🎸Let's hear how it sounds!
Vložit
- čas přidán 22. 08. 2024
- MY PEDAL BOARD GEAR:
Fender Tone Master Pro: sweetwater.sjv...
Seymour Duncan PowerStage 200: sweetwater.sjv...
Shure GLXD16+ Wireless System: sweetwater.sjv...
Temple Pedal Board: sweetwater.sjv...
Peavey Invective 4X12 cab: sweetwater.sjv...
Gator Vault Double Guitar Case: sweetwater.sjv...
-------------------------
🔴 My NEW album MENACE is available NOW! distrokid.com/...
-------------------------
🎸 MY EVERYDAY GEAR MUST HAVE's:
My ESP Guitars: sweetwater.sjv...
My Jackson Guitars: sweetwater.sjv...
Nomad Gutar Care Tool: imp.i114863.ne...
DiMarzio ClipLock Strap: imp.i114863.ne...
Formula 65 Guitar Polish: sweetwater.sjv...
ISP Decimator: imp.i114863.ne...
Boss TU-3 Tuner: sweetwater.sjv...
Video Microphone: imp.i114863.ne...
My Studio Monitors: imp.i114863.ne...
My Recording Software: sweetwater.sjv...
Guitar Pro Software: imp.i114863.ne...
My Guitar Cabs: sweetwater.sjv...
My Favorite Microphone: sweetwater.sjv...
My FULL Gear List: imp.i114863.ne...
🔗 (using my links helps support my channel!🙏)
------------------------------
🏆 WIN FREE GEAR: imp.i114863.ne...
🤑 DISCOUNTS ON GEAR: sweetwater.sjv...
------------------------------
🔴 If you would like to help support my productions, to see more videos like this, plus guitar tabs, behind the scenes content, early access to videos, and so much more, please consider checking out my Patreon Club! 👉 / robarnoldworld
🔴🙏 HUGE thanks and shout out to my current Patreon supporters!
(Please read and expand first pinned comment!👇)
------------------------------
🔗 MORE IMPORTANT THINGS TO CHECK OUT!👇
🎸 Order My Guitar Instructional DVD! Autographed! FREE Guitar Picks & World Wide Shipping! Learn Riffing, Soloing, Song Writing, Arranging, & More! www.robarnoldw...
🔴 Support my channel, get guitar tabs, behind the scenes content, and more, on Patreon! / robarnoldworld
😎 Join this channel to get access to perks:
/ @robarnoldworld
🎸 Get My Jam Bundles Here! www.robarnoldw...
🎥 Learn more about my Jam Bundles here: • 🎸My new JAM BUNDLES! W...
🎵Check out my 2022 solo album, MAGNITUDE: • Rob Arnold - MAGNITUDE...
👕NEW Magnitude apparel! robarnoldworld...
🎵Check out TOTAL DESTRUCTION from my band, The Elite: • The Elite -Total Destr...
🎵Check out HEALING PROCESS from my project, The Disaster: • The Disaster - Healing...
🎥 Watch my Everything You Love series: • 🎙️Everything You Love ...
🎥 Watch My Guitar Maintenance Tutorials: • 🎸Guitar Maintenance Tu...
🎥 Watch My Guitar Lessons, Tips & Tricks: • 🎸Guitar Lessons🎓
🎥 Watch My Guitar Demo's & Unboxing's: • 🥁Guitar & Gear Demo's ...
🎥 Watch My Song Writing, Recording Tutorials, & More! • 🎸Song Writing, Recordi...
🙏Subscribe to my channel to hear about new videos! Don't forget to hit that notification 🔔!
@fender @jacksonguitarsusa @sweetwater @seymourduncan @shure
🔴My NEW album MENACE is available NOW! distrokid.com/hyperfollow/robarnold/menace
🙏Big thanks to all the members of my wonderful Patreon Community! Hop on board with us to help support and get involved! www.patreon.com/RobArnoldWorld
⬇See more⬇
Thank you SO much to the following
THANK YOU 👊 Aaron Plaat
THANK YOU 👊 Aaron Price
THANK YOU 👊 Alex Legend
THANK YOU 👊 Ben Burnett
THANK YOU 👊 Bobby Case
THANK YOU 👊 Boku Senpai
THANK YOU 👊 Brian W. Rogers
THANK YOU 👊 Cal Strickland
THANK YOU 👊 Chad Youkers
THANK YOU 👊 Chris Santiago
THANK YOU 👊 Curtis Doyle
THANK YOU 👊 Daniel Richman
THANK YOU 👊 Darron Bryant
THANK YOU 👊 Dillon Brown
THANK YOU 👊 Drew Pedrick
THANK YOU 👊 Ethan Majstorovic
THANK YOU 👊 Eyeless
THANK YOU 👊 G Bishop
THANK YOU 👊 Gary Wright
THANK YOU 👊 Gavin Courtney
THANK YOU 👊 Hervé Franco
THANK YOU 👊 Ian C McCauley
THANK YOU 👊 Independence Guitar
THANK YOU 👊 Jake Fox
THANK YOU 👊 James Salmon
THANK YOU 👊 Jeff Holland
THANK YOU 👊 Joe Kueck
THANK YOU 👊 Josh Gleason
THANK YOU 👊 Kevin Smith
THANK YOU 👊 KingBuff717
THANK YOU 👊 Kyle Austin Ewers
THANK YOU 👊 Mandm Randall
THANK YOU 👊 Marc Laakmann
THANK YOU 👊 Mechanization
THANK YOU 👊 Megatodd707
THANK YOU 👊 Mike Coon
THANK YOU 👊 Mike Escalante
THANK YOU 👊 Mike Franco
THANK YOU 👊 Mike H
THANK YOU 👊 Nicholas Wilczewski
THANK YOU 👊 nUm Music Official
THANK YOU 👊 Olivier Rouleau
THANK YOU 👊 Rich Arnold
THANK YOU 👊 Robert Kadlick
THANK YOU 👊 Rocko Marrufo
THANK YOU 👊 Ryan Lesnick
THANK YOU 👊 Russell D Morrow III
THANK YOU 👊 Ryan Tibbert
THANK YOU 👊 Sam From Salem
THANK YOU 👊 Sean Frank
THANK YOU 👊 Thomas Bryson
THANK YOU 👊 Thomas Spoor
THANK YOU 👊 Todd Jay
THANK YOU 👊 Travis Tutwiler
THANK YOU 👊 TriDoc
THANK YOU 👊 warduiz
THANK YOU 👊 Weleven
THANK YOU 👊 Alex White
THANK YOU 👊 Brady Clark
THANK YOU 👊 Brandun Keck
THANK YOU 👊 Gonzalo Ferniz Jr
THANK YOU 👊 Harry Wadley
THANK YOU 👊 Hiroyuki Kubo
THANK YOU 👊 Ian Roberts
THANK YOU 👊 Ingo Deißenroth
THANK YOU 👊 Jack Krolo
THANK YOU 👊 James Beard
THANK YOU 👊 Jason Schulz
THANK YOU 👊 Jeff Shrimpton
THANK YOU 👊 Jerry Guardado
THANK YOU 👊 Joe Hinton
THANK YOU 👊 JR Tasker
THANK YOU 👊 Kevin Henderson
THANK YOU 👊 Kris Hotchkiss
THANK YOU 👊 Lucas Van Cleef
THANK YOU 👊 Nate Bunnage
THANK YOU 👊 Randy E.
THANK YOU 👊 Ricky Coppula
THANK YOU 👊 TheJustJoshing
THANK YOU 👊 TX.Hooch
THANK YOU 👊 walkamong theignorant
THANK YOU 👊 Wayne de Zwart
And a special thanks to all of my Patreon supporters past and present, not mentioned here!🙏
Hey Rob, just got some terrible news this evening but Allen Steelgrave passed away. Don't know if you guys were still in contact. RIP Allen.
Holy smokes bro! That is terrible news. Wow. Any idea what happened? Allen was always a super nice guy. RIP for sure. Thanks for the heads up Troy.
Hey, Rob. Have you seen the SICK video Josh Middleton (from the band Sylosis) made where he tries to capture Chimaira's guitar sound? I think you might like that
I want to know where Josh got his drum samples from so bad.
He got them quite close.
Yeah man! Everything sounded money! 👌
Rob, you can use the Tone Master as its own recording interface and as a desktop editor for your presets. That's what the USB is for. it should have 2 main outs for your monitors as well.
I know, and have been aware of that all along. Everyone is misunderstanding what I was trying to say. My bad though for not explaining it properly.
@@RobArnoldWorld got ya.
Sounds great, Rob!! Good look on this tour! Very happy with you return!
👊
Those patches sound so spot on and perfect for the self titled stuff, love it
🤘
For the dedicated looper switch, if you can find the proper sized zip tie and it is the right kind of switch, you can tie it on super tight so there is no chance of accidentally hitting it live. Ive done this on a few setups with various buttons.
Good tip! That wasn't my concern, but good tip all the same!
I love a good oldschool pedal, head and cab setup, but this is really cool, especially with the full color touchscreen. Sounds pretty good, too.
The excitement in your voice when talking about your pedal board. Its just like getting that one present you wanted for Christmas. Love these gear videos.
Hell yeah Ry! Cheers bro! 👊
I can’t imagine those feet holes and screws are made to be holding a unit down to a board. I doubt you will be stepping on the TMP hard enough to slide it. The expression pedal might be too much though for those holes and screws eventually. One thing I wasn’t a fan of in the TM was all their routing templates. It’s much easier in other units to route to a poweramp. I’ve ran all my units like you are with a cab and a direct. Your tone sounds damn good through the cab. You can add an eq in the poweramp path out if you don’t want to use the Powerstage eq also.
Good tips! And trust me man, while I understand the feet hardware wasn't meant for mounting purposes, everything on there is TIGHT. Super solid. 👌
I love how you managed to get THE Rob Arnold sound out of this.
It's my favourite tone ever, i even bought a 6505+ and decked out my cabs with v30s, and my guitars with emg 81s looking for it. Got in the ballpark, but those motherfuking 6505+s are too loud for home use. An attenuator just murdered the mojo so i ended up selling it all and chasing it with a modeller.
The Headrush stuff has a few 5150 2s and 6505+ heads.
Very happy so far
Sounds great Rob. I’m really surprised at how good the pitch shifting is. New intro is slick too!
Yeah man! I was stoked that it worked! 🙌
Amazing and interesting video. Made the switch from amp/cab to a modeler a few before and it felt sooooooo good not to carry tons of equipment with me while providing 100% of my sound everywhere. Meanwhile I switched to a Fractal FM3 and couldn't be any happier 😍 I don't even need a a Power stage. Fractal directly into our splitter and then IEM and FOH. Works like a charme!
I switched from a 6505+/Mesa OS to a Revv G20 which has TwoNotes embedded so I can go straight to front of house. Tube feel without the cab…best of both worlds.
Good stuff, man! This is almost identical, at least in concept, for our bass rig: Shure wireless > Pog Nano (blending in some octave down for parts) > DG ADAM > A. FoH B. SDPS 200 > x2 Ampeg 2x10’s.
I love it, allows for real cabs when needed, but then allows for a quick backpack/fly rig without changing a thing. It’s pretty much just picking the preamp you want/prefer and assemble.
Only thing I have subtly different, which seems hard with your limited layout/spacing, is access to the Shure wireless instrument input. Love it for practices (backup if it decides to not work), as then you don’t have to waste your battery, etc. But that’s just an ease of use thing that’s not necessary. Regardless, thanks for sharing!
Right on! And totally man... I had the exact same concern about the instrument input on the Shure. I scratched my head about it for days. At first, I thought whenever I want to use it, or if I'm forced to live, due to some unforeseen circumstance, that I could simply reach down and unscrew the temple quick release plate just enough to turn the Shure so that I could plug in a cable. But then it dawned on me that the easier solution is to just plug straight into the TMP! It's easily accessible, and the only thing I'd be losing is the Shure's tuner.
@@RobArnoldWorld good call, didn’t even think of that! And in that instance, you can just use the tuner in it, so I guess it works out to have both.
Precisely! @@SHARt_murmur
SOOOOOOOOOOOOOOOOOOOOOOO HAPPY TO SEE YOU GUYS AGAIN!!!!!!!!!!!!!!!!!!!!!!!!! I CANT BEGIN TO TELL YOU!!!!
Can't wait to hear the new album I have loved the sound of your guitar since This Present Darkness seen you live numerous times in Chimaira in Houston Texas your sound is always been definitive to the sound of Chimaira and it is carried on into your solo projects also amazing stuff, the impossibility of reason is one of my top three metal albums of all time it never gets old I really feel this album was a major stepping stone of what y'all sound came to be keep up the Kick-Ass music
Awesome dude!👊 And I'll never forget all those great shows at the Engine Room!🤘
Pretty sweet.
I would have went with a quad cortex or line 6 helix. That's just my preference but they all can do amazing stuff these days.
Rock on rob!
Yeah man, I don't think you can wrong with any of this stuff. It's all cool🎸
Such an awesome streamlined fly rig! I plan on getting one of those Seymour Duncan poweramps to use with my rackmount pod setup.
That Rig sounds nasty! Good to see you guys back!
So fresh and clean. 😂. Sounds amazing. Can't wait to hear it live. 🤟🏻
Right on!🤘
My recommendation is trying the smaller power stage..plenty of power for me personally and it doesn't have that cab button and imo sounds great
Honestly I don't think the 200 is enough! I need the 700! But, there isn't enough room on the board. 😕
In my band NGLAH I run the PowerStage 170, often into a Marshall 4x12. I’ve never needed to go past 10 o’clock on the volume. Awesome amps!
Amazing work and impressive new rig! Congrats on the hard work and dedication!
Thanks AP!👊
awesome video - enjoyed the deep dive!! I’m just scratching surface of my TMP, still a headrush user too. Also huge fan of temple audio board - great job on the thru-bolt of tmp and pedal and NOT having to put the quick plate on (they are hard to remove from a pedal - tip use hair dryer). Also super clean wiring thanks for showing. Would love to see pedal setup video - i’ve ordered the mission audio pedal from SW but not sure when it will be in stock.
Thanks dude! And great tip on the hair dryer! I was dreading the day I might have to try and remove one of those!
I thought the fender setup had the EVH 5150 100W Stealth in there
That's correct, which I stated, demonstrated, and used in the video. It just doesn't have any Peavey models.
I have the mesa boogie badlander and jp2c 100w heads with a couple of 4x12's and couple of 2x12's... Recently got me an Fractal FM3 planning on a small rig for certain ocassions... Your video is inspiring...🎉
The lead sounds are excellent as well.... I wonder how much they charge in the US for the Fender alone ?!?!
Check it out: sweetwater.sjv.io/FenderToneMasterProBundle
It's only $1699.99 without the bundle.
Gotta say, ive always loved your work with Chimaira but i came across the first everything you love episode 4 years ago when i was at the hospital waiting on my first born and ive loved every episode since! 🤘
That's rad man! Happy you found my channel that day, and have been along for the ride since!🤘
Awesome to see you having so much fun as always Rob, love watching you geek out!
With regards to the whole "audio interface not having usb" thing, I'm pretty sure the Tonemaster acts AS the audio interface, so you can just go straight through the tonemaster into your DAW, and just not bother with an external interface!
Correct, you can also use the XLR outs into another interface if desired-
I know, and have been aware of that all along. Everyone is misunderstanding what I was trying to say. My bad though for not explaining it properly.
So not only does it model spot on but it also changes tunings on the fly? You may as well call that the mother rig because it does everything.
***EDIT***
*'I've now seen the end of the video, I commented before I got to that part! Glad you got it sorted. I imagine that the Fender Tonemaster can be used as an interface in it's own right, and that's what they mean by using the USB for recording. The Helix operates in the same way. Also, I'd recommend that you put your A and B tuning patches on different banks from your main cos if you hit the wrong button by mistake, you don't wanna be changing tunings by mistake!*
When you say that a line is going to go from the power stage to the FoH, why would you do that?
Does the ToneMaster not allow for you to have a split output so that you can have an IR on one output but not the other.
I run a really similar setup on my Helix, and I've got it so my XLR outs have an IR on them and go direct to FoH and my 1/4 outs have no IR/cab etc and that goes to my power amp (I've got both a Mooer Bomb and a Harley Benton GPA-100 and carry both for redundancy).
I think the ToneMaster is bound to offer similar functionality and that's the best way to go if you wanna run a hybrid setup where you still have a cab on stage for feel but have your main FoH sound be direct.
I would send a line to front of house so that people in attendance can hear me.
Yes, it allows you to split inputs.
As for the interface thing... I know, and have been aware of that all along. Everyone is misunderstanding what I was trying to say. My bad though for not explaining it properly.
That’s a very cool piece of tech. Very clean and tidy. Nice.
There’s gotta be a way to use a copy and paste feature…. Or maybe fender could come out with an update.
Uhhhhh ….. you just went from drop c to drop b to drop a in 2 seconds! 🤯
That’s the coolest thing ever! ….. or you’re a wizard 🤣
Haha I know dude! It's magic! 😝🎸🧙🏻♀️
I like that Duncan pickup, NICE and dry.
Love the sound of the new rig! The pitch shifting sounds great! Your guitar tone has always been one of my favorite guitar tones of all time! The lead tone you have is so much fun to play around with! I've been looking into the quad cortex but if I end up getting a FTMP I'll definitely be after these tones from you! I have been curious about the cortex and its capture function and if it could capture the tones from the gsp 1101. As far as the looper goes Tom from stray from the path is the only guy I can think of that uses a looper live in a metal setting anyway. I will hopefully be at inkcarceration to hear this rig live!
Right on Jake! I'm sure the cortex can probably capture any sounds you introduce it to! I've personally never used one though, so I can't say for sure.
Sounds pretty damn good. No pedal power or power conditioner just in case the venues power is bad?
I hope something like that will never be an issue!🤞
Dude youre just a straight up badass, im so glad my buddy introduced me to your music yearsss ago🤘👊
Hey cheers Tony!👊
Rob, I got the Gator pedalboard/case for my Quad Cortex, ditched the pedalboard and used the case for my Temple Audio DUO 24. Works great!!
Great video rob, I’m waiting on my fender tone master pro now. I got the F12 can and peddle as well. I think the unit just sounds great in every video I see. Oh yeah the USB is for DAW software through the computer
Nice! I think you'll love it! And yep, I'm aware you can plug straight into a computer, but as I mention, it's running into my current interface that I was wondering how to do.
I think it is an interface as well so it plugs straight into computer via USB@@RobArnoldWorld
I know, and have been aware of that all along. Everyone is misunderstanding what I was trying to say. My bad though for not explaining it properly. @@pedromaher9928
Leaving some fresh desiccant packs in the board road case would probably be a good idea for the cruise. That saltwater air is hell on electronics. Throwing some in the guitar cases wouldn’t hurt either.
This was so helpful for me. Killer video by a killer dude, thanks rob!
👊
Hey Rob, Why did you choose the fender pedal board instead of an Axe Fx, Kemper, Helix or other brand commonly used?
Had to start somewhere, chose the TMP.
This is so freaking badass! I love how you put that together. It's got exactly what you need and nothing more. Great job.
Thanks dude!
THIS!! 17:25 ...
Is this considered 1 string legato or ? It's my one strong suit in playing I believe. I just struggle to transition smoothly, correctly into my chorus or power riffs or whatever.
Anyway.. I can't for the life of me understand how Rob doesn't have a minimum of 100k subs... on CZcams alone...
Come on yall... LIKE!. SHARE!! WATCH!! and watch again!!.
This man is awesome at everything that I've seen!!
ROCK ON AND KICK ASS-ASSIN!
We will get there! 100k here we come!💪
I would consider that clean riff to be arpeggiated chords. 🎸
@@RobArnoldWorld Yeah.. I meant Arpeggios! I love that style and then builds up into some powerful chugs or riffs.
It's great to see all of the bands I've loved for years moving to the pedalboard setups like this these days. I've been doing this with my Fractal AX8 for a few years now. So convenient. Tech has come a long way. You can literally carry your whole rig on a plane if needed. Great vid Rob!!!
Thanks dude!
Sound amazing! It sounds pretty spot on to us, but I wonder, would you say you had to make any compromises in tone or setup? I’m sure you considered options like a Kemper or Axe FX, what made you decide on going this route? Appreciate you bringing us along on this journey!
Honestly I'd say using ANY modeler is compromising ones tone. You still just can't beat the real thing. But, sacrifices must be made in order to make things more compact and/or convenient, and all of this stuff is the next best thing! I went with the TMP because I had to start somewhere, so why not try the TMP!
Great work Rob the effects sound great 👍.
Im keen to see the programing for the signal chain split and the way you set it up to run the stage cab and DI to FOH.
Im really hoping fender add capture technology or the real peavy 6505+ amp.
Cool Marcus!🎸
The fender "Uber" model kicks ass, i use it on the Mustang GTX
Congrats on the new Rig! Im gonna need that Powerstage for my modeler. 😁🙌🏻
Your tone with this new rig sounds amazing dude! It definitely creates the Rob Arnold tone. Sick for sure. Your riffs along with your knowledge and willingness to share are outstanding. You definitely inspire us guitar players on every level. Thank you.
👊
Try the a gate after the overdrive that will cut that feedback. I usually put mine after the drive, eq and compression. Right before it hits the front of the amp but after the drive I usually have one in the loop too. It actually works the best. But ya let me know if you figure out the loop, if you can access it
Thank you for suggesting this, I came here to say the same thing.
Hey Rob, can you make a side by side video. How your rig sounded before, and how it sounds now.
Here's a recent video demonstrating my previous tone in the exact same type of video: czcams.com/video/M3xyd_4xNJU/video.html
Didn’t the tone master come with a software to run it virtually on your Mac? Then you could use an IR for cab simulation and just demo the rig virtually through your Mac? Might be overkill for this video lol
That completed board is a masterpiece 🤌
Also your tone master IS the interface to your Mac.the usb cable goes from the tone master direct into the computer (the same connection used for updating firmware).
Thanks Sam! And yep! It can definitely run straight into a computer. But I wanted to run it into my interface, which was what I was having trouble wrapping my head around.
@@RobArnoldWorld I edited before I saw your reply but the tone master is the interface. Plug it in just like you did for the firmware update.
@@RobArnoldWorld You can run one line from the Tonemaster without an IR to your powerstage. And a 2nd output from the tonemaster WITH an IR xlr direct to your interface.
Also apparently I comment before watching the whole video. lol
Another great vid Rob. Thank you so much for doing these. I’ve been waiting to see how you were gonna run the rig with the TMP and Duncan Power Stage. Did not disappoint and gave me some great ideas as well. Thanks again. 🤘🏼🤘🏼
👊
Rob, not hating on the Tone Pro, it looks and sounds like a great piece of gear, but you really should look into the Line 6 Helix. It does have a larger footprint, but a lot of the cons you feel like this had, the Helix allows you to change/customize, not to mention the amount of affects, amps and everything you can do with it. Anyways, great video, as always, man. 🤘
Right on man- unfortunately I physically cannot go bigger, but I will keep future Line 6 stuff in mind for sure!
That's a sweet setup Rob. I really like what you have running through the pedal board. One thing that I like the most is how many amp heads you have at hand and you can switch from one to another. Which give so many options when your playing live. Is there anything else that you may add to the pedal board ?. And could you use this pedal board to record in your home studio ? Ps Hope to more videos like this.
Thanks Darren! Unfortunately I can't add anything to the pedal board because I'm out of real estate! And yes, it could certainly be used at home, or for any application!
As i said in the other video I love the pedalboards amps, maybe you can try some pedal toppers for the switches, i think they´re really helpful when you step on them in a live situation.
Awsome sounds great rob. Im still hoping and praying for a new chimaira album soon or in the future 🙏🤘💙
Thanks James!
stare at it for weeks like a Jedi configure it with your mind
That's exactly what I did! haha
Hey Rob! Have been a huge fan you are one of my main influences! I would love to see a video of it explaing lead tone creations and your harmony approaches thanks!!
Is there a particular reason you chose the Tone master over some of the other units? Killer setup. 🤘🤘
I've been trying out some Jackson/Fender stuff lately, and decided to give the TMP a try!
Rob just wondering why you decided on the Fender vs other floor units by Fractal, Boss, kemper, line 6 helix, etc..
I've been trying out a bunch of the Jackson/Fender stuff lately, and I had the opportunity to give the FTMP a try. I'm glad I did! Plus, there were no other units I had my heart set on, as I'm new to this world... So whatever I chose, was gonna be my first. And often times, you simply have to dive in, swim around, and then decide what to do or where to go from there. 🎸
@RobArnoldWorld Well said! When I was very first introduced to modelling I was debating on Axe-FX as it's what I had experience with in studio, but I ended up going with the versatility of a Line 6 Helix & Variax combo because of Stevic's demonstrations of how creatively they use it inTwelve Foot Ninja songs.
Great video ! I don’t like the distortion sound but the video is awesome🤙
Can’t wait to hear it live at inkcarceration 🤘🏻💀
The usb C lead goes straight to your computer - the TMP is also the audio interface. Agree about copy and paste but if you save the preset you can save it once and then save it to a new patch which is effectively copying it.
I know, and have been aware of that all along. Everyone is misunderstanding what I was trying to say. My bad though for not explaining it properly.
Love the ergonomics of your rig - what size temple pedal board is that ? I have a Tone master and need something similar ... want to make sure I get the right size.
It's the Temple Duo 24. But it was a nightmare making everything fit! So depending on all you're planning on putting on your board, you may want to go bigger. As you know, the TMP is pretty big. Hopefully using my video for reference will help you make the best choice!
Thank you so much Rob - that definitely helps. In that case, a tone master and a few expression pedals looks like it would not leave much room for anything else.
Sounds really good ; hard to tell it's not a real amp.... From what I understand, there's no tube involved in the signal chain right ? Also, a question about tuning : like you I'm using several tunings and you mentioned in the previous video that you were using the device from the Fender to get down one half step or more.... the thing is, each time I've tried this , I noticed 1) my sound tends to become kinda "chemical" 2) some latency might happen with the computer and I always wonder what would be the consequence in a live situation. Of course, the more you stray away from your "real" tuning (like more than one step and a half), the more chemical you sound gets. On the other hand, you can"t get "light" with your rig on the one hand and take 8 guitars on tour ! One thing we tried with one of my previous bands is downtune everything, like we had a target tuning (for instance : standard D or C) and would play every song with that tuning... BUT that can change the vibe of a song completely and some songs written in, say, E standard, simply don't work in D standard, that makes a huge difference. The good thing with Chimaira is that the bullk of your catalogue uses only one tuning, Drop C... wise move !
Correct- no tubes! With the pitch shifting, I know exactly what you mean. What you're calling "chemical", I refer to as "wobbly" haha.
And the further away you get from your original tuning, the more wobbly it gets. I was pleased to be able to get away with down tuning two whole steps. Yes, there's a little wobble, but it's not a deal breaker for me. With the latency, I noticed some when I was running the TMP into my interface (via a guitar cable, not USB), but there was zero latency when using it with my cab. I believe the latency with the interface was due to multiple A/D conversions happening, which is why they recommend going straight into your computer via USB, bypassing an interface.
Maybe they meant USB out into a computer/laptop that is also connected to an interface?Im confused too, not familiar with any interfaces having a USB IN, only out
I know, and have been aware of that all along. Everyone is misunderstanding what I was trying to say. My bad though for not explaining it properly.
Such a great video! I really like watching you have the joy of discovering a new piece of equipment and how to use it. I thought I heard some Van Halen tonage in there and that saw the 5150 EVH deal, so freakin' awesome! This type of "behind the curtain" stuff is awesome to watch. Keep it up brother! \m/
Thanks dude!👊 And thanks for noticing that I actually did mention and demonstrate the EVH 5150III!
Looks so clean!
To think that you can tour with so much less to carry around now. And you made it sound great. Amazing stuff!
🙏🤘
We been asking for that would be killer!!
Robbo, more Fender Tone Master Pro content, please. The views on this vid is a good indicator that folks want to see it and will watch it.
Copy!
Got this video added to the discussion over on The Gear Page "Fender releasing a modeler: Tone Master Pro" page 429. Hope this adds some more subscribers to your very well shot and interesting channel. Love the "how too" set-up etc......great playing of course. Keep it up.
Hey I appreciate all of that man! Thanks for tuning in and welcome aboard! 🎸
AWESEOME STUFF!!!
PS. Regarding plugging to USB: You will connect the Tonemaster (via USB) to your Computer and it will act as your audio interface and record from there direct. ;)
What is your opinion on the effects on this one, compared to the Digitech rack unit? In this video, the tones you had all sounded very good. It's a shame about the Whammy, but hopefully they can fix it in a future update. The harmonization, down tuning and chorus, reverb and delay all sounded good. I was especially impressed with the down tuning, it seemed to track well but overall, I didn't hear a bad tone in this video.
Hey thanks man- in terms of the FX, compared to the Digitech, the first and biggest thing that comes to mind is how EASY it is to dial in FX on the TMP. Having a visual representation of the actual FX pedals or units, with various perimeter control options, is soooo nice in comparison to the Digitech's archaic interface!
@@RobArnoldWorld Yeah.. the graphical design for this unit is probably the best ever created for a modeller. I'm a big fan of the Digitech effects, they are old now but I've always thought they were great for 4 cable method. It was interesting to see that you were still using them until recently. For this unit, the firmware updates will be exciting as the unit continues to evolve, and I think your suggestions and feedback to Fender have been really good.
Given one of the big selling points of this thing is it being the only Official 5150 III Model, I’m surprised you’re not using those. What about the Uber felt closer to the 6505+, over the 5150 III Red or Blue channels?
That Mesa 5-Band EQ is magical - best when used subtly, but so powerful & very much a Sound Sweetener
Adding it into my chain & giving it the tiniest V-shape, like you - instant magic
The two-signal setup is also just INCREDIBLE - Ever since I saw Gojira doing it in 2012, it’s been my ideal setup. I finally got to experiment with it at a small show in August 2022, and everybody adored the sound, and the sound guy was so happy with how simple setup was, as there was already SO MANY microphones onstage for singers & performers. I’m sticking to it as best I can, from now on
Rob, why didn’t you blend the two amps (5153 and Uber) like on your albums? Ola Englund did a demo of the tone master where he blended two amps/cabs. Might get you closer to the Chimaira tone?
Never really thought much about it before, but I guess I'd say that personally, I feel that if I can't get what I'm looking for out of one amp, then it's the wrong amp.
Please jump on Fractal stuff for Modelling. Its miles ahead of the competition and ever evolving. TMP sounds muffy not sharp, not bad just not great like fractal amps.
Honestly, I hear ya on the muffy vs. sharp. I think/hope I'll eventually solve some of that with EQ as I work with it more and more. As for the Fractal, unfortunately it's too late. I've committed!
@@RobArnoldWorld key word "committed" thats why your the pro and im the Doooough. I shell out money every time a new one comes along and I always go back to what I liked first!! im only a weekend warrior. Thanks for the content Rob!!
Haha hey thanks for tuning in man!👊@@wolvesandguitars
@@RobArnoldWorld Part of the reason it's "muffy" is because Fender goofed up the implementation of how the modeled amp interacts with speakers. When the TMP's virtual cab is bypassed, it also eliminates the modeled speaker impedance curve, which is essential to making the amp model sound right with a solid-state outboard power amp rig. Without it, the amp model becomes dark, muffled, and lifeless. They've more or less acknowledged this problem via their reps in online forums, so hopefully they do something about it in the next firmware update.
Also, I have to say, +1 on the Fractal gear. It's not as intuitive to operate as the TMP, but it's FAR more capable, and its modeled amps sound virtually indistinguishable from the real deal. Its models are in a class of their own relative to the competition.
Regarding the usb... plug it into the computer and the tonemaster becomes the interface
Yep I'm cool on that, but plugging into my interface was what I was trying to figure out. Strictly for the purposes of making the video though... I also have to record my voice, so I'd like everything I'm recording to run into Pro Tools.
@@RobArnoldWorldYou can't connect it to another interface via USB. What Fender meant was that you'll get the highest-quality results by using the TMP as your interface, and skipping your other interface altogether. The reason for this is that every time your signal passes through a modeler or an interface, it has to be converted from analog to digital and back to analog again. The TMP does the first conversion, so if you plug the 1/4" outputs of your TMP into another interface, you've now added an extra, unnecessary round of A/D/A conversion into the chain. This can degrade quality somewhat (although it's extremely small with high quality interfaces).
I know, and have been aware of that all along. Everyone is misunderstanding what I was trying to say. My bad though for not explaining it properly. @@400_billion_suns
First off O H !!!! Second is the v 30 Mike up on the cab or the cream back? Either way it sounds sick . Loving this channel started following you on everything Spotify everything trying to go through your whole catalog make that 6505 sing
Thanks dude! And welcome aboard!🤘
I'm not exactly sure what you mean by your question, but the cab was mic'd up on the top left speaker. It has two Celestion's and two Creambacks in an X pattern, and I'm honestly not sure which is which!
@@RobArnoldWorld yeah I just reread what I just said what I meant to say that cabinet in an X pattern has a vintage 30 and a cream back which one was we hearing either way because I’m looking to do that exact set up in my EVH 2 x 12 and my exact I mean something to pair up with my Warehouse guitar reaper HP so I wasn’t sure what speaker we were hearing in the video stay metal my friend
The compact feel is exactly why I switched to using a Line 6 Helix (which luckily has a 6505 in it). Plus, combined with my Shuriken Variax I basically have a rig that can record ANYTHING haha
Right on! And hey man, thanks so much for joining up as a member! Happy to have you aboard, and I appreciate it big time! 👊
@@RobArnoldWorld No problem! I've been learning so much from you so I wanna be able to give back a bit :) Hell, on my band's last album we ended up with a song that was musically my love letter to Chimaira and featured a shit ton of the tricks your videos taught me haha
@@V3xxe Awesome!
nothing beats having less stuff to carry. my band went digital and we haven't looked back. we use cabs w/ smaller venues, but through the pa is where it's at. hopefully i get to catch you in 24, i have to find a way for you to sign my 600.
It'll be my pleasure!🤘
can you make an update video on how this is working out for you?
Yes!
I have to rewind the video. I thought I didn't hear it right. This unit doesn't have any peaveys.? And it would be easier to work flow into your computer to edit the patches
That's correct. Currently no Peavey models.
Hey Rob! Great video! You have probably figured it out already but you use a USB-C cable to hook it up to your computer, then you can use it as an interface with your DAW. You can record, reamp etc. It is a 4 in/ 4 out. Page 35 of the manual ;)
Thanks man, and I know, and have been aware of that all along. Everyone is misunderstanding what I was trying to say. My bad though for not explaining it properly.
this setup will you use for Chimaira live rig?
Yes!
Run the tube screamer after the gate
@RobArnoldWorld Quick question if you don't mind me asking: Which Templeboard did you buy (length and how many rows)? I am asking because I am looking for the same solution with the only difference being a 2nd expression pedal taking place of the powerstage. Thank you.
I got the DUO 24 in gunmetal! sweetwater.sjv.io/TemplePedalBoards
@@RobArnoldWorldAwesome! Ordered. Thanks.
Odd that it doesn't have a 5150/6505 model.
It's almost a running gag how many companies have brought out a plugin or model of one.
Then again, that might be part of the reason.
5150 emulation is a very oversaturated market, that being said, it's for good reason.
Currently it just has the EVH 5150 III models.
@@RobArnoldWorld Early days I suppose.
I imagine it's in the pipeline for a future update.
I hope so!@@trevorphilips9484
Sounds awesome and to the point.
How are you finding this new setup in a live setting? I ask specifically in the context of the modeller and SD power stage putting out enough volume and, a primary concern and aim for many gear heads, cutting in a live mix against all the instruments as well as competing high gain tube amps like the 6505/6505+?
Excellent questions, and those are the exact answers I'm after myself. But, I haven't yet had the opportunity to find out. Once I actually get in a room with the guys so that I can hear it up against drums, a PA, and other instruments, then I'll know how it's all going to respond. Thus far, it's just been me in my room, and things are sounding great. But some real world testing will reveal it's performance capabilities, and I'm looking forward to finding out!
@@RobArnoldWorld Awesome. Looking forward to learn of your findings in terms of how well this holds to the live experience of your 6505+ rig.
USB into computer playback is thru interface to front of house. Also throw a gate in front of the overdrive and that should fix that noise.
Tried the gate in front of the boost, but it made no difference. Next I'm going to try adding a second gate, perhaps at the end of my chain.
Muddy and undefined.
Guessing you only watched the first 20 seconds?
@@RobArnoldWorld About half of it. Did you eventually fix the mud?
Oh nice shoes by the way!!! I have a lot of Van's.
Nice to see you in action lately
Rob so did u say you can’t access the effects loop on the amp? Cause I want to get one of these but I use a lot of effects thru the loop so if u can’t access that, that may be a deal breaker for me. But let me know, you’d think they set it up so u can use the effects loop on the amp
There are four external FX loops, but I didn't really see any virtual FX loops. So if you're into adding more pedals and things like that, with four FX loops, the possibilities are endless, and you'll be good to go!
@@RobArnoldWorld oh right on, I just use one, for the time based effects, I run those into the loop so I can use em with the dirty channel. I just had surgery so when I’m back to playing shows I gotta lighten my rig, 1/2 of me thought about doing exactly what you are doing, the other 1/2 is thinking about just getting the invective MH head, I have a 100w rack power amp i can turn the 20w of the invective into 100 if need be, but just go with a 212, that and my board. Kinda torn on what to do. But thanks for making the vid.
@@RobArnoldWorldLoops 3 and 4 can be moved anywhere in the signal chain
Yooo Rob i remember finding you on your drop d video a few months ago and with trying drop a b c d I've found the tune i love! Drop Db/C# omggg its awesomeee i use amplitube. The tunin has that perfect balance between d and c
Hey I have a TMP as well and love it-
Question: do have the global EQ on, and if so, do you have it set to high cut?
I noticed you don't have any raspy high end buzzing and your mesa eq is even boosting highs.
so wondering if you are controlling any high end fizz with the global EQ.
No sir, I have not (yet) messed around with the global EQ. I definitely do think it may eventually come in handy. I think maybe I'm waiting until I can use the TMP is a jam session with the band... whether in rehearsals, or live. That will give me better perspective on how to process all of my presets globally.
Maybe the tone master acts as an interface like my line 6 helix
It definitely can! My question was how to run it into my interface via USB. I wish I never would mentioned that though, because it seems to be confusing everyone! 🤣
@@RobArnoldWorld honestly I was looking at my 2 interfaces and I have no USB outs so I’m trying to find the answer. I think it’s cool you said it. Love the grounded take when you present gear cause that’s how all of us gear heads are it’s real life
I appreciate that bro!👊@@KyleEwersMusic
@@RobArnoldWorld You don't run it into your interface via USB. The TMP *is* the interface. You plug it directly into your computer via USB, skipping your other interface altogether. Like most modelers nowadays, the TMP can be its own interface, and streams audio straight to your computer via USB.
I know, and have been aware of that all along. Everyone is misunderstanding what I was trying to say. My bad though for not explaining it properly. @@400_billion_suns
why not fractal? You can have way more options
What about a metal gate? or other noise gate?
I'm using a gate that appears to be modeled after the ISP Decimator!
Wow it really sounds fantastic. I just got my TMP, Im playing mostly through headphones so far but I want to use it live with my band but not sure yet what powered speaker to buy (will also be going to house PA). The powered speaker will make or break the quality of a modeler for sure. Any suggestions?.Im excited about firmware updates going forward! .P.S. I NEVER use a looper.
I don't know much about stand alone powered speakers, but I guess I'd suggest going with the Fender one that was designed to compliment the TMP!
Hey Rob! Just picked up the Tone Master Pro and I was wondering if you’ve gotten to run it through the Power Stage into a cab at live/rehearsal volume yet? Thanks good sir!
Hey Johnny! So I'd yes, that I've ran it at what I "think" will be rehearsal volume, but as many know, everyone is constantly competing for more and more volume at the jam space. So I won't know for sure until I actually get it in the room with the guys, and I'll bet I'll end up having to go louder. But I feel like that's maybe only part of your question? So please feel free to elaborate.
And btw, thanks for joining up as a member! I appreciate it and I'm happy to have ya!
@@RobArnoldWorld Thanks man! I’m curious on what the headroom is like with the TMP into Power Stage at volume. I loved your setup for pushing a cab as well as going right to FOH, so I’m working on something similar for a cover band gig. Definitely let me know how it sounds/feels once you get it cranked. 🤘🏻
Ahh great question... I can't yet say for sure, but in my initial experiments, I feel like the SDPS 200 will not have the headroom I'd like for it to have. It seemed to start clipping with the main knob juuuust past 12 o'clock, or half way up. But I'm not claiming that quite yet, as it could be my gain staging within the FTPM. I could be overlooking something, and more experimentation is needed. I really wanted to get the SDPS 700, which would definitely be more than enough power for two Peavey Invective cabs, but it wouldn't have fit on my pedal board setup, and it was a sacrifice I chose to make. Please stay tuned, and I will definitely keep you posted on what I discover down the road!🎸@@RawkerWorldwide
@@RobArnoldWorld Appreciate it good sir!
Does the board even need the Seymour Duncan set up? Can the TMP not power the cabs stand alone? If not why not swap over to the 70? It’s blacked out and thinner so should sit straight hopefully?
This layout is legit, you pretty much sold me on buying this and doing something super similar. Shits awesome man.
Also any chance of you sharing some of your set ups? Via tone cloud or even just like a video of you showing a set up off.
Either way sick set up man look forward to seeing more of it! 🤘🏼
So... lots to unpack here, but here goes!
So, think of a half stack... There's a head and a cab. The head contains a power amp, and a pre amp.
The pre amp creates your tone, and the power amp amplifies your tone thru the cabinet.
The FTMP, and almost all multi-FX processors like the cortex, or the helix, only contain preamps.
There's enough power within to power studio monitors or headphones, but not nearly enough power to power a cabinet. And so if you want to power cabs, you need a power amp of some kind.
I'm not sure what you mean about "swapping over to the 70". Do you mean the Seymour Duncan Power Stage 170? If so, yes it is smaller, and would fit better on my pedal board set up, but I feared it wouldn't have enough wattage to power my cabs.
Honestly, I don't think the SDPS 200 is even powerful enough. I wanted to go with the SDPS 700, but there's no way it would have fit on my setup.
As for sharing my presets... I'd be happy to, but I haven't yet found a good way to do so. I explored the cloud service thing they have, where dudes can upload and share their presets, but it didn't appear to be what I thought it was. (At least in my initial findings).
It appears you have to upload each preset individually. I'd like something where I can upload my entire preset bank collection to the cloud in one file, so that dudes can download it and load into their FTMP, and have it all set up exactly like mine.
This is something I used to do with my Digitech GSP 1101 that I used for years until just recently, when I switched to this new setup.
I'd simply create file containing all of my units settings, and guys could grab it and upload it into theirs.
So anyway, perhaps what I want to do is already possible and I just haven't figured it out, or maybe that option will eventually become available.
If not, perhaps I will make a video with detailed examples/instructions on how to set up yours, just like mine.
Thanks for tuning in, and good luck with your build!🎸
@@RobArnoldWorld hell yeah man thanks for the response totally makes sense. I’m so used to powered cabs anymore I forget the legit ones need the full arsenal lol. I’m just a bedroom warrior haha 😂 I currently rock the spark go and an frfr cab/speaker. Works for me for now but plan to upgrade in the future with TMP and better cabinet for sure. Miss feeling that speaker rumble lol.
And ya I have heard they will be working on some massive updates for functionality and ease of use soon, so hopefully fender is legit and fixes/adds all the things people are requesting. Does seem like a great one stop shop even tho just needs more added to it. And sounds great from your videos so I’m excited and Look forward to the future of it for sure.
Anyways appreciate the response dude!
Keep kicking ass 🤘🏼 😆 🤘🏼
I'm looking forward to that big update too, and hope they address everyones concerns! Including mine! 🎸@@zachevans3658
@@RobArnoldWorld hey my dude any chance you can do a play through tutorial video for nothing remains? Freaking love that song. Revisited it recently and realized I would love to learn the solo parts! Sounds wicked
I'll consider it! But man... I know I've got video of me playing the solo up close in its entirety somewhere in one of my videos, but I can't remember which one unfortunately. And no pressure at all here, but if you ever wanted to consider joining my Patreon club, I have Nothing Remains, and about 75 other Chimaira songs tabbed out in their entirety, all 100% accurate, and available in both .pdf & Guitar Pro Formats. Check it out! www.robarnoldworld.com/guitartabs @@zachevans3658