The Piano Sight Reading Tricks That Make Reading Music 100% Easier
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- Äas pĆidĂĄn 25. 11. 2020
- There's a much better way to read music than Every Good Boy Deserves Fun, and every good piano student deserves to know about it!
In this video I explain the concept of intervallic reading in music, which is how the best sight readers do it, often without realising.
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#sightreading #beginnerpiano #pianotutorial - Hudba
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Fascinating!!
YOUR RED DOTS INDICATING SPOKEN PIANO NOTES :GBDFACE do not correspond to YOUR SPOKEN correct piano notes - HOW MISLEADING FOR ANY LEARNER! IâD say fix this or wipe the website, because itâs teaching WRONG to a learner.
Well I won't be! Would be a waste of my time at my time of life !
â@@jameshyde1501 k
@@qiangyong2909 uhh.. I commented on this upload? I can't remember.
Lifelong pianist of some accomplishment, strong ear musician/improviser, decent readerâŠbarely passable sight reader. 5 min. in, feel like Iâm being given the keys to the kingdom. Your quiet clarity is powerful-a great teacher!
I'm in the same boat. Thank you so much Leah! I am about to Google your studio to see if you offer online training
Same, accomplished ear đplayer, sight reading is painful at best, but suddenly find it necessary to learn it quickly. Am in panic mode currently. đ±đ±đ±
Same!
"Keys to the kingdom"? Was the pun intended? Hilarious! (You must be St. Peter by the way).
I think that a third skill involved is having a knowledge of the keyboard topography in your hands so you don't have to look down to play. Many people can read notes and intervals on page but struggle with sightreading because they don't trust or know the keyboard well enough to not look down.
Thatâs a great point, Rob, thanks. I address that in this video but it would have been a good addition here too: czcams.com/video/uWCV2NMc9y8/video.html
The course I've been using for a year makes sure you have what you so helpfully call 'keyboard topography' with hundreds of hours of improvising, without looking down, in 24 keys before a simplified notation gets us started in thinking in vertical dots. Then, when we start on the staff, we're writing mentally as we improvise. Kind of like writing in English before learning shorthand. The mnemonic in this video is helpful, but as you say, Rob, in order to play without looking up and down constantly, you have to know the keyboard very well via proprioception.
That sounds like an interesting course, can I ask you for the name of it? I also get my students to improvise on a few notes at a time to build awareness of where they are, but that sounds like it really takes it to a new level! đ
@@LeCheileMusic It's Phil Best's Play Piano Fluently. He has ingeniously designed materials for guiding our hands to know where everything is. And, as you mention in the video linked under Rob's reply, rhythm is the foundation. He makes it simple, but as he always says, it isn't easy. And you don't get to play pieces you like from sheet music while you're working on this. I'd been using Alfred's All-in-One for two years and was just not satisfied with laboriously decoding the page, when I googled Play Piano Fluently and found the course. It's only meant for adults. But any level.
@@lshwadchuck5643 Thanks, I'll check it out!
My aunt who was a professional pianist told me "look at the music - the keys don't move."
Good advice, I like it! đ
Never heard that before thanks! I will never take my eyes off the page again. (or try not to)
@@ddslahsddslahs6690 seriously good advice
I'm a piano teacher and I teach my students the exact same thing. Once you can see intervals and chords shapes piano can be just as easy as it is to read words. Sight reading is a great skill to have. Awesome video!
So an odd number interval looks even on the staff whereas an even number interval looks odd on the staff. Very useful to know.
This is sooo much easier than how I was taught. I would have actually practiced and not been tortured waiting to just go play football outside. Thanks for taking what seemed so hard and making it easy.
Suggestions for fellow viewers: Schumannâs Album for the Young has several great pieces for sight reading practice. Some nice ones to start with: nos. 1, 3 & 5 (all C maj), Chorale. All simple, but highly musical⊠& beautiful. Another great piece to sight read is Bachâs famous Prelude in C-you get a lot of musical âbang for your buckâ because essentially every measure in the piece is repeated. And while you were playing the repetition, you can read ahead to the next measure. It is also heartbreakingly beautiful music.
Wow! Every once in a while you find a gem on CZcams. This is definitely a gem. Thanks so much. My sight reading is already improving. Why didnât I know this before. How lucky are your students to have you as a teacher. Wish Iâd started learning with you. Thanks so much for sharing. I really am impressed.
Thank you, thatâs so nice to hear đđ¶
Your pedagogy is effective , Inigualable and Incomparable with others ; because it is simply,easy and it really works for youngest pianists.
@@williampena5885 yeah b/c it isn't pedagogy but proper didactics :)
I started to learn the piano over 40 years ago. My ear was good, my music reading was truly awful. I staggered on for a decade or so, murdering Joplin, Chopin, Debussy and many more, until I could get no further with muscle memory and playing by ear alone. Iâve just chanced on this absolute gem of a tutorial. I WISH someone had explained it to me like thisâŠ.. Iâm going to have another go! Thank you so much.
Great to hear, John, thanks and good luck! đ
I love your videos. Probably something you already know but I just realized to help identify notes not on the staff are the threes ACEâs. Above the treble staff first three spaces from bottom to top are A C E. Below the bass staff the three spaces are A C E. And between the staffs are on lines are A C (middle C) and E. Helps me quickly identify those notes not on the staff lines. Thank you so much.
The cheque's in the post....
I am pretty sure you just healed my sight reading. Wow. (Guitarist).
Thatâs wonderful to hear! đđđ¶
Music teaching has come a long way. I wish our neighborhood piano teachers had these digital resources available like piano marvel, etc...đ
Thank you!! Two more things that have helped me: 1. The "ACE" method. The bottom three spaces on the bass clef are ACE. The top three spaces on the treble clef are ACE. And the line between the clefs are ACE. (That C is the Middle C). They make a nice, symmetrical pattern on the clefs. (I am a visual person, so I can imagine them these without calculating them.) Then you can quickly deduce the notes around them. 2. For intervals: if both notes are on the same thing, meaning both are on a space or a line, then you know the interval is an odd number: a 3rd, a 5th, a 7th. If the interval notes are on different things, for example, one is on a line and one is on a space, then you know the interval is an even number: a 2nd, a 4th, a 6th, or an octave. I know you said this, but this is just a little more clarification. Thank you very much for this very helpful tutorial.
Love this, Jane - I've actually started using ACE with my students! đ€©
@@LeCheileMusic still to watch the video but i use ACE-G for bass spaces. Simplifies the time than using the mnemonic all cows eat grass. Then i use ACE-G for the upper treble ledger lines. And FACE for the lower bass ledger lines. I can remember most notes now all the way down to the lowest bass note to the highest treble.
For ledger spaces. I always keep the adjacent notes separate. Trebles upper G, and the Bassâ lower F. And then remember that the spaces are sort of mirrored in comparison. So the treble ledger spaces are B,D,F,A and the lower bass ledgers are D,B,G,E. Just remember one starts with B and the other stars D. When i was first learning my ledger spaces, i just remembered that the treble started with B then D. And bass was D then B.
Then when i got a bit better i recognised that the ledger lines are only an octave in range. So the first ledger space for the bass is F and the last ledger Line is F. I had to use an app to get the gist of it. Like it would be calling cards and you would press the note on a keyboard. Done it to the point where it felt as instinctive as reading words. Now im using a sight reading book called sight reading and harmony by bach scholar. I really want to improve my sight reading the most. Cause it makes learning new peices so mich easier, then next ill try and improve on recognising chords and chord progressions.
confused I will now stick wit GIBIDY FACE it makes more sense to me.
I've always done the interval reading part easily, but am bad at identifying notes. This was helpful, so thanks.
Wow! I played piano for a few years before eventually losing interest due to not being able to read music very well. I was a self taught "every good boy does fine, all cows eat grass" kinda guy and even tried rote memorization of the notes. I spent countless hours slowly deciphering and memorizing some great songs but my inability to read faster really cut down on my enjoyment and what I could play. So I recently decided, I'm taking up piano again but this time I'm doing whatever it takes to become a "good" site reader. I stumbled across your video a couple days ago and have to say - I am officially a GBDFACE convert LOL! Two days of using your tricks has made me feel like I've supercharged my site reading quest! Thank you! đ
Thank you! I have been struggling with sight reading for years, and this is genius! Makes me see so much more clearly without stopping every two seconds to figure out the note on the page!
Great stuff! When you say âIâve got your backâ, it sounds so genuine and heartfelt!
Excellent! Like someone else already said: I learned more in these few minutes than in several months. Thank you for a clear and simplified explanation!
Glad it was helpful!
@@LeCheileMusic Could You clarify the "ledger lines" between the G & F staffs. I think I've got it, but are the Treb/Bass staffs closer(on paper) with very few graduations between them?
I second that
This is indeed a revelation. I'd have learnt to read better had I known this before
Great video and it makes reading a lot easier. Other few things which should be mentioned is:
1) take a note of which scale you in by looking at the key markers at the beginning of the 1st bar, and to make sure it is not a minor scale, check for frequently sharps and flatted notes.
2) scan also through the music to look for scale changes (modulations) and try to remember from and to scales the music goes. It often modulates back to beginning scale.
3) know how to play ALL the scales, majors, minors and chromatics in both hands!!
This is imperative for playing any classical era pieces, they often has large passages of scales in them, but it helps with fingering and sight reading too.
Yes I hated learning it and found playing all of them highly tedious, but you train your hands to be in the right spot when you start the piece, so then you don't have to worry about fingering, nor need to worry about which notes to sharpen/flatten, your hand will do that automatically as you move through the notes.
When you see on the staff say a D, you don't need to think if they mean a D flat, D or D sharp, you know which it is!.
I once played Beethovens' Sonata in E in front of my examiner in the wrong key, because I put my hand in the wrong spot by accident out of nervousness, to be told by the examiner, I have to do it over, I played in the wrong key!
I don't know if people realise this, I think many don't.
You can play any song in a major key in any other major key, similarly for minor key songs.
It all depends on which note you started on where you placed you hand. The rest of the song is about distances (intervals) and the beat.
Right. Itâs called transposing. Good post!
4:00 Interval recognition (GBD)(FACE): 5:30 Bass clef; 5:55 Trebble clef đ
7:30 Intervals: 8:18 2nd=steps; 10:05 3rd=skips; 11:26 4th (skip 2); 12:30 5th (skip3); 14:12 6th 7th 8th.
I'm a guitar player and loved this breakdown, especially chord recognition. đč The piano is precise when playing notes on the staff but the guitar can have several places the same note can be played. That makes sight reading a little more challenging!đžđ
Thanks; much easier than the silly two step process we were taught, which is the reason I play by ear.
I have been teaching myself piano and have been doing these things naturally as obvious shortcuts. But I have been so worried that I'm not actually learning to "sight read" because I'm cheating the process in some way. To have a teacher recommend these shortcuts makes me feel a million times better about my process!
Best sight reading lesson I have come across. Thank you.
In less than 20 min into your video, I was sight reading with so much ease, you are truly wonderful. If only I had this lesson early in life:) but I am elated now still. I actually played from the score the first four measures "correctly" of Bach's Goldberg Variations "Aria". At 57, I have never achieved simply looking at the music and playing directly from the score itself until now, thank you again!!!
GBD FACE - my BASS learnings just intensified! Thank you.
Wished I would have played piano as a child. That decision was made for me. I told my parents when I was 16, that I wanted to start piano, and Dad and Mom told me you can't make a living with that. Years later when I was in college, I was always singing matter of fact, that's what I have done all my life is sing. So, I couldn't wait when I got out of college, so I ran to the nearest piano studio to take lessons @ 23 years old. Really? the only thing that helped me, was that I Played percussion in Jr. High and High school. So rhythmically for me was easy. Fast forward, I played for 24 years all in all. I was working full time at a job while doing all of this. Accomplished: Playing up to early advanced classical, lot's of improvisation, and played new age piano easily. Loved Liz Story. Got to play at a historic theater a nocturne by John Field. No.5 in B-flat. Got to study with Dick Grove who taught Liz, and Josh Kadison, Starr Parodi.Made a Demo CD in a studio. Played in a rock band, church band. I left playing after being burned out for practicing 5 hours a day, just to keep my classical technique up. Now 10 years have passed, and I have Intracranial hypertension and getting help with this so I can go back to playing again. Please God let me get healed from this swishing sound in my ears...
Holy moly, none of my piano teachers taught me this. Extremely helpful. Cheers from Jacksonville, fl
'A 'g' that got out of hand.' đ
I've just started (yet again) learn the piano and sight reading has always been an issue, as you stated. Thank you.
Great tips. I would also recommend to people to study harmony. If you can identify the chords as you play the music it makes things so much simpler. For example if you know itâs a C chord you know the notes will be based on CEG.
I agree 100% - I was taught note identification when I was 8 or 9 and how to read the instructions but little else was explained. I wish my teachers had told me about pattern recognition.
1. Note and symbol recognition.
2. Interval and other pattern recognition.
3. This system was made for performing musicians and not for teaching so itâs not your fault that you canât see the music in the notes.
I love this ... very useful tool. One thing regarding consecutivr fifths: Claude Debussy loved them ... as did Vaughan Williams.
Excellent, 'GBD FACE' never before made understanding piano notes to me so simple. Thank you so much Le Chéile!
Delighted! đ
Learned more in 20 minutes then I did after a year of weekly ear training/theory classes. Honestly bless you, this has helped me so much omg
Delighted to help! đđ¶
74 years old at the moment-taught myself to play the right hand years ago to practice my choir music. Taught myself guitar (Paul Simon), and played flute from age 9. Suddenly, I decided I wanted to play Moonlight Sonata before it just got too late. Iâve got a stack of books, but your one You Tube lesson made more sense than anything. Iâm now more excited to really dig in and become a two-hand pianist. Thank you!
Good luck! đ„°
Left : GBD FACE
Right : FACE GBD
Intervals
2nd
3rd
4th
5th - 7 semitones
6th
7th - normally @ the end of music
Octaves
Key and sharps
I keep coming back to this lesson because its SO AWESOME đđđTHANK YOU SO MUCH đđđđđđđđđđ
MORE BEAUTIFUL LESSONS PLEASE đ đđđđđđđđđđ
Yes! I always teach my students to not waste time reading each note.
Esp for beginners that mostly stay in pentascale widths just changing hand positions, we can easily just say "skip a finger" for "line to line/ space to space"
then after reveal that those moments are called 3rds.. reveal you are actually skipping one note within the regular scale. etc.
Gives students lots of independence if you you can explain it well enough :)
I really appreciate the way you teach to read both clefs as one, you are genius.
That's been a great help!
I wish someone had shown me this when I first started playing music 50+ years ago!
I can't tell you how many times I started trying to learn to read music and learn theory over the years, except that it's the same amount of times that I've quit!
Maybe now at 60 years of age the umpteenth time will be the charm!
Thanks so much! You're a grand teacher!
Iâve watched this video about 10 times! Itâs so incredibly helpful! Thanks so much, Leah!!â€
Thanks for this quick lesson. In the past doing my private lessons with a private teacher, I always got stuck reading both staffs together (vertically) as I got into harder classical type music. I could never get comfortable in seeing all the notes and keep pace in playing the songs. Another words, I would always make mistakes or repeat myself. Also knowing where my hands playing together were on the keyboard.
I knew the notes and intervals, but above was always my stumbling block or plateau of getting any better. I also played popular music and did playing by ear. All in all it was a nice learning experience. I started playing piano as an adult - age late 30's - then on for many years. in the past as a young kid played Trombone and stopped when I reached High School. I took up Guitar and still play the instrument from time to time. I am now retired.
Take care.
Excellent way to make sight reading a way of moving through the music in a relative way rather have to recognise each of the individual notes. Even if you knew every note, thatâs still not enough when reading chords. Thinking in terms of intervals and where you were one note (or two) before is so much more intuitive.
The GBD FACE patterns across the entire staff/keyboard was something new for me. Keeps itâs simple!
Iâd like to add one suggestion. Learn to play the piano without looking at the keyboard. FEEL your way around (often by moving relative from where you happen to be), but practice being able to feel out any note on the keyboard without looking (shut your eyes!)
This means that when you read music, your eyes are always on the score and you never have to look down, and then lose your place in the music (or lose the sense of whereâre youâre going or have been relatively)!
:)
â€â€â€ I agree with you. I taught my son piano he is an organ major now but yes ur teaching, tricks are very good!
I think the main reason I'm a rubbish sight-reader is that I didn't practise it when I was younger. It seemed hard and there were other things I enjoyed more because they were easier. I deeply regret this now and have been trying to catch up. đ
Practise your sight reading! It's worth it!
Been playing piano for a year and your intro described my peril of note reading. Having learned the usual mnemonics it is painfully slow. Have never heard of GBD FACE. It does look intuitively better , just need to learn how to apply it at speed. Well explained. Thank you
I have been struggling with reading sheet music since a while now but I'm sure this technique will definately speed up my playing. I'm so glad that I came across your channel. Beautifully explained. It's a blessing for self taught students like me to gain knowledge from experienced teachers like you. Thank you again. Hope to see more music theory + techniques based videos on your channel.
Thanks so much, Abhijit, thatâs great to hear! Yes, I have lots more planned for the coming months đ
I was taught piano 60 odd years ago and I admit sight reading did not come easy. However, I recently discovered that I am dyslexic! Now that will make a difference.
When I took lessons in the late 50s and early 60s, my teacher never taught me about interval recognition. So, I learned the hard way: sightreading slowly through Chopin, Beethoven, Schubert, Mendelssohn, Brahms, Mozart and Bach, until it all became automatic -- but that took six years to do. In my old age, I have returned to the piano after 16 years away, and after 14 months of some relearning old repertoire and much sightreading of nine Mozart sonatas, the skill finally returned. I now find sightreading Mozart & Beethoven sonatas much less difficult, and I can learn them faster, and without so much effort as before This is one of the great joys of life.
this is the simplest and most effective tutorial I've seen, thanks a lot
GBD FACE might be the most useful way to sightread, Im trying a few landmark systems but GBD FACE helps with easily recognising both clefs
Wanted to play the piano from the age of about 8 ..... yes 8 ! When my friends Were Forced to Go to lessons. Now 73 and a self taught and frustrated "Dabbler" on n off. Thank You ! Lots of useful info here. Hopefully, I'll get there one day before I snuff it đ
Many thanks ! Yours "Subscribed"
GBD FACE is just another trick like all the ones you mentioned, but you are spot on about the intervals.
I learned how to read music as an adult by using cue cards. You can easily make them by drawing them out, but you can also buy them. Just sit at your piano, take a cue card, if you do not know how to indentify the note, the answer is on the back. Identify the note, play the note with the correct hand and pick the next card. Rinse and repeat.
I was trying to learn the notes during my lessons with my teacher but it never clicked, 2 months of lessons to only be able to identify middle C, and the G and F (which is extremely easy because in my language the Treble Clef is called the G-key and the Bass Clef is called the F-key) with the cue cards I learned to read all notes within 1 month. The cue cards also teach intervals, chords, arpeggio's etc.
gosh... thank you. I'm a complete beginner, but I get it.
Thank you so much! Going on 68 and only took a year and a half or two of Piano in elementary school. I recently picked up the Harp which I love but Iâm struggling reading notes. You have clarified for me in the span of this video exactly what I need to go forward! Thank you for taking time to publish this!
Good luck with the harp. Took up the concert harp when young. Made a lot of noise with the 7 pedals!
@@georgebuendia3491 âŠthe harp makes very beautiful music ,just depends on if you make music or noise , sounds like you need practice if your a noise maker lol.
LeCheile's sight reading tricks are helping me already, after only 2 0r 3 days of trying them!
I've been self taught for a long time, including sight reading, and aware of the general concepts you referenced, but the way you called out the simultaneous intervals with the boxes and described the geometry and the even/odd perspective was brilliant. It'll help me improve faster. If something looks about the size of a 4th or 5th but looks even, then it's a 5th. Cool.
Thank you. After many years you gave me hope. I will subscribe. Youâre a good teacher
Welcome aboard - thanks for subscribing!
The key skill is to be able to read music as effortlessly as reading a newspaper, and to train your hands and fingers to process this into motion on the keyboard. All without thinking about it all. Great piano virtuosos have this skill. It is a worthy goal to aim for.đâ€ïžđč
Thatâs it exactly, Tom. Itâs worth doing as much sight reading as possible to achieve this. đ
3 minutes in and this is already far more helpful than any other guide or tutorial ive seen!
That gbd face hack totally changed my sight reading speed! So much more easier! Thanks so much đ
This is actually amazing! I started self-teaching in October of 2020, and struggled to read sheet music for almost all of that time. I tried, but none of it ever made any sense to me. It was faster for me to use my ears and figure out what I was trying to play through experimentation. In using my ears, I actually discovered intervals pretty quickly, as identifying intervals is what allowed me to rapidly learn bits and pieces of music by ear. For example, I may not know what key the music is in, I may not know exactly what the notes are, but if I hear what sounds like a Pefect 5th, then I know exactly how to play that no matter where I start on the piano.
I did eventually start taking real lessons a few months ago, and in that time I have learned quite a lot about sightreading. I actually managed to learn more about it than I thought I did. I pretty quickly noticed the relationship between the lines/spaces and how they corresponded to the piano. At first bass and treble being notated differently made no sense to me, until my teacher told me to imagine an invisible middle C connecting both clefs together.
Then it just instantly made sense to me: bass and treble _are the entire piano._ For example, the lowest possible note in the bass clef is going to be the lowest possible note on the piano. The highest possible note in treble is going to be the highest possible note on the piano. Of course, these notes and their respective octaves will be notated _outside_ of the staff using additional ledger lines or spaces, but the point still stands. And smack dab in the middle is, well, middle C.
Once I made this connection it made the sight reading _much easier._ If I saw an F in bass clef and saw something right above it, I just instantly knew it was a G. If I saw an A in bass cleff and saw a note 3 steps below that, I knew that was an F. Instead of thinking of the anagrams (every good boy does fine, all cows eat grass, etc) I imagined the entire piano and just knew exactly how to read what I was looking at.
I still struggle to read chords, but super simple sheets for things like Christmas songs or nursery rhymes are no longer challenging. They are super easy and I can read them. I read them slowly, I work through it slowly, but I can tell exactly what the sheet music is telling me to do which I could not do previously. The point is, once you can look at a sequence of notes and just _know_ instantly what it is telling you to do, it just gets easier and easier to develop your sight reading for more complicated notation.
I remember when my teacher was explaining intervals to me, I said "Oh, I know what that is, it's a Major 3rd", then she spat out random intervals and told me to play some of them. I got all of them right, and then when I made the connection about how the clefs _are_ the piano, I was like "wait, so this is how people sight read really well right? They're just looking at the gaps _between_ the notes?" I was surprised to learn that I was right about that.
Wonderful! đ„°đ€©
An excellent tutorial, it has improved my sight reading 100% more! Thank you so much!
This requires me to learn new terminology as well. I had no idea what an Interval was til now. Thank you for the clarity. I just hear itđŒđ¶đčand play it. Notes terrify me. đš đ±As a child I took lessons for two years. The teacher played the song and I could replicate it so never learned to read the notes. Suddenly she realized I played by ear and had not ever learned to read notes. So now some 40 years later after playing for churches, playing piano concerts, accompanying people, I am having to learn note sight reading as the new pianist for an SATB singing group. Why oh why did I say yes. đ đ đčđŒđ¶ Because it will be a blast and I found you who has a wonderful way of teaching. Thank you. đ„°đ
I teach this exact same way! The interval training and âlandmarksâ are much easier to teach than all the other saying I once learned. Thanks for re-teaching this!
I HAD A FRIEND WHO PLAYED PIANO: SHE HAD SEVERAL "TCHERNY" (?), DRILL BOOKS, AND THEY WERE FILLED WITH DRILLS USING MANY "INTERVALS", REPEATEDLY, BUILDING UP, THEN DOWN, ...IN ALL OF THE KEYS!!...
Learned a lot in 20 minutes, you are an awesome teacher. Thank you very much.
I've been singing most of my life, and I've gotten really good at sight-singing. I guess my main issues are that I simply am not accustomed to two hands and sight-reading multiple notes at the same time. I just have to work on my facility on the keyboard. Bass clef is also relatively new to me (always reading treble clef for my voice range), so sometimes I'll recognize the note a hair later than I would for treble clef.
I'm trying to teach my 68 year old mind to remember what I knew at 10 years old, and you just told me how!!
Excellent! đ
One of the best piano tutorials, hands down. I love this.
This lesson is simply amazing, thank you. I tried for years to get faster at sight reading music but in twenty mins I'm already seeing improvement. Why isn't this being taught by other teachers, it's so much easier that Every good boy does fine. Thanks again.
Fantastic, delighted to help! Thank you also for your kind donation, greatly appreciated đ
I know a lot of people find sight reading very difficult. Iâve never had a problem sight reading beginner to intermediate piano music and I put it down to playing the recorder at junior school before starting piano lessons at age 10. I gave up the piano 5 years later and returned to it in my 60âs a couple of years ago, I could still sight read but my technique is not good. Luckily I have a very patient teacher. Thank you for all your videos.
Youâre welcome, best of luck đ¶đ
In all my more than 50 + yrs of trying to learn note reading this is the BEST tutorial on reading notes I have ever seen or read,.
I know that this video is like two years old at this point, but I just want to say thank you for sharing this knowledge! I have always struggled with exactly this as I learned by ear. Now I'm trying to become a music teacher and this tool is magnificent!
Just wonderful trick, method or whatever is called. Thank you so much.
Most welcome đ
Wonderful explanation,wish I had this approach in my formative years,keep up the great videos.
Thanks Rossco! đ
OMG! Why wasn't I told this decades ago! Thank you!!
I just wanted to say THANK YOU! I am an adult learner but have been "playing" for years (on and off). I have always struggled with sight reading and never really got it.
I love Jibidy Face. FINALLY I feel like I'm getting it.
Your style and explanations are great and suit me down to the ground. Daisy is very sweet too.
Wow! I'm a drummer that went to music school, always struggled with reading pitched music. This was a huge help. Thanks!!!
Hi how are you? My piano music stand might benefit you, please check it out. Thank you Norman.
Wow!! Your the best. I have watched this video and took screen shots of your slides and already as a beginner I understand it really well. your awesome a big thank you for your time. I have subscribed and are looking forward to more of your tutorials.
Thank you!
I have watched loads of music theory videos but this video I understood clearly and precisely. Thank you so much for ages no make that years, I have tried and tried to get my head around reading music and after the second watch of this video I have conquered "GIBIDY FACE" so again thank you.
I totally understand the two thought process of converting with the rhymes of Good Boys Deserve Fish Always and Every Good Boy Deserves Fruit because I have used this method over and over again upon many occasions and ledger lines were a bit daunting to say the least as they did not come into the realm of the rhymes in my minds eye.
No longer will that be because of INTERVALS recognition. woo hoo. I knew all about intervals but applying them in a meaningful manner has finally happened with what you demonstrated so again thank you.
Keep up the good gift that you have of finding methodologies like the two that you have shared within this video and yes I pressed the subscribed button in anticipation to your next video.
cheers Brian Stewart (a Kiwi from down under)
Thanks Brian! đ„°
Exceptionally helpful. So glad I've discovered this channel. Love your 'no messing' approach. Thank you đ
You emphasize important concepts. As a church musician who has had to sight read a great deal (as a choral accompanist), I would urge that one's ability to read rhythm and keep up with the pulse is the MOST IMPORTANT key to good sight reading. You can drop notes right and left, but so long as you keep with the director and the choir, all will end relatively well. If you lose the beat, then EVERYTHING is wrong!
Yes indeed, very true. I cover that in my video in rhythm.
I honestly think of all the mnemonic devices Iâve ever heard taught to students to remember the notes on the grand staff, âjibidy faceâ and âface jibidyâ is the most straight forward and easy to remember I have ever encountered. Iâve tried to think up better mnemonics and never came up with something so simple and easy to quickly remember. Thanks and I look forward to sharing that tip! :)
Thank you so very much! You taught me more in 20 minutes, then I have learnt in 2 years! Thank you so much. Best wishes in 2023!
GBD FACE is great, thank you. Recognizing the intervals is a skill that will need some practice. đ
Amazing tutorial! Have been working hard recently to undo the bad habit my childhood piano teacher instilled in me with those mnemonics! But breaking down the intervals like this is a revelation - thank you so much!
Delighted to help!
What would be really helpful are tips for reading both staves at the same time. This is something that I just cannot crack.
I feel your pain - piano is particularly difficult in this respect because there can be so many notes happening at the same time! What can help if youâre just sightreading through something is to look for left hand patterns before you start playing (or indeed right hand patterns) to take some of the brain work out of it while youâre actually playing. Also, as I always tell my students, if itâs hard youâre possibly going too fast, so donât be afraid to slow things right down. Finally, look for material that feels relatively easy to work on alongside the challenging stuff - think of it as brain training; the more you read at different levels, including easy levels, the more neural networks for recognition are being laid down in the brain and it gradually gets easier. Bet youâve already come a long way from when you started! Hope this is some help. đ
@@LeCheileMusic Thanks for the tips. It certainly is brain training. Just a couple of simple hands together sight-reading exercises and I'm mentally drained.
@@LeCheileMusic I agree that practising very slowly certainly helps.
@@LeCheileMusic - What I do is to practice the right hand a bit first, and then the left hand, and only later put the two together. Of course that wouldn't be any good if one had to play a new piece for a listener and get it right first time, but that's not what I'm aiming for.
@@Astronist Absolutely - hands separate practice is essential in the early stages of learning a piece :-)
I'm learning saxophone, don't understand piano and don't know how to transpose, but you're video is very helpful, thanks a lot, more power to you.
Thank you, I have been playing music for over 50 years and never heard of Jibidy Face, this will be so helpful to many in their studies, good work thanks.
That was fantastic! I was reading intervals looking for patterns as I also use patterns in website design. Just starting out with piano and didn't see the GBD FACE but know in the g and f clefs gives me an anchor and I think I can do this - was giving up.
Thatâs great, Jill, so glad I could help - and if youâre good at spotting patterns in general, youâll love studying music. When youâre ready, have a look at my video called The Most Useful Music Theory You Never Knew You Needed; itâll give another way to understand patterns in music. Happy practicing! đ
I was laughing when you went on about the sentences đ.. I absolutely detest those sentences and advice my students to never rely on them. This is very useful Jibidy Face đđđ Brilliant!
you are SIMPLY fantastic!!!!!!!!!!!!!!!!!!!!!!!!!!! thank you SOOOOOOOOOOOOOOOOO MUCH!!!!!!!!!!!!
I think this lesson literally saved 3 months from learning to read the sheet
That GBDFACE thing just blew my mind why isnât that a universally taught thingđ”
That's jibidy face to you sir
It doesnât help me at all as it simply adds an additional layer as a thought process...
@@BoninBrighton I agree, just as bad as before , every good boy deserves fudge and all that nonsense
@@victornewman508 I'm not convinced about that either. I think certain patterns will help some people to memorize the notes, and others will suit others. I have come to realise that I make progress on this aspect more by focusing on an individual note and making myself read it (working it out at first by the usual tricks), and over time, it gets added to the list of notes I just know on sight without all the working out. I mean, it was probably about a week from starting piano lessons I knew what middle C looked like. The others are all just different positions, so you can approach it like that, learning each note as its own little hieroglyph. Certain pieces will help hammer home a note into my brain if they use a particular note a lot. Flash card apps popping up random ones to read aren't bad either, but it's really when I focus on one that it goes in best.
Your videos are so incredibly helpful. Thank you!!
I have had piano lessons in the past and it was exactly as you said. I was taught note identification, but not interval recognition. This helps a ton!!! Thank you so much!
Thank you for emphasizing reading by interval. As a pianist and teacher, I know that this is incredibly important. Thanks for explaining it in a very clear and helpful way!
You're very welcome!