alleycat___His voice doesn't ruin some songs because that's the way he wants his songs to sound. Doesn't mean everyone needs to like it though. His voice is peculiar I'll give you that. He uses it in a way that is really original though, especially on Siamese Dream.
@@MatSen333 well it's interesting what you say. To me Corgan has something like three different tones of voices. When he's calm, when he goes mad Wich is still cool to me and when he goes with that very high pitch of tone, Wich sound to me strident. If you listen to Patton or Cornell going high pitch, Wich both of them are indeed reaching those almost impossible notes, they sound really good, but idk why Billy's voice is annoying to me. SP music is complex and very rich, but, Corgan to me is their lowest point in terms of music output. Cannot say he's out of tune, but he lacks of music himself with something he can't control at the fullest. It is my humble opinion and I appreciate your comment. Ty
I am not afraid to say that MICS is not the best SP's studio record in this 90's times: useless overproduction. Butch Vig's prod on Gish and SD are much raw and efficient. I saved MICS recording by listening billions of time to the Vic Theater Chicago 1995 recording.
I think this is an interesting take. I’ve always thought Siamese Dream was over produced. Not in a bad way it’s a beautiful album. But it’s obvious it’s full of layered guitar tracks and meticulous in its execution. I’ve heard that when MCIS was being recorded, they were wanting to capture the band in a way that would make them sound like they were playing live.
Thanks for doing the instrumental version of this ..... now it can be karaokeed ...
Wrap me up in always
And drag me in with maybes, yeah
Your innocence is treasure, your innocence is death
Your innocence is all I have
Breathing underwater
And living under glass
And if you spin your love around
The secrets of your dreams
You may find your love is gone
And is not quite what it seemed
To appear to disappear
Beneath all your darkest fears
I believe in never
I believe in all the way
But belief is not to notice, belief is just some faith
And faith can't help you to escape
And with this ring I wed thee true
And with this ring I wed thee now
And with this ring I play so dead
But no one's asking for the truth, so let me tell you
If you spin your love around
The secrets of your dreams
You may find your love is gone
And is not quite what it seemed
To appear to disappear
Beneath all your darkest fears
To the revelations of fresh faced youth
No one will come to save you
So speak your peace in the murmurs drawn
But youth is wasted on the young
Your strength is my weakness, your weakness my hate
My love for you just can't explain
Why we're forever frozen, forever beautiful
Forever lost inside ourselves
The night has come to hold us young
The night has come to hold us young
The night has come to hold us young
The night has come to hold us young
The night has come to hold us young
The night has come to hold us young
Best way to listen to this song lmao, sorry billy.
That's not funny 😭
@@MatSen333sad but true. Cat's voice of Billy is quite annoying sometimes and ruins many good pieces
@@Alleycat___His voice doesn't ruin some songs because that's the way he wants his songs to sound. Doesn't mean everyone needs to like it though. His voice is peculiar I'll give you that. He uses it in a way that is really original though, especially on Siamese Dream.
@@MatSen333 well it's interesting what you say. To me Corgan has something like three different tones of voices. When he's calm, when he goes mad Wich is still cool to me and when he goes with that very high pitch of tone, Wich sound to me strident. If you listen to Patton or Cornell going high pitch, Wich both of them are indeed reaching those almost impossible notes, they sound really good, but idk why Billy's voice is annoying to me. SP music is complex and very rich, but, Corgan to me is their lowest point in terms of music output. Cannot say he's out of tune, but he lacks of music himself with something he can't control at the fullest. It is my humble opinion and I appreciate your comment. Ty
m0r0n
I am not afraid to say that MICS is not the best SP's studio record in this 90's times: useless overproduction. Butch Vig's prod on Gish and SD are much raw and efficient. I saved MICS recording by listening billions of time to the Vic Theater Chicago 1995 recording.
I think this is an interesting take. I’ve always thought Siamese Dream was over produced. Not in a bad way it’s a beautiful album. But it’s obvious it’s full of layered guitar tracks and meticulous in its execution.
I’ve heard that when MCIS was being recorded, they were wanting to capture the band in a way that would make them sound like they were playing live.