TUTORIAL Shaun Martin´s - Yellowjacket for Guitar
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- čas přidán 20. 06. 2019
- Transcription/arrangement for Guitar of Shaun Martin´s - Yellowjacket, from his first solo album "Seven Summers", link here: shaunmartin.bandcamp.com/albu...
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I love all the explanations, helps to really get a grip of the structure of the song. Needless to say, great playing. Thank you very much!
Love it man !!!!!!!!!!!
Thank you for explaining so politely and thoroughly.I feel like I really learned something. You're awesome!
Thanks a million!! I really appreciate, and i'm happy it was useful for you!
amazing and inspirering work!!!! Thanks man :)
Thanks to you, really appreciate!
No suelo comentar nada, solo click en likes y me suscribo si me gusta lo que veo, pero quería que supieras, que está muy bien explicado, buen curro en exprimir este tema brutal y crear este vídeo. Si la gente supiera el trabajo que conlleva....me ha servidor de mucho!!! Ya tienes otro suscriptor!! Enhorabuena!!
Man u are the best
Muchas gracias por colgar este video! Lo has explicado genial y me ha ido muy bien para poder tocarlo!
Gracias a ti por comentar! Me alegra mucho que te sea util, y si tienes alguna sugerencia para otros tutoriales hazme saber =)
Super good really nice harmonisation for guitar
Cheers man!
Thank you !
great
❤️✨✨
Where have you been...😶..could you please do a Robert Glasper Levels tutorial 😎
nice
nice tutorial. looking for the chord of this song. thank you🥳
Nice tutorial. Would be nice if you show what strings you stum though.
Impresionante! Cuando Shaun repite la parte A al final del tema, lo alarga con más acordes. ¿Los has descifrado también?
Gracias Jorge! jaja creo que me olvidé de poner esas transiciones.
La primera es Gmaj7 - D/F# - Bbmaj7 - F/A - Bmaj7 - Gb/Bb - Bbmaj7 - F/A - Gmaj7 - D/F# - E7 - G/A - D .
Y la segunda Gmaj7 - D/F# - Bbmaj7 - F/A - Dbmaj7 - Ab/C - Emaj7 - B/D# - Gmaj7 - D/F# - E7 - G/A - D
@@SotoTunes Gracias, Fenomenal !!!
Hey man thanks you so much for this !!
Just a question when you say "F#7(#9) from G melodic minor" can it also be simply seen as a secondary dominant chord leading to the Bm7 ?
Not sure of what i'm what i'm saying i'm a rookie in harmony trying to understand xD
Thanks
Thanks for watching! I'm glad it was useful for you.
When I say "F#7(#9) from G melodic minor", it is actually a secondary dominant, but it can be harmonized with different scales (harmonic minor/major, whole-tone, Half diminished, etc...), but in this case, i used the F# altered scale, which is the last mode of G Melodic Minor.
Please don't hesitate to ask if you need help!
@@SotoTunes Thanks so much man not sure i understand the concept of harmonizing a secondary dominant chord now but i'll definitely check this out ! Bye
@@damstevieray Just try to play with a backing track that has a dominant like this one, for example F#7 landing on B minor, and try the scales i mentioned on top of the F#
Very nice.....Thank you so much
Any chance for tab or chord charts? Sorry am noob. Too long to memorize from video
Can you upload the solo for this ?