Live Q&A with Corey D'Augustine (May 17) | IN THE STUDIO
Vložit
- čas přidán 6. 07. 2024
- Tune in for a live Q&A with IN THE STUDIO instructor Corey D'Augustine! Want to know more about a certain artist, technique or material? Let us know your questions and requests for future episodes in the comments section.
Originally broadcast live on Wednesday, May 17th at 3:30 PM EDT.
Explore the techniques of other New York School painters like Kusama, Rothko, and Pollock: • TUTORIALS: IN THE STUDIO
Want to know how some of the 20th century’s most celebrated artists made abstract paintings? Sign-up for MoMA's free online course, "IN THE STUDIO: POSTWAR ABSTRACT PAINTING." mo.ma/coursera
Subscribe for new IN THE STUDIO videos: mo.ma/subscribe
Explore MoMA's collection online: mo.ma/art
Plan your visit in-person: mo.ma/visit
#art #moma #museum #modernart #nyc #artist #inthestudio #coreydaugustine #rothko #kusama #basquiat #live #liveqa #howtopaint #artschool
Tune in for a live Q&A with Corey on Wednesday, February 7 at 3:00 p.m. EST! He’ll be answering any questions you might have on artists, materials, and techniques. czcams.com/video/OxS8X_V6TCU/video.html
I really like this live session. I'd love to see more. And can you do a video on Francis Bacon!?
been really loving seeing Corey pop up in my subscriptions so much, both here and on the Smarthistory channel with Dr. Steve Zucker. If only more painting instructors were as well spoken and knowledgeable. also thanks for these great videos MOMA!
Thanks, everyone, for the great questions yesterday! If we couldn't get to your questions during the live Q&A, please post them here in the comments section and Corey might answer those and any new questions you might have!
His sense of humor and expertise makes the material so fascinating and engaging! I'm obsessed
Another vote for a How to paint like Clifford Still video. Please
And Guston, especially when you mix in a mini-history lesson.
(I'd ask for Fauves and Grosz but I don't want to dilute my vote.)
I missed the live session, but I savored every minute of the rerun! Thank-you. :)
Thanks Corey for sharing your knowledge with us, you are a wonderful teacher, I really like to see more videos like this
Just found and am so enjoying the fullness of your Coursera course (in early 2018) and your tireless enthusiasm and love of your work. Thanks very much, Corey.
I loved these videos so much. Would love to see more stuff from Corey. He's one of the best teachers on here.
This was amazing. Very informative. Thank you.
Really enjoyed this session, and the course itself, from which I learnt a lot. Many thanks to Corey and the organisers.
excellent video ,thanks to all involved .
Thank you, please keep making these videos.
Geez- you REALLY know your stuff! Thank you so much for all of your teachings- please keep going.
These and the "how to paint like" -videos are by far the most informative and helpful stuff I've come across anywhere. Thank you so much!
Love your videos. Thank you for everything and especially for introducing me to Agnes Martin. 💞
This was so great! Please think about doing them regularly.
Thank you for this video. So many of your answers have clarified things for me and introduced me to new artists and materials.
Yes! More please.
wow! this was so helpful for my own work. it's amazing to hear practical advice from somebody who has also so many knowledge about the historical backgrounds. thank you very much for providing all this, I live in Germany and it's awesome to have the opportunity to learn from you guys from New York ✌️
I don't know much about art, but mannnn Corey explains it so well and inspires me so much! Please make more videos!
Love your videos. Thank you for your valuable insight on these brilliant artists. I’ve learned so much.
Great session! Clear explanations, kept my interest throughout this Q & A with your knowledge and charisma! Looking forward to more.
I learn from both the techniques of painters and how they kept themselves creating. It helps me - supports me - when there is a good balance of women and men artists to study. Thanks for a great course.
Big thank you, very inspirational ♥️
Thank you so much for this course. I'd love to see an in-depth video about pouring paint.
Beautiful!
This Q&A it's great!
Fantastic course, great knowledgeable teacher (useful Q&A too), I'd love to have more classes on painting like that, and I would be very interested into sculpture courses, so much great artists, interesting materials and techniques there. Thanks MOMA and all the team!
Agree completely with your advice about how much can be learned through copying. Before I ever dared to create, I used to buy damaged and ruined works which I enjoyed restoring, or even re-working, and got a thrill from how much I learned. Now on to a 'Rothko'. A thousand thanks!
Wow so informative! Thanks so much For sharing your knowledge and yes would love more of these vids! 👍
Glad you like IN THE STUDIO! We have more on the way. Work has started on de Kooning part 2, as well as a Picasso Cubism video for later this summer. Let us know if there are any other artists or techniques you'd like Corey to cover!
Please give us more!
That was really informative and interesting.
I'm loving IN THE STUDIO, learning so much. A video on Klimt materials and techniques would be awesome. Would love to learn how to achieve some of his effects. Thanks for the fantastic work!
I like all of your video , learned a lot from you , thx you .if possible, pls continue to make more. I believe many artist can learn from you a lot . Best regards
Love it
Tune in for a live Q&A with Corey on Thursday, September 14 at 3:00 p.m. EDT. He’ll be answering any questions you might have on artists, materials, and techniques. He’ll also be revealing the next episode of IN THE STUDIO to go into production!
how did he stop the tempera from cracking? traditionally tempera on canvas cracks hence its mainly a wall paint
how did Rothko top the canvas paint from cracking when using tempera?
Can you do a Picasso or Joan Miro painting. I love Spanish painters.
👍👍👍👍👍👍👍👍 .. very informative, even today
I love you man
Please can we have more Corey?
How would you protect or seal a mixed media art work on canvas. For example something made of mostly acrylics with graphite, charcoal, conté and dry pastels. Thank you for sharing your incredible knowledge!
I wasn't able to catch this live due to time differences, but I'm really interested in the way you emulated Ad Reinhardt's work, that is to say, quite faithfully and I was wondering about what that would do for the stability of his paintings, in the most physical sense. Would he risk the paint not bonding properly by removing all the binding, or nearly all of it from the paint during his 'black' painting period? I noticed that obviously his paintings look fine, does that mean that conservators have been hard at work? This channel and this particular series of videos is a recent discovery and it's really pushed me to pick my painting back up, so thank you! Hopefully you guys can use this one the next live Q&A. :D
Brilliant video to go with brilliant course. Are there plans for more similar courses covering some of the artists mentioned here?
Hi, I'm enjoying your videos a lot, thanks.
At 19:50 in this video you start to give info about the difference between staining using oil and acrylic, and you mention the problem inherent with the surface tension of water. I'd like to add that the addition of a flow-aid or flow improver can help to reduce that surface tension.
I would love a video on working with make-up as paint 😍
Thanks for these great videos! I would love to see a video dealing with techniques of some less well-known and newer artists: Katherine Tzu-Lan Mann, Fiona Rae and Elliott Green
I'm so happy someone asked for Fauvism!
Corey, you are a great instructor..and I am a lazy student on Coursera ..
Thanks you so damn much, i have learned a lot. Tho i am a self taught painter. something you mentioned gave me a big push forward into my future painting i am an acolyte if you will, a damn passionate and complete fanatic of mark rothko, I though i would never paint like him, now i know i dont need to, i might even continue his work in my own way. I wish I had money to pay for a course at MoMA with you! Much love and energy to you. Please keep doing this videos and more workshops into abstract and contemporary art! Cheers! Diego from El Salvador, Central America.
Glad you’ve liked the IN THE STUDIO series, Diego! We actually offer a free online course with Corey. Here’s the link! mo.ma/coursera
Please do one on Matisse cut-outs!
Thanks for this session! I have a question - I have just finished a painting with oil paints and have used oil pastels over it. The oil paints almost dried, over which pastels were used. Now I want to use a fixative for the pastels, and varnish for the oil paints. My question is which should come first? The varnish over the fixative or the other way round? Thanks.
Hey thanks for the great videos! Know of any good fast drying mediums for oil that harden/dry to a matte finish? Thanks
This is better than art school
Anyone else shook about the varnish info only for this brilliant human to drop that bomb and take a sip of water like he didn't say anything?! My life is a lie! Varnish doesn't protect anything?!
Any chance we will be seeing a 'How to paint like Kazimir Malevich' video? Pretty please? :D
Also, you say that action painting is a 'non-European' idea but can it also be said that it finds its earliest origin (perhaps not within the same context though) with Yves Klein and his Anthropometries?
Thanks, I study at Brera Academy from Milano and I am so interested to know more about materials.
Thank you so much for the series of live session Q&A I had to google Drake ! No idea who he was.
Thank you so much for your great teaching - and I really liked your talk of varnish. I never liked the look of it - and now I can skip it on your great advice
Something that was shoved in to my brain when learning oil paint is the concern about maintaining fat over lean. Doesn't mixing all these various solvents and binders create problems?
Please do Max Ernst or Remedios Varo, specifically their usage of decalcomania!!
MoMA staff and Corey, are you planning to offer another session of the Coursera course. Like probably many others out there, I wasn't able to complete all the projects due to other work commitments. But I could probably plan for it if I knew it was coming up again.
Bi-weekly live stream!!
Thank you Corey for SO MUCH information in such a short time and making it so entertaining (like when you blushed being called Drake)! A million thanks for your comments about varnishes. I paint in acrylics and to my understanding should withstand UV rays and time, so I've never been a fan of varnishing and the way it changes my textures. Again, thank you for that. At least now when other artists make comments on my refusal to varnish....I can direct them to this video. ;)
Lastly one question. I've been experimenting with house paints lately. I've used the water based paint and primer-in-one to treat my raw canvas and sometimes to make my initial background. I really like the way they blend with quick action strokes as well as prime the canvas. Any objections to using commercial paint on canvas or precautions I should take? Clearly, I'm on a budget.
Apologies if you've already answered this as I am now going to watch every single thing you've ever published.
Greetings from Texas and I'll be watching! Cheers!
How is flashe vinyl paint thinned and how is it different from acrylic paint? Penny
Corey...can you direct us to video on applying plaster (by hand) to a sculptural armature? Like a Giacommetti or a Picasso.. There are plenty vids on casting, but few on built up plaster. Thanks.
Thank you Mr D'Augustine. You answered so many questions burning in my brain. PS And, hoping it isn't too impertinent of me, you are very cute.
Great videos, are you covering Joan Mitchell?
@20:12 you talk about painting Rothko with watered down acrylics. Couldn't you use the new Golden Hi-flows?
Please do a Clyfford Still for sure!
Thank you for making this video! Does anyone know the artist responsible for the painting in the background?
Hello, and thanks for all your amazing video discussions. I hang on every word! I am wanting to get started in printing some of my photography on a surface which I can then paint on (probably oil) with some gold leaf/silver leaf. It has been many years since I've painted (oil), but am a professional photographer for all of my adult life. Any artists you can point me to for techniques, or surface suggestions? ...or anything else related!
Many thanks.!!! Diana
24:18 “ good artist borrow. Great artist Steal. “ .. one for the books.
Thank You very much!
What about painting oil on acrylic, not acrylic on oil?
Merci.
What is the most common problem with paintings that you're called in to work on?
This should be at the center of MOMA education outreach. for all ages. Corey is good, thoughtful and kind. Please make this a dedicated series.
Do we have to undergo a traditional art course in order to try abstract painting?
🚩🚩🚩 The Museum of Modern Art >>> I keep watching Mr. Corey D’Augustine Live Q&A Sessions...
They are so full of instructive information and "Mr. D’Augustine himself is such a great teacher... ! “
The actual videos I am watching and “re-watching” are older ones, which the Museum has been reposting more recently.
🚩🚩However ...
Please, do bring him back in your video collections... with MORE RECENT PRODUCTIONS (i.e. newer / more recent videos).🙏
Only this evening, 11/14/2020, did I become aware that Mr. D’Augustine now has his own studio... and he is to be congratulated for that.
I need to know if he has been posting videos from his studio. If so, how / where do I find them?
I will be researching, of course, but would still appreciate the details of where he can be found today, i.e. in 2020?
Thank you so much for the great and so very informative videos the Museum has been posting and which I am following, especially in these trying Covid-19 times and lockdowns.
🚩🚩🚩 We are so grateful for you sharing the treasures you have collected over the years.
How safe from point of view of longevity is it, to embed imagery in between layers of paint and glazes? I am a printmaker who is currently doing your wonderful post war abstract expressionist painter's course as I want to combine prints eg etchings, monoprints with painting on canvas.Also can I use oil based printing inks instead of paint as I am not sure of the differences?
I am learning a lot from your videos.
How artists identify themselves with an specific style or movement? Who give the name to an art movement, the art critics (Dada, Cubism, impressionism, surrealism,). Is there and specific art movement now days, is something "new" coming out?
well done. I do wish the auto transcript was used. I would have been very helpful.
Hey Corey, what do you think about Wolfgang Beltracchi ?
How Pollock uses the fractals in his work
Hey Corey, brazilian apprentice painter here. I love your videos but I got really mad about the fact that varnishes don't protect the works and also change color after time. That said, for works in paper, like pastels or graphite, which product would you recommend to protect the work to the touch or anything that could damage or remove this materials from the support?
i do mixed media abstracts - what can i use to adhere paper collage over dry oil paint?
terlen33 I just use elmers glue, or wet oil paint. I've done printmaking and just stick the paper collage directly onto wet ink and it works pretty well, at least on a very large scale
thanks - i will give it a try
how to paint like joan mitchell?
Cool idea! We'll pass that along to Corey.
a Cy Twombly? That would be difficult..
ya klimt please
is it me or does he actually lowkey resemble Drake....
How Pollock uses the fractals in his work