As Jan Ver Woert states in his essay ‘Why Are Conceptual Artists Painting?', ‘The only thing that counts in the Post-Medium Condition is the artists' conceptual project.
Interpenetration is key today. Backwards critics, who can't abide the bringing in of elements outside of direct art practise, as Krauss insists on , miss this. Time is showing her to be on the right or necessary track. I've often mused over the strange pleasure of gazing at a piano, the medium of a pianist, short of hearing it. It's not McLuhanism here, it's actual aesthetics.
As Jan Ver Woert states in his essay ‘Why Are Conceptual Artists Painting?', ‘The only thing that counts in the Post-Medium Condition is the artists' conceptual project.
Interpenetration is key today. Backwards critics, who can't abide the bringing in of elements outside of direct art practise, as Krauss insists on , miss this. Time is showing her to be on the right or necessary track. I've often mused over the strange pleasure of gazing at a piano, the medium of a pianist, short of hearing it. It's not McLuhanism here, it's actual aesthetics.