Hey 😀! Jamie from Carroll NH! ... I've been an Irish Sessioneer now for 20+ yrs...mostly bodhran and flute/whistle...but 6-7yrs fiddle. I see that there's a LOT more double stops and upbowing used in old time, as well as bow resets, same with Scottish. And it's hard to group "Irish" as one whole distinct genre, as you have definite regional styles, more rolls, etc. especially Kerry style. Same goes for flute and whistle playing too! I mean...look at the shuffle and swing with Texas Vs W. Virginia styles. I think it also has to do with where the settlers originated? Scots in the South, vs more Irish in the West...thoughts?
Lovely simple and concise , and yet full of guidance . Theres enough information there to keep me going for months , and no mystery . Thank you ever so much
sorry to be offtopic but does anybody know a method to log back into an instagram account..? I was dumb forgot my account password. I would appreciate any tips you can give me.
@Mohamed Anthony Thanks so much for your reply. I got to the site on google and im in the hacking process atm. Seems to take quite some time so I will reply here later when my account password hopefully is recovered.
Wow! I hear these distinctions, but only because you pointed them out! You have a great ear and are such a talented fiddler, in addition to being a simply lovely young woman. I will be looking for more of your instruction and hopefully find some more of your fiddling!
I note, that the bowing, You mention as Swedish is actually a bowing used in Scandinavia. A fast version from Danmark, might be the "Sebbersund Hopsa" or "Lonnens Vals" played by "the old scool" by V Poulsen's Kapel, or the extreme&strange /music bowing from Fanø island, called "Sønderhoning"s : "Søren Fogeds styk" played by Jæ' Sweevers
Thank you ........this lesson REALLY COUNTS FOR SOMETHING......Thanks Marie Morris PS I bookmarked you,,,,,,,,,,,,,,,,Thanks "air" bounce relating to dance.............Thanks
I guess so much of music is based on playing with others, which is important; however, myself I just love being able to read music, listen to how others interpret it and then just playing it the way I hear it, not trying to sound like anybody else. I think this is how fiddlers stand out, by being an individual and expressing the tune with a new interpretation. Like Sally Goodin, or Uncle Joe (miss macleod reel) I like to play these tunes singing the lyrics in my head. My two cents, cheers.
Let me give you the Tennessee/Appalachan explanation of what happened LOL ! In the 1700s when our ancestors came over from Scottland to make moonshine and avoid the whisky tax, the best of the Scottish DNA came with them. leaving the home front weakened LMAO! That is why Devil's Dream and Angeline the Baker is not even recognisable if you listen to a Scottish player anymore ;) Stray Away Child is almost not similar to a Scottish player's version. And the song you just played, here you would be asked "What is that tune cause it sure ain't Little Lizza Jane" LOL This is Allison Krauss playing what we know as Little Lizza Jane. czcams.com/video/1Hqhp4Y1iLo/video.html
Just arriving on that lesson
Hey 😀! Jamie from Carroll NH! ...
I've been an Irish Sessioneer now for 20+ yrs...mostly bodhran and flute/whistle...but 6-7yrs fiddle. I see that there's a LOT more double stops and upbowing used in old time, as well as bow resets, same with Scottish.
And it's hard to group "Irish" as one whole distinct genre, as you have definite regional styles, more rolls, etc. especially Kerry style. Same goes for flute and whistle playing too! I mean...look at the shuffle and swing with Texas Vs W. Virginia styles. I think it also has to do with where the settlers originated? Scots in the South, vs more Irish in the West...thoughts?
Lovely simple and concise , and yet full of guidance . Theres enough information there to keep me going for months , and no mystery . Thank you ever so much
This really showed me, I have an identity crisis but now I have a starting point. Great video.
Very helpful information . THANKS!
this is so a awesome i cant thank u enough for sharing this
Little Liza is SO awesome. But so is the whole video. Thank you for sharing.
Great Job Very Helpful Lesson adding The pulse in There. i will be adding that To my old time playing .
Thanks for this bowing lesson!
It is not easy to find good explanations for those subtleties. Well done. Thanks.
Just great!
Excellent lesson!
Thank you for your reply this is like a "new dawn" for me I sense being able to put personality
great to hear this lesson. consider making more videos or teaching in your area!
Wow this little lesson I stumbled upon is what I needed 11 months in. My dad since passed is guiding me to his style, thank you for posting.
sorry to be offtopic but does anybody know a method to log back into an instagram account..?
I was dumb forgot my account password. I would appreciate any tips you can give me.
@Colton Mathew instablaster =)
@Mohamed Anthony Thanks so much for your reply. I got to the site on google and im in the hacking process atm.
Seems to take quite some time so I will reply here later when my account password hopefully is recovered.
@Mohamed Anthony It did the trick and I actually got access to my account again. I am so happy:D
Thanks so much you saved my ass!
@Colton Mathew Glad I could help :D
Wonderful
Good lesson - leaves us wanting more. The tune Liza Jane is often played in cross tuning, AEAE, which also contributes to an Old Time feel.
Wow! I hear these distinctions, but only because you pointed them out! You have a great ear and are such a talented fiddler, in addition to being a simply lovely young woman. I will be looking for more of your instruction and hopefully find some more of your fiddling!
I note, that the bowing, You mention as Swedish is actually a bowing used in Scandinavia.
A fast version from Danmark, might be the "Sebbersund Hopsa" or "Lonnens Vals" played by "the old scool" by V Poulsen's Kapel, or the extreme&strange /music bowing from Fanø island, called "Sønderhoning"s : "Søren Fogeds styk" played by Jæ' Sweevers
Thank you ........this lesson REALLY COUNTS FOR SOMETHING......Thanks Marie Morris PS I bookmarked you,,,,,,,,,,,,,,,,Thanks "air" bounce relating to dance.............Thanks
Help, I’m drowning in punctuation
@@greablood1072 putting ones personality to their music is what I think you have given me a pathway too Thank you so much!!!!!
I guess so much of music is based on playing with others, which is important; however, myself I just love being able to read music, listen to how others interpret it and then just playing it the way I hear it, not trying to sound like anybody else. I think this is how fiddlers stand out, by being an individual and expressing the tune with a new interpretation. Like Sally Goodin, or Uncle Joe (miss macleod reel) I like to play these tunes singing the lyrics in my head. My two cents, cheers.
Great lesson. Does anyone know the name of the tune Naomi plays a line of @2:04?
Notie is a great word @5:39
Let me give you the Tennessee/Appalachan explanation of what happened LOL ! In the 1700s when our ancestors came over from Scottland to make moonshine and avoid the whisky tax, the best of the Scottish DNA came with them. leaving the home front weakened LMAO! That is why Devil's Dream and Angeline the Baker is not even recognisable if you listen to a Scottish player anymore ;) Stray Away Child is almost not similar to a Scottish player's version. And the song you just played, here you would be asked "What is that tune cause it sure ain't Little Lizza Jane" LOL This is Allison Krauss playing what we know as Little Lizza Jane. czcams.com/video/1Hqhp4Y1iLo/video.html
Brilliant lesson!!!
Thank you for posting this😃
I wish you lived near me...
I sense there is a possibility to put personality into your music!!!!
what you call "air" is what other's call "swells"