low register flute articulation with Enesco Cantabile and Presto
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- čas přidán 27. 08. 2015
- Help is here for articulating the low register on the flute - a mini masterclass featuring the Cantabile et Presto of George Enesco (aka Enescu). Flutist Nina Perlove plays a gemeinhardt "White" series Generation flute. More free videos at www.realfluteproject.com
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very cool nina keep it up!
It is incredible, for me, that you say to "absorb" the air instead of pushing it out with strength, because several years ago I was in a rehearsal of a clarinet concerto and the clarinetist played so beautiful that I thought "sound like If he was absorbing air instead of pushing it... It is crazy". So I was right!
instablaster
That's so interesting! I'm also a singer and I immediately recognised this tip as something we call 'inhalare la voce'. So basically the same idea! So great to find these similarities after so many years 😊
Very helpful! I've been battling the low register forever, this concept is working!
Oh my that makes PERFECT SENSE. I have previously practiced the enesco alot and that kind of "sucking in the notes" concept is exactly how I began to feel I should articulate the low notes, thanks so much!
what a great teacher! that's definitely going to help
Love her personality. Her concept did really make alot of sense to me. Then again I always had a strong low register. Long tones.
I use your ideas with my advanced flute students. Thanks you Nina!
Laurel Kaiser so glad to hear this are helpful in your teaching.
Wow that actually helped me a lot ! I was having trouble on the low register in carnival of animals , but thinking of sucking the notes puts my embochure to an optimal shape for good staccato! Thank you
Really helpful and easy to understand!
I want to hear more about this concept. I've never heard about it.
Thank
Thanks again Nina! Thanks to you I got a Garner headjoint (big improvement), then dropped in a Tornado Tone Booster (more improvement). As a jazz-guy/doubler/practice-slacker I need all the help I can get!
How does one suck the air instead of blowing... Can you please explain
You just « imagine »
Then you will blow but not too much
WOW.... you are the best FLUTE Teacher on CZcams.... the others are OK but your explanations and examples are really practical and excellent. I have learn so much from you than all the other combine!!!
I've heard this tip before. It never really made much sense. Maybe I was doing anyway without even knowing it. Thank goodness the low register was never really a problem. Thank you Nina. I'm now subscribed to you.
This is an area that I need to work on. I hope you can elaborate soon. Thank you for your help to us.
Thank you for uploading :D
Hi nina, my music director like the sounded of low register I suck in instead out he turn around give me compliments. I didn't know after I saw your video. Thanks
This helped me a lot!!!
Great information thanks rlly helped on my allstate music
So glad it helped!
Very good!
+Osmar Takashi Thanks!!
Hi Nina, do you have more videos talking about this concept? I am very interested. Your lower register is incredible!
exzelent .... very nice feel
She is so sweer and excellent teacher
Great tip!
Can you make a video on piccolo
brilliant !
I am not sure that I get what you mean by "absorbing the air". It is not sucking in; drawing produces no sound. Is more like opening one's throat?
I have trouble with attacking low C, and low B is even more sluggish. I love your tip about popping the G finger for an attack. (Takes practice). That sounds like it is borrowed from beat box.
My Yamaha Allegro flute responds pretty easily on low B and low C, but my Boston Legacy (which I use almost exclusively because it has a darker sound) has a very slow attack on low B and low C. So I really need to strengthen my technique on those notes. When I add my low B-flat extension, I need to work even harder to get that note.
Gracias, linda.
I really like the low register of the flute ! I love to play low notes ! It sounds so beautiful ! I can feel the air in my flute with my fingers, I love this feeling ! But I don't make many articulations when I play in the lower register.
(Sorry if my English isn't so good)
Dont worry. Your English is great.
It's perfect to play everything if by you! Good character, Good figure,you are perfect!
But I don’t think I understand how sucking air in can produce a sound. But I am very interested and would like to hear more. Thank you 🙏
When Nina played the lower octave with the right articulation I was like "OWO"
Why does your right cheek move during your vibrato? I though with the embouchre, the cheeks were supposed to be completely still and stiff?
NoteCrafter Videos whatever sounds good
I had one instructor suggest that as well, but for the most part I think most agree that supple cheeks=good resonance.
qual flute wood recomendaria
entre a SANKIO ? YAMAHA 894 ?
PLEASE. SONIDO MAS BELO QUAL DELAS ?
I much prefer the Gemeinhardt handmade with the RS2012 scale - this is what I prefer and play: www.gemeinhardt.com/kurt-gemeinhardt-theninaperlove-handmade-flute.html
What about a C# D# trill. This seems to be impossible on the flute. Or there might be a work-around on the middle and upper register but not on the lower register so far as I can tell.
I'm trying so hard to understand this bc I have all state auditions but I don't get what you mean by "sucking in". Can you help me with that?
suck, pull on, crumple, tousle... got it ?
Hi Nina,
Do you teach online?
thank you so much! and you are so beautiful)
I wish I found this video before yesterday I literally just had solo and ensemble with this piece
Pleeeeeeease..... portuguese subs..... there are no videos whith flute lessons...
The 2nd "d" is not in the 2nd register. Because it's vented, i.e. l.h. 1 is open, it's still in the 1st or fundamental register. If it's played like a low register note, there will be no problem in making the descending octave. When students believe that they're changing registers for that octave, that's when the low "d" doesn't speak easily.
I couldn't help but notice your cheek puffing when you were playing, I kind of try to achieve the same sound by quivering my lip, is that good or bad to do or does it not necessarily matter?
It's not something I started doing purposely it's just something that developed over time.
Skyla Chambers you use ur lips for vibrato..?
Yes.
Direction is the thing ...blow more 'down' into the chimney so to speak. This is quite difficult ...I have pains to show!!
I don't how you can make a sound sucking the note in?
I just bought a flute and I want to be good as you. I just subscribe
I don’t get how sucking in makes a note
Kkk moro no Piauí Brasil,assisto suas aulas de flauta e gosto, não entendo o que você fala,mas entendo as notas ,é toca minha flauta,ok obrigado
João pereira Lima Filho Obrigado por assistir meu vídeo!
Possibly in love
Very awesome way to describe it, to imagine sucking in very very nice and helpful.
Edit: I imagined someone actually breathing and sucking in
I'm having trouble getting low C out loud is there any way I can get it out without making it go high???
Nina hasn't replied yet, so I'll reply from my point of view. I think Nina would say you should suck air in. I would say that playing loud in the lower register is not about blowing more air; it's about perfectly angling the air. I would recommend for you to practice the low C and other low notes while looking in the mirror. Find the best angle of blowing for each note at each dynamic. You may find that you actually need more air to play soft, but that you have to angle the air more across/up and less down into the hole, whereas to get the loudest low C you can play, you need way less air than you think but have to angle it down below the bottom of the far wall of the embouchure hole.
Also, if you are having unusual trouble in getting the low C out in general, take it to a flute repair person, because the fault could very well be in a leak in the pads, not the player.
Yaneese Baldwin just practice, you'll figure it out within 7 days if you show commitment. if ur not willing to practice until u get it well, try the other guys comment for direction.
Yaneese, perhaps you've solved this problem, but in case you haven't, I'll respond, too. 1) Low notes, esp C, are next to impossible if there are any leaks in your pads or if you've got an open-hole flute and aren't covering them completely. 2) If that isn't the problem, try a) dropping your jaw a bit and b) thinking of directing your air stream down more than you normally do, almost at your chin. I recently got a Pneumo Pro (www.blockiflute.com/Pneumo-Pro-_p_1.html), which is a device that helps you to understand where and how to direct your air stream to get different octaves. Even though I've played flute for a long time, I was surprised at how far down you really need to direct the air stream to get low notes, almost as if you're blowing into the embouchure hole rather than across it. My lower register has become easier and more secure now that I understand that more clearly.
@Deanna K Thank you-this helped me a lot! But, when I angle my air down that much my intonation goes waaay down (like 40 cents), and I can't find a way to counter that. Any tips? Thanks!
too abstract...
Rachel Maddow left politics :D...Thank you!
1:24 ...... your a floutist (fl- OW!- tist) .... not a flutist. xDD lol
My God, what a commanding presence you have….all without the vulgarity of being overbearing and with consummate professionalism and femininity.
Less talking more fluting