This is a magnificent version. The clarinettist is at the top of his game, and through the effort and the complexities of such a demanding piece is definitely enjoying the music!
he plays double lip. It gives him a bigger dynamic range and greater flexibility than single. He was a student of my teacher Kalmen Opperman who also played double lip.
My favourite version, from Dudley Moore and Michael Tilson-Thomas’ series, concerto. Aired in the 90s, it actually opened my mind to classical music from electronic music for the first time, and has stayed with me ever since.
I remember Stoltzman and Dudley played a duet together on that episode. I think it was either Amazing Grace or Danny Boy. On the coda Dudley reharmonised with some descending gospel type chords. Stoltzman just said “Oh Dudley, that’s marvellous..” I was 15 years old and right at that very moment, I wanted to play music for the rest of my life.
Thank you so much for posting! I played this my senior year of high school for solo and ensemble and went on to state honors band from it :) Brings back good, good memories.
the man that started that stupid clarinet dancing that 99 percent of the kids today copy..all form,,,no substance,,save all that wasted energy dancing and jumping around and put it into the music
I would never say anything bad about Stoltzman. I'm glad he's playing today. His sound at his peak was special, full of substance and form, emotional, delicate, sweet and aggressive. He still retains a certain magic. I think Martin Frost is more to blame for the dance
Love Richard Stoltzman! Wonderful Person, Musician, and Artist!
ABSOLUTELY LOVE THIS. I first heard this in the early 70's.
Copeland wrote this for Goodman but he could have just have well written it for Stoltzman. What a magnificent performance.
A dream, this performance of the Copland's Concert... Great Stoltzman and the London Symphony... So many emotions...
Tanti clarinettisti..ma un solo Stoltzman il miglior Copland da sempre
Che bellezza!
La più bella versione di copland mai eseguita
Stunning.
This is a magnificent version. The clarinettist is at the top of his game, and through the effort and the complexities of such a demanding piece is definitely enjoying the music!
Wow that was absolutely powerful and gracious, BRAVO! Mr Stoltzman nailed it
Stoltzman had such a gorgeous sound!
i cant express how true this statement is 😭😭😭😭
he plays double lip. It gives him a bigger dynamic range and greater flexibility than single. He was a student of my teacher Kalmen Opperman who also played double lip.
My favourite version, from Dudley Moore and Michael Tilson-Thomas’ series, concerto. Aired in the 90s, it actually opened my mind to classical music from electronic music for the first time, and has stayed with me ever since.
I remember Stoltzman and Dudley played a duet together on that episode. I think it was either Amazing Grace or Danny Boy. On the coda Dudley reharmonised with some descending gospel type chords. Stoltzman just said “Oh Dudley, that’s marvellous..” I was 15 years old and right at that very moment, I wanted to play music for the rest of my life.
Really nice version of copland concerto! 😍
Richard the best.... il migliore clarinettista.... completo in tutti i generi!
Thank you so much for posting! I played this my senior year of high school for solo and ensemble and went on to state honors band from it :) Brings back good, good memories.
Unbelievable … Just Absolutely Tremendous !!! Clarinet, orchestra, conductor … WOW
Fantastico !
ストルツマンの演奏見事！
Tremendous performance all round
The best recording of this piece hands down.
great Stoltzman !!!
Bravo
Increíble ❤
Hola claro esta és lamejor version de marboro
👏🏽👏🏽👏🏽👏🏽👏🏽🌹🌷
the man that started that stupid clarinet dancing that 99 percent of the kids today copy..all form,,,no substance,,save all that wasted energy dancing and jumping around and put it into the music
I would never say anything bad about Stoltzman. I'm glad he's playing today. His sound at his peak was special, full of substance and form, emotional, delicate, sweet and aggressive. He still retains a certain magic. I think Martin Frost is more to blame for the dance
All that long note stuff, very boring to say the least.
Sorry, I had to switch it off