Neddie never disappoints like my Asian child i told him to be like him but look he just got 99% in sound designing, i throw him in recycle been so he will be recycled. 💀💀
You should try to make something similar to the glitchy stuff that Mid-Air Thief made in his album Crumbling. The genre is called folktronica. It might be too difficult to make without a guitar. You can probably use guitar samples though.
Yo Neddie I want to thank you for doing future bounce, definitely a baller af gigabrainiac maneuver fr ngl. Here's just some feedback I want to give as someone who's produced this genre for a few years now: - The most important thing in future bounce is the lead, therefore it should be at the front of the mix, then clap/kick (depending on the style; Dirty Palm normally has his clap louder than his kick but it also peaks just before the kick since it's pre-shifted so idk), then bass, then chords and bg ambience. I say this because I noticed that your mix had more of a focus on the bass and drums. Something that can help your lead stand out more is by adding a completely mono saw layer to your stack (also the leads are supposed to have strong transients) - Another thing I noticed is that when you added reverb to the leads and chords, is that you didn't automate the reverb. This helps maintain focus on these elements (mainly the lead) and keeps them from slipping into the background. You typically want the reverb throws to happen after every note (and compress/ott after you add reverb to make the throw more apparent). - I would also have automated the cutoff of the chords (saw down motion on a lowpass filter on every chord hit) to make it sound more clean and also keep it from fighting for attention with the lead. - The bass is very najs in this track too tbh! Personally I would make every bass note long to the point of where it touches the next note (I think it's called legato but i may have itsy bitsy brai), this way the sub is present throughout the drop. This is of course unless you want a choppy feel, in which case you can break the bass up with a short bassey percussion oneshot (with mono lowend). Pitch automation for the bass is also pretty good and can help keep it from feeling stagnant or too jumpy; it's generally just nice to have when transitioning in big leaps. The biggest thing that bothered me about the bass, though, was that I feel like it was going too high and that you should have reduced around 150-200hz a little more (tbh this is just my preference for when I make future bounce but ye) - I also noticed that you may have been thinking about using a pre-shifted clap and then didn't lmao. But I would highly recommend it unless you want that slappy feel yk? - Here is the final thing: there are usually more elements in the second half of the drop (which you obviously know), but normally arps aren't really used. If they are, then it's only in the second half to give the listener time to become familiar with the melody in the first half of the drop before introducing more stuff. Hats should only be in the second half too but rides are pretty popular now throughout the entire drop (although Brooks likes to have them more present in the second half of his older drops) Okay that was all. I'm sorry for picking apart the project like this and I completely understand that you only worked on it for like 30 minutes and that you likely wouldn't have had time to do all the nitpicky stuff I just mentioned. I really appreciate you doing future bounce and uploading all of these baller videos so consistently, thank you and sorry for writing an entire book fr
I think a full vid is probably a bit overkill since the way I make them is pretty simple, the way I make them is I just write a little arpeggio or melody that essentially has all the notes that I want in my pad, so I treat it like a chord, but arpeggiated. Then I add a super long reverb and like 3 ping pong delays at 50% drywet, all of which have different delay speeds on the 'free' mode so that way you get really interesting arrhythmic notes
Idk where you get this motivation and persistence to post a quality drop every day for like at least 2 weeks now but can I just take a bit of that from you I really need it 🙏🙏🙏
Day 2 of asking Ned to make Electrorock like Puppet. Also, it would be really funny if you changed the thumbnail by coughing with your left hand instead
He either has a limiter or hardclipper on the master. A limiter is an extreme form of compression that doesn't allow audio to go beyond a certain volume level. A hardclipper is basically the same thing but rather cuts the waveform causing distortion.
Never expected to see Neddie making future bounce but I’m absolutely here for it
How are you cranking out so many bangers every day ???
Honestly no idea how I haven't hit writer's block yet
@@NeddieOfficial you're goated with the sauce
Neddie never disappoints like my Asian child i told him to be like him but look he just got 99% in sound designing, i throw him in recycle been so he will be recycled. 💀💀
What are you TALKING about 😭😭😭
have i stroken out? have _you_ stroken out?
This is very good and nostalgic, loving how melancholic feel it is!
what do you think about making a new series based on genre mashing? like episode one could be garage drums x future bass melodics
duuuude this one was so goood. for real go make some BRAZILIAN PHONK next. i think your producing style would make it go hard
when neddie pulls out serum u know it's gonna be neat
neddie you should make some garage house like cloudnone and direct! I think your take on it would sound dope!
You should try to make something similar to the glitchy stuff that Mid-Air Thief made in his album Crumbling. The genre is called folktronica. It might be too difficult to make without a guitar. You can probably use guitar samples though.
Make baile funk next, would be hilarious!
baile funk is the sickest genre ever that would just be a dope video hahaha
Yo Neddie I want to thank you for doing future bounce, definitely a baller af gigabrainiac maneuver fr ngl. Here's just some feedback I want to give as someone who's produced this genre for a few years now:
- The most important thing in future bounce is the lead, therefore it should be at the front of the mix, then clap/kick (depending on the style; Dirty Palm normally has his clap louder than his kick but it also peaks just before the kick since it's pre-shifted so idk), then bass, then chords and bg ambience. I say this because I noticed that your mix had more of a focus on the bass and drums. Something that can help your lead stand out more is by adding a completely mono saw layer to your stack (also the leads are supposed to have strong transients)
- Another thing I noticed is that when you added reverb to the leads and chords, is that you didn't automate the reverb. This helps maintain focus on these elements (mainly the lead) and keeps them from slipping into the background. You typically want the reverb throws to happen after every note (and compress/ott after you add reverb to make the throw more apparent).
- I would also have automated the cutoff of the chords (saw down motion on a lowpass filter on every chord hit) to make it sound more clean and also keep it from fighting for attention with the lead.
- The bass is very najs in this track too tbh! Personally I would make every bass note long to the point of where it touches the next note (I think it's called legato but i may have itsy bitsy brai), this way the sub is present throughout the drop. This is of course unless you want a choppy feel, in which case you can break the bass up with a short bassey percussion oneshot (with mono lowend). Pitch automation for the bass is also pretty good and can help keep it from feeling stagnant or too jumpy; it's generally just nice to have when transitioning in big leaps. The biggest thing that bothered me about the bass, though, was that I feel like it was going too high and that you should have reduced around 150-200hz a little more (tbh this is just my preference for when I make future bounce but ye)
- I also noticed that you may have been thinking about using a pre-shifted clap and then didn't lmao. But I would highly recommend it unless you want that slappy feel yk?
- Here is the final thing: there are usually more elements in the second half of the drop (which you obviously know), but normally arps aren't really used. If they are, then it's only in the second half to give the listener time to become familiar with the melody in the first half of the drop before introducing more stuff. Hats should only be in the second half too but rides are pretty popular now throughout the entire drop (although Brooks likes to have them more present in the second half of his older drops)
Okay that was all. I'm sorry for picking apart the project like this and I completely understand that you only worked on it for like 30 minutes and that you likely wouldn't have had time to do all the nitpicky stuff I just mentioned. I really appreciate you doing future bounce and uploading all of these baller videos so consistently, thank you and sorry for writing an entire book fr
reminds me of old ncs/monstercat, love it
neddie doesn't suffer from writer's block . writer's block suffers from neddie
LMFAOOO
Love this take on the genre
Next: Hardstyle 🎉
I'm watching all these tutorials and thinking... Is bro preparing to make an album? Would honestly love to see Neddie LP
I def wanna do an LP sometime soon but that's not what I'm doing here hahaha
One day I'll see Neddie making Jazzidub like Teminite
we going NCS with this one 🔥
How to make meme riddim like Loompaskettee pls 😂
Same
Melbourne Bounce next 👀
Please make a tutorial how to make sidechain, or make a "room tour" to your Ableton template 🥺👉👈
I showed off how I do my sidechaining in a video I think in the Melodic Dubstep video or some video around that time :-)
melodic dnb would be so :3
MAKING A *super emotional* FUTURE GARAGE TRACK
Could you do a pad tutorial at some point? Would be a big help for a lot of artists
I think a full vid is probably a bit overkill since the way I make them is pretty simple, the way I make them is I just write a little arpeggio or melody that essentially has all the notes that I want in my pad, so I treat it like a chord, but arpeggiated. Then I add a super long reverb and like 3 ping pong delays at 50% drywet, all of which have different delay speeds on the 'free' mode so that way you get really interesting arrhythmic notes
If you mix some Dolly Parton (Country) with bounce, you might get something interesting, but I'm worried you might be 30 years too late 😮
FUTURE PROG & COLOUR TRANCE
Neddie this genre leads reverb have to be controlled
Can you do Svdden death spooky stuff next
Wow that was one of my favorite so far!
Hi Neddie, what genres do you mainly produce?
Yes I do
💀💀💀
Idk where you get this motivation and persistence to post a quality drop every day for like at least 2 weeks now but can I just take a bit of that from you I really need it 🙏🙏🙏
yeah here you go here's some motivation 🤙
YESSSS love this
you should move ur camera to still be able to see bpm
Really good video bro 👌🏻
Nedwardo please do make botanica I'm currently running towards your location with peaceful intentions just in case you say no 😂😂
Day 8 of asking for a Explorers of the Internet/Loompaskettee type beat
Would love you to do a 120 bpm song like Got this by Nature dog
Make some WAKAAN style dubstep or maybe some Boogie T/Dirt Monkey!! That would be sick
so pretty i love it
banger 🔥🔥🔥
s o c h e e s y
well made tho wow
I'm not sure if you've heard of Protostar but, he makes sick neurofunk or DnB. Would love to see you try something in his style!
He was also one of them Monstercat originals. He made Scorpion Pit and Genesis.
now try melbourne bounce (even though it's a dead genre, but still)
YESSSSSSS LETS GOOOOOOOOOOOOO NEDDIE
indeeeed
day 5 of asking neddie to make neurofunk dnb
Yes please
Day 3 of asking nedster to make some absolutely mindblowing vaporwave
Day 1 of asking for a glitch hop tutorial like RYOQUCHA
Day 2 of asking Ned to make Electrorock like Puppet. Also, it would be really funny if you changed the thumbnail by coughing with your left hand instead
Tomorrow can you flip your reaction image in the thumbnakil horizontal
I shall consider it
he said he wont make country…
what about COUNTRY RIDDIM?
Day 3 of asking for HITECH FULLON
plsssss finish this!!!
bro has to run out of genres eventually… right?
I am like thanos, I collect all Infinity stones
What is that upload time xd?
don't worry about it
@@NeddieOfficial fr it's like 5.00 almost 💀 (tbf it is a friday night tho, but should probably go to sleep now)
How come the master's level doesn't explode?
I just have a soft clipper on the master :-)
He either has a limiter or hardclipper on the master. A limiter is an extreme form of compression that doesn't allow audio to go beyond a certain volume level. A hardclipper is basically the same thing but rather cuts the waveform causing distortion.
Thanks!!!
Day 3 of asking for extratone
make country
I won't shut up until you make neurofunk
make a pad video
hahahaha like if you would start producing country XDDDD