Nitzer Ebb - "Control I’m Here" (Clouston’s Controlled Edit).

"Control I’m Here (Richard Clouston edit)" is a cut from the compilation; Metal Dance (Industrial Post Punk EBM Classics & Rarities 80-88)... compiled by, Trevor Jackson, and released on Strut, a British independent label, founded by Quinton Scott.
Nitzer Ebb are a British EBM group that were formed in 1982 by Essex school friends Vaughan "Bon" Harris (programming, synthesizers, drums, vocals), Douglas McCarthy (vocals), and David Gooday (drums). The band were originally named; 'La Comédie De La Mort' but soon discarded that and chose the name Nitzer Ebb by cutting up words and letters and arranging them randomly to create something Germanic without using actual German words.
Their debut album, 'That Total Age' was released in 1987. Depeche Mode, longtime friends and label mates of the band, invited them to open for the European leg of their successful Music For The Masses Tour in 1987.
David Gooday left after the tour and they completed their next album Belief (1989) as a duo. Mark 'Flood' Ellis became their new producer. They recruited Julian Beeston to assist them on their own world tour, and he soon became a regular contributor both on and off stage.
In 1989, they teamed with German EBM pioneers Die Krupps to rerecord their 1981 single "Wahre Arbeit - Wahrer Lohn" as "The Machineries of Joy".
The third Nitzer Ebb album Showtime, released in 1990, revealed a less confrontational sound. The single "Fun to Be Had" (1990) featured a remix by George Clinton and was a hit on the US dance chart.
Their fourth album, Ebbhead (1991), showcased a more traditional songwriting style with an emphasis on melodic choruses was produced by Alan Wilder from Depeche Mode and Flood. They promoted the album with a global tour that took them from the southern U.S. to northern Siberia (in the Siberian city of Barnaul).
Their fifth album, Big Hit (1995), featured a greater use of 'real' instruments, especially guitars and drums. McCarthy and Harris recruited Jason Payne (percussion), to their main line-up and brought in John Napier (guitar, percussion) to assist with live performances.
Big Hit was the final release by the band for almost 15 years. McCarthy was a regular collaborator with Alan Wilder's Recoil project, and he records with French electronic producer Terence Fixmer as Fixmer/McCarthy. Bon Harris moved to Los Angeles, where he became a successful producer and recorded as 13mg and as a member of Maven.