@@rzimer I knew he recorded Enima with a Les Paul that had a Duncan Invader in it but I didn't know he recorded anything else with it assumed that was the ES 333
Honestly the pickup/guitar combo is pretty unimportant. If you watch the documentary about the recording of the untitled album he’s seen playing everything from a Les Paul to an ES335 to one of Jerry Finn’s (the producer) customized telecasters. It’s more to do with the amps than anything: Jerry used to use two different sounding amps (eg: a Marshall and a Mesa Boogie) at the same time, each mic’d up with two different sounding mics and all blended to make one huge sound
@@User-jk8wq pick ups are nit unimportand. If he would have used single coil it would have made a noticable difference. Its Amp > Pick up > guitar (very little and more about the sustain than the tone)
weird how this guitar track just abruptly ends, where as it's a fade out in the original mastered recording. i guess it's not that weird if this is the board mix....however, the really weird thing is that this guitar track abruptly ends 2sec before the end of the fade out. also kinda weird how the outro as composed is different than the intro, but the outro in this track is just the intro riff. also kinda weird how there's a bunch of layering in the original outro, and non in this.
These are from Rockband, so you gotta have every instrument end on a punch note. Wouldn't feel right playing a fade out, they could probably make it happen but it would be difficult, and the outro track is played the same way, but it's not being played with an open E on the 3rd string note ringing with everything else, I was listening close to that myself, so long story short its no copy and paste lol
I haven't checked all the RB stems for this song, but if there's extra layered guitar at the end missing here, it might be in an 'extras' stem. still don't know why they didn't put the tambourine in with the extra's unless the label sent it to Harmonix like this lol
the ending is the most beautiful part of the song, so many variations and combination
1:45 its very interesting the panning in this section, it gives a big stereo sense
That main riff is wonderful and beautiful haha
Man his tone is so great, just if I had that tone
@@millieguitarcrasher the dirty fingers i'm pretty sure is from gibson
He actually recorded this riff with a Gibson Les Paul Custom
@@rzimer I knew he recorded Enima with a Les Paul that had a Duncan Invader in it but I didn't know he recorded anything else with it assumed that was the ES 333
Honestly the pickup/guitar combo is pretty unimportant. If you watch the documentary about the recording of the untitled album he’s seen playing everything from a Les Paul to an ES335 to one of Jerry Finn’s (the producer) customized telecasters. It’s more to do with the amps than anything: Jerry used to use two different sounding amps (eg: a Marshall and a Mesa Boogie) at the same time, each mic’d up with two different sounding mics and all blended to make one huge sound
@@User-jk8wq pick ups are nit unimportand. If he would have used single coil it would have made a noticable difference. Its Amp > Pick up > guitar (very little and more about the sustain than the tone)
Tom's Tone>>>>>>
super bad
@@andy_182 shut the fuck up
@@andy_182 My boy you probably don't even play guitar lol
Such a sexy song.
weird how this guitar track just abruptly ends, where as it's a fade out in the original mastered recording.
i guess it's not that weird if this is the board mix....however, the really weird thing is that this guitar track abruptly ends 2sec before the end of the fade out.
also kinda weird how the outro as composed is different than the intro, but the outro in this track is just the intro riff. also kinda weird how there's a bunch of layering in the original outro, and non in this.
These are from Rockband, so you gotta have every instrument end on a punch note. Wouldn't feel right playing a fade out, they could probably make it happen but it would be difficult, and the outro track is played the same way, but it's not being played with an open E on the 3rd string note ringing with everything else, I was listening close to that myself, so long story short its no copy and paste lol
I haven't checked all the RB stems for this song, but if there's extra layered guitar at the end missing here, it might be in an 'extras' stem. still don't know why they didn't put the tambourine in with the extra's unless the label sent it to Harmonix like this lol
is that a fucking tambourine in the guitar track? 😁🤘
Yup 🤟🏾🤣 mixed in with the main riff playing in the outro, since it doesn’t thadve its own single stem, the I’m feeling this is mixed in there to
Always guitar solo please.
Official? I call BS. Great recreation though.
You’re joking right 🥹?
This is official obviously