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Don't always color with local color!
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- čas přidán 19. 09. 2016
- •Get my PSDs on Patreon: / kmr
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In part 5 of this series, I'll talk about overuse of local color.
Check out my coloring courses (20 hours of lessons!) at www.coloringcomics.com (includes presets for my brushes, tools, actions, and color swatches). You can also post work for feedback!
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If you interested in learning how to color line-art in Photoshop, want to learn comic book coloring 101, or just want more Photoshop comic book coloring techniques, tips and tricks, subscribe for more!
how to color comic books
So much valuable information to absorb from all of your videos. Thank-you for taking out the time. Constantly having to rewatch several times, there's just too much to remember going through it once if you're just novice to the material. So awesome...
Wow, this is something I honestly hadn't given much thought to before. I'd noticed this sort of color work before but just thought of it as stylized without giving much thought to the purpose. Great tips!
Have not thought of this. You share some really nice thoughts and tricks!
Thanks for the tips I suck at coloring lol
Just discovered your work. Amazing. And wanted to say I've learned so much from just 3 or 4 of your videos already. can't wait to watch through a bunch more. thanks and keep it up! cheers.
I tried to do fanart of a cartoon once, and I took a screenshot and used a color picker. And boy was I ever irritated, because I could not find the "local" color for hair, skintone, clothing, whatever, haha! No two screenshots had the same colors. I hadn't even realized all the lighting changes used in this cartoon. Leaving stuff as a local color in the comic is so interesting to me, because you have the lighting effecting change everywhere, EXCEPT for what you want to pop. This is really fascinating stuff.
This was exactly what I need to hear. Thank you.
More excellent instruction! Love this channel!
Thanks!
That series is excellent, all the points very clearly explained.
Thanks again man, you're just so consistently awesome!
Thanks so much for the video man, huge help to me! This is so important for amateur comic book artists to know.
Your videos are so helpful! Very clear explanation and straight to the point. Suscribed :)
Thanks! Very helpfull as usual!
Fantastic! Thank you.
You know, if I watch your video just a few hours ago, my current comic page's flats (I'm studing flat coloring) may be so much better and logic. Thank you for your lesson! Time to do my page all over again, but do it right (:
Amazing tutorial!!! many many thanks! ;)
I've been waiting for this one!!! Loved your previous videos!!! I have taken large steps in my digital comic coloring skills thanks in large part to your tutorials!!! Thank you!!
Good vid, thank you.
Really cool content you're uploading lately 👌✌☕
awesome love it
+K Michael Russell no problem
Great video! I even find a lot of mainstream colourists doing this, one of the worst offenders being Alex Sinclair. If he’s not relying on local colour, I find the washes he does very ugly. The New 52 justice league issues #1-#6 are a prime example. I love seeing beautiful, vibrant, coherent colour schemes, like in your art, or Gabriel Picolo, who did DC’s new Raven book, among other things.
The first example that springs to mind for me of this is kinda goofy, but--in the cartoon Danny Phantom, whenever any of the ghost enemies showed up, the palette would IMMEDIATELY switch to purple, to the point that it became a running joke for fans. 67.media.tumblr.com/tumblr_ma3mr1dIUI1rsw38to1_500.gif But it worked.