Best teaching on classical music I face so far..not hiding any and that is d best charm to learn from U madam out of my personal learning from a nice local guru.
The lectures are useful both for learner's and listeners. With some basic knowledge a listener can enjoy the classical music. Grateful thanks to the organizers and the lecturers.
Excellent coaching ! So much of clarity in your explanations even for a French speaking person like me. Please keep it up so as to keep classical music alive. Thanks.
Sarita Pathak Ji, Namaskar!! Outstanding Explanation!! Your SA here is Black 4 or G sharp of Mandra Saptak. I just practiced all your SURs of this Raga on my Flute with G Sharp base and it sounded very good. I learnt a lot here. You have explained Chalan of this Raga very well!! Thanks once again. Regards, Dr. Kamath
Madam, Dr.Sarita Pathak Yajurvedi, After retirement I have been learning Karnatik & mostly Hindustani music (8 teachers) for about 10 years..I have Scale Changer Harmonium, electronic taanpura, & tabla,Notes,.X-rox materials,. library of more than 500 books (Ratnakar, RaaNa Kumbha, Pt. Bhathkandeji to Present day, Hatras Sangeet magazine, music books from Hampi, Varanasi, Allahabad, Prayag, Gwalior, Mysore, Ajmer, Bangalore,Gadag,Delhi, Chandigarh,Mumbai, Pune etc in various languages. ........But I was not able to grasp anything. It was mu-sick.! A big Zero.. I have been desperately searching for a teacher who can enlighten me, such music lessons as yours.. In vain, I was about to stop learning music.,like Naysa (as per book by Dr.A K Dey the book I liked very much) according to ancient authors- Not on last note but Nyasa on my Music itself. .Now I got what I wanted . (learning Tal also) A novel , exhaustive, all in one systematic learning. What a clarity. Ultimate in teaching. Nobody can teach better than this. I got full confidence now. Now I Can never dream of stop learning music lifetime. I am grateful and should thank you from my heart for kindling interest in music.I am pursuing music vigorously. Now life is interesting... ....... .We expect more such lessons on more and more ragas. . .. Thank you madam.🙏. ... K V Mallya Bangalore.
Venkatesha Mallya Venkatesha Ji it took me some time to react your observations. Hats off to you for your patience and RESEARCH. you are most welcome to communicate any time at: saritayajurvedi@yahoo.co.in with kind regards Sarita
Whats wrong with Debu-(below) this is excellent teaching and whats more its for free. Change your negative attitude otherwise you will not learn anything in music.
A dated reply, but may help others with a similar need. Some important points, in English, as told by the teacher (!). I would have loved to have such a teacher! Summary points in English It is a very important raga because its bhaav (mood) can be found in use in many other forms of songs like dhrupad, khayaal, taraana, geet, ghazal, bhajan but not in tumri or dhadhra and is also more famous as sarang raag. Its origins can be said to be from the kaafi thaat. There are five swaras used in this raga, in aaroh and avaroh - sa, re, ... , ma, pa, ...., neee. There is no use of 'ga' and 'dha' in this raga. This paragraph is not from the video but a derived interpretation. Quite possibly, linguistically, this raga caused the vidhwaans (the learned) to name the donkey (the animal that makes the most excruciatingly ungainly and ugly sound in ugly tones) as 'gadhaa'. The 'vaadhee' swar is 're' (the 're' is more powerful, prominent or stressed or commands the flow of the other swars - in this context, it commands 'ma') and 'samvaadhee' (accompanying note - accompaniment) swar is 'pa', a kind of a minister that helps minister the other swars. A raga is made of what is called swar sangathee (compilationof swaras) or swar maala ie., the stringing of the seven swaras - sa, re, ga, ma, pa, dhaa, ni... - within the rules as defined by various parameters like thaat, bhaav, bandhish, tehraav, alaap etc. (Aaroh - ascending) Ni, sa, re, ma, pa, ni, saa saa, ni, pa, ma, re, ni, sa (avaroh - descending) so the 'ni' is 'komal' (subtle soft) till it reaches 'ma'dhyam; in aaroh, the 'ni' is shudh (clear) This raga is best sung during the mid-day due to its mood that is melodious, bubbly and decorative but not serious as it is believed that one's mood is lighter during the mid-day although others say, this raga's mood comes out well in the 2nd half of the day. This raga's speciality or essence is in the 'ni' that is used in both forms - shudh and komal. Raga 'Sur malhar' is close to this raga. The emphasis swara in this raga are in the vaadhee and the samvadhee swaras, obviously, as well as on sa, re, pa. Even when tuning the Tampoora (played in the background), they are tuned on the 'sa' and 'pa' swaras (hope this is correct :p). Aaroh and avaroh simply form a template for the raga. For a raga to be recognizable in its form (like a constellation), the swara formations, their modulations, their movement from one swara to another, the starting swaras manipulations and vocal renditions (as in a komal or a shudh form in an avaroh or aaroh) are important to be followed as per the defined rules of the raga.
Namaste Saritaji 🙏 I am so so grateful to have come across a teacher as you. I would like to learn hindustani music properly, I live in Bangalore. Could you please guide me how I could learn and get degree, etc.
Best teaching on classical music I face so far..not hiding any and that is d best charm to learn from U madam out of my personal learning from a nice local guru.
Teacher who teaches with heart. Therefore, winninng her listeners. Salute to you mam.
🙏
Wow... what a great explanation of raag... 👌👌👌
बहुत-बहुत धन्यवाद मैम। माँ सरस्वती का विशेष वरदान है आपको। ईश्वर आपको हमेशा स्वस्थ और दीर्घायु रखे।
धन्यवाद
The lectures are useful both for learner's and listeners. With some basic knowledge a listener can enjoy the classical music. Grateful thanks to the organizers and the lecturers.
Khupach chhan samajle
इतना मधुर गायन अद्भुत कृपा है साक्षात मां सरस्वती जी की कृपा का अनूठा उदाहरण हैं आप, मंत्रमुग्ध हैं सभी। आपको सादर नमन आचार्य जी।
Thank you mam ....Aaroh or awaroh ko itne achhe se explain kiya... thnq...so much
Excellent!!!!! Very Useful And Informative. Can't Every Guru Teach Like You Madam? Thanks A Million!!!!
मॅम बहुतही सुंदर स्वर विस्तार सीखाया है. आपकी आवज भी बहुतही सरकली है मेरे पास जादा शब्द नही है
Love तिम्रो सिन्गिंग thank you mam
really appreciate this Sarita, very detailed and in depth explanation of the raags.
Excellent coaching ! So much of clarity in your explanations even for a French speaking person like me. Please keep it up so as to keep classical music alive. Thanks.
thanks for the compliment
sarita
Very good lesson mam. Thank you ji.
How do you understand her lol
You need to study Indian classical music first.
Wow, so many details. Thank you very much!
પ્રણામ 🙏
ખૂબ સરસ રીતે રજૂ કરવામાં આવે છે.
ધન્યવાદ. 🙏🙏
From .Ankleshwar ( ગુજરાત )
Wonderful, educative LecDem. Great voice! Thank you.
Aap bhut acha explain karti hai thanks aap se bat jaise ho sakti hai please
Great for beginners 🙏🏻 thank you so much Mam
Respected Madam
Have you making a vedio as per Akhil Bharatiya Gandharv exam pattern , specifically for paraveshika Poorna exam as per exam syllabus.
Sarita Pathak Ji,
Namaskar!!
Outstanding Explanation!! Your SA here is Black 4 or G sharp of Mandra Saptak. I just practiced all your SURs of this Raga on my Flute with G Sharp base and it sounded very good. I learnt a lot here. You have explained Chalan of this Raga very well!! Thanks once again.
Regards,
Dr. Kamath
nrkamath43211
Thanks for the appreciation
Sarita
Thank you very much, God bless you 🌹🌹🙏🙏🙏
Madam ! Iss mein ma b dono lag rahe hain?
atleast they are trying to keep classical music alive thru this...appreciate
excellent for riyaz, also superb for beginners. Thank you for your efforts.
🙏🙏नमस्कार ताई 🙏🙏
खूपच मस्त 👌👌 प्रत्येक राग बुद्धीत फिक्स बसतोय.
Thanks A Million 🙏🙏
great lesson raag Vrindavani sarang thank you
I know Im kinda randomly asking but do anybody know a good website to watch new movies online ?
@Nash Tyson i watch on Flixzone. You can find it by googling :)
@Gregory Abraham Yup, have been using FlixZone for since march myself :)
@Gregory Abraham Thanks, I signed up and it seems to work :) I really appreciate it !!
@Nash Tyson No problem xD
sairam mm 🙏 thank you so much for sharing
how do you sing this Raag by aakar singing ? can casio be useful in place of harmonium?
धन्यवाद
Detail me सुंदरता से सिखाने के सलए
sarita maam is there any possibilty of trainning in music online
Pronam ma'am ...A great teacher and as well as great sangeet guru...
Ap Kamal ka teach krti ho mam
Thanks
Thanks Madam !!Love listening to your very informative lectures!!
Madam, Dr.Sarita Pathak Yajurvedi, After retirement I have been learning Karnatik & mostly Hindustani music (8 teachers) for about 10 years..I have Scale Changer Harmonium, electronic taanpura, & tabla,Notes,.X-rox materials,. library of more than 500 books (Ratnakar, RaaNa Kumbha, Pt. Bhathkandeji to Present day, Hatras Sangeet magazine, music books from Hampi, Varanasi, Allahabad, Prayag, Gwalior, Mysore, Ajmer, Bangalore,Gadag,Delhi, Chandigarh,Mumbai, Pune etc in various languages. ........But I was not able to grasp anything. It was mu-sick.! A big Zero.. I have been desperately searching for a teacher who can enlighten me, such music lessons as yours.. In vain, I was about to stop learning music.,like Naysa (as per book by Dr.A K Dey the book I liked very much) according to ancient authors- Not on last note but Nyasa on my Music itself. .Now I got what I wanted . (learning Tal also) A novel , exhaustive, all in one systematic learning. What a clarity. Ultimate in teaching. Nobody can teach better than this. I got full confidence now. Now I Can never dream of stop learning music lifetime. I am grateful and should thank you from my heart for kindling interest in music.I am pursuing music vigorously. Now life is interesting... ....... .We expect more such lessons on more and more ragas. . .. Thank you madam.🙏. ... K V Mallya Bangalore.
Venkatesha Mallya
Venkatesha Ji
it took me some time to react your observations.
Hats off to you for your patience and RESEARCH.
you are most welcome to communicate any time at: saritayajurvedi@yahoo.co.in
with kind regards
Sarita
Thanks for your appreciation 🙏
bahut bahut shukriaya n that was great!!!
Thanks ..mujhe bahut kucu seekhne ko mila...... My favorite raag....
डाॅ.सरिता जी आपको सादर प्रणाम ।
Thank you so much for this video.
Very good knowledge 👌
Mam, can you please provide raag Bhairavi
Great clarity about vadi samvadi.bahut ache se samjhaya hai
मनापासून धन्यवाद..🙏🙏🙏🙏
मॅडम आपण खूप छान पद्धतीने समजवता..🎼🎹🎼🎹🎵🎶🎤🎶
खूपच सुंदर लेक्चर..👍👍👌👌
Aap samjate to samaj hi jata .excellent teaching style 🙏🏼
आपका समझाने का तरीका बहुत अच्छा है
Apne bahot hi sundar ritse samjaya mam
Nice
Thank you very much ji
very nice explanation👌thanks
Kindly upload more such videos
OutStanding teachng
Mam kya hum pancham se directly taar saptak ke rishabh par ja skte hai ??
Whats wrong with Debu-(below) this is excellent teaching and whats more its for free. Change your negative attitude otherwise you will not learn anything in music.
Great effort
Thankful 🙏🏻
What a brief lecture many thanks.
Super class mamm👌👍🥰🥰🥰
Mam aapki explanation bohot achchese hoti hai
Namaste madam, Very very good teaching mathed
Very nice information
Thanks
Bahut achha danghati. Hain apna apana vagy. Hota hai mai ekkkhohme hue sir app Akash me chamakte rahen thanks
Wah bahut khoob Sarita ji, it's very much informative 👏
Listening again and again... Very Nice upload
mam ap bahut hi achche se sikhti hain
ap ka jawab nahi hai
sagar singh sagar
dhanyavad
Thank you for giving us important lecture about raaga Vrindavani sarang.
Dr. Sahiba, what scale is your tanpura set to in your lectures?
Is raga sarang is different from vindaabani sarang please tell anybody
No, both are same
Thank you so much sarita mam for this amazing lesson
Please english sub title the main points or write english description of the lecture content.
will keep in mind
A dated reply, but may help others with a similar need.
Some important points, in English, as told by the teacher (!). I would have loved to have such a teacher!
Summary points in English
It is a very important raga because its bhaav (mood) can be found in use in many other forms of songs like dhrupad, khayaal, taraana, geet, ghazal, bhajan but not in tumri or dhadhra and is also more famous as sarang raag. Its origins can be said to be from the kaafi thaat.
There are five swaras used in this raga, in aaroh and avaroh - sa, re, ... , ma, pa, ...., neee. There is no use of 'ga' and 'dha' in this raga.
This paragraph is not from the video but a derived interpretation. Quite possibly, linguistically, this raga caused the vidhwaans (the learned) to name the donkey (the animal that makes the most excruciatingly ungainly and ugly sound in ugly tones) as 'gadhaa'.
The 'vaadhee' swar is 're' (the 're' is more powerful, prominent or stressed
or commands the flow of the other swars - in this context, it commands 'ma') and 'samvaadhee' (accompanying note - accompaniment) swar is 'pa', a kind of a minister that helps minister the other swars.
A raga is made of what is called swar sangathee (compilationof swaras) or swar maala ie., the stringing of the seven swaras - sa, re, ga, ma, pa, dhaa, ni... - within the rules as defined by various parameters like thaat, bhaav, bandhish, tehraav, alaap etc. (Aaroh - ascending) Ni, sa, re, ma, pa, ni, saa
saa, ni, pa, ma, re, ni, sa (avaroh - descending) so the 'ni' is 'komal' (subtle soft) till it reaches 'ma'dhyam; in aaroh, the 'ni' is shudh (clear)
This raga is best sung during the mid-day due to its mood that is melodious, bubbly and decorative but not serious as it is believed that one's mood is lighter during the mid-day although others say, this raga's mood comes out well in the 2nd half of the day.
This raga's speciality or essence is in the 'ni' that is used in both forms - shudh and komal. Raga 'Sur malhar' is close to this raga.
The emphasis swara in this raga are in the vaadhee and the samvadhee swaras, obviously, as well as on sa, re, pa. Even when tuning the Tampoora (played in the background), they are tuned on the 'sa' and 'pa' swaras (hope this is correct :p).
Aaroh and avaroh simply form a template for the raga. For a raga to be recognizable in its form (like a constellation), the swara formations, their modulations, their movement from one swara to another, the starting swaras manipulations and vocal renditions (as in a komal or a shudh form in an avaroh or aaroh) are important to be followed as per the defined rules of the raga.
Thanks madam
Amazing lesson
Amazing teaching
Regards for the lesson
Do you teach online??
Thanks for your appreciation
Awesome😊
we need a lot of lessons from Mam
Wonderful 🙏🙏🙏
Thanks a lot for this excellent lecture. Could you kindly give a similar lecture on Gaur Sarang?
Namaste Saritaji 🙏 I am so so grateful to have come across a teacher as you. I would like to learn hindustani music properly, I live in Bangalore. Could you please guide me how I could learn and get degree, etc.
Please communicate at saritayajurvedi@yahoo.co.in
dear madam bahot badhiya. learning many many things
Raju Shinde
Thanks
Sarita
Beautiful
Best maam
🙏🙏🙏
thanks...a very big thanks to you....for sucH a good outstanding lessons
This is incredible teaching
Pranam🙏💐thank you so much for this video 🙏🙏
Thank you main, Malik apko humaishan khush rukhy
This is simply great. There should be similar lectures for many more Raags.
czcams.com/play/PLNsppmbLKJ8I4-5ZUsJveXbesttoM0b15.html
czcams.com/play/PLNsppmbLKJ8Lngr9onmYkdqy9So_Jq-sA.html
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@@SaritaYajurvedi Thank you Maam!
🙏💐
Thanks a lot ! puro ragrup chobi r mato lagche
You teach very beautifully..👍👍👍👍👌👌👌👌
Nicely explained 👌 only doubt I always have is why the Thaat is Kaafi? There is no komal gandhar in the Raaga. I feel the Thaat shoul be Khamaj.
Ban ban dhudan phir say gakar bhejey maam please
Great explanation mam.... Thanks a lot
awesome raag
Namaskar 🙏🙏thank you so much for sharing this video 💐💐
❤🎉🎉
thanks a lot all the team and maam
मॅडम/सर
मांज खमाज राग के बरे मे कूच विडिओ बनावो ना
🙏🙏🙏♥️♥️♥️
02:26
11:13
11:40
Very nice explanation thank you
very good Pranam Ma ji please daily Practice it's my request.
thanks every one
Great rag Vrindavani Sarang
Details nicec song.
Thank you mam
very useful tutorial mam thanks