Carnegie Hall Piccolo Master Class: Beethoven's Symphony No. 9
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- čas přidán 4. 04. 2013
- Berlin Philharmonic principal flutist Andreas Blau coaches piccolo player Daniel Sharp on Beethoven's Symphony No. 9. carnegiehall.org/workshops
Select members of the Berlin Philharmonic woodwind and brass sections led two days of master classes focusing on orchestral repertoire and audition preparation. Participating young artists attended panel discussions with the master class leaders and heard the Berlin Philharmonic in performance, led by Sir Simon Rattle, at Carnegie Hall.
Piccolo & Flute Master Class Participants:
Francesco Camuglia
Daniel Sharp
Amanda Sparfeld
Berlin Philharmonic Master Class playlist:
• Berlin Philharmonic Ma...
Weill Music Institute playlist:
• Education and Social I...
Masterclasses playlist:
• Playlist - Hudba
I could just listen to this man play the whole Symphony
Yes, that’s Daniel Sharp who won the piccolo position for the 2011 CZcams Symphony Orchestra. He completed a Masters in Music in flute performance at the San Francisco Conservatory of Music, studying under Timothy Day. He began his flute studies at the Settlement Music School in Philadelphia with Ilya Ovrutsky (formerly of the USSR State Symphony and the Bolshoi Ballet) and went on to study with Kazuo Tokito (Philadelphia Orchestra) at Temple University.
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Good grief people, he did this MASTER CLASS to learn and become a better musician on piccolo. That weird ass fingering is an alternate for picc. Notice his improvement by the end of the class. Daniel is a remarkable flutist as well.
Wow... Blaus's additions and changes were about let's say 10 percent of his whole performance and he got there at least 90 percent of what Blau wanted him to do! In 5 minutes. This is like someone telling you to please only talk staccato with the pronunciation on the second syllable and please follow a certain rhythm making every syllable identical in length and strenght but please get subsequently louder after round 3.5.
And you're like
Hold my beer
Great teacher
I don’t even play a wind instrument and this was so helpful
nein nein nein nein nein nein nein nein nein nein nein nein nein nein XD
Johann Sebastian Bach LOL
hahaha
😂
Johann Sebastian Bach min 2:40
There is a way to get the complete video??? thank you for the information¡¡
Goodjob..
its very difficult for me to read advanced music sheet, hahaha very unfamiliar world. lol
Can anyone confirm whether this is a Lopatin piccolo?
This is my favorite section of Beethoven's ninth. Can someone tell me exactly where this more staccato part is in the overall 9th? (My affection is probably subconsciously stemming from days of my youth watching Clockwork Orange, where this movement was emphasized). Very interesting to watch a classical instructor give detailed critiques on the nuanced piccolo note lengths, vibrato, etc... (It's been over 30 years since I've played in a structured teaching setting like this)
on IMSLP this piccolo part starts right on the second page (measure 343) 😊
Thanks!
Guess that apparent stereotype of Viennese vs Berliners have some sort of truth behind it. The masterclass by the Viennese flautist was much nicer and chill, but this guy was all about getting it right from the get-go.
Nope. Just different style. Viennese are chill but they will hold you hostage till you get it right. Berliners just attack it. Its a matter of learning preference. I prefer Vienna-style.
Should the vibrato be perfectly in time with the triplets like that?
abalone317 I don't think so. It's a pet peeve on mine when people play this way. The piccolo vibrato in particular should be tighter. That being said, he is a very fine player otherwise. Better than me, so I guess people may say I shouldn't criticize. ;) (but dude, you can be even BETTER with the right vibrato)
One answer is, no vibrato should not sound mechanical and should not be in time with the rhythm of the piece.
Another answer is its objective it can be in time or anywhere you want, as long as you got the audition or people show up to your concert.
From what I see, some of the best players don't use vibrato in perfect rhythm. It's harder to do it that way and takes lots of practice, but that's how I personally like it
You could teach the scales of Piccolo
the vibrato sounds weird on the piccolo
Sounds like he’s subdividing with it. Too keep the notes even.
that high note scares me.
What he plays sounds exactly like HvK‘s last recording of the piece. But Mr. Blau is right: It is not a dotted rhythm.
I believe he is playing on a modified Zenter.
What brand of piccolo is he playing, I wonder.
@Rogin You don't say piccolo in italian, you say "ottavino" in italian
It's a Roy seaman
When playing the high Bb he pressed the Ab key...What was wrong...was he *_F L A T_*
Nonsense. He is a tall and handsome Sharp.
Anyone else here that can play with more control than him in the third octave?
Nikolas Gaudreau he's probably just nervous
Nikolas Gaudreau It’s amazing that he can play with that much control in pianissimo. It’s pretty challenging actually.
Too much vibrato.
It's a disease among American flutists, shrill sound and lots and lots of vibrato in an attempt to try and cover up the fact that their basic sound concept is ugly.
@@dudeforcaster8630 jfc, it may be a alot of vibrato but piccolo takes so fucking long to kick it
You’re talking about a really hard truth! Disease! That’s what I want to say! But lot of people don’t agree, they said that’s incredible sound! They never aware there almost no good flute sound in the world! I don’t understand stand what are they teaching! Lies!
he can't count at all