Improvising Cadenzas according to Johann Joachim Quantz

Improvisation was a very important element in cadenzas according to Quantz, so in this video we look at the cadenza in the baroque period. What are it elements and what do you need to look out for? See the comments for the time stamps!
This video is part of a larger series inspired by Quantz's Versuch from 1752, where I try to tell you everything Quantz has to say about improvisation in the German Baroque.
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Other Quantz Versuch videos
• Learning improvisation...
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Other videos about ornamentation:
• Ornamentation videos
============ Courses and Support ============
ONLINE BAROQUE ORNAMENTATION COURSE - learn to improvise baroque ornaments inspired by Quantz's fascinating pedagogy:
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00:53 Cadenza - disambiguation of the word
02:32 When did the cadenza come into use?
05:58 Where should one add a cadenza?
08:35 Why add a cadenza?
09:22 Relation to the original piece
10:36 How to approach a cadenza (invention, fluency, disorganised and modulation)
12:20 Melodic variation vs coherence
15:00 Different types of Cadenzas (minor, allegro, melancholy, wind/singers vs the rest)
16:46 Which modulations do we use in Cadenzas? (none, subdominant, subdominant and dominant)
18:06 How to modulate
20:00 Sometimes even good musicians don’t improvise good cadenzas

[@rhythmharmony2923]

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