Parto, ma tu, ben mio

Parto, ma tu, ben mio from Mozarts La Clemenza de Tito. Vesselina Kasarova (Sesto) and Dorothea Röschmann (Vitellia) with Nikolaus Harnoncourt conducting. Wiener Philharmoniker and the Konszertvereinigung Wiener Staatsopernchor. Recorded live at the Felsenreitschule, Salzburg, August 2003. Buy it on TDK.

[@pampalinipamp1076]

Kasarova such a phenomenal singer with marvelous - unique color of voice!

[@mikeg2924]

This is one of the great voices.

[@drbarbarabaker]

Kasarova has grown on me over the years. One loves her for her over the top performances. She is all there.

[@draganvidic2039]

She is unique especially in trouser roles where her personal timbre really shimmers!
Those low notes are fascinating!

[@ursulaweitgasser7396]

I saw the performance 4’times in Salzburg . Still so precious to me

[@gkopij]

Amazing Vasselina Kasarova! A very captivating performance.

[@gjhardy]

Yes, she is one of my favourites and, I believe, a wonderful person

[@klassikpunk_]

Diese Stimme rührt mich doch regelmäßig zu Tränen. Warum das so ist, kann man auch den Interviews mit Vesselina Kasarova entnehmen. Sie lebt ihren Beruf. Sie gibt alles um dem Zuhörer die Intention des Komponisten zu vermitteln. Das ist ihr wichtiger als jede Technik. Der Sängerberuf ist ihr heilig.
Ihre Zürich Aufnahme hier auf youtube ist meines Erachtens mindestens genauso gut wenn nicht sogar noch besser. Obwohl besser als genial ist schon sehr schwierig.

[@florianomasi3486]

per chi ama mozart e le sue opere, questo è un dvd da comprare a occhi chiusi
tutti strepitosi e con un direttore che accompagna magnificamente i cantanti
tra i personaggi minori vi è anche la garanca

[@CaramelitoFeo1]

Este aria es impresionante. Y su interpretación, sublime

[@theinkbrain]

The best Sesto and the most moving Parto, parto ever.

[@thomasborgsmidt304]

+theinkbrain I don't know if it is the best, but it is certainly good - and right to the voice of Vessilina. And Mozart really puts the clarinettes to the test.

[@theinkbrain]

+Thomas Borgsmidt For me she is the most believable and the most affecting - and the sound - my God!

[@Herman6507]

Biassed by having a weak spot for the talent of Kassarova, I must admit that her rendition of Parto is me favourit

[@theinkbrain]

@@Herman6507 Well then, our hearts beat as one!

[@hezekiahbruce741]

I realize it's pretty randomly asking but does anyone know a good place to watch new tv shows online?

[@kestrelmuse]

many thanks for posting this gj. Such a THRRIlling performance. And to think that Vitellia turned out to be honorable after all. I' ve decided to buy the video in spite of the parking garage set, because I love Vesselina and Dorothea. AND of course the tremendous arias all.

[@cherylfontaine68]

parto ma tu ben mio mozart lyrics
Parto, parto, ma tu, ben mio,
meco ritorna in pace:
farò qual più ti pìace,
quel che vorrai farò.
Guardami, e tutto obblio,
e a vendicarti io volo.
A questo sguardo solo
da me si pensera.
Ah qual poter, o dei!
donaste alla beltà.

[@juliagrigorian4401]

Dorogaja Vesselina, Happy Christmas and a Great New year ahead! I love you, Julia Grigorian .

[@viba1657]

Браво, Васелина!!!

[@vera_seppuku]

she is the best

[@bovnycccoperalover3579]

Garanca was Annio and Bonney was Servilia in this production, which is currently my favorite.

[@claragelao3696]

Bravissima Vesselina!!!!!

[@klassikpunk_]

Die ultimative Aufnahme. Hab schon einige gehört. Große Namen, die ich alle gar nicht explizit ins Rennen werfen möchte. Keine, nicht mal ansatzweise, schafft es derart herzergreifend, die Spannung zu halten, die Phrasierungen derart tiefgehend zu gestalten. Vielleicht noch am ehesten Marianne Crebassa unter Currentzis. Ein Ritartando da, um die Spannung zu hallten, ein etwas zurückhaltender gehauchtes Piano dort. Alles immer auf Spannung, voller Leben und Energie. Natürlich alles basierend auf dem Dirigat eines Meisters, der leider nicht mehr unter uns weilt: Ruhe in Frieden Nikolaus Harnoncourt.

[@bovnycccoperalover3579]

Beautiful voice and dynamic acting. Handsome and Byronic in her manner. Romantic in tone.

[@beatrizdemello3981]

splendid acting skills!

[@simonaparra3608]

Bravissima, emozionante. Usa tutti i colori mozartiani ❤️

[@user-gv5tg4ei7v]

Genious director

[@pendafen7405]

7:10 I love that knowing little flourish as Sesto leaves

[@user-sj9gl4uo6j]

Magnifique interprétation justesse, sensibilité et puissance de cette incarnation sur scène . ma préférée avec celle de Cecilia Bartoli accompagnée par Sabine Meyer au cor de Basset

[@azucenaazucena4279]

Großartig!!

[@pedror.m.chavesneto6265]

Brava !

[@karozenobi5061]

C est Mozart comme je l ' aime

[@andysbg77]

AWESOME!!!!

[@JuliaGrigorian123]

The best Sesto ever!!!
Jesus Christ.

[@godjuliatrump7725]

Vesselina, du bist die beste mezzosopranistin del Mondo. Wann singst du mit mir auf Der buehne???? Love, God Julia Trump

[@theinkbrain]

Just got the Zurich LCDT dvd and I'm curious to see the less heart-felt and more sanguine Sesto of that staging.

[@Dogaradodia]

Zertifiziert intergalaktischen!

[@keesweijens2497]

als ik vesselina kasarova hoor zingen dan is dit het summum van de zangsport want dat is een sport die zo zwaar is.

[@thomasborgsmidt304]

Who's playing the basset clarinette?

[@MrThepresident2009]

Probably Ottensamer sr. or Peter Schmidl

[@projetoaustria]

...

[@paulapalacios2784]

ha ha ha.

[@paulapalacios2784]

I prefer Garanca as Sesto.

[@purtigodo]

...pazza sei d' ogni conforto!

[@bovnycccoperalover3579]

I love both!

[@lartpourlart5223]

It's cool, but... I think someone needs to tell her she's singing Mozart, not Bel Canto, lol...

[@xaviercuevas6142]

coloratura Out of tunning.
she has not the "morbidezza nella voce" to sing belcanto. russian tecnic, hard. no mozart. horrible. Just my opinion.