Alex Van Halen - ISOLATED Drum Track "Drop Dead Legs" Van Halen "MCMLXXXIV" (2015 ReMastered)
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- čas přidán 13. 06. 2024
- 1984 (MCMLXXXIV) is the sixth studio album by American rock band Van Halen, released on January 9, 1984. It was the last Van Halen studio album until A Different Kind of Truth (2012) to feature lead singer David Lee Roth, who left the band in 1985 following creative differences. This is the final full-length album to feature all four original members (the Van Halen brothers Eddie and Alex, Roth, and Michael Anthony), although they reunited briefly in 2000 to start work on what would much later become 2012's A Different Kind of Truth. Roth returned in 2007, but Eddie's son Wolfgang replaced Anthony in 2006. 1984 and Van Halen's self-titled debut abum are the band's best-selling albums, each having sold more than 10 million copies in the United States.
1984 was well received by music critics. Rolling Stone ranked the album number 81 on its list of the "100 Greatest Albums of the 1980s". It reached number two on the Billboard 200 and remained there for five weeks, kept off the top spot by Michael Jackson's Thriller, on which guitarist Eddie Van Halen made a guest performance. 1984 produced four singles, including "Jump", Van Halen's only number-one single on the Billboard Hot 100; the top-20 hits "Panama" and "I'll Wait"; and the MTV favorite "Hot for Teacher". The album was certified Diamond by the Recording Industry Association of America (RIAA) in 1999 for ten million shipped copies in the U.S.
Background and recording:
Following the tour in support of their fourth studio album, Fair Warning, the band initially wanted to slow down and take a break. They released just one single, "(Oh) Pretty Woman"/"Happy Trails", intended to be a stand-alone release. However, the band's label asked for another album due to the A-side's success and the band recorded their fifth studio album, Diver Down, very quickly. Following the recording of the album, guitarist Eddie Van Halen was dissatisfied by the concessions he had made to Van Halen frontman David Lee Roth and Warner Bros. producer Ted Templeman. Both discouraged Eddie from making keyboards a prominent instrument in the band's music.
By 1983, Eddie was in the process of building his own studio, naming it 5150 after the California law code for the temporary, involuntary psychiatric commitment of individuals (who present a danger to themselves or others due to signs of mental illness), with Donn Landee, the band's longtime engineer (and later, producer on the 5150 and OU812 recordings). While boards and tape machines were being installed, Eddie began working on synthesizers to pass the time. "There were no presets," said Templeman. "He would just twist off until it sounded right." There, he composed Van Halen's follow-up to Diver Down without as much perceived "interference" from Roth or Templeman. The result was a compromise between the two creative factions in the band: a mixture of keyboard-heavy songs, and the guitar-driven hard rock for which the band was known. 1984 was the longest-in-the-making album of the band's career to date, taking about three months to record, compared to most of their previous LPs taking less than two weeks, and their first LP taking only five days, all at Sunset Studios.
Release:
1984 peaked at number 2 on the Billboard 200 (behind Michael Jackson's Thriller, which featured an Eddie Van Halen guitar solo on "Beat It"), and remained in that spot for 5 consecutive weeks. It contained the anthems "Jump", "Panama", "I'll Wait", and "Hot for Teacher". "Jump" reached number 1 on the Billboard Hot 100. 1984 is the second of two Van Halen albums to have achieved RIAA Diamond status, selling over ten million copies in the United States. Their debut Van Halen was the first. "Jump" went on to be certified Gold in April 1984, only months after the album's release.
Songwriting credits:
The UK single release for "I'll Wait" credited Michael McDonald as a co-writer, but he was not credited on the US version. The ASCAP entry for "I'll Wait" lists Michael McDonald as co-writer with Roth and the Van Halen members.
Released: January 9, 1984
Recorded: June-October 1983
Studio: 5150 Studios in Studio City, California
Genre: Hard rock, glam metal, heavy metal, synth rock, pop rock
Length: 33:22
Label: Warner Bros.
Producer: Ted Templeman - Sport
Eddie and Alex were absolute gifts to the music world.
Drop dead legs, best song on 1984 ❤❤❤❤
How great is all this stuff.... Thank you thank you
Glad you enjoyed it!🤘🥁
Just now realized his ride cymbal is an overdub on the fade out!
Alex actually overdubbed most of his cymbals after doing the main drum tracks. The reason being was because the drum room at 5150 wasn’t complete. This would mean that his cymbals would have bled into the other mics used for the guitar. This also likely explains his use of rototoms and Simmons pads on the record
But the cymbal overdubs definitely explain why they sound so up close and powerful, especially on Jump
Some John Bohnam feel there. Always swinging it !
Exactly what I was thinking. Came to the comments to see if I was alone here.
He’s always been a big fan of Bonham, Keith Moon & Ginger Baker.
@@flashy5150 yeah! Just found out he played the same snare ; a 6 1/2” x 14” Ludwig Superphonic snare.
Paiste Sound-edge
He had the most recognizable high hatbsound
Smooth as butter yet live sounding and it robotic (overly pre meditated). He had to be coming in and out of the control room at 5150 hearing playbacks of his kit sound. He knew exactly what sounded good and what didn't with the phaser effect. The way he ends and uses his HH. What a sneaky groove this is. Playing for the song and no ego
Fantastic!
There’s an even better isolated version of this one, as well as the rest of the 1984 record, on here
I wonder which drum is that in pic...first time I see that with black paint...
Plays slightly behind the beat to give it groove
Weird that he overdubs some cymbals on this track. I think Alex is only drummer I've heard do 16ths on the ride, on at least 3-4 songs (Drop Dead Legs, In 'N' Out, Amsterdam, Up For Breakfast come to mind).
:53 early kick. maybe like 15 ms but still early. not in pocket. wow. No one's perfect.
He don't need no stinking click!
I lived
Sorry, dude, you can’t even hear 15 ms
Cocaine and beer brain. But his brain was tuned to work with it! I love the way they recorded in a live fashion. Raw.
@@jimmycreamer7905 sorry, dude, maybe YOU can't hear 15 ms difference. I can. Grab you a DAW and digital delay plugin and set one side to 0 ms delay and the other to 15 ms and see if you can hear a difference. That kick at :53 was early. Maybe it was more like 30 ms off but my point is the same. He was off a tad and prob on others. I stopped listening to it b4 the half the vid.
Great drummer, worst sounding kits of all time.
that's subjective. He's still in the rare club of drummers with a distinctive sound
You're insane. They sound incredible.