⚫️Black Orpheus - Scale options
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- čas přidán 7. 08. 2024
- 🎵In today's lesson I share 4 levels of soloing over the latin jazz standard Black Orpheus. These range from beginner to intermediate choices. Today I cover:
🔴Level 1: Pentatonics and how to create melodies
🔴Level 2: The Blues scale
🔴Level 3: The harmonic minor and natural minor
🔴Level 4: A combination of the above
Black Orpheus chord/ harmony lesson: • ⚫️Black Orpheus Jazz G...
👍Enjoy the lesson and see you every Wednesday and Saturday.
🔔SUBSCRIBE: For jazz guitar lessons every Wednesday. Don't forget to hit the notification bell to be informed of my next video. / @jazzguitarwithandy
❤️️COMMENT: If you've gained value out of today's lesson or have any questions or comments then please leave them below and I will get back to you.
▶ WATCH NEXT: • Honeysuckle Rose Jazz ...
▶ PLAYLIST: • 🚂Take the A Train Jazz...
EQUIPMENT USED TO MAKE THIS VIDEO: 1977 GIBSON L5CES and Fender '65 RI Deluxe Reverb
This standard has such a strong melody and great changes to play over! Let me know if you have any questions, comments or feedback on this lesson. Andy
Since I discovered your channel, my guitar life hasn't been the same!
That's awesome Joshua, glad to be of help! Out of interest are there any particular topics you'd like to see me cover?
Found this extremely helpful!
Glad to hear it!
Really handy content my friend, also for a horn player like me! Subscribed 8)
Cheers for the sub
Greater video!
Thank you James
Cool video lesson. Have a good day
You too Deedee Files.
Amazing!! Just...AMAZING
Thank you :)
Great
Nice Stochelo quote at 9:50 Andy 👍👏
Love a bit of Stochelo!
Thank you very much for your lessons ! add: I would like to see some Improvisation ideas on confirmation of Charlie Parker, really need some input for more vertical jazz songs
Thanks for the feedback Noah. I'm currently planning my videos till the end of the year so will try and factor that in.
Very good Andy, really very good. A question, pls... why don't you keep the Gm penta over the A7b9? Both Em7b5 and A7b9 are Dm harm scale, isn't it? Is due to the C#?
It's already commented below... sorry to question again.
No problem - you're very welcome :)
Thanks from Brazil!!! I needed this class, man
No worries Kelvin. Thanks for checking out my video!
Any chance of sharing that backing track? Thanks!
Sure Josh, drop me an email and I can send it to you
Why are you using Bbm over A7b9? How does it work?
A7b9= A C# E G Bb
Bbm = Bb Db/C# F = A7b9#5 sound
Even better is Bbm6 which gives you the G too.
@@jazzguitarwithandy i was thinking how A7b9 relate to Bbm pentatonic. It's not in this scale
I follow you now. It’s the same kind of principle though. Either using a Bbm arpeggio or Bbm pentatonic gives you an A altered sound. It’s all about how the intervals of Bbm give you outside sound over an A.
Bbm pent over A =
Bb=b9
Db= maj 3rd
Eb = b5
F= #5
Ab= 7
@@jazzguitarwithandy thank you so much, i never knew about it
@@jazzguitarwithandy maybe you'll do video about it? How to choose scales to play above chords, how they relate with each other. Is there some rules?
A little bit to fast spoken 😂.
Sorry! You can always change the speed in the settings...
logic is not the strength of white jazz musicians..
xerxes For me the logic of learning jazz is like learning a language. It takes time to absorb phrases, to start with it’s helpful to know some of the tools, but to truly speak it you have to immerse yourself in it and then learn to say your own thing with it. I’m always interested in takes in trying to teach this wonderful music. Your comment is appreciated but come on, explain yourself fully man!
Bro you are a white jazz musician